<?xml version="1.0" encoding="UTF-8" ?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>The Week: Most Recent movies</title><link>http://theweek.com/supertopic/index/47/movies</link><description>Most recent posts.</description><language>en-us</language><pubDate>Fri, 16 Nov 2012 12:08:00 -0500</pubDate><image><link>http://theweek.com</link><url>http://theweek.com/images/logo_theweek.png</url><title>Most Recent movies from THE WEEK</title></image><lastBuildDate>Fri, 16 Nov 2012 12:08:00 -0500</lastBuildDate><item><title>5 shameless attempts to make the next Twilight</title><link>http://theweek.com/article/index/236542/5-shameless-attempts-to-make-the-next-twilight</link><guid isPermaLink="true">http://theweek.com/article/index/236542/5-shameless-attempts-to-make-the-next-twilight</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0087/43533_article_main/the-final-twilight-film-breaking-dawn-part-2-opens-nov-16-as-hollywood-struggles-to-transition.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;The fifth and final &lt;em&gt;Twilight&lt;/em&gt;&amp;nbsp;film, &lt;em&gt;Breaking Dawn: Part 2,&lt;/em&gt; arrives in theaters today, bringing a glorious age of hunky werewolves and sparkly vampires to a close. For the past five years, the &lt;em&gt;Twilight&lt;/em&gt; franchise has drawn hordes of devoted tweens to movie theaters and f&lt;span dir=&quot;ltr&quot; id=&quot;:52&quot;&gt;ans are hungry for the next great paranormal romance.&lt;/span&gt; But if Hollywood has found itself without a clear successor to the franchise, it&#039;s not through lack of trying. Here, 5 shameless attempts to make the next &lt;em&gt;Twilight&lt;/em&gt;:&lt;/p&gt;&lt;p class=&quot;p1&quot;&gt;&lt;strong&gt;1. &lt;em&gt;I Am Number Four &lt;/em&gt;(2011)&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;I Am Number Four&lt;/em&gt;&amp;nbsp;stars Alex Pettyfer&amp;nbsp;as a broody romantic who bears more...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/236542/5-shameless-attempts-to-make-the-next-twilight&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 16 Nov 2012 12:08:00 -0500</pubDate></item><item><title>Premium Rush: Finally, a great CGI-free action movie?</title><link>http://theweek.com/article/index/232395/premium-rush-finally-a-great-cgi-free-action-movie</link><guid isPermaLink="true">http://theweek.com/article/index/232395/premium-rush-finally-a-great-cgi-free-action-movie</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0082/41213_article_main/joseph-gordon-levitt-plays-bike-messenger-wilee-in-premium-rush-and-even-does-some-of-his-own-stunts.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;Hollywood blockbusters don&#039;t generally come out in the final days of August, but writer-director David Koepp believes his new film, &lt;em&gt;Premium Rush&lt;/em&gt;, &quot;gives audiences something they should be craving at this point in the summer,&quot; says John Horn in the &lt;em&gt;Los Angeles Times&lt;/em&gt;: &quot;A relatively straightforward action film whose visual effects take a back seat to actual stunts.&quot; The movie traces the harrowing journey of bike messenger extraordinaire Wilee (Joseph Gordon-Levitt) as he delivers a valuable package from New York City&#039;s Upper West Side to Chinatown, dodging cars, pedestrians, and crooked, gambling...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/232395/premium-rush-finally-a-great-cgi-free-action-movie&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 24 Aug 2012 15:31:00 -0400</pubDate></item><item><title>Goodbye, Twilight: Robert Pattinson&#039;s chillingly crude turn in Cosmopolis</title><link>http://theweek.com/article/index/232184/goodbye-twilight-robert-pattinsons-chillingly-crude-turn-incosmopolis</link><guid isPermaLink="true">http://theweek.com/article/index/232184/goodbye-twilight-robert-pattinsons-chillingly-crude-turn-incosmopolis</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0082/41057_article_main/robert-pattinson-still-pale-still-well-dressed-still-affectless.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;&lt;em&gt;Cosmopolis&lt;/em&gt;, director David Cronenberg&#039;s dark, cynical film about power, greed, and youth, based on the novel by Don DeLillo, is a harsh critique of capitalism and modern society. At the epicenter of the movie (which opens in New York and Los Angeles on Friday) is Robert Pattinson (the &lt;em&gt;Twilight&lt;/em&gt; series) as Eric Packer, a callous billionaire who helps trigger the collapse of the international economy then travels indifferently through Manhattan in his souped-up limo... in search of a haircut. Despite other attempts to move past his tween-friendly &lt;em&gt;Twilight&lt;/em&gt; image, Pattinson is still pigeonholed as a...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/232184/goodbye-twilight-robert-pattinsons-chillingly-crude-turn-incosmopolis&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 17 Aug 2012 15:06:00 -0400</pubDate></item><item><title>Will Kristen Stewart&#039;s cheating scandal hurt Breaking Dawn&#039;s box office?</title><link>http://theweek.com/article/index/231199/will-kristen-stewarts-cheating-scandal-hurt-breaking-dawns-box-office</link><guid isPermaLink="true">http://theweek.com/article/index/231199/will-kristen-stewarts-cheating-scandal-hurt-breaking-dawns-box-office</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0081/40616_article_main/kristen-stewart-and-her-admitted-fling-rupert-saunders-who-directed-stewart-in-snow-white-and-the.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;This week,&lt;em&gt; &lt;/em&gt;&lt;em&gt;Us Weekly&lt;/em&gt; reported news that has left tweens everywhere bereft and disillusioned: Kristen Stewart, 22, cheated on longtime boyfriend and &lt;em&gt;Twilight&lt;/em&gt; co-star Robert Pattinson, 26, with her &lt;em&gt;Snow White and the Huntsman&lt;/em&gt; director Rupert Sanders, a married father who&#039;s 19 years her senior. Stewart &amp;mdash; who plays Bella, wife to Pattinson&#039;s character Edward in the film series &amp;mdash; confirmed the rumor with an apology for a &quot;momentary indiscretion that jeopardized the most important thing in my life... Rob,&quot; discombobulating fans who had invested heavily in the Bella-Edward romance (see video...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/231199/will-kristen-stewarts-cheating-scandal-hurt-breaking-dawns-box-office&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 27 Jul 2012 14:11:00 -0400</pubDate></item><item><title>Does The Dark Knight Rises have a political agenda?</title><link>http://theweek.com/article/index/230797/does-the-dark-knight-rises-have-a-political-agenda</link><guid isPermaLink="true">http://theweek.com/article/index/230797/does-the-dark-knight-rises-have-a-political-agenda</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40413_article_main/in-the-dark-knight-rises-villain-bane-leads-a-ragtag-movement-with-the-propensity-for-violence.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;Incendiary radio host Rush Limbaugh recently embarrassed himself by suggesting that &lt;em&gt;The Dark Knight Rises&lt;/em&gt; &amp;mdash; the final installment in director Christopher Nolan&#039;s Batman trilogy &amp;mdash; is part of a liberal conspiracy to smear GOP presidential candidate Mitt Romney. Limbaugh&#039;s proof? The name of the movie&#039;s villain, Bane, sounds identical to Romney&#039;s former private equity firm, Bain Capital. However, while Limbaugh was roundly mocked (the comic-book character Bane was created in the 1990s), he&#039;s not the only one seeing a political agenda in the movie, which is laden with themes of terrorism...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230797/does-the-dark-knight-rises-have-a-political-agenda&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Thu, 19 Jul 2012 11:50:00 -0400</pubDate></item><item><title>The Dark Knight Rises: An epic letdown?</title><link>http://theweek.com/article/index/230630/the-dark-knight-rises-an-epic-letdown</link><guid isPermaLink="true">http://theweek.com/article/index/230630/the-dark-knight-rises-an-epic-letdown</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40329_article_main/innbspthe-dark-knight-rises-which-opens-friday-tom-hardys-bane-does-epic-battle-with-christian.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;In a few short days, Batman fans will finally be able to watch &lt;em&gt;The Dark Knight Rises&lt;/em&gt;, the&amp;nbsp;obsessively anticipated final installment of director Christopher Nolan&#039;s Batman trilogy. The reviews of the film, which opens Friday, aren&#039;t even supposed to be published until Wednesday, but several movie critics have jumped the gun and released their takes on the nearly three-hour movie. Most of the notices are positive, though a few critics are underwhelmed. The &lt;em&gt;AP&lt;/em&gt;&#039;s Christy Lemire, for example, gave it just two stars, in part because the movie feels like an &quot;epic letdown&quot; from Nolan&#039;s first two visionary...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230630/the-dark-knight-rises-an-epic-letdown&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Tue, 17 Jul 2012 10:20:00 -0400</pubDate></item><item><title>The Dark Knight Rises: Could Batman really survive a leap off a skyscraper?</title><link>http://theweek.com/article/index/230605/the-dark-knight-rises-could-batman-really-survive-a-leap-off-a-skyscraper</link><guid isPermaLink="true">http://theweek.com/article/index/230605/the-dark-knight-rises-could-batman-really-survive-a-leap-off-a-skyscraper</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40315_article_main/when-fully-extended-batmans-cape-is-only-half-the-length-of-a-real-life-glider-according-to-a-new.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;In &lt;em&gt;Batman Begins&lt;/em&gt;, the first film in director Christopher Nolan&#039;s Batman trilogy, which is set to conclude with &lt;em&gt;The Dark Knight Rises&lt;/em&gt; (opening July 20), Bruce Wayne amasses an arsenal of weapons and gadgets that includes a nifty cape made of &quot;memory cloth.&quot;&amp;nbsp;The cape stiffens into a hang glider when Batman emits an electrical current from his glove, which comes in handy when he descends on his enemies from tall buildings. But could he really survive a leap from a skyscraper? Four students from Britain&#039;s University of Leicester used science to answer the question, publishing their results &amp;mdash...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230605/the-dark-knight-rises-could-batman-really-survive-a-leap-off-a-skyscraper&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Mon, 16 Jul 2012 13:33:00 -0400</pubDate></item><item><title>The Dark Knight Rises: The viral video roundup</title><link>http://theweek.com/article/index/230549/the-dark-knight-rises-the-viral-video-roundup</link><guid isPermaLink="true">http://theweek.com/article/index/230549/the-dark-knight-rises-the-viral-video-roundup</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40273_article_main/fans-eagerly-awaiting-the-july-20-premiere-of-the-dark-knight-rises-have-busied-themselves-by.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;If you just can&#039;t wait another week for&amp;nbsp;&lt;em&gt;The Dark Knight Rises&lt;/em&gt;,&lt;em&gt;&amp;nbsp;&lt;/em&gt;Christopher Nolan&#039;s epic conclusion to the Batman trilogy,&amp;nbsp;to hit theaters, fear not &amp;mdash; the internet provides. Fans and professionals alike have been creating video homages using bits of footage from the film to create mini works of art all their own. The mash-ups pair the trailer with everything from Disney classics to other films from Nolan&#039;s growing catalog, and they all impress in their own unique ways. Here, seven of the most creative &lt;em&gt;Dark Knight&lt;/em&gt;-inspired viral videos:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;1. &lt;em&gt;The Dark Knight Rises &amp;amp;&lt;/em&gt;&lt;em&gt;&amp;nbsp;The...&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230549/the-dark-knight-rises-the-viral-video-roundup&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 13 Jul 2012 12:20:00 -0400</pubDate></item><item><title>Dissecting The Dark Knight Rises&#039; musical score: 8 talking points</title><link>http://theweek.com/article/index/230399/dissecting-the-dark-knight-risesmusical-score-8-talking-points</link><guid isPermaLink="true">http://theweek.com/article/index/230399/dissecting-the-dark-knight-risesmusical-score-8-talking-points</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40218_article_main/for-the-keen-andor-delusional-listener-the-dark-knight-rises-musical-score-is-offering-up-clues-to.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;Eager&lt;em&gt;&lt;/em&gt; fans who&#039;ve been devouring every scrap&lt;em&gt;&lt;/em&gt; of &lt;em&gt;The Dark Knight Rises&lt;/em&gt; that they can get before the Christopher Nolan flick officially hits theaters July 20 have something else to feast on this week, with the film&#039;s entire musical score now available online for free. (Stream the 15-song soundtrack at &lt;em&gt;Empire Online&lt;/em&gt; here.) Academy Award-winning composer Hans Zimmer, who&#039;s been known to push the envelope as far as blockbuster soundtracks go, has become Nolan&#039;s go-to on all three Batman films as well as &lt;em&gt;Inception&lt;/em&gt;. What are commentators distilling from the final Batman film&#039;s moody, sonically epic score...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230399/dissecting-the-dark-knight-risesmusical-score-8-talking-points&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Wed, 11 Jul 2012 18:49:00 -0400</pubDate></item><item><title>The 13-minute Dark Knight Rises featurette: 5 talking points</title><link>http://theweek.com/article/index/230290/the-13-minute-dark-knight-rises-featurette-5-talking-points</link><guid isPermaLink="true">http://theweek.com/article/index/230290/the-13-minute-dark-knight-rises-featurette-5-talking-points</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40148_article_main/the-dark-knight-rises-is-no-brightly-painted-comic-book-blockbuster-and-its-part-of-trend-towards.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;With&lt;em&gt; The Dark Knight Rises &amp;mdash;&lt;/em&gt;&amp;nbsp;Christopher Nolan&#039;s final installment in his Batman trilogy &amp;mdash; hitting screens in less than two weeks (July 20), Warner Bros. is offering fans a buzzy new 13-minute behind-the-scenes featurette. In addition to previously unseen footage, the segment features interviews with the cast and crew, including &lt;em&gt;Dark Knight&lt;/em&gt; veterans Christian Bale (Bruce Wayne/Batman), Michael Caine (Alfred), and Gary Oldman (Commissioner Gordon), as well as newcomers like Anne Hathaway (Selena Kyle/Catwoman), Tom Hardy (Bane), and Joseph Gordon-Levitt (police officer John Blake...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230290/the-13-minute-dark-knight-rises-featurette-5-talking-points&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Mon, 09 Jul 2012 14:58:00 -0400</pubDate></item><item><title>Savages: Does Oliver Stone redeem himself?</title><link>http://theweek.com/article/index/230233/savages-does-oliver-stone-redeem-himself</link><guid isPermaLink="true">http://theweek.com/article/index/230233/savages-does-oliver-stone-redeem-himself</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40111_article_main/oliver-stones-savages-is-a-violent-sexual-exploration-of-drug-culture-from-southern-california-to.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;For decades, Oliver Stone was considered one of Hollywood&#039;s most exciting and bold directors, thanks to controversial hits like&amp;nbsp;&lt;em&gt;Platoon&lt;/em&gt;, &lt;em&gt;Wall Street&lt;/em&gt;, and &lt;em&gt;Natural Born Killers&lt;/em&gt;. But his recent films &amp;mdash; the bloated swords-and-sandals flick &lt;em&gt;Alexander&lt;/em&gt;, the overly schmaltzy &lt;em&gt;World Trade Center&lt;/em&gt;, the presidential misfire&amp;nbsp;&lt;em&gt;W.&lt;/em&gt;, and the lackluster&amp;nbsp;&lt;em&gt;Wall Street: Money Never Sleeps&lt;/em&gt; &amp;mdash; have been largely dismissed by critics and disappointed fans who are worried that the director has lost his creative touch. Stone will try to turn things around with his latest film, &lt;em&gt;Savages&lt;/em&gt;, which hits theaters...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230233/savages-does-oliver-stone-redeem-himself&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Fri, 06 Jul 2012 13:37:00 -0400</pubDate></item><item><title>Is the new Spider-Man reboot really a hit?</title><link>http://theweek.com/article/index/230186/is-the-new-spider-man-reboot-really-a-hit</link><guid isPermaLink="true">http://theweek.com/article/index/230186/is-the-new-spider-man-reboot-really-a-hit</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40076_article_main/the-amazing-spider-mans-35-million-first-day-is-the-best-tuesday-opening-in-hollywood-history.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;Many film critics contend that rebooting the Spider-Man franchise was unnecessary, but audiences seem to disagree. &lt;em&gt;The Amazing Spider-Man&lt;/em&gt; set a box-office record&amp;nbsp;on July 3, as its $35 million opening-day total registered as the most profitable Tuesday opening ever, besting the previous record of $27.8 million set by &lt;em&gt;Transformers &lt;/em&gt;in 2007. Forecasters now expect a holiday weekend total in the range of $110 million to $120 million for the film, which would be far less than the $146 million &lt;em&gt;Transformers &lt;/em&gt;managed to grab over its first week of release, and certainly much less than the most recent...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230186/is-the-new-spider-man-reboot-really-a-hit&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Thu, 05 Jul 2012 11:38:00 -0400</pubDate></item><item><title>4 quiet movies to enjoy this summer</title><link>http://theweek.com/article/index/230120/4-quiet-movies-to-enjoy-this-summer</link><guid isPermaLink="true">http://theweek.com/article/index/230120/4-quiet-movies-to-enjoy-this-summer</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40034_article_main/your-sisters-sisternbspis-a-charming-reprieve-from-the-summers-onslaught-of-big-budget-action.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;As the box-office and critical success of Wes Anderson&#039;s endearingly precious &lt;em&gt;Moonrise Kingdom&lt;/em&gt; proves, a winning summer movie doesn&#039;t always need a nine-figure special-effects budget. In that vein, three recently released smaller films &amp;mdash; &lt;em&gt;Your Sister&#039;s Sister&lt;/em&gt;, &lt;em&gt;Take This Waltz&lt;/em&gt;, and &lt;em&gt;People Like Us&lt;/em&gt; &amp;mdash; have received high praise from critics, with a fourth, &lt;em&gt;Ruby Sparks&lt;/em&gt;, is coming later in the summer. Of course, over the Fourth of July holiday, plenty of people will flock to screenings of &lt;em&gt;The Amazing Spider-Man&lt;/em&gt;, which hit theaters July 3 &amp;mdash; but for moviegoers looking for something a little...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230120/4-quiet-movies-to-enjoy-this-summer&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Wed, 04 Jul 2012 14:00:00 -0400</pubDate></item><item><title>The Amazing Spider-Man: An impressive but unnecessary reboot?</title><link>http://theweek.com/article/index/230155/the-amazing-spider-man-an-impressive-but-unnecessary-reboot</link><guid isPermaLink="true">http://theweek.com/article/index/230155/the-amazing-spider-man-an-impressive-but-unnecessary-reboot</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40058_article_main/while-emma-stone-and-andrew-garfield-give-memorable-performances-for-many-criticsnbspthe-amazing.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;It&#039;s been just 10 years since Sam Raimi&#039;s celebrated &lt;em&gt;Spider-Man &lt;/em&gt;film hit the big screen and shattered box-office records, and just five years since the trilogy stumbled to its conclusion with the messy &lt;em&gt;Spider-Man 3&lt;/em&gt;. So when Sony Pictures announced a new franchise reboot fans of the franchise, many argued that it was too soon. Unlike Christopher Nolan&#039;s Batman trilogy or 2006&#039;s &lt;em&gt;Superman Returns&lt;/em&gt;, which put new tonal spins on their superheroes, &lt;em&gt;The Amazing Spider-Man&lt;/em&gt; tells an awfully familiar origin story of how a teenage Peter Parker got his superpowers and became Spider-Man. Even the new Spidey...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230155/the-amazing-spider-man-an-impressive-but-unnecessary-reboot&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Tue, 03 Jul 2012 14:20:00 -0400</pubDate></item><item><title>After Magic Mike, will Hollywood cater more to female audiences?</title><link>http://theweek.com/article/index/230144/after-magic-mike-will-hollywood-cater-more-to-female-audiences</link><guid isPermaLink="true">http://theweek.com/article/index/230144/after-magic-mike-will-hollywood-cater-more-to-female-audiences</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40056_article_main/channing-tatum-poses-for-a-picture-with-a-female-fan-at-the-magic-mike-premiere-73-percent-of-the.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p class=&quot;p1&quot;&gt;Speaking at the Women in Film Awards last month, Meryl Streep lamented the fact that even though five recent movies aimed at women&amp;nbsp;&amp;mdash;&amp;nbsp;&lt;em&gt;The Help,&lt;/em&gt;&amp;nbsp;&lt;em&gt;The Iron Lady&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Bridesmaids&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Mamma Mia!&lt;/em&gt;, and&amp;nbsp;&lt;em&gt;The Devil Wears Prada&lt;/em&gt;&amp;nbsp;&amp;mdash;&amp;nbsp;earned more than $1.6 billion at the box office, Hollywood continues to resist making female-targeted films. &quot;Why?&quot; she asked. &quot;Don&#039;t they want the money?&quot; Streep can now add&amp;nbsp;&lt;em&gt;Magic Mike &lt;/em&gt;to the list of hit films marketed toward women, as the male-stripper movie has already&amp;nbsp;raked in a massive $40 million on a $7 million budget,...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230144/after-magic-mike-will-hollywood-cater-more-to-female-audiences&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Tue, 03 Jul 2012 12:03:00 -0400</pubDate></item><item><title>Ted, Magic Mike, and the surprisingly strong weekend box office</title><link>http://theweek.com/article/index/230099/ted-magic-mike-and-the-surprisingly-strong-weekend-box-office</link><guid isPermaLink="true">http://theweek.com/article/index/230099/ted-magic-mike-and-the-surprisingly-strong-weekend-box-office</guid><description>&lt;img src=&quot;http://media.theweek.com/img/dir_0080/40019_article_main/family-guy-creator-seth-macfarlanes-big-screen-project-ted-killed-over-the-weekend-becoming-the.jpg?175&quot; /&gt;&lt;/P&gt;&lt;p&gt;What was the only thing more popular than Channing Tatum in a thong this weekend? A pot-smoking teddy bear, apparently. Both of this weekend&#039;s R-rated releases &amp;mdash; &lt;em&gt;Ted&lt;/em&gt;, the gleefully vulgar comedy about a grown man who&#039;s childhood teddy bear has become a foul-mouthed horndog &amp;mdash; and &lt;em&gt;Magic Mike&lt;/em&gt; &amp;mdash;&amp;nbsp;about a troupe of Florida male strippers &amp;mdash;&amp;nbsp;surpassed industry expectations at the box office. &lt;em&gt;Ted&lt;/em&gt; won the weekend with $54 million, followed by &lt;em&gt;Magic Mike&lt;/em&gt; with a similarly impressive $39 million; it&#039;s the first weekend ever that two R-rated films grossed more than $21 million...&lt;/p&gt; &lt;a href=&quot;http://theweek.com/article/index/230099/ted-magic-mike-and-the-surprisingly-strong-weekend-box-office&quot;&gt;More&lt;/a&gt;</description><dc:creator>By The Week Staff</dc:creator><pubDate>Mon, 02 Jul 2012 11:52:00 -0400</pubDate></item></channel></rss>