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Michael Moore's 'Capitalism: A Love Story'
What the director's new documentary has to say about the financial crisis
M

ichael Moore's new documentary Capitalism: A Love Story is "an urgently important piece of work," said Marshall Fine in The Huffington Post. This time around, the director of Sicko, Bowling for Columbine, Fahrenheit 9/11, and Roger and Me takes on the current financial crisis, and the result is "a scathing indictment of modern America's 'me first' approach to the social contract" (watch the Capitalism: A Love Story trailer).

Capitalism: A Love Story "is raw and emotional" at times, said Michael Corkery in The Wall Street Journal, "regardless of Moore's politics." But it's too bad "Moore tells only part of the story." He doesn't bother to "criticize the homeowners who displayed their own greed in taking out unaffordable mortgages," and he "doesn't address the bailout of the auto industry, where his family once made its living."

All that Capitalism: A Love Story proves is that "demagoguery can come as easily from the Left as from the Right," said John Anderson in Newsday.com. Moore's new film is "a jerry-rigged jeremiad about free enterprise that hands up some very legitimate indictments, without really making a case." And Moore "has too much contempt for his audience to think they'd understand anything beyond the cartoonishness that is Capitalism."

Also opening this week: Surrogates, Fame

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