Directed by Gus Van Sant (R)
A teenager is troubled by the thought that he may have caused a man’s death.
Paranoid Park is a “modestly scaled triumph” for director Gus Van Sant, said Manohla Dargis in The New York Times. In this “haunting, voluptuously beautiful portrait” of disaffected youth, a teenager named Alex inadvertently causes the death of a security guard in the railroad yards near a skating park. With no one to confide in, Alex becomes a prisoner of his own mind, burdened by moral confusion. Adapted from Blake Nelson’s novel and reminiscent of Dostoyevsky, Paranoid Park plays like a “still-evolving film unwinding in the boy’s head.” Van Sant offers more than a psychological analysis; he examines the “byways, dead ends, pitfalls, and turning points in the geography of conscience.” The film is “almost purely an aesthetic experience,” said Andrew O’Hehir in Salon.com. Though he keeps the action grounded in stark realism, Van Sant has created an “aural and visual construction whose landscapes are interior, meditative, and psychological.” Van Sant has made a career chronicling “teenage anomie,” said Joe Morgenstern in The Wall Street Journal. With Paranoid Park, he offers fresh insight into a “familiar state of being.”
THE WEEK'S AUDIOPHILE PODCASTS: LISTEN SMARTER
- Obama just kneecapped Jeb Bush and Chris Christie's 2016 prospects
- It's official: The religious right is calling it quits
- 43 TV shows to watch in 2014
- The dangerously childish morality of liberal ObamaCare supporters
- How to be the most productive person in your office — and still get home by 5:30 p.m.
- 10 classic Sesame Street moments we wouldn't show today's kids
- How science is accelerating our search for alien life
- Why insects are the future of food
- The real story behind Deliver Us From Evil
- The Hunger Games: Mockingjay — Part 1: 10 major differences between the book and the movie
Subscribe to the Week