Girls on Film: It's time to push back against 'sexy' costumes for girls

In recent years, the Halloween costume industry has pushed 'sexy' costumes that hurt boys and girls alike. Enough is enough.

Mean Girls
(Image credit: (Facebook.com/Mean Girls))

There's never been a better time to celebrate Halloween. The internet has allowed eager costume-makers to share their ideas and DIY instructions with the rest of the world, from the horns of Maleficent to the bloody saw blades of Cabin in the Woods' Fornicus. The meteoric rise of geek culture had made the mix even sweeter, with a never-ending stream of cosplayers displaying impressive, custom ensembles, from transformable Transformers costumes to Ghostbusters fully equipped to bust ghosts.

Unfortunately, those costumes are only available to those with the time and skill to make them. Hit any of the shops that pop up every year to sell mass-produced costumes, and the conceit flips. It is no longer about embodying a character. It's about being sexy.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
To continue reading this article...
Continue reading this article and get limited website access each month.
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Not sure which email you used for your subscription? Contact us
Monika Bartyzel

Monika Bartyzel is a freelance writer and creator of Girls on Film, a weekly look at femme-centric film news and concerns, now appearing at TheWeek.com. Her work has been published on sites including The Atlantic, Movies.com, Moviefone, Collider, and the now-defunct Cinematical, where she was a lead writer and assignment editor.