Crazy Rich Asians tops weekend box office

Crazy Rich Asians wins at the box office
(Image credit: Astrid Stawiarz/Getty Images for SiriusXM)

Crazy Rich Asians beat shark movie The Meg to take the top spot in its opening weekend, bringing in $25 million in the U.S. box office versus $21.2 million for The Meg and $13.6 million for the No. 3 film, Mile 22. Crazy Rich Asians is the first romantic comedy in three years to win at the box office and the first major Hollywood film with an all-Asian cast since The Joy Luck Club in 1993. The film made $34 million in five days, easily recouping the $30 million it cost to create. "This movie is so culturally significant and so unique in that there hasn't been a cast that's predominately Asian [in years]," said Jeff Goldstein, head of U.S. distribution for Warner Bros. "This is one of those few projects that a whole studio comes together with lots of passion."

The Kevin Spacey-helmed Billionaire Boys Club fared considerably worse, taking in just $126 on Friday, its opening day, and $162 on Saturday.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
To continue reading this article...
Continue reading this article and get limited website access each month.
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Not sure which email you used for your subscription? Contact us
Peter Weber, The Week US

Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.