In a world full of influencers and trending aesthetics, figuring out your personal style has become both easier and overwhelming. While there is nothing wrong with taking inspiration from fashion icons, finding your signature aesthetic requires a touch of introspection. Here are some tips for navigating the personal journey toward landing on your own, very individual style.

Start with your closet

Your first thought may be to buy new clothes, but before you start refreshing your closet, take stock of what you already have. Begin from the “left side of your wardrobe and commit to wearing each item every day,” CNN said. Consider whether to “save it for evening wear or chuck it altogether.” This will give you a “clearer view of what does and doesn’t work, as well as what you’re missing.”

Everyone has a go-to outfit, “something you know works and makes you feel good,” Vitor Arruda, a personal stylist and content creator, said to The Guardian. Once you identify that outfit, “figure out what it is that makes you like it so much,” the outlet said. After you figure that out, you can search for “clothes that look or feel similar.”

Go window shopping

Shopping sprees can be fun, but they aren’t “always productive to finding your style,” said The Every Girl. There are “crowds and long lines for dressing rooms,” and sometimes the “chaos can make you pick up things you don’t actually love.”

Instead, spend your time “looking at clothes, not buying clothes.” Pick a day and “commit yourself to not swiping your credit card.” Instead, spend a “no-pressure day getting a better grasp of what you like.” You can also “test drive new pieces” by using a clothing rental service like Armoire, Nuuly and Rent the Runway. This way, you can “bring some of your style inspiration to life” without needing to “commit to new pieces that might not actually resonate with you in the long run."

Make a mood board

Mood boards and Pinterest are great ways to visualize your style ideas. If you’re a “tactile person,” you can “absolutely print and paste pictures, words, vibes together,” said The Good Trade. If you’re more tech-savvy, you can do this in Photoshop or Canva. Laying your inspirations out visually is a “great way to see commonalities in who and what you are drawn to.” Any kind of media or color swatches that catch your eye can be included. Once you put your vision board together, “you can see what aligns with what you already own and what feels far off.”

Don’t hyperfixate on your body

Many of us are conditioned to “believe that our body shape and size dictate what we wear,” said The Guardian. But this undermines the premise of personal style. Fashion advice devoted to dressing for your body type “creates a misconception that your body is wrong or that you have to hide certain parts,” Arruda said. When you do this, “you’re dressing with shame and fear,” which will “never allow you to be your true self and develop a style.”

It’s hard to “build perspective” when your “top concern is that every garment you wear makes it clear exactly how your waist is shaped,” or if you’re “worried about looking short in a long coat,” Lizzie Wheeler, a vintage expert, said to The Guardian. Don’t be afraid to experiment with shape, volume and proportion.

Learn to ride the wave

Personal style isn’t “something you find overnight,” Amanda Murray, a creative consultant, said to CNN. “It’s something you arrive at.” Over time, through “living, failing, heartbreak, love, wanting, shedding,” you will “understand what feels true on your body and what doesn’t.”

Your aesthetic is not just a reflection of your current life but “the life you’re aspiring to or think you deserve,” Jalil Johnson, writer of the fashion Substack Consider Yourself Cultured, said to CNN. Much like our “ever-evolving and changing lives,” our style “evolves too, and that evolution is not only natural but necessary.”

For a play that famously ends with the suicides of its two teenage protagonists, Robert Icke’s production of “Romeo & Juliet” feels “outlandishly joyful” and “profoundly alive”, said Alice Saville in The Independent.

Fuelled by fizzing performances from its “duo of stars”, Sadie Sink (from “Stranger Things”) and Noah Jupe (“Hamnet”), this is a “richly emotional, brilliantly intelligent take on a classic – one that’ll plunge a knife into your heart so skilfully that you hardly notice the pain”. Sink, already a Broadway veteran at 23, is “magnificent” – with a “steely passion”, quick wit and unguarded physical abandon, said Nick Curtis in London’s The Standard. And she’s well matched by Jupe, who makes a consummately assured stage debut as a boyish and impetuous Romeo.

The two leads are terrific, agreed Houman Barekat in The New York Times. So sincere and touching are their performances that we almost forgive the quirks that threaten to overbalance the play.

In “Romeo & Juliet”, “fate is a matter of bad timing”: the young lovers are confounded by bad luck as much as warring clans. “Urgent communications don’t get through; realisations come too late.” Icke draws attention to this with a giant digital clock, counting down the hours, that appears above the actors; at times it rewinds, and scenes replay with slight variations. It’s all rather “gimmicky”, generating only a “cheap, slightly hammy suspense”.

There are a lot of distractions in this modern-dress staging, agreed Clive Davis in The Times. It too often lapses into broad comedy; at times it seems as if we’ve stumbled into “an entirely new play called ‘Two Geezers of Verona’”. Kasper Hilton-Hille’s Mercutio “can’t stop baring his bottom”, and there’s “precious little sense of a city at war with itself”.

It would have made for a more elegant production had Icke not made so many directorial “interventions”, said Andrzej Lukowski in Time Out – but “auteurs are gonna auteur”. And the cast is truly excellent: from the leads to Clare Perkins’ Nurse, and Clark Gregg as Juliet’s father Capulet, through to the minor characters. Reined in a little bit, this could have been an all-time great “Romeo & Juliet”. Instead, “we’ll have to settle for one that’s merely very good”.

Harold Pinter Theatre, London SW1. Until 20 June.

“No other film this year will make you feel as uncomfortable as ‘The Drama’,” said Clarisse Loughrey in The Independent. It’s a “provocative and compulsively watchable” romcom – albeit one that “obliterates the very meaning of the word”.

Zendaya and Robert Pattinson star as Emma and Charlie, a pair of gorgeous young Bostonians who meet in a café, fall in love and are now in the run-up to their wedding. So far so good, until “an idle, drunken conversation” one night with their closest friends (Mamoudou Athie and Alana Haim) leads to a round of confessions about the worst thing they’ve ever done. It’s all laughed off – until Emma’s turn. Without giving away any spoilers, “what she says next immediately sucks the air from the room”.

People are going a “little cuckoo” over this movie, said David Fear in Rolling Stone. Emma’s bombshell is “the point of no return for the characters” – and, for some audiences, the moment ‘The Drama’ “loses them”. It certainly walks “a thin line between thought-provoking and trolling”; you do wonder “if the sudden introduction of an issue much, much bigger than the film itself isn’t simply a shock value masquerading as shock therapy”.

The film is also tonally uneven, said Nicholas Barber on BBC Culture. Oddly, it devotes more energy to “awkward cringe comedy” than to the characters and their feelings; it’s hard to believe, for instance, that Emma and Charlie would only have “a few faltering chats” about her confession, rather than discussing it properly.

Still, ‘The Drama’ is “beautifully made”, and most people who see it “will end up having in-depth debates, even if the characters themselves don’t manage it. The first great cinematic conversation-starter of 2026 is here.”

Alan Bennett once said that “if you live to be 90 in England and can still eat a boiled egg, they think you deserve the Nobel Prize”. Well, here he is at 91, serving up “another volume of his punctiliously kept and endlessly diverting diaries”, said Nick Curtis in The Independent.

“Enough Said” covers the years 2016 to 2024: “the pandemic, the rise of populism, and the likely last spurt of his formidable creative output”, with the play “Allelujah!”, the film “The Choral” and the novella “Killing Time”.

The general theme is of loss and “diminution”, as deafness, lack of mobility, cataracts and other medical problems intrude.

The “dramatis personae of his life” are dying off: Maggie Smith, his “adored” friend and collaborator; Jonathan Miller, an old friend and rival from his “Beyond the Fringe” days; and Queen Elizabeth II, his subject in the play “A Question of Attribution”. Revolted by Brexit and Boris Johnson, Bennett feels that his version of England is dying too, “its libraries closing and its churches unappreciated”. But he and his partner Rupert Thomas “still rummage through junk shops”, “frequent out-of-the-way churches” and eat fish and chips.

More than once, Bennett “apologises to the reader for saying things he’s said many times before”, said Philip Hensher in The Spectator. And he certainly does often return “to his most treasured material – family, and his exemplary standing as the grammar school boy who brought off an Oxford first”. (“Does it mean you’ve come top?” his mother asked when the results arrived.)

His memories of his Yorkshire boyhood are “wonderfully evocative of a lost world”. Rather less rewarding “are his highly conventional opinions” on politics, which “are precisely the same” as those of every other millionaire Londoner “living between Primrose Hill and Hampstead Garden Suburb”.

But his “relish” for spoken language is still there. He notes a woman in a Yorkshire newsagent, seeing news of a lightning strike, admitting cheerfully: “I love it when they have it nasty down south.”

Even as a young man, Bennett was a bit of a fogey, said Johanna Thomas-Corr in The Sunday Times. Back in the 1980s, he wrote about the elderly “with piercing tenderness” in his “Talking Heads” series. “So old age feels like a homecoming, a phase for which he has been practising all of his life.” Yet he’s still suffering “adolescent doubts”. When he enters a room full of people, he feels about 16. He worries about whether he has made his mark; he fears being remembered as a “chronicler of the toasted teacake”. “In an age of curated self-belief, his vulnerabilities feel refreshing, his reticence almost radical.”

Nothing about these impeccably designed hotels is ordinary. With their architecture, decor and aesthetics, each property welcomes you into a thoughtfully curated world. Every detail tells a story and enhances your stay.

Ashford Castle, Cong, Ireland

Go back in time at Ashford Castle. Built in 1228, the estate was purchased by the Guinness family in the 1800s and used to “entertain guests — among them, George V — and display the family’s wealth and influence,” said Country Life. Now part of the Red Carnation Hotel Collection, Ashford Castle remains “luxury personified,” its common spaces filled with “rich fabrics” and “glittering chandeliers.” The 83 guest rooms each have their own individual designs. A standout is the King’s Room, featuring “plush” seating, a “sumptuous” velvet four-poster bed, dramatic floral wallpaper and a fireplace.

Hotel Château Du Grand-Lucé, Loire Valley, France

This “impressive” 18th-century chateau is a shining example of neoclassical architecture, where “grandeur is still the order of the day,” said the Michelin Guide. Think extravagant toile and damask wallpaper, limestone and French white oak flooring, crystal chandeliers and heavy curtains tied back with impressive tassels.

No two rooms are alike, with the Barron Suite being the crown jewel. It boasts 17-foot-tall ceilings, a private library filled with classic French literature and the marvelous Salon Chinois, a sitting room named in honor of the chinoiserie-style paintings by prominent French artist Jean-Baptiste Pillement that adorn the walls.

La Valise San Miguel, San Miguel de Allende, Mexico

Tucked away in a “vibrant” corner of San Miguel de Allende is La Valise San Miguel, a “surrealist sanctuary” designed to “pay tribute” to the city’s history of art and culture, said Condé Nast Traveler. The property’s bold blend of “psychedelic installations and famous furnishings” by Mexican artist Pedro Friedeberg mixes seamlessly with mid-century furniture and “rich textiles.” Guests have six “completely unique” suites to choose from, and each one has a “standout” design feature, like a domed shower or white-stucco fireplace “adorned with Aztec monkeys.”

L'oscar, London, England

With Oscar Wilde serving as his inspiration, French interior designer Jacques Garcia gave new life to an old Edwardian baroque-style church, turning it into an exquisite boutique hotel dripping in gilded decor and rich silk, damask and velvet fabrics. Both Wilde and Garcia are “known for decadence, in different ways,” and L’oscar is “nothing if not decadent,” said the Michelin Guide.

The 39 guest rooms and suites and common areas are decorated in “hyper-saturated jewel tones,” with objets d’art on every surface and gorgeous Lalique bird-shaped lights illuminating the corners. Some original details remain, like opulent plastered ceilings and terra-cotta panels.

Leela Palace Jaipur, Jaipur, India

The attention to detail at Leela Palace Jaipur is extraordinary. Inspired by “Indian royal heritage,” the property is all about “opulence,” with marble corridors, hand-painted ceilings, frescoes and “impressive” flower displays” in the rooms and common spaces, said The Independent.

Even dinner is an extravagant affair. Jamavar (formerly known as Mohan Mahal) is the hotel’s signature restaurant, filled with 3,500 hand-cut mirrors that make the candlelight dance. The menu focuses on traditional Rajasthani cuisine with a modern twist, and between the food and ambiance, dining here is a “truly spectacular experience.”

Mandarin Oriental Bangkok, Bangkok, Thailand

When you arrive at the Mandarin Oriental Bangkok, expect to “nearly strain your neck trying to take in all the splendor,” said Condé Nast Traveler. The hotel opened in 1876 as The Oriental, and over time the property has expanded while retaining much of its original charm.

The lobby alone is a dream, with its “lattice woodwork, cascading florals, giant birdcage-style chandeliers and printed sofas.” Inside the rooms, you’ll find a “British East Indies aesthetic” based on “Bermuda pink, sea green or creamy yellow,” along with teak and leather furnishings and fresh orchids.

Romeo Roma, Rome, Italy

Rome’s past and present blend together beautifully at Romeo Roma. Zaha Hadid Architects transformed the 16th-century patrician mansion into a “striking” hotel where materials include “polished Macassar ebony,” and steel and glass are “teased into a riot of swirling, curving and overlapping forms,” said The Telegraph.

Contemporary art work, frescoes and artifacts discovered during the property’s restoration, including a marble head of the Roman empress Livia Drusilla, are also on display. You can get a glimpse of ancient times in the pool — it has a transparent base so swimmers can look down at the archaeological remains of Ripetta port.

Royal Palms Resort and Spa, Phoenix, Arizona

Desert decadence looks different at Royal Palms Resort and Spa. The 1929 Spanish Colonial mansion anchoring the property “stands in sharp contrast” to the “bland, corporate architecture” of area chain hotels, said the Michelin Guide. Hand-painted tiles, antique furnishings and oriental rugs “defy the usual pastel Southwesternisms” and give the resort a “distinctly Mediterranean feeling.” The grounds are just as stunning, and even on the hottest summer day guests feel at ease walking through the lush, shaded gardens planted nearly 100 years ago.

Spier Hotel, Stellenbosch, South Africa

The recently renovated Spier Hotel puts a chic spin on farmhouse style. It’s clear the design “prioritizes comfort,” with “plush linens” and gas fireplaces in rooms plus a “curated selection of artworks” like “delicate botanical drawings” and “mosaic murals,” said Travel and Leisure. Nearly every item and material, down to the jacquard throws and table placemats, was made in — or sourced from — South Africa. Spier Hotel is part of the Spier Wine Farm, and check-in takes place in its wine bar.

The TV adaptation of Margaret Atwood’s “The Handmaid’s Tale” was so “relentlessly bleak”, I had to stop watching, said Lucy Mangan in The Guardian. Now, the showrunner behind the original series, Bruce Miller, has brought Atwood’s Booker-Prize-winning sequel to the small screen. “Brace yourselves.”

“The Testaments” picks up a few years after the events of the first book, when we meet the “next generation of Gilead women”. Agnes (Chase Infiniti) is the daughter of a Commander, attending an “elite preparatory school” run by the formidable Aunt Lydia. “Yes, that Aunt Lydia.” Ann Dowd resumes her role from “The Handmaid’s Tale” as a “genuinely savage Miss Trunchbull”.

Agnes is put in charge of new student Daisy (Lucy Halliday), a “Pearl Girl” brought to the school by Gilead missionaries and “generally suspected by the other pupils” of spying for the teachers. The two girls’ increasingly “close and complicated” relationship forms the “backbone” of the series.

Like its predecessor, “The Testaments” is a “disturbing” watch, said Aramide Tinubu in Variety. An “exemplary” follow-up to the original show, this is both a powerful tale of “girlhood, survival, rage and friendship”, and a “magnificent coming-of-age” story.

The teenagers are waiting for their first menstrual period, when they will become “officially eligible for the marriage market”, graduating from Plums to Greens and “eventually into the teal blue of the Gilead wives”. Despite the “palatial houses” and manicured gardens, “something horrific is always just within frame”.

Following her starring role in “One Battle After Another”, Infiniti brings “electric A-lister aura” to Agnes, said Ed Power in The Telegraph, while Aunt Lydia is the “same disturbing mix of contradictions” she always was. Despite its dark subject matter, there is “fun to be had watching young people navigate the trials of growing up”. The school might be “hell on earth, but it’s also ‘Mean Girls’ with a dystopian twist”.

“The Handmaid’s Tale” became “murky and frenetic” but this sequel “pops” with the pupil’s jewel-coloured robes, said Nick Hilton in The Independent. The tone is lighter and the pace quicker but it keeps intact the depiction of how a society can “backslide into regression and repression”. This is a “young adult epic for the ages”.

“There’s no case of sequel-itus here,” said Vicky Jessop in The Standard. “‘The Testaments’ feels just as urgent as its predecessor – and just as darkly enjoyable.”

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Spring is a time for renewal, and that includes refreshing your ‘to be read’ pile. This April, readers have plenty of new books to look forward to, including a metafictional exploration of memory, a look at the effects of family vlogging and a mysterious depiction of gentrification in Brooklyn.

‘The Witch’ by Marie NDiaye; translated by Jordan Stump

Translated to English for the first time since its publication in France in 1996, Marie NDiaye’s novel is “compact and surreal” while “unspooling more mysteries than it resolves,” said The New York Times. The book, “narrated by a down-on-her-luck sorceress stuck in a disintegrating marriage in a drab provincial town,” highlights the French author’s “recurring themes of domestic entanglement and betrayal.”

The book is “witty, dreamlike, unsettling and enchanting,” said The Booker Prizes. It “brings the mysteries of womanhood and motherhood into sharp relief” and leaves readers “teetering on the edge, unbalanced by questions as seemingly unbreakable relationships break down left and right.” (out now, $18, Penguin Random House, Amazon)

‘Like, Follow, Subscribe: Influencer Kids and the Cost of a Childhood Online’ by Fortesa Latifi

As courts grapple with the effects of addictive social media on young people, journalist Fortesa Latifi’s debut “scrutinizes the highly profitable world of family vloggers and momfluencers,” said Publishers Weekly. The book features interviews with influencers and their children, along with “nannies, psychologists and social media marketing managers.”

The author surveys various aspects of the industry, from “the odd preponderance of Mormon influencers” and the “discomfiting popularity of teen mom accounts” to the “over-the-top viciousness of anti-momfluencer forums.” Latifi observes how “understandable it is that parents are willing to swap their family’s privacy for financial stability, given the greater lack of structural support for families in the U.S,” the outlet said. It is a “perceptive, often stomach-churning exposé.” (out now, $30, Simon & Schuster, Amazon)

‘Transcription’ by Ben Lerner

Ben Lerner’s latest is a “deeply pleasurable, absorbing book” and a “metafictional meditation on memory and influence,” and the way “technology has changed our relationship to both,” said Literary Hub. It features a “series of moving portraits: the anxious interviewer, the aging genius, the reflective son.” Readers may get the sense that “what he’s doing really shouldn’t work” and that it wouldn’t if it were in anyone else’s hands. But it’s not, and “so it does,” the outlet said. “Thank goodness.” (out now $25, Macmillan, Amazon)

‘Into the Wood Chipper: A Whistleblower’s Account of How the Trump Administration Shredded USAID’ by Nicholas Enrich

Former civil servant Nicholas Enrich, who worked at the U.S. Agency for International Development under four presidents, was optimistic about his agency’s future after Trump won a second term in 2024. “The authors of Project 2025 liked their work, as did the incoming secretary of state, Marco Rubio,” said the Times. Unfortunately, Elon Musk and his Department of Government Efficiency “had other plans,” as the author shows in this “ground-level account — part memoir, part government tell-all — of the agency’s demise.” (April 14, $29, Simon & Schuster, Amazon)

‘Livonia Chow Mein’ by Abigail Savitch-Lew

This debut novel is a “vivid, savory blend of family saga, cultural history and detective story, rich with urban life and lore,” said Kirkus Reviews. The story follows activist Lina Rodriguez Armstrong and journalist Sadie Chin as they piece together the history of a section of Brownsville, Brooklyn, decades after a fire ravaged the neighborhood,

Savitch-Lew shows “prodigious narrative gifts” in her debut novel, weaving Sadie and Lina’s “tension-filled transactions in the present with the life stories of the Wong family,” as it makes its “uneasy and often heartbreaking way through a 20th century of world wars, economic upheaval and racism as it’s enforced by institutions and perpetrated between individuals.” (April 21, $29, Simon & Schuster, Amazon)

“February in Salinas is likely to be damp and cold and full of miseries.” So wrote John Steinbeck in “East of Eden”, describing how the weather patterns of Central California governed the agricultural land and the farmers who worked it.

Arriving in the same valley under unseasonably blue skies and warm winter sun, you might be tempted to think that Steinbeck’s California has vanished entirely. But travel through this stretch of the West Coast on the trail of the American writer and there are echoes of his world all around you.

Cannery Row and Pacific Grove

We stayed at the Spindrift Inn, right on Cannery Row itself, and having re-read the novel on the flight over, I was delighted to find myself dropped into the heart of its comic, ramshackle happenings.

The sardine canneries that once defined the strip are long gone – victims of overfishing in the 1940s and 50s – but the bones of the place remain. During an early morning stroll I found Doc’s Pacific Biological Laboratory, the original building still standing, a modest placard acknowledging the legend within. Doc was modelled on Ed Ricketts, Steinbeck’s closest friend and intellectual companion, whose passion for the bay’s marine life shaped Steinbeck's own philosophy throughout his writing.

Today, the bay holds some of the richest marine biodiversity on earth, a fact that would have delighted Ricketts and Steinbeck. From the near-panoramic window of our room at the Spindrift, we were greeted each morning by sea otters floating on their backs in the kelp beds, pods of dolphins arcing through the swell and the occasional seal hauled out on a nearby promontory.

A beautiful coastal walking path connects Cannery Row to Pacific Grove, the small town where Steinbeck lived for a time, and it’s worth the stroll. The architecture is predominantly grand Victorian villas in candy-box lilacs and creams, their aged wooden panels faintly reminiscent of a Norwegian coastal town.

We had lunch at the aptly named Aliotti’s Victorian Corner Restaurant, a charming throw-back, with healthy portions. Monterey town rewards an afternoon’s wandering before dinner; we ate at Stokes Adobe, a tastefully restored building whose Californian menu feels entirely in keeping with the town’s layered history.

Tracing Steinbeck’s steps in Salinas

Salinas sits inland, the undisputed centre of one of the most productive agricultural valleys on earth. Steinbeck grew up here, and his ambivalent relationship with the place – he was largely shunned by its conservative establishment after “The Grapes of Wrath” – is one of the more poignant stories in American literary history.

The California Welcome Center, housed in what was once the first railway station in the region, is an excellent scene-setter. It tells the story of Monterey County’s agricultural heritage with sweep and intelligence: from the Southern Pacific Company’s campaigns to attract settlers westward, to the valley’s evolution, to the family businesses that have grown into global leaders.

It makes clear something Steinbeck knew instinctively: California was built by migration. It was the Swiss who brought dairy expertise, the Italians who planted artichokes and the Chinese who constructed the railways. There were also the Japanese abalone fishermen, and the Mexican labourers whose descendants now make up the majority of the population and whose food, available all over town, is extraordinary.

We had coffee and cake at the Steinbeck House, the grand Victorian home where he was born. Now run as a restaurant by a non-profit, it’s an inspired solution to the challenge of preserving a literary heritage home: perpetually full of Steinbeck pilgrims comparing notes over homemade lunch. We received a brief tour of the downstairs floor by a volunteer, including the front room where Steinbeck was born.

The Californian landscape is a central character in Steinbeck’s fiction and in particular in the seminal “East of Eden”, where the Salinas Valley is rendered with a loving, geological intimacy.

A short drive from town into the valleys (along the rural River Road rather than the official John Steinbeck Highway) takes you through miles of vineyard and farmland, past dozens of family wineries. We visited Odonata Winery for a tasting: the valley’s cool winds and marine influence produce excellent chardonnays and pinot noirs, and the experience was unhurried and delicious.

Big Sur and the storied Highway 1

Steinbeck experienced Big Sur before Route 1 was even built, working as part of the first surveying crew in the area, pre-construction. The storied road had reopened just a month before our visit, following storm-induced landslides that had closed this notoriously fragile, distractingly beautiful, coast for months.

Steinbeck’s short story “Flight” is set along this stretch, tracing the primal, terrifying journey of a young man fleeing into the mountains after a killing, and as you edge into the cloak of the redwood forest, the violence buried in this landscape doesn’t feel far away.

We stayed for two nights in this area. First, at Glen Oaks Big Sur, a historic property that began as a 1950s motor lodge and has evolved into a rustic-modern retreat. We had dinner at Fernwood Resort, a short moonlit walk from our cabin, where we enjoyed burgers on a vast decking area surrounded by redwoods. The evening was elevated by live music from a local country band, complete with a pedal steel guitar, reminiscent of Lee Hazlewood.

The scale of this coastline only reveals itself on foot and we spent both days exploring spectacular, well-worn trails. We hiked in Julia Pfeiffer Burns State Park on a route that rises through redwoods and opens on to vertiginous coastal views, and ate a picnic on a clifftop watching two whales make their slow way across the bay. A morning hike up Buzzard’s Roost trail in Pfeiffer Big Sur State Park rewarded us with a panoramic view of the ocean below, before circling back to the Big Sur Lodge for a well-earned coffee in the stately lobby.

Lunch at the Post Ranch Inn was a world apart. We scrubbed off the morning’s soil, put on our best outfits and made our way up the miles-long winding road to a restaurant that is essentially one enormous sheet of glass looking over rolling hills that fall into the sea. The staff are extraordinarily attentive and the food spectacular. The day closed with a sunset drink at Nepenthe, the famous clifftop restaurant and terrace. It’s not to be missed; the entire mountain-range turns blood orange as the light floods in from the west.

We ended the trip at Deetjen’s Big Sur Inn, built by a Norwegian immigrant in the 1930s: a collection of hand-built cabins of great charm set in a redwood canyon above a creek. We dined at the restaurant for dinner and breakfast, the rooms were buzzing with hikers and locals and the food was deliciously decadent. The guest book in our room was a remarkable document; visitors write at length and with unusual honesty. One woman hailing from Massachusetts described her pull towards California in a register that was unmistakably Steinbeckian; proof that the passage from east to west on the tail of a dream endures.

More than a century on from the world Steinbeck documented, the migrations continue. The American dream persists. The land endures. Come for the charming towns, the diverse cuisine and the most dramatic coastline in America. Stay for what Steinbeck called “one of those pregnant places from which come wonders”, where history, landscape and the human story compress into a single, overwhelming present.

Alexandra was a guest of See Monterey; seemonterey.com

In a city with no shortage of swish five-star hotels, it’s hard to make an impact. Yet The Newman, which opened in February, has quickly become one of the most talked about spots in London, with its eclectic décor, subterranean spa and buzzy bar.

It’s the first hotel from British hospitality brand Kinsfolk & Co, a team of respected hoteliers and restaurateurs with years of experience at big names including The Beaumont and royal favourite The Goring.

Though The Newman is moments from Oxford Street, its trump card is its under-the-radar location in charming Fitzrovia, surrounded by tree-lined Georgian streets, quirky boutiques and independent restaurants, with the iconic BT Tower looming overhead.

Why stay here?

For big city thrills with a cool neighbourhood feel. The location is echoed by the hotel’s considered design. London-based studio Lind + Almond has used Fitzrovia’s bohemian past as inspiration for the interiors, displaying black-and-white photographs of modern-day residents and specially commissioned paintings of the area’s historical figures, including Virginia Woolf. Marble bathroom sinks are based on the balconies of a nearby art deco building, while even the distinctive bedposts are modelled on the chunky bangles worn by local writer and activist Nancy Cunard, heiress to the shipping empire.

There are 81 rooms in total, ranging from classic doubles to one-bedroom apartments, while the show-stopping penthouse suite has a dining table for eight, a dressing room and an enormous 130-square-metre rooftop terrace with a private sauna and cold plunge pool overlooking Fitzrovia. All are impossibly elegant, with a tasteful palette of chocolate brown, honey and oatmeal, geometric carpets, curved bronze furniture and leather-topped writing desks.

Bathrooms have underfloor heating, stone-carved vanity units, graphic tiling and oversized Anatomē products I couldn’t get enough of. Even the mini-bars have unexpected touches, including a coffee-flavoured mushroom drink, CBD sleep patches and essential oils alongside drinks by British brands. All guests can also access the Earth+Sky fitness app for on-demand workouts during their stay.

Eating and drinking

Brasserie Angelica is at the heart of the hotel, with all-day dining and tables lining the pavement outside. It has a lively but laid-back feel, with some staff recruited from the hotel’s innovative pop-up hospitality school that ran last summer to find team members from the local community.

The menu has a Scandi feel, with a trolley of open sandwiches served at lunchtime and a la carte dishes including gravadlax with pickled cucumber salad, Swedish west coast salad with prawns, mussels and crab, and lemon and blueberry custard tart. Meat dishes like my grass-fed 28-day dry-aged fillet steak are cooked over a woodfire – be sure to order the perfectly salty fries and deliciously rich bone-marrow gravy on the side.

Head downstairs afterwards to The Gambit, the hotel’s decadent art deco bar already loved by locals. Drinks include local craft beers, a large selection of zero-proof drinks and an unusual list of innovative cocktails such as “dazed and confused”, made with chilli-infused tequila, blood peach and açai. There’s plenty going on while you sup, from resident DJs and unplugged sessions from guest artists to regular chess evenings and nightly live music from the in-house band.

Just be sure to drag yourself out of bed the following morning for breakfast, also served in Angelica. Highlights include house pressed juices like the green detox elixir, ricotta hotcakes with caramelised apple, and homemade cardamom buns inspired by those served in Copenhagen’s Hart Bakery and made from offcuts of croissant pastry that would otherwise be wasted. They’re so good, I went back for a second and I’m still wishing I’d had a third.

Things to do

Every room includes free access to an entire floor devoted to wellness, including a large 24-hour gym and a studio offering yoga, Pilates and sound bath sessions for an extra cost. There’s a whole range of Hyperice gadgets available to tinker with, including Normatec compression boots and a Venom heat therapy belt. I was far lazier and spent an afternoon dipping between the glass-fronted Finnish sauna, ice lounge, hydrotherapy plunge pool and medical-grade salt room. All are only available to hotel guests so I was the only person there during my visit – a rare treat in a central London spa.

Soho is less than 10 minutes’ walk away for nights out, but Fitzrovia is a delight to wander, filled with dog walkers grabbing artisan coffees, historic pubs and shops you didn’t know you needed. The slick restaurants of Charlotte Street are on the doorstep while the elegant Fitzroy Square Garden is a prime picnic spot close to Virgina Woolf’s former home.

There are some surprise attractions too, from the Cartoon Museum, which documents the history of British cartoons, caricatures and comics, to the spectacular Byzantine-style Fitzrovia Chapel with its gold mosaic ceiling where King Charles recorded his Christmas broadcast in 2024.

The verdict

From the chatty staff to the speakeasy-style bar, The Newman already feels like a much-loved neighbourhood hangout you might drop by even if you aren’t staying over. It’s a far cry from a stuffy five-star-by-numbers, but is just what London’s booming hotel scene needed.

Siobhan was a guest of The Newman; thenewman.com

“Feeling stressed?” asked Suzanne Harrington in the Irish Independent. Then “find a forest and spend a few hours absorbing its quiet magic”.

That’s the essence of forest bathing or shinrin-yoku, a concept introduced in 1982 by director of the Japanese Ministry of Agriculture, Forestry and Fisheries, Tomohide Akiyama. He believed spending time outdoors and purposefully reconnecting with nature could be the “antidote” to burnout from the fast-paced, tech-filled modern world.

The psychological benefits of forest bathing are well documented, said New Scientist. But as well as “reducing anxiety and stress”, a new study by researchers at Tokyo University of Agriculture found that a two-night trip to a forest with gentle hiking and a group mindfulness meditation session also boosted physical health by “lowering blood pressure and inflammation”.

Japan’s Yoshino forests have a “restorative, spiritual quality”, said Oliver Smith in National Geographic. Standing beneath the “towering cedar trees”, watching the sunlight stream through the branches and “listening to birdsong drift on the breeze”, it’s hard to feel anything but calm.

Exhausted workers from nearby Osaka “flock to this mountain idyll” to practise shinrin-yoku and unwind at the ryokans (traditional Japanese inns with tatami-matted floors). Days are easy to while away “gazing at the hypnotic textures in the wood”; while “idle” evenings can be spent soaking in an open-air hot spring bath.

But you don’t have to go far to try forest bathing. In fact, it’s as simple as finding a nearby forest and walk “slowly and mindfully”, said Harrington. Leave your mobile phone behind if you can and “allow plenty of time for silence”, engaging each of your senses by breathing deeply, listening to any sounds, touching branches and smelling the aromas of the forest.

I headed to Wiltshire to try out Bishopstrow Hotel and Spa’s forest bathing experience, said Shadé Owomoyela in Cosmopolitan, and “it might just have changed my life”. Holistic health practitioner Sue Judge ran the two-hour session, which included a leisurely stroll through the woods, poetry readings and a short meditation session. “When burnout inevitably creeps in again, I’ll know exactly how to ground myself.”

The Week is partnering with the Hay Festival. Use TWKHF2026 for your 10% discount on all tickets; hayfestival.org/hay-on-wye

Every spring, thousands of bookworms flock to the Welsh market town of Hay-on-Wye for an 11-day extravaganza of talks, signings, workshops and panels with the planet’s leading thinkers and writers. The world-renowned Hay Festival is 39 this year, and the programme is as jam-packed as ever. It runs from 21-31 May 2026, and there are more than 600 events to choose from, including plenty to keep the whole family entertained. Tickets for talks with Emma Thompson, Gisèle Pelicot and Maggie O'Farrell have already sold out but here is our pick of the other highlights.

Star names and free films

On 23 May, Booker Prize winner Bernardine Evaristo will be discussing her latest book, “Good Good Loving”, with novelist Yvvette Edwards. The talented authors will reflect on writing about multigenerational families and putting complex female characters at the heart of their books.

Other big names to look out for include Ian McEwan who will be talking about his new novel with chair of the Wellcome Trust Julia Gillard on 25 May; and queen of crime fiction Val McDermid will meet author Fflur Dafydd the following day to spill on her latest thriller, “Silent Bones”. On 27 May, Pulitzer Prize winner Elizabeth Strout will be making an appearance, meeting The Guardian’s literary critic Chris Power to talk about her latest novel and her knack for writing relatable characters.

If politics is more your bag, on 22 May, activist Malala Yousafzai will discuss with BBC journalist Anna Foster how it felt to be thrust onto the public stage. And on 29 May, Decca Aitkenhead of The Sunday Times will have a candid conversation with former First Minister of Scotland Nicola Sturgeon about her recent memoir.

There will also be a selection of free, short films curated by MUBI shown from 10am-2pm on 23 May; be sure to pop in and check the schedule at the beginning of the day. And, every morning, early risers can kick off the day with a yoga and breathwork session at the Creative Hub.

Kid-friendly events

Theatr Cymru and poet Mererid Hopwood will be hosting a drama workshop on 23 May, giving kids the chance to devise their own magical story in the Family Garden Marquee. Also that morning little ones aged three to 11 can join Make & Take Crafting, getting their creative juices flowing with print-making and junk modelling from recycled materials. And for aspiring scientists, book tickets for the talk with space scientist Sheila Kanani at the Spring Stage.

All that fun and learning is hungry work: at the canteen, you’ll find child-sized portions and tasty snacks, or you could bring a picnic to enjoy in the gardens while you peruse your new books.

April’s slate of new and returning TV, befitting an era of increasing economic and existential anxiety, looks at some of the defining issues of our time. Economic inequality and the dominant role of social media in our lives are front and center in the month’s new releases.

‘The Testaments’

Margaret Atwood’s “The Handmaid’s Tale”is now a cinematic universe with Hulu’s spinoff of the hit, six-season dystopian thriller. The series follows a new generation of forced surrogates in an American theocracy called Gilead as they are groomed to be shunted off to the autocracy’s all-male “Commanders.”

Fresh off her star-making turn in the Oscar heavyweight “One Battle After Another,” Chase Infiniti plays Agnes, the daughter of Offred (played by Elisabeth Moss in the original series), who along with other young women is being trained by Aunt Lydia (Ann Dowd), one of the few holdovers from the original series. The show will “arrive amid a continued assault on the rights of women, with bodily autonomy in particular remaining a hot topic of conversation,” said The Hollywood Reporter. (April 8 on Hulu)

‘Euphoria’ season 3

The critically acclaimed — and frequently disturbing — HBO Max drama returns after more than a four-year hiatus. Several members of the cast became even bigger stars in the interim, including Zendaya (who plays Rue), Jacob Elordi (Nate) and Sydney Sweeney (Cassie).

Showrunner Sam Levinson’s third season will feature a five-year time jump into adulthood for the characters. Rue, hiding out in Mexico, is tracked down by drug dealer Laurie (Martha Kelly) and forced to figure out how to pay off her debts, while Cassie and Nate have gotten married. Based on the trailer, the show “trades in dramatic ambiguity for a sharper, more dangerous vision that leans into old-Hollywood grandeur and dusty American Western iconography,” said Alison Foreman at IndieWire. (April 12 on HBO Max)

‘Margo’s Got Money Troubles’

Based on the bestselling, feel-good 2024 novel by Rufi Thorpe, “Margo’s Got Money Troubles” stars Elle Fanning as the titular Margo, who gets pregnant after an affair with her community college English professor and decides to raise the baby, Bodhi, on her own, much to the chagrin of her mother, Shyanne (Michelle Pfeiffer). Struggling to pay her bills and hosting her fresh-out-of-rehab ex-wrestler father, Jinx (Nick Offerman), Margo starts an OnlyFans account hoping to pull herself and her family out of poverty. “Its characters are memorable, sure, and their family relationships a bit unconventional,” said Angie Han at The Hollywood Reporter. But the story is “firmly grounded in the real world and all the more interesting for it.” (April 15 on Hulu)

‘Beef’ season 2

Showrunner Lee Sung Jin’s “Beef” was an enormous critical and commercial hit when it was released on Netflix in 2023. It was originally conceptualized as a limited series, making this star-studded, anthology-style second entry an unexpected gift.

Austin (Charles Melton) and Ashley (Cailee Spaeny) are a young, engaged couple who work at an upscale country club and accidentally interrupt an emotionally bruising fight between Joshua (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), two members of the genteel establishment. “Through favors and coercion, both couples vie for the approval of the elitist club’s Korean billionaire owner, Chairwoman Park (Youn Yuh-jung),” said Glenn Garner at Deadline. (April 16 on Netflix)

‘Widow’s Bay’

If you can suss out exactly what this highly anticipated Apple TV+ series is going to be about, more power to you. All we have to go on so far are media notes and some deliberately vague and creepy trailers. In one trailer, Matthew Rhys (“The Beast in Me”) is a glum-looking single dad who is the mayor of a haunted, struggling New England tourist town and who scrambles out of his house while an air-raid siren blares.

It’s an interesting approach to marketing what is billed as a horror-comedy series created by “Parks and Recreation” writer-producer Katie Dippold. The show “sounds like what you might get if Stephen King wrote an episode of ‘Atlanta,’” said Jake Kleinman at Polygon. That sounds pretty great to us. (April 29 on Apple TV+)

Spring was once the prelude to the summer blockbuster season, but studios are increasingly pushing out their films with less predictable patterns. This might explain why a classic summer action thriller and a buzzy vehicle for two young mega-stars are both dropping in April, along with these four other intriguing offerings.

‘The Drama’

Could anything be more of the moment than an edgy A24 offering starring Zendaya and Robert Pattinson? In director Kristoffer Borgli’s blend of dark comedy and psychological thriller, the two play Emma and Charlie, respectively, a couple on the verge of marrying whose relationship is unmoored by Emma’s disturbing revelations during a game of “What’s the worst thing you’ve ever done?”

As the trailer makes clear, Charlie and the couple’s friends are so shocked by whatever it is Emma says that the reveal puts their future together in doubt. The film’s jaw-dropping twist, which we won’t reveal here, is already making waves. This “complex, incredibly stressful, provocative and uncomfortably funny” movie “unfolds like a dreadful, violent car wreck that keeps piling up,” said Matt Neglia of Next Best Picture at Letterboxd. (in theaters now)

‘Pizza Movie’

A stoner comedy for the age of edibles and ennui, ‘Pizza Movie’ follows the exploits of two college students, Jack (Gaten Matarazzo) and Montgomery (Sean Giambrone), after they take a mysterious, mind-bending drug. Based on a brief video about the ingested substance narrated by Sarah Sherman of “Saturday Night Live,” the pair believe that eating a pizza is the only way to save themselves from their increasingly bizarre trip, and so they must make their way downstairs through hallucinations, body swaps, exploding heads and a squad of hostile RAs.

First time directors Nick Kocher and Brian McElhaney helm what looks like an uproarious mashup of “Harold and Kumar Go to White Castle” and “A Minecraft Movie.” An “uproariously unhinged” film, “Pizza Movie” is a “low-calorie guilty pleasure that offers just enough new ingredients to a meal you’ve had many times before,” said Zachary Lee at Roger Ebert. (on Hulu now)

‘The Stranger’

It’s hard to imagine a better pairing than decorated French director François Ozon and Albert Camus’ celebrated 1942 novel, “The Stranger.” The first cinematic adaptation of the book since 1967, the film is shot in a gorgeous, sun-drenched, black-and-white reminiscent of Netflix’s “Ripley.”

Benjamin Voisin is Meursault, an emotionally stunted French settler (pied-noir) in Algeria who, after his mother’s death, kills an Algerian man during an altercation and seems to feel nothing about it. The movie, like the novel, unfolds in two parts, following the events leading up to the murder, including Meursault’s relationship with Marie (Rebecca Marder) and friendship with Raymond (Pierre Lottin) and then depicting Meursault’s questioning and trial. It’s an “insightful rereading of Camus, vividly evocative of the world it depicts and irreducibly an Ozon film,” said Jonathan Romney at Sight and Sound. (in theaters now)

‘Marama’

An unsettling horror film that confronts the history of British colonialism in New Zealand, first-time director Taratoa Stappard’s “Marama” is set in 1859. A Maori woman known as Mary (Ariana Osborne) is summoned to an estate in Yorkshire, England, where she is promised information about her biological parents.

There she meets Nathanial Cole (Toby Stephens), who speaks Mary’s language and offers her a position as governess for his daughter, who he is oddly raising as Maori. But Mary, whose original name was Marama, soon discovers that his strange obsession with her culture is quite sinister. Then things get wild. The movie “does what horror movies do best, twisting film form into a tool for dissection” of the “society that produced such nightmares,” said Cláudio Alves at The Film Experience. (in theaters April 17)

‘Normal’

Bob Odenkirk may still be best known for his role as the slimy lawyer Saul Goodman on “Breaking Bad” and “Better Call Saul,’ but he’s also been busy reinventing himself as a late-middle-aged action star. In “Normal,” he plays Ulysses, a cop who takes a temporary gig as the sheriff in small-town Normal, Minnesota.

Unfortunately, he finds that behind the Minnesota Nice of people like Mayor Kibner (Henry Winkler) is a vast criminal conspiracy that has enlisted seemingly all of the town’s residents and is likely responsible for the sudden vacancy he’s filling. The film, which is well-timed given the centrality of Minnesota to recent U.S. political events, is alternately funny and shocking, as the quirky setup builds inexorably to a gonzo, set-piece shoot-out sequence. Director Ben Wheatley (“Kill List”) “takes real trends in American life — economic stagnation, rising tribalism, gun fetishism — and follows them to their corrupt, violent end points,” said Katie Rife at IndieWire. (in theaters April 17)

‘Fuze’

A throwback thriller from director David Mackenzie (“Hell or High Water”), Fuze is a heist movie with a particularly clever premise. A 1,000-pound WWII-era bomb is unearthed in London in a scenario clearly drawn from real-life events, after which a massive evacuation and defusing effort commences.

Major Will Tranter (Aaron Taylor-Johnson) and a city police officer (Gugu Mbatha-Raw) lead the bomb disposal operation, while a gang of criminals led by Karalis (Theo James) use the chaos of the bomb’s discovery as cover for a daring bank heist. Amid myriad double crosses and revelations, the various plot machinations converge in satisfying ways. Mackenzie’s lean thriller “prizes style but has no higher ambition than to entertain, with an economy of means and no fussy pretension,” said Richard Lawson at The Hollywood Reporter. (in theaters April 24)

Hurvin Anderson has earned a well-deserved reputation “as one of Britain’s most skilful and genuinely experimental painters”, said Mark Hudson in The Independent. Born to Jamaican parents in Handsworth, Birmingham, in 1965, Anderson “is big on artistic virtues we like to think of as typically British: emotional reticence and a doggedly patient focus on what’s in front of him”. He often returns to the same subjects: Black-owned barbershops, lush Caribbean forest-scapes, drab English suburbia.

Whatever he paints, it is always characterised by a certain sense of “detachment, even alienation”. People, if they figure at all, are generally “seen from a distance or behind or deliberately blurred”. The paintings are highly atmospheric, frequently radiating a sense of menace or melancholy – they have the air of fading memories. This “fascinating” retrospective at Tate Britain is Anderson’s biggest exhibition to date, bringing together around 80 paintings from every stage of his career. It is “an absorbing survey of an undoubtedly significant figure”. Anderson is a figurative painter in the great tradition of Bacon, Freud and Auerbach. “The linking factor is a commitment to developing his craft” that is “quite humbling”.

Anderson’s work is defined by tensions, said Laura Freeman in The Times. He constantly “pulls this way and that”, between realism and romanticism, between Britain and the Caribbean, between past and present. A major presence in these pictures is Jamaica itself: he didn’t visit until he was a teenager, and says he struggles with his “romantic” conceptions of his parents’ homeland. Yet the Jamaica we see in his paintings “isn’t the Sandals fantasy of holiday adverts”. Rather, it’s “a place of rank overabundance, hot soil and hotter concrete”. Somehow, Anderson manages to conjure the humidity of the place, hitting you “with the sinister oppression” of tropical heat. But he can be uneven, too: for every “stunner” like “Wait a Moment” (2019), a virtuosic treatment of “shifting shadows on white sand”, there’s a misfire. And too often, the Tate’s “cavernous” galleries seem to dwarf the hang.

“Quality control could have been tighter,” said Alastair Sooke in The Daily Telegraph. A number of Anderson’s best paintings have been omitted in favour of “sludgy, hesitant” smaller works. Even so, there’s no shortage of “striking compositions”: “Maracas III” (2004), for instance, sees “a hazy Caribbean vista”, painted as if it were “the crystallisation of a memory”, in which tiny figures “are dwarfed by sinuous palm trees”. His complex feelings about his heritage are clear in a series of Trinidadian landscapes interrupted by barriers “such as security grilles and wire fencing, so that the viewer feels excluded”. All in all, this is a “transfixing” show. I left it “enchanted by the pensive, yearning atmosphere that’s peculiar to Anderson’s art”.

Tate Britain, London SW1. Until 23 August

Kimberly Belflower’s “John Proctor Is the Villain” was a hit on Broadway and received seven Tony nominations – and “it’s easy to see why”, said Sarah Crompton on WhatsOnStage.

This “exuberant, perceptive and absolutely essential” play is about a group of teenage girls studying “The Crucible” at the apex of the #MeToo movement in 2018. They’ve asked to set up a feminist society at their high school in conservative, small-town Georgia, and the authorities have reluctantly agreed – thanks to their charismatic male English teacher offering to be its sponsor.

As they dig into “The Crucible” with him, and one of their number (the “town slut”) returns from a mysterious, months-long absence, the play – like Arthur Miller’s witch-trial parable, featuring the adulterous John Proctor – becomes a study in “who is to be listened to; who has the right to have their word believed”. It amounts to a witty and convincing picture of “teenage girlhood, its brightness, hopes and fears”.

Belflower’s “punchy” if schematic riposte to Miller’s classic is a “terrific piece of provocative entertainment”, said Nick Curtis in London’s The Standard. The girls are high-school archetypes (“the nerd; the hot girl; the preacher’s daughter; the sophisticated blow-in from the big city”), while the two boys in the class are “lamebrain jocks”.

Yet in this recast London transfer, all these characters are brought to vivid life by superb young actors under the careful direction of Danya Taymor. The dialogue in Belflower’s study of sexual politics and victimhood “slips easily back and forth between teen anguish, dry humour and pop culture geekery”, said Clive Davis in The Times. It captures “the way classroom obsessions can so easily spiral out of control”, and reminds us that schools can be “every bit as claustrophobic as Miller’s 17th century Salem”.

It’s a shame, then, that in the closing scene, Belflower can’t resist forcing through her message as the truth about the teacher is revealed. Yes, “all nuance is lost in the final beats of the play, set to Lorde’s ‘Green Light’”, said Emily Lawford in The New Statesman. But this “thrilling” evening “still leaves you invigorated”.

Royal Court Theatre, London SW1. Until 25 April

“The medical drama that took its native US by storm last year has finally crossed the pond,” said Lucy Mangan in The Guardian, and it’s well worth the wait.

“The Pitt” is made by some of the same team that created the gritty Chicago-set drama “ER” – and it stars one of its biggest talents. Noah Wyle appeared in the pilot episode of “ER” as fresh-faced intern John Carter, in 1994, and bowed out in the season finale, in 2009.

Here he plays Dr Robby, a Carter-like senior physician working in an emergency room in Pittsburgh known to its staff as the Pitt. Each of the first season’s 15 episodes (on HBO Max) covers a single hour of a brutal 15-hour shift.

It takes “supreme confidence to drill down into this level of minutiae”, said Carol Midgley in The Times. “It could get boring, yet never does.” And I’m not surprised that the show has been praised for its accuracy, because as well as being thrillingly immersive, “The Pitt” is incredibly naturalistic. Watching it is like being dropped into “an emergency department in real time with all its blood, gore and chaotic urgency”.

As in “ER”, “there are moments that are heartbreaking, there are moments that are shocking, there are moments that are amusing”, said Nick Hilton in The Independent. (There are also dashes of heavy-handed social commentary.) In other words, it all feels designed “to hit its beats”. It is good TV. But I wouldn’t call it great.

Well, you’ll have to go a long way to find better, said India Block in London’s The Standard. Written and directed with aplomb, “The Pitt” is “prestige” drama for an audience not distracted by their phones. It deserves to be seen.

Enid Blyton’s “Magic Faraway Tree” stories have delighted successive generations, said Brian Viner in the Daily Mail. And now, they have been adapted for the big screen by Simon Farnaby, whose credits include “Paddington 2”, and who is a master of the art of making films that tickle children and adults alike. And, happily, he and director Ben Gregor have done a “smashing job” – if you will forgive the Blyton-ese – not least by finding a “modern, relatable context” for stories published in the 1940s.

Claire Foy stars as Polly, an electronic engineer who quits her job rather than work on a smart fridge that gathers data on its owners. As a result, she and her affable husband Tim (Andrew Garfield) have to give up their device-filled modern home in the city and move to a ramshackle barn in the country with their three screen-addicted children. The older two initially resist their parents’ appeals to immerse themselves in nature, but the youngest, who is mute, explores the area and finds a magical tree inhabited by a group of extraordinary characters.

This is a “sweet-natured family fantasy”, said Peter Bradshaw in The Guardian, with lots of jokes and peril too, notably in the form of the evil Dame Snap (Rebecca Ferguson with a weird asymmetric hairdo).

I accept that Blyton – with her references to “swarthy foreigners” and the like – needed to be updated, said Kevin Maher in The Times, but Farnaby has created an over-complicated screenplay that strips the tale of its wonder. The children enjoy a few adventures that are “poorly realised” with “a DIY aesthetic”. Then we rush back to find out if Tim has fulfilled his dream of starting a pasta sauce business. Frequently collapsing into “skits” and “awkward flights of fancy”, the film is a “mess”.

“The 20th century was not short of famous people who led ludicrously unsustainable lives,” said Hadley Freeman in The Sunday Times. But there can’t be many “more ludicrous or unsustainable” lives than that of Liza Minnelli. The 80-year-old singer and actor, best known for playing the bowler hat-wearing Sally Bowles in “Cabaret”, received lessons in “how to be famous” from her mother, Judy Garland, who died from an overdose aged 47.

“Just as the MGM studio system robbed Mama of her childhood, she robbed me of mine,” she writes: her early life was spent negotiating Garland’s “mood swings and addictions”; she inherited a lifelong addiction to alcohol and drugs, and a tendency to fall for unsuitable men.

In her long-awaited memoir, Minnelli catalogues the highs and lows without ever sinking into self-pity. Full of sentences that verge on self-parody – “I was married to a gay man at the same time as I was engaged to two other men” – it is both “heart-rending” and hilarious. “If there’s a more enthralling celebrity memoir out this year, I’ll eat my bowler hat.”

The book’s “strongest section” is that detailing Minnelli’s “complicated childhood”, said Joanne Kaufman in The Wall Street Journal. Garland split from Liza’s father – the Italian film director Vincente Minnelli – in 1951. Soon after this, Garland attempted suicide for the first time, and Liza was forced to become “Mama’s mama” – or, as she puts it, her “nurse, doctor, pharmacologist and psychiatrist rolled into one”.

Once Minnelli embarked upon her own career, she also had to negotiate her mother’s tempestuous jealousy, said Tanya Gold in The Observer. Appearing with Garland at the London Palladium aged 18, Minnelli received a loud ovation only to hear her mother whisper to the producer: “Harold, get her off my f**king stage.”

Despite wanting to “grow up differently”, Minnelli couldn’t stop herself “repeating old patterns”, said Helen Brown in The Telegraph. She details her abuse of Valium and booze, and her often disastrous love life: married and divorced four times, she was also briefly engaged to Peter Sellers, and had an affair with Martin Scorsese.

While Minnelli isn’t afraid to call out bad behaviour – she describes her fourth husband, David Gest, as a “pasty-faced jerk with weird hair” – there are few traces of bitterness: Minnelli is a “funny and generous” narrator. Co-written by her friend Michael Feinstein in an “intimate, chatty style”, this is a “high-kicking hoofer of a book”.

Bluebells spring to life from late March to early May, carpeting Britain’s gardens and ancient woodland with their violet-hued flowers. And, this year, the mild, wet winter means some of the perennial bulbs are already in bloom: Hole Park in Kent had its earliest spring opening ever, welcoming visitors to its 200-acre grounds last weekend.

Over half of the world’s bluebells are found in the UK and there are plenty of places to spot them around the country. Here are some of our favourites.

Grass Wood Nature Reserve, North Yorkshire

Located a short walk up the valley from the village of Grassington, this sprawling nature reserve is “one of the largest areas of broad-leaved woodland in the Yorkshire Dales”, said The Times. Come spring, “the ground is awash with bluebells” and wildflowers including primroses, lily of the valley and wild basil. Ideal for twitchers who don’t mind an early start, it’s a prime location for hearing the “spectacular” dawn chorus and the “hooting call of a male tawny owl can often be heard”.

Glen Finglas, Stirlingshire

Nestled in the heart of the Trossachs National Park, this “vast estate” is the Woodland Trust’s largest site, home to “Scotland’s biggest collection of ancient trees”, said The Guardian. At this time of year, the ground turns into a “sea of bluebells” and there is plenty of wildlife to spot roaming through the glen. Look out for otters, pine martens and golden eagles. After a long, bracing walk, warm up with home-cooked vegetarian dishes at the nearby Brig o’Turk tearoom.

Langford Heathfield, Somerset

Somerset Wildlife Trust’s second biggest reserve is a “beautiful mixture of oak and ash woodland with sunny glades and vivid patches of bluebells”, said The Times. Mornings are a great time to visit (listen out for the “rare, booming call of the wood warbler”), while at dusk you’re likely to spot pipistrelle and noctule bats. As the days get warmer, lizards and common adders come out, too.

Winkworth Arboretum, Surrey

Arboretums are “all about the trees” but this spectacular woodland “comes alive with jewel-coloured flowers every spring too”, said Time Out. The Azalea Steps are a real draw: the stone staircase leading down to the lake is lined with “cascading flowers” in “vibrant” shades of pink, purple and red that “burst into beautiful colour” every year.

Ashridge Estate, Buckinghamshire

Dotted with “stunning clusters of bluebells” the winding woodland trail at Ashridge Estate is well worth a visit, said Country Life. Tucked into the Chiltern Hills in Buckinghamshire, the idyllic estate is perfect for a family day out. Keep your eyes peeled for the “huge variety of wildlife”; the estate is home to fallow deer, lesser-spotted woodpeckers and the rare Duke of Burgundy butterfly (look out for its chequered orange-and-brown wings).

Elephants are among the planet’s most majestic creatures, walking steadfastly through the savannas, forests and deserts of Africa and Asia. These gentle giants are also the largest living land mammals, and being able to see them in person is a sight to behold. You can enjoy this bucket-list experience during an ethical tour, hotel stay or park visit that puts the animals first.

Chobe National Park, Botswana

So many elephants live in Chobe National Park — about 120,000 call it home — that there’s a “good chance” you will spot a few “wherever you go,” said Thrillist. Botswana has the world’s highest elephant population and is a longtime “haven for the trunked pachyderms,” thanks to strong anti-poaching and conservation efforts.

Chobe has four geographical zones, and the best way to see elephants is by choosing a safari in the grasslands and riverfront area because “where there’s water, there’s elephants.” And you can expect to see a parade of other incredible wildlife, like lions, zebras, giraffes, water buffalo, hippos, crocodiles and hyenas.

Elephants & Opium tour, Thailand

On Red Savannah’s 11-day Elephants & Opium tour, travelers start in Chiang Mai in northern Thailand and end in Bangkok in the south. Along the route, you will stop at temples, ride bikes through the countryside, visit historic ruins and the Hall of Opium Museum, and take a private home cooking class, with the highlight being your time in the Golden Triangle. Guests stay at the Anantara Golden Triangle Elephant Camp & Resort and interact with rescued elephants going along on their daily jungle walk.

Elephant Valley, San Diego Zoo Safari Park, California

At the immersive new Elephant Valley, visitors come face to face with a herd of eight elephants led by their matriarch, Swazi. The space was expanded to give the animals “more areas to roam, bathe and sleep” and additional “opportunities to keep them engaged,” said KPBS. It’s easy to spend hours watching the elephants play together with puzzle feeders and splash around in a 250,000-gallon pool, and you can snap stunning pictures and videos at several lookout points.

When hunger strikes, you don’t have to tear yourself away from the views. Enjoy a meal or snack at Mkutano House, Elephant Valley’s open-air dining experience during which snacks and meals come with a side of gorgeous panoramas of the pond and savanna.

&Beyond Phinda Private Game Reserve, South Africa

&Beyond has six lodges on its 74,000-acre reserve, and each offers ample opportunities to coexist with elephants and other wildlife. Phinda Homestead is a private villa with a dedicated ranger, tracker, chef, butler and host, while Phinda Rock Lodge sits on a cliff face, giving guests dramatic views from their stone suites.

The “most unique” accommodation is the recently revamped Phinda Forest Lodge, said Condé Nast Traveler. Situated on one of Africa’s last sand forests, the “glass-encased” suites have a “treehouse-like” feel. Start your day with a game drive, keeping your eyes peeled for elephants, leopards and lions, then take a guided bush walk and “laze by the pool, where the animals swing by for an afternoon drink.”

Udawalawe Elephant Transit Home, Sri Lanka

The Udawalawe Elephant Transit Home is a “halfway house” for orphaned and injured elephants, giving them a safe place for rehabilitation before being returned to the wild, said Lonely Planet. Visitors are invited to observe the elephants from a viewing platform and watch as they eat and interact.

There are typically 40 juvenile elephants out and about, and while you do have to keep your distance, the experience is “still a lot of fun,” said Lonely Planet. Udawalawe Elephant Transit Home is a short drive from Udawalawe National Park, which has “famous elephant herds” best spotted from 6:30 a.m. to 10 a.m. and 4 p.m. to 6:30 p.m.

The Duffer brothers’ new Netflix horror series takes “pre-wedding jitters” and ramps them up to “supernatural extremes”, said Angie Han in The Hollywood Reporter. The result is a “surprisingly thoughtful, satisfyingly bloody take on the impossibility of absolute romantic certainty”.

Nervous bride-to-be Rachel (Camila Morrone) and Nicky Cunningham (Adam DiMarco) appear at first like a happy, “promising match”. The action begins five days before their wedding – an intimate affair set to take place at Nicky’s parents’ holiday cabin in the woods.

But Rachel soon begins to sense “something is not right”. Driving to the venue, “ill omens seem to abound”: the couple overhear “snatches of a disturbing conversation” and pass a car “scribbled with ‘just married’ in paint the colour of blood”.

“Wait until she gets there,” said Anita Singh in The Telegraph. The “creepy” cabin is decorated with “taxidermied Irish wolfhounds” which Rachel is told never to look directly in the eye, and each one of Nicky’s relatives is “awful, emotionally disturbed, or plain loony”. Disturbing tales of “evil” monsters lurking in the woods don’t help things. “Run, Rachel!”

“Something Very Bad Is Going to Happen” is a “macabre and unsettling” show filled with plenty of “blood and gore”. But the “real horror”, it transpires, would be “realising that you’ve married the wrong person”. As the “claustrophobia and hysteria build”, it is Morrone’s stand-out performance that “grounds everything in some sort of reality”.

I couldn’t help feeling “this would have worked better as a feature film”, said Louis Chilton in The Independent. At times the pacing dragged and some of the “tortuous plotting” felt like it was “simply stalling for time”. There were issues too with the lighting: many of the scenes were so “dark and colour-washed that it’s hard to tell what you’re even looking at”.

The poorly lit cabin does leave you wondering how the family are “reading cooking instructions”, said Rhik Samadder in The Guardian. But I found it “terrifying”. The show has “fun with the trappings of weddings from hell” and excels in its “limbo-like scenes suffused with dread”. Above all, “it gives a chilling new meaning to having cold feet”.

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Many of the most coveted beauty products come from South Korea, where innovative skin care using cutting-edge — and sometimes unconventional — ingredients is the norm. These nine standout items do more than just make your skin look good. They also help treat underlying issues and prevent new ones from starting.

Beauty of Joseon Red Bean Water Gel 

Let this one sink in. Gel moisturizers “hydrate without feeling heavy,” said Allure, and Red Bean Water Gel “in particular” is “chock-full of red bean extract” and peptides to “deliver moisture while also absorbing sebum.” It feels “cooling” and “refreshing” and layers “wonderfully” under other skin products and makeup. ($18, Beauty of Joseon)

CosRx Advanced Snail 96 Mucin Power Essence

The secret to having glowy “glass skin” is in this bottle, said Vogue. It’s made with 96% snail secretion filtrate (yep, a mucus snails produce). The filtrate can “help repair the skin barrier,” along with hyaluronic acid to hydrate and allantoin to soothe. While every skin type can benefit from using the essence, it does wonders for boosting dry skin. ($25, CosRx)

Etude SoonJung pH 6.5 Whip Cleanser

Etude’s skin care items are “excellent,” especially this “cloudlike” cleanser that “suits all skin types,” said Allure. Because of its low pH, the product is “less likely” to interfere with your skin’s “natural barrier function,” and it doesn’t have any “potential irritants” that could “trigger irritation or breakouts.” The cleanser does contain “soothing” ingredients like madecassoside and panthenol, so it “hydrates as it removes impurities.” ($16, Ulta)

Gemi Hand Sanitizer + Serum

This is not your typical hand sanitizer. Gemi reimagined what the formula should be, infusing the company’s take with premium, nourishing facial skin care ingredients like Centella asiatica extract and propanediol. Choose from five “top-notch” scents, including Elysium, a “luxuriously layered” vanilla, peony and amber fragrance, said Marie Claire (a sister site of The Week). Can’t pick just one? Get the full collection, and try them all. ($12 per bottle, $55 for the full collection, Gemi)

Medicube Zero Pore Pad

Zero Pore Pads are infused with salicylic acid, lactic acid and, it might seem, “magic,” said InStyle. That’s because the formula “not only hydrates but also calms and smooths” skin and can “drastically” improve acne scars. One side of the pad is textured, for exfoliating, and the other side is smooth for pore-tightening. ($21, Ulta)

Purito Centella unscented eye cream

A few dabs of Purito’s beloved eye cream is all you need. The “cult-classic” formula works “quickly” to depuff and “calm irritation,” said Harper’s Bazaar. It’s made with Centella asiatica and peptides and instantly “sinks into the under-eye area,” leaving the skin feeling “moisturized and soothed.” ($13, Amazon)

Round Lab 1025 Dokdo Toner

There’s a lot to love about this “gentle and lightweight” toner, said Glamour. It works on all skin types, including “sensitive and acne-prone” and contains “mineral-rich” seawater, panthenol and betaine to “deeply hydrate and support the skin barrier.” Use it after cleansing and prepare to be wowed by how smooth your skin feels. ($17, Ulta)

TimeSavvy Sealing in Moisture mask

Multitasking has never felt better. TimeSavvy’s Sealing in Moisture mask is designed to be used while on the move, with an upper and lower mask that “stay put,” said Elle. The creamy formula delivers on its promise not to slip or drip, and the “expert-approved” ingredients — niacinamide, adenosine and collagen — are a “triple threat,” helping firm, smooth and hydrate the skin. Keep the mask on for 15 minutes, then get ready to glow. ($12 per mask, $54 for a set of five, TimeSavvy)

Tocobo lip mask

Dry lips have met their match. Tocobo’s lip masks are made with antioxidant-rich plant oil blends and melt on contact, leaving your pout plump and refreshed. Pick from four masks, with each one offering its own benefit. Mint Cooling reinvigorates lips, Collagen Boosting reduces the look of fine lines, Vita Glazed moisturizes, and Lemon Sugar Scrub buffs away dead skin cells. ($19, Tocobo)

Cheering on your favorite sports team while watching games from the couch is fun. But everyone knows it’s even better to cheer the team on in person. In these sports-centric destinations, the thrills exist inside — and outside — the stadiums and arenas.

Arlington, Texas

You’ll want to play ball in Arlington. A 2026 World Cup host city, it’s also the home of the Dallas Cowboys and AT&T Stadium, one of the “most impressive dome stadiums in the NFL” with the “largest retractable roof” and “largest high-definition screen” in the league, said Fox Sports.

Visitors can go behind the scenes on a guided stadium tour, stepping into exclusive areas and learning more about the facility’s contemporary art museum. Round out your Arlington experience by hitting a Texas Rangers or Dallas Wings game, experiencing the immersive International Bowling Museum and Hall of Fame, and enjoying an evening at the Texas Live! dining and entertainment complex.

Boston

With its “championship teams, iconic stadiums and passionate fan base,” Boston is tops for sports fans, said Travel and Leisure. Fenway Park, home of the Red Sox, is Major League Baseball’s oldest ballpark, dating back to 1912.

You can take an hour-long tour or the 75-minute version that brings you to the field level. For those on a time crunch, the park offers Fenway in Fifteen, a quick quarter-hour journey around the beloved stadium. All of Boston’s teams and their biggest stars are honored at TD Garden’s Sports Museum, featuring exhibitions on the Bruins, Celtics, Patriots and Red Sox, and sculptures of Larry Bird and Ted Williams.

Green Bay, Wisconsin

Football and Green Bay go hand in hand. The city has a “deep-rooted sports culture” that is “highlighted” by the Green Bay Packers, said WalletHub. Tickets to games at the “iconic” Lambeau Field are often a “reasonable” price because the team is a nonprofit franchise, and being surrounded by the Packers’ loyal and “enthusiastic” fans adds to the experience. Consider going all out and tailgate, or watch the game while enjoying cheese curds and wings at Stadium View Bar, bratwurst at Johnsonville Tailgate Village or bloody marys at Anduzzi’s Sports Club.

Kansas City, Missouri

In Kansas City, “new sports find a warm welcome” and “sports history has a place of honor,” said writer David Von Drehle at The Washington Post. The Kansas City Chiefs may have the most name recognition, but there’s also the Kansas City Current women’s soccer team and a “baseball team with a couple of World Series trophies,” aka the Kansas City Royals.

This summer, Kansas City will be a World Cup host city, but its “fingerprints” will be on the entire tournament; games are being played across the U.S. in “stadiums designed by architects from Kansas City, the world capital of sports stadium design.” No trip to the city is complete without a visit to the Negro Leagues Baseball Museum, which “delightfully” showcases how athletes serve as “engines of culture and social progress.”

Los Angeles

Yes, there are nearly a dozen major sports teams based in Los Angeles, including the storied Dodgers, Lakers and Kings, plus new powerhouses like Angel City FC. But LA and its environs are also known for pickup basketball games in the park, impromptu soccer matches in neighborhood fields and beach volleyball games that last for hours.

When you’re not at a match (or joining a game with locals), tour the historic Los Angeles Memorial Coliseum, go surfing, hike the famous Runyon Canyon loop or show off your athletic prowess at Highland Park Bowl, a lovingly restored 1927 bowling alley where “old pinsetters serve as chandeliers,” said the Los Angeles Times.

Minneapolis and St. Paul, Minnesota

When it comes to supporting women’s sports, the Twin Cities can’t be beat. Both the championship-winning WNBA’s Minnesota Lynx and PWHL’s Minnesota Frost draw enthusiastic crowds, and the University of Minnesota’s Golden Gophers women’s hockey team has “one of the best fan atmospheres anywhere,” said The Athletic. If you want to watch a game in a more intimate environment, head to A Bar of Their Own in Minneapolis, the first sports bar in the Twin Cities that shows only women’s sports.

Philadelphia

Whatever the game, you can find it in Philly. This is one of the “most impassioned sports cities in the country,” said Axios Philadelphia, and one of four locations in North America that is home to an MLB (Phillies), NFL (Eagles), NBA (76ers) and NHL (Flyers) team.

They all play at the Philadelphia Sports Complex, where nearly 400 events are held every year at the Xfinity Mobile Arena, Citizens Bank Park and Lincoln Financial Field facilities. Expect to get caught up in “contagious enthusiasm,” whether that’s at an Eagles game where fans “unitedly sing ‘Fly, Eagles, Fly’ after every win” or on the street, where you’ll likely run into people who “incessantly shout ‘Go Birds’ at passerby.” For the full experience, time your visit so you can attend an “epic” watch party or tailgate, where “everyone’s invited.”

From the outside, the Bvlgari Hotel Roma is all clean lines and quiet authority, a relic of the city’s fascist-era architecture. But step inside and the mood shifts entirely.

Directly opposite the Mausoleum of Augustus – currently emerging from a long-awaited restoration – the hotel is a confident homecoming for the Roman jewellery house that inspired it.

Opened in 2023, this is only the ninth outpost in the Bvlgari hotel portfolio, a brand that has always favoured considered expansion over ubiquity. The result? A stay that feels rarefied, polished and Roman.

Inside, a second-century marble statue commands the foyer with gravitas. It’s part of a rotating exhibition on loan from the illustrious Torlonia family collection, just one example of how the hotel blends heritage with high design. Beyond it, glass cases gleam with Bvlgari jewels, while the polished marble surfaces shimmer in the light. It’s less hotel lobby, more curated gallery of Roman splendour and a harbinger of the opulence to come.

Why stay here?

Upstairs, the atmosphere softens into something more intimate. The hotel’s 114 rooms and suites are spread across six floors, each one designed as a sumptuous cocoon away from the city’s lively streets.

Our Junior Suite was a study in balance: muted neutrals offset by jewel-toned accents, including a rich green headboard and coordinating rug. The living area, anchored by a cream sofa and a sculptural Arco lamp by Flos, felt both elegant and inviting. A marble coffee table, sleek minibar and leather armchair completed the picture.

The ceilings soared, giving the room a sense of grandeur, while tall windows – soon to overlook the restored mausoleum – were draped in billowing cream curtains. Service included thoughtful touches: plates of fresh fruit, delicate mini-cakes and a turndown service that included herbal tea served in flasks. It’s this attention to detail that elevates the experience from luxurious to genuinely indulgent.

But the bathroom stole the show. Ours was clad in blue-green Brazilian marble, streaked with deep rust veins – it was dramatic, unusual and mesmerising. Other suites feature equally striking palettes, including a rich Sudanese red. At its centre sat a deep porcelain tub, crowned by a celestial Bvlgari mosaic. Add a walk-in shower, double sinks lined with Bvlgari toiletries and a dressing room complete with vanity, Dyson hair dryer and generous storage, and you have a space designed for lingering.

Down below, the subterranean spa feels like a hidden world unto itself. Far from the modest wellness areas typical of city hotels, this is a vast, shimmering sanctuary. A 20-metre heated pool stretches out, its surface glinting with blue, green and gold mosaics inspired by Bvlgari’s signature design, the Divas’ Dream fan motif. Marble columns rise dramatically from the water, while a bubbling vitality pool and waterfall shower add to the sense of theatricality. It’s the kind of place where hours slip by unnoticed, especially when stretched out on one of the cloud-soft loungers.

Eating and drinking

Il Caffè on the ground floor is a bright, inviting space where marble and mirrors meet lush greenery. Breakfast here is an unhurried affair, with options ranging from continental classics to Chinese, Arabic and health-focused selections. Even the simplest dishes feel elevated: porridge arrives with an array of seven toppings, while avocado toast is generously layered with thick slices of smoked salmon. Everything is served on beautifully crafted Ginori porcelain for a final flourish.

As evening approaches, La Terrazza becomes the place to be. With panoramic views across Rome’s rooftops, it’s ideal for a pre-dinner aperitivo. The Bvlgari signature cocktail – a bright blend of gin, Aperol, citrus, and a delicate foam stamped with edible gold – captures the hotel’s spirit in a single glass and is served in all its bars worldwide.

The Bvlgari Bar is a destination in its own right. Its striking black marble counter, supported by Murano glass cones infused with gold dust, glows softly as the room fills with guests. There’s a lively and sophisticated energy here that contrasts with the calm of the hotel’s library lounge and chocolate boutique on the ground floor.

For something more formal, Il Ristorante – Niko Romito offers a refined take on Italian cuisine by the acclaimed chef. Here, traditional dishes are reimagined with precision and flair: think lasagne layered with pecorino and artichokes, or spaghetti vongole lifted with parsley pesto. A perfectly cooked turbot, paired with Sardinian vermentino, made for a standout main, while a chocolate mousse infused with Alchermes liqueur provided a fittingly indulgent finale.

Things to do

Step outside and Rome unfolds at your feet. The Spanish Steps, Trevi Fountain, Pantheon and Piazza Navona are all within easy walking distance, while the boutiques of Via dei Condotti beckon just around the corner. Further afield, a short journey brings you to the grandeur of St Peter’s Basilica or the ancient drama of the Colosseum.

Yet Rome’s magic often lies in its quieter corners. A stroll through the leafy expanse of Villa Borghese offers a welcome escape from the crowds, while the Protestant Cemetery in Testaccio provides a moment of reflection. Here, among cypress trees and weathered stones, lie the graves of John Keats and Percy Bysshe Shelley, as well as the haunting “Angel of Grief” sculpture by William Wetmore Story.

The verdict

In a city overflowing with grandeur, Bvlgari Hotel Roma manages to carve out its own distinct identity. It’s not just a place to stay but a luxurious celebration of Roman craftsmanship, heritage and style. Once you’ve checked in, you may find it difficult to leave.

Vicki was a guest at Bvlgari Hotel Roma; bulgarihotels.com

Spanning 2,700 miles, the “gorgeous” new King Charles III Coastal Path will be the “longest managed coastal path in the entire world” when fully open, said Amy Houghton in Time Out.

The project was initiated in 2008 when Gordon Brown was prime minister. Now, almost two decades later, King Charles has finally inaugurated the footpath – 80% of which is open to the public, with the remainder set to be completed by the end of the year. Once finished, the trail will stretch around the entire coast of England, joining up with the existing 870-mile coastal path in Wales.

It’s a footpath of “spectacular beauty” that weaves along “cliff edges and across chalk downs, through dunes and around estuaries, linking castles, smugglers’ villages and seaside resorts”, said Andrew Eames in The Sunday Times.

Among the most “memorable” sections is the 14-mile stretch from Bamburgh Castle to Lindisfarne Causeway along Northumberland’s “jaw-dropping” shore, said Paul Bloomfield in The Telegraph. Along the way, you’ll pass “beach after beach as you skirt golden Budle Bay” with plenty of chances to spot seabirds, seals and dolphins.

Or, for a shorter route “ideal for the kids’ first taste of hiking”, set out from the Isle of Wight’s Compton Bay, keeping your “eyes peeled for dino footprints”. Once you reach Shippards Chine, climb the wooden steps and walk out on to the chalk downs heading westwards until you reach “the blustery viewpoint over the famous chalk stacks of The Needles”. The 7.4-mile walk concludes with a chairlift ride down to the “multicoloured sands” of Alum Bay.

As for thrill-seekers, the “adventurous stretch” between Hurlstone Point and North Hill in Somerset is well worth trying, said Jen and Sim Benson in The Times. Formerly a “little-used alternative to the main track”, the challenging eight-mile route is now a “fantastically undulating” part of the King Charles III Coastal Path, creating a “stunning circuit between the moor and the sea”.

Welcome to the icons-only edition of where to drink this spring. Half of the bars in this compilation are the kind of place where the drinking is simply a means to an end. The rest are bars where cocktail-making is revered. All have been around for a spell, achieving venerable notoriety in their respective cities. All hail the longtimers.

Barret Bar & Grill, Louisville

If the Barret Bar “were a person, it would be an old Hollywood character actor with stories about getting drunk with Errol Flynn and Betty Davis,” said the Louisville Courier Journal. Barret began its life as a shotgun bar in 1947 and has since expanded to three times the size with a handful of pool tables. The bar is no frills and all welcoming camaraderie. The “place has a heart and soul of its own,” said a former general manager, John Campbell, to the outlet.

Clermont Lounge, Atlanta

It is unjust to call the Clermont Lounge a strip club. Let’s call it a bar with strippers. Or a lounge, like its name connotes. A “core group of women” have worked there for more than 25 years, said Dana Hazels Seith in The Bitter Southerner. The Clermont, which debuted in 1965, is a rip-roaring good time; it is also a ravishing snapshot of what it means to be alive, to be human. “Every person who spent time there — from bartender to customer to dancer — told me the same thing,” said Seith. “You can be yourself at the Clermont Lounge.”

The Cloak Room, Austin

The Cloak Room’s location within spitting distance of the Texas capitol building might suggest there is some fanciness afoot here. Wrong! The lounge’s “lack of a hoity-toity menu” means that drinking here is “decidedly unfussy,” said Anthony Head at Austin Monthly about the bar that opened in 1979. You might encounter a politician taking a breather, sure. You will also assuredly find an “aged wooden countertop” and a “great neighborhood spot that prefers to fly a little under the radar.”

Cure, New Orleans

Cure, which opened in 2009, is both record-keeper and innovator, an admirable endeavor in a city that is the birthplace of the cocktail. Ask for any classic, and the bar will make it even if the drink is not listed on the regular menu. The bartenders are that adept. They are also ever-forward-thinking: Four times a year, the crew overhauls the seasonal drink menu. Fixed and fresh, Cure does it all.

Julius’, New York City

At once a raunchy dive bar and an LGBTQ+ icon, Julius’ has been open since the 1860s in Manhattan’s West Village neighborhood. And, yes, Julius’ is option D: all of the above. It is a place to meet the man of your dreams for a night, as well as one of the centerpieces of the queer civil rights movement. And as of 2022, Julius’ is an officially designated New York City landmark. For as long as there are people on planet Earth, may Julius’ reign.

The Normandie Club, Los Angeles

Whether you seek an “excellent first stop before a night out in Koreatown” or a “great nightcap destination after a dinner date,” The Normandie Club is an optimal choice, said The Infatuation. The swank, welcoming bar opened in 2015 and covers its bases. Margaritas, palomas and a whiskey-Aperol spritz are on draft for streamlined serving. On the flip side, the bar has reconsidered classic cocktails such as the gimlet and old-fashioned, the latter built with coconut-washed bourbon and spiced almond demerara syrup.

Smuggler’s Cove, San Francisco

The Tiki heyday, the story goes, occurred during the middle of the 20th century, with Americans pining for exotic locales and fruity cocktails. All true. You could instead argue, though, that the finest incarnation of Tiki-dom launched when Smuggler’s Cove opened in San Francisco in 2009. Fresh juices, quality rums, pristine drinkmaking technique — the Cove stupefied with its faultless approach. Yes, a Zombie from the Cove will render you lifeless. But it will taste so good before your demise begins.

Sweet Liberty Drinks & Supply Co., Miami

Sweet Liberty was a hit from the moment it opened in 2015. More than a decade on and endless accolades later, the “bar isn’t letting all that praise go to its head,” said Jennifer M. Wood at Condé Nast Traveler. Situated alongside the Bass Art Museum, Sweet Liberty is both a home base for locals and a destination for tourists. The cocktail list knows its mission: South Miami crowd-pleasers, thoughtfully considered, like a frothy Midori sour with green Chartreuse and an apple martini with apple brandy and dry vermouth.

Most tourists in Panama focus on its “storied” canal and resort towns such as Bocas del Toro. But this Central American country – a narrow isthmus stretching for 500 miles between Costa Rica (to the west) and Colombia (to the east) – offers far more to interest the curious traveller, said David Amsden in Condé Nast Traveller.

The canal, which was completed in 1914, bisects the country at its midpoint, where it is narrowest (at a mere 37 miles across). And set beside the Pacific coast at the great waterway’s southern end is Panama City, where its “sprawling” skyline of steel-and-glass skyscrapers trumpets the success of “Central America’s fastest-growing economy”. However, I stayed in the charming, pastel-hued old town, at the “excellent” Hotel La Compañía Casco Antiguo. From Panama City, I went on a “zigzagging” road trip, stopping first at Portobelo, a “drowsy” town with “candy-coloured” buildings on the Caribbean coast. It’s a place of “raw” beauty, with a “hushed, draughty” cathedral and an impressive Spanish fortress (in its early days, the town’s harbour was often raided by pirates).

It is also home to a large Afro-Panamanian community, the subject of “striking” photos by Sandra Eleta, a celebrated artist who runs an informal artists’ residency and hotel called La Morada de la Bruja, or The Witch’s Abode. An “eclectic compound” with breezy verandas and walls hung with “folkloric” murals and feathered masks, it is the best stay in town.

Next, I visited the Guna Yala islands, a “mesmerising” Caribbean archipelago that has been governed by the indigenous Guna people since 1925. Exploring it on a yacht chartered from San Blas Sailing, I enjoyed such “elemental” pleasures as snorkelling with stingrays and drinking rum cocktails on palm-fringed beaches.

My final stop was the undulating, big-skied Azuero Peninsula, on the Pacific coast, where I went riding and surfing, and also sailed alongside a pod of humpback whales.

Hot dogs are quintessentially American. Initially the food of immigrants, the humble combination of a frank wrapped in a bun became part of the country’s cultural fabric, a staple at picnics, baseball stadiums, barbecues and fairs. Regional styles vary — get yours topped with coleslaw in the Carolinas, cream cheese in Seattle and sauerkraut in Birmingham — but they all honor traditions while showcasing local flavors.

A quick history lesson

German immigrants who came to the United States during the mid-19th century brought along a love for sausages. During the 1860s, carts began to pop up in New York City, with peddlers selling bun-wrapped thin sausages that had a “special Old World snap,” said Smithsonian Magazine. They were both “portable and tantalizingly inexpensive,” and it wasn’t long before these “handy treats” made their way to Coney Island, where seaside revelers enjoyed them while strolling the boardwalk.

Millions more were introduced to the dish at the 1893 World’s Fair in Chicago, when a pair of “entrepreneurial” Austrian Hungarian immigrants, brothers-in-law Emil Reichel and Samuel Ladany, set up a Vienna sausage stand in the Austrian Village section of the expo, said the Chicago History Museum. Their sausages, topped with mustard and onions, sold for 10 cents each and were such a hit that after the fair the pair opened Vienna Beef Inc., which remains “arguably the hot dog king of Chicago.”

By 1900, vendors were slinging sausages at race tracks and baseball fields, and people began referring to the portable meal as a hot dog. There are a few theories on how the name came to be, with some saying it’s because the meat was often called a “dachshund sausage” and others claiming a connection to the slang term “hot dog,” which meant a “swaggering young man who loitered with other flashy dandies,” said Smithsonian Magazine.

Chicago-style hot dog

What is it? An all-beef frankfurter in a poppy seed bun, topped with yellow mustard, relish, chopped onion, tomato slices, sport peppers, celery salt and a pickle spear.

This hot dog is all about the toppings, and “each component has a specific role to play,” said Mashed. Sport peppers bring the heat, pickles the brine and mustard the tang, which “balance the sweetness of the relish.” Various immigrants are responsible for these flavors, with the poppyseed bun “reflecting Eastern Europe” and the “elements that dragged the hot dog through the garden,” like onions, tomatoes and pickle, courtesy of Greeks and Italians, said WTTW.

There’s one condiment you won’t see on a Chicago-style dog: ketchup. That’s because during the early 1900s, ketchup was “used to cover up the flavor of poor-quality meat,” said NBC 5 Chicago. Not having to squirt any on your hot dog was a “source of pride” and “symbol of higher quality.” All these years later, the tradition still stands.

Where to try it: At Gene & Jude’s, the hot dogs are “expertly prepared” and have an “exceptional snap,” said Serious Eats. The stand, located outside of Chicago in River Grove, is “continuously packed,” but the dogs and “just-fried hand-cut fries” that come on the side are worth the wait.

Detroit-style Coney Dog

What is it? A beef frankfurter in a steamed bun, topped with meat chili, diced white onions and yellow mustard.

The Coney Dog, now ubiquitous in Detroit, was created more than 100 years ago by Greek immigrants. As the story goes, they “ventured first to Coney Island” in New York, where they tried the famous hot dogs at Nathan’s, then decided to sell their own version in the Motor City, said Detroit PBS. The secret ingredient in their chili is Greek spices and is an ode to the immigrants’ homeland.

One of the earliest hot dog joints to open in Detroit was American Coney Island, which brothers Constantine “Gust” Keros and Bill Keros opened in 1917. After a falling out, the two went their separate ways, and Bill opened his own shop, Lafayette Coney, next door. The feud is part of Detroit’s culinary history; both restaurants remain open today.

Where to try it: There is “no better spot to indulge” in a Detroit-style Coney than Duly’s Place, said Eater. Open for more than a century, the diner remains a “go-to” thanks to its “consistency” and “greasy-spoon environment.” The dogs here have a “satisfying snap” and come “slathered” in all the necessary toppings.

New York System hot wiener

What is it? A wiener made of pork, beef and veal in a steamed bun topped with celery salt, mustard, chopped onions and spiced meat sauce.

Rhode Island’s take on the hot dog, introduced in the 1920s, “began as a loose nod” to Coney Island-style, but its “identity” was soon “shaped” by Greek immigrant hands, “local tastes” and a “very specific spice profile” that made it stand on its own, said Tasting Table.

The wieners are “smaller than standard hot dogs,” and the meat sauce does not have the consistency or taste of chili. Rather, it’s a “finely textured, crumble-like mixture” seasoned with cinnamon, paprika, allspice, cumin and Worcestershire sauce.

Where to try it: Olneyville New York System in Providence has been serving hot wieners in the same spot since the early 1950s (there’s a sister location in Cranston). The operation is still family-run, and as such there’s a “‘Cheers’-style vibe where everybody knows your name,” said Tasting Table. Pair your dog with a coffee milk, Rhode Island’s state drink.

Puka dog 

What is it? A Polish sausage (or veggie dog) stuffed inside a Hawaiian sweet bread bun, topped with garlic lemon sauce, tropical fruit relish and Hawaiian mustard.

Poke, loco moco, kalua pig and huli huli chicken are all Hawaiian classics, but ignore the Puka Dog at your gustatory peril. The Hawaiian-style hot dog is a fusion of traditional ingredients with tropical accoutrements that give it a “vibrant flair,” said Chowhound.

These can be customized, with the relish alone covering “kaleidoscopic options, from star fruit to banana, coconut and more.” It was created in the early 2000s at the Puka Dog hut on Kauai, and while “spinoffs are widespread” across the Hawaiian islands, this is where the dish was perfected.

Where to try it: The place where it all began: Puka Dog. Ordering is a four-step process: meat or veggie dog, mild or spicy secret garlic lemon sauce, which tropical relish, and mustard or no mustard. The “patient” Puka Dog crew will help you “tweak” things if you “have any questions at crunch time,” said SF Gate.

Sonoran dog

What is it? A hot dog wrapped in bacon in a bolillo and topped with onion, tomato, mustard, salsa verde, pinto beans and mayonnaise.

The Sonoran dog is Arizona’s “most popular fusion of Mexican and American food” and over the last 30 years has “cemented itself itself as a cherished local tradition,” said the Arizona Republic. Its roots are in Hermosillo, the capital of the Mexican state of Sonora, where legend has it the flavorful dish got its start as a popular snack sold at baseball games during the 1940s. Benjamin Galaz of BK Carne Asada & Hot Dogs is credited as the leader of the pack in Tucson, opening the first Sonoran dog food cart on the city’s South Side in 1993.

Where to try it: Tucson has made it incredibly easy to find the best Sonoran dogs in town. The new Sonoran Dog Trail highlights 15 spots, from street cart vendors to old school establishments, and if you visit them all, you’ll receive a souvenir t-shirt. One of the stops, El Güero Canelo, is the “ultimate Sonoran dog spot,” said the Arizona Daily Star. Its hot dogs are “cooked well” and nestled in “nice and soft” buns, with toppings like cooked onions and mustard that add a “tanginess to all the savory flavors.”

With the launch of its much-anticipated Macbook Neo, Apple has rewritten “the budget laptop playbook”, said PC Mag. Priced at just £600, the 13-inch Neo squeezes many of the MacBook Air’s best features into a device that is far more affordable.

The laptop comes in a single configuration – 8GB of unified memory (RAM) – but there are two storage options: 256GB or 512GB, the latter of which costs an extra £100, and also comes with Touch ID. You can go for traditional silver, or opt for one of three “quirky” colours: indigo, blush and citrus (also known as dark blue, pink and a “sort of lime yellow-green”).

The Neo has a “stunning design”, said Stuff, with the same aluminium finish and weight (1.23kg) as the Air. It has two USB-C ports, and its trackpad is mechanical rather than haptic, meaning it produces not the simulation of a click, but an actual click. Still, it’s a shame there’s no Touch ID on the basic model, and the “meagre” 8GB of RAM might be tricky if you want to run lots of complex apps. Still, what’s on offer here is “an absolutely bargainous no-brainer” that should particularly suit the target audience of small-business owners and students (who benefit from £100 off).

This “sensational” machine is the first Mac laptop to be powered by an iPhone processor, said The Independent, but it’s still “fast and effective” for everyday use, with “exceptional build quality”. The new manufacturing process uses 50% less aluminium, 90% of which is recycled. Battery life, at 16 hours, is “easily good enough”, and the display “looks great”. It is “a dream to use”; add in the price tag and “it becomes irresistible”.

The ingredients themselves are the luminaries of spring. They are often verdant — peas, leeks, asparagus, spinach. A pink (rhubarb) or brown (lamb) jumps in too. These recipes center the season’s finest ingredients, using techniques and sauces to complement, not overwhelm, their pristine gestalt.

Asparagus Pakoras

A tender asparagus stalk is a perfect specimen. It needs little to twinkle. Then you go and coat it in a chile-spiked batter made from chickpea flour, fry it til it shatters, and dust it with salt, and suddenly the spear downright scintillates. Get the recipe.

Braised Leek with Chile Bean Sauce

Searing long leek halves turns them charred, sweet-bitter and melting. Braising then softens them into willing submission. They soon clamor for a finishing complement, which a frisky combination of Sichuan chile bean paste, soy sauce, garlic and black vinegar readily provides. Get the recipe.

Broccoli, Bacon and Boursin Quiche

Quiche is always the right idea. It’s all the better when loaded with smoky bacon, lush Boursin cheese and nubbins of Broccolini. Serve the entire entity for a brunch gathering, or parcel it into meals for days on end. Get the recipe.

Lowland Celery Salad

Celery, please step center stage and into the spotlight. No, more to the right and pick up some dates, toasted walnuts and extra-sharp cheddar. Close, but to the left a touch, that mustardy sherry vinaigrette can join you. There! You made it. Feeling the love and attention you have always merited? Get the recipe.

Rhubarb Crisp

A crumble topping is loaded with oats, pecans and Chinese five-spice powder. Rhubarb done two ways: unadulterated and treated with baking soda to shave away some of the plants’ sharp edge. A rhubarb crisp is classic springtime, and this variation nudges the dessert into the modern age. Get the recipe.

Sabzi

We are just on the other side of the spring equinox, but the hunger for an ongoing, explicit spring jubilee persists. Spinach has the tonic earthiness the season necessitates, and lamb is the holy protein of now. This Afghan braise stars not just spinach as the green blast but also a wallop of green onions and cilantro. Steadying and lush, sabzi is a spring headliner. Get the recipe.

Shakshuka

Shakshuka, that stewy egg dish, is everywhere. You may as well have a baseline recipe for your home kitchen. This one from chef Yotam Ottolenghi is basic with no frippery to speak of — just tomatoes, harissa, red peppers, cumin and final filip of yogurt. It’s an optimal diving board for shakshuka-fiddling. Get the recipe.

Spring Peas with Mint Butter

Nearly every possible kind of pea shows up here. Snow peas, English peas, snap peas have all come to play. That means frolicking, after a quick blanching, in a butter bath loaded with chives and mint. Use the best butter you can find, and finish with chopped toasted hazelnuts and flaky salt, just because. Get the recipe.

In Robert Hastie’s “glorious revival” of Maxim Gorky’s tragi-comedy “Summerfolk”, the new regime at the National has its first “bona fide hit”, said Clive Davis in The Times.

Written in 1904, the play is a sprawling, plot-light affair with no fewer than 23 characters. In its approach and setting, it has echoes of Chekhov. But Gorky made his focus not the landed gentry on their estates, but the newly prosperous middle classes – “pre-revolutionary strivers” who are flirting and moping through a long summer in dachas that were built, perhaps, where the old cherry orchards had stood. And whereas the “good doctor” generated only “quizzical smiles”, Gorky delivers “earthy laughter” along with the pathos.

This production is “rich in period detail”, but the modern turns of phrase in Nina and Moses Raine’s adaptation “conjure up visions of 21st-century families bickering over what to watch on Netflix in a Tuscan Airbnb”.

The effect is “like Chekhov made explicit”, said Sarah Crompton on What’s on Stage. “All his references to sex, repression, the changing times, are here emphasised and elaborated as the characters fall in love, get bored, get angry, get drunk.” The play is “staggeringly wordy” (though this version is 40 minutes shorter than the last major staging in London in 1999), so the humour is welcome.

It takes a fine cast to make this work, and you won’t find a better one, said Dominic Maxwell in The Sunday Times. There is an “incredible” display of acting talent here. The sheer number of people wandering onto the stage does make the first half tricky: you wish they had name badges, the better to keep tabs on who is who; but the second half “finds the perfect fast-revolving pace of Chekhovian wit and wisdom, love and loss”.

Gorky’s critics complained that his characters lacked depth, said Dominic Cavendish in The Telegraph. These actors make us care, “in some cases sensationally so”. It is a “drawback” that the script is loaded with “distracting” modern vernacular and swearing. But go if you can. “Summerfolk” is so costly to stage, “it’ll be a generation before it’s back”.

Olivier, National Theatre, London SE1. Until 29 April

This sci-fi film (from the team behind “The Lego Movie”) tugs at the heartstrings, while also delivering “galactic” levels of good cheer, said Jonathan Romney in the Financial Times.

Adapted from a novel by Andy Weir (who also wrote “The Martian”), it stars Ryan Gosling as Dr Ryland Grace, a molecular biologist turned schoolteacher who comes round from an induced coma to find himself stranded on a spaceship 15 light years from Earth, with no memory of how he got there.

Through a series of flashbacks, however, we gradually learn that he ended up on the Hail Mary mission after joining a taskforce to prevent the Sun from being destroyed by highly heat-resistant alien microbes. As Dr Grace battles to fulfil this mission to save life on Earth, he befriends a perky alien critter named Rocky.

The film isn’t wildly original, said Robbie Collin in The Telegraph: it’s “essentially ‘Interstellar’ recast as a buddy movie”. But it is gorgeous to look at, with wonderfully “tactile” visual effects, and the story is pretty involving.

It suffers from too many false endings, said Kevin Maher in The Times, but Gosling is on “charisma overdrive” and powers it “to the highest-possible entertainment orbit”.

I’m afraid I found it “a bore”, said Brian Viner in the Daily Mail, not helped by the fact that it runs to a “bladder-challenging” two-and-a-half hours. The cutesy alien seems to have wandered in from another film (perhaps “Guardians of the Galaxy”), and essential elements just don’t ring true. For instance, we are told that Gosling’s character was selected for the mission because he had no friends or lover at home who’d miss him. Yet he is “affable and witty”, and he looks like Ryan Gosling. It makes no sense.

In a city as electrifying and overwhelming as Japan’s neon-hued capital, the new JW Marriott Tokyo serves as a perfect refuge from the crowds and clutter of city life. The luxury hotel brand’s first outpost in Tokyo only opened in autumn 2025, but its faultlessly helpful staff seem to have already accrued a generation’s worth of Japanese hospitality.

Situated on the topmost floors of the new Takanawa Gateway development in the city’s southern Minato ward, the elegant hotel offers guests an atmosphere of calm and comfort, if only they can first tear themselves away from the view.

Why stay here?

The first thing you notice (and indeed, will never fail to notice) are the floor-to-ceiling windows and the glittering, metropolitan panorama that stretches out below. Our southwest-facing room also rather generously provided a view towards Mount Fuji 60 miles away, all the more impressive when silhouetted against the blushing sunset. It’s breathtaking, restorative stuff.

Designed by interior gurus Yabu Pushelberg, the hotel’s 200 rooms are an authentically Japanese blend of contemporary design and Zen aesthetics, in pleasant contrast to the urban flurry beyond its walls. Natural tones and textures prevail, with panelled walls adding clean lines in charcoal and pale oak, and a glossy slab of olive green in the form of a window-length chaise longue from which to savour the view. The glass-fronted bathroom is a more showy affair, clad in honeyed marble with a walk-in waterfall shower, standalone bathtub and toiletries from UK wellness brand Aromatherapy Associates.

Also of note is the considerable size of the hotel’s rooms, with the standard ‘Deluxe King’ occupying an ample 460 sq ft, which seems positively palatial when compared to the dinky hotel rooms that are typical across much of Japan.

Elsewhere there’s a bright and well-furnished fitness centre, and a 25-metre indoor swimming pool and whirlpool with enticingly high-ceilinged views across the skyline towards Tokyo Tower. Underlining the hotel’s focus on wellness and mindfulness, there is a spa lounge with holistic treatments available including massages and therapy baths, and a relaxation space that brings to mind the sci-fi ambience of a futuristic starship.

While the hotel benefits from its proximity to Haneda Airport (25 minutes by rail) and Shinagawa Station (a bullet train hub), it’s worth noting the surrounding neighbourhood is primarily a business district with relatively few attractions beyond Takanawa Gateway’s boutiques and the modest Sengaku-ji temple. In a city as decentralised and as well-served by rail as Tokyo, however, this shouldn’t come as any kind of discouragement.

Eating and drinking

The JW Marriott Tokyo offers three on-site restaurants staffed by a coterie of Michelin-starred chefs, including Sefino and Saki, the former specialising in Mediterranean cuisine and the latter an intimate Japanese kappo experience. We dined at Kakō, a handsomely appointed space lined with wabi-sabi vases and another superb view, this time overlooking Tokyo Bay.

For dinner we enjoyed an eight-course tasting menu of traditional Japanese cuisine with an emphasis on seasonal fare, all impeccably presented. Dishes included tuna and sea bream sashimi, snow crab, and an intriguing pufferfish steamed custard that was perhaps a little too unusual for our palates. The star course was a rich fillet of grilled yellowtail fish, zhuzhed with a citrussy hit of kumquat and ginger.

Drinks range from wine to shochu, with a particular focus on sake, but after dinner the hotel’s JW Bar is everything you want from a nightcap in Tokyo: a chic lounge, sparkling city lights, and a glass of something feisty (the sakura-infused cocktail, in our case).

At breakfast, we opted for soufflé pancakes and croissants doused in honey and vanilla cream, but there is also a Japanese bento option as well as buffet items and various arrangements of pillowy eggs.

Things to do

If retail therapy is the kind of self-care you have in mind, Tokyo won’t disappoint. The ritzy Roppongi Hills complex houses a staggering array of luxury brand stores with a strong focus on fashion, alongside a modern art museum and smattering of clipped, green spaces. If you work up an appetite, indulge in afternoon tea at the much-loved French brasserie The Moon on the 52nd floor.

When you’re ready for some respite from the busy streets, Tokyo has no shortage of museums and galleries for you to enjoy a little culture at your own pace. The splendid Nezu Museum houses a collection of Asian art and antiquities ranging from paintings to samurai swords, with a traditional tea room and beautiful grounds to explore, too. Also nearby is the Tokyo Photographic Art Museum, another excellent space with a rolling programme where recent exhibitions have included overviews of 1960s Japan and legendary photojournalist Robert Capa.

Less celebrated for its green spaces than Kyoto, Tokyo still has an impressive number of parks that are well worth visiting, many attached to venerable temples and shrines. Shinjuku Gyoen is a rambling blend of European and Japanese formal gardens that becomes a focal point of the cherry blossom season in late March. The densely forested grounds of Meiji Jingu Gyoen feel a touch wilder, ideal for a morning stroll, and give way to neighbouring Yoyogi Park, frequented on Sunday afternoons by troupes of denim-clad rockabilly dancers.

The verdict

The JW Marriott Tokyo confidently blends understated style with a sense of Japanese refinement, and the result is a tranquil, enchanting space in the beating heart of one of the world’s most intoxicating cities.

Stephen was a guest at JW Marriott Tokyo; marriott.com

Reading is often a cherished solo activity but attending a literary festival can be a great way to connect with other bookworms, meet your favourite authors and discover new books. Most UK cities host their own dedicated events, spanning everything from crime writing and historical fiction to poetry. These are some of our favourites.

Cambridge Literary Festival

This excellent event is a great excuse to plan a weekend trip to Cambridge. The five-day festival includes an eclectic mix of talks from leading writers, thinkers and speakers. Among the highlights this year is a talk by Frances Wilson about the enigma of Muriel Spark; a lecture from former leader of the Green Party Caroline Lucas about the state of the natural world; Alan Hollinghurst reflecting on the books that have inspired his work; and Zadie Smith discussing her exhilarating new essay collection “Dead and Alive”. On the final day of the festival, The Observer is hosting an event with debut novelists the paper considers to be rising stars of fiction.

22-26 April, cambridgeliteraryfestival.com

Bath Literature Festival

This year promises another stand-out line-up of speakers in the historic city of Bath. Look out for talks by Sarah Wynn-Williams on her bestselling memoir lifting the lid on her time at Facebook; Hugh Fearnley-Whittingstall discussing his campaign to get people to eat more fibre; and Anthony Horowitz talking about his latest gripping thriller with author Joe Haddow. The festival is also hosting a series of guided walking tours, including a Jane Austen-themed event where visitors will be taken to explore locations featured in the celebrated author’s books. And there are some wonderful workshops on offer for budding writers too.

16-24 May, bathfestivals.org.uk

Stratford Literary Festival

As the birthplace of Shakespeare, Stratford-upon-Avon is the perfect setting for a literary extravaganza. Its spring iteration returns in May with an exciting calendar of events. Food writer Felicity Cloake is on the menu, discussing her first foray into fiction, while Tim Spectre has a new book on the power of fermented food. Former chancellor and home secretary Sajid Javid is appearing, having written a critically acclaimed memoir, and Blake Morrison will be reflecting on the art of life writing. There is also a range of special events for children including a vibrant production of “Rumpelstiltskin” and a writing masterclass with “Witch Light” author Zohra Nabi.

7-10 May, stratfordliteraryfestival.co.uk

Hay Festival

This popular literary event recently unveiled its star-studded line-up for this year, with Nazanin Zaghari-Ratcliffe, Gisèle Pelicot and Emma Thompson among the headline names. The programme is bursting with fascinating conversations, including Ali Smith discussing her latest novel “Glyph” with filmmaker Sarah Wood; Yvette Edwards talking to Bernardine Evaristo about her book “Good Good Loving”; and crime queen Val McDermid joining author Fflur Dafydd to introduce her thriller “Silent Bones”. Other literary stars making an appearance include Ian McEwan, Maggie O’Farrell and Douglas Stuart. There will also be a jam-packed schedule of panels, genre-themed events and conversations about book-to-screen adaptations with the likes of Emerald Fennell discussing her take on “Wuthering Heights”. It’s not to be missed.

21-31 May, hayfestival.com

Bradford Literature Festival

Bradford was named the UK City of Culture for 2025 thanks in part to this stand-out literary festival. Dedicated to ensuring culture is accessible to all, the 10-day event offers a wide range of concession tickets. While the programme is yet to be announced, if 2025’s line-up is anything to go it’s one to watch. Last year the festival hosted more than 700 events with talks from the likes of Lemn Sissay, Grace Dent, Ash Sarkar and Celia Imrie.

3-12 July, bradfordlitfest.co.uk

It is a golden age for horror aficionados in many ways, with several dedicated streaming services catering to fans and producing original movies, including Shudder and Screambox. Plus, mainstream services are churning out a reliable supply of fright-fests. Many films nonetheless begin their journey in film festivals or theaters, including several of the most anticipated releases of the season.

‘Thrash’

“Sharks on the loose! In a category 5 storm!” Thus shouts marine scientist Dale Edwards (Djimon Hounsou) in the trailer for the upcoming Netflix film, a line that tells you more or less everything you need to know about the plot of what looks like an unabashed B-horror caper. When a catastrophic hurricane strikes a coastal town, Edwards and a motley crew who refused to evacuate, including pregnant Lisa Fields (Phoebe Dynevor) and Dale’s reclusive daughter, Dakota (Whitney Peak), must fight for survival not just against rising waters but also a gaggle of homicidal sharks washed in by the storm surge. While “Thrash” is unlikely to be honored at the Oscars, it looks like “pure pressure-cooker mayhem, a disaster thriller sharpened into a creature feature,” said Alex Miller at The Playlist. (April 10 on Netflix)

‘Hokum’

Shudder’s “Oddity” was one of the breakout horror hits of 2024, making director Damian McCarthy’s follow-up one of the year’s most eagerly awaited releases. The buzz around “Hokum” has been building based in part on a typically clever marketing campaign from its distributor, Neon, which released a brief but terrifying teaser trailer in December 2025.

The film stars Adam Scott as Ohm Bauman, an entitled, hard-drinking American novelist who wants to scatter his parents’ ashes at the remote Irish hotel where they honeymooned. When the property’s bartender, Fiona (Florence Ordesh), disappears after telling him the honeymoon suite is haunted, all hell breaks loose. McCarthy delivers a “good old-fashioned ghost story, the kind you’d tell over a campfire to scare children,” said Katie Rife at IndieWire. (in theaters May 1)

‘Obsession’

Another film sporting copious prerelease industry buzz, “Obsession” is the debut studio feature from sketch comedian-turned-director Curry Barker, perhaps following in former The Whitest Kids U’ Know jokester Zach Cregger’s (“Barbarian”) footsteps. Bear (Michael Johnston) is a lovelorn music store clerk who stumbles on an object that grants wishes and makes his friend and co-worker Nikki (Inde Navarrette) fall for him — at last.

Elated at first, Bear’s happiness is cut short when it becomes clear that Nikki is no longer herself and has been transformed into something terrifyingly sinister. An “insane journey paved with blood-soaked violence and no shortage of nightmare fuel,” this “simple, well-trodden concept transforms into a shocking and unsettling descent into abject horror in Barker’s capable hands,” said Meagan Navarro at Bloody Disgusting. (in theaters May 15)

‘Backrooms’

In A24’s upcoming “Backrooms,” Renate Reinsve (“Sentimental Value”) is a therapist searching for her patient (Chiwetel Ejiofor), who has vanished into some kind of alternate dimension. That space seems to consist of a labyrinthine maze of strange, unsettling and nonsensical rooms underneath a furniture store.

The concept is inspired by the internet “creepypasta” sensation — itself based on a 2003 picture of a Wisconsin HobbyTown store undergoing renovations. “Backrooms” is helmed by Kane Parsons, whose web series of found footage horror shorts acquired a devoted cult internet following. The film is built around this “expanse of extradimensional space of unknown size,” said Esquire, and its power comes from the “uncanny valley of everyday places left silent and empty.” (in theaters May 29)

‘The Holy Boy’

The upcoming film from Paolo Strippoli, co-director of the underrated 2021 chiller “A Classic Horror Story,” revolves around Remis, a seemingly tranquil Italian mountain town, to which high school fitness teacher Sergio (Michele Riondino) moves after an undisclosed tragedy. He soon discovers the source of the town’s serenity, a boy named Matteo Corbin (Giulio Feltri), whose hugs take your pain away.

Rejuvenated, Sergio can’t resist wondering what Matteo does with the pain and takes an interest in the lonely, mysterious boy, something no one else in the town seems interested in. Part coming-out drama and part horror, this is a “moody, menacing film that rejects trite trauma metaphors in favor of an old-fashioned folk horror story,” said Alex Kaan at Phantasmag. (May 29 on Shudder)

Louis Theroux is back with a deep dive into the shadowy online world of the manosphere. His latest documentary, “Inside the Manosphere”, has been met by mixed reviews with some critics hailing it as among his most chilling and powerful works, while others question why he has given the misogynistic influencers exactly the platform they crave.

Whatever your opinion, Theroux has an impressive back catalogue of documentaries worth watching, each one tackling a thorny topic with his signature faux naivety and awkward charm. Here are some of the best.

When Louis Met Jimmy (2000)

A decade before Jimmy Savile died and investigations into his “sickening crimes” finally began, Theroux went to stay at the media personality’s house, said The Guardian. “Hints of a darker character, beyond his hammed-up eccentricities used for cover” emerge here, captured in “off-camera confessions of violence while Savile was still mic’d up”. Later, Theroux would be criticised for “failing to grill” the notorious paedophile properly. In 2016, he revisited the subject in “Savile” to “wrestle with his guilt”.

Watch on BBC iPlayer

The Most Hated Family in America (2007)

Before the explosion of “endless true crime and cult documentaries”, this “jaw-dropping” film about a “family church in Kansas who love to picket the funerals of dead soldiers” caused quite a stir, said The Guardian. In it, Theroux meets a family at the heart of the Westboro Baptist Church – a virulently homophobic group known for its hateful protests. “Frightening viewing, with incredible access and almost unbelievable characters, its success spawned two follow-up films.”

Watch on BBC iPlayer

Extreme Love: Dementia (2012)

This “heart-wrenching” documentary sees Theroux travel to Phoenix, Arizona to spend time at a residential institution for those suffering with dementia, said The Standard. During his visit, he meets both the patients and their families “coming to terms with losing one version of their loved ones, and getting used to another”. It’s one of his “sweetest” and most tender films, delving into the pain of the people whose lives are impacted by the cruel disease.

Watch on BBC iPlayer

Drinking to Oblivion (2016)

In this “staggeringly moving watch”, Theroux embeds himself in the specialist liver centre at King’s College Hospital, London, where he meets patients whose “alcoholism is so severe that it has put them at death’s door”, said The Independent. Among his interviewees is a “petrified” man who has been drinking two bottles of vodka a day and is “hardly able to stand” as he battles with withdrawal. It’s an “astonishing film that gives a face to an addiction suffered by half a million people in England”.

Forbidden America: Extreme and Online (2022)

Theroux travels to America to meet the “poster boys of the online alt-right” in this unsettling film, said The i Paper. Among his subjects is Nick Fuentes – a “Holocaust denier who believes women shouldn’t be allowed to vote”. Theroux’s “barely disguised disdain” for his interviewee’s “deeply disturbing beliefs” is on full display here and he does a solid job of challenging their hate-fuelled views.

Watch on BBC iPlayer

Spring is one of the year’s stacked seasons for cookbooks. In 2026, new releases include an homage to a single beloved ingredient, Southern cooking by way of both Emancipation and China, and a regional exploration of Lebanese food. Get excited, get curious, and just get cooking.

‘The Butter Book’

Butter is on the brain here, so much so that this slim tome from Anna Stockwell is even shaped like a stick of golden glory. “Part historical deep dive, part recipe book, part decorative object,” the book does it all, said Vogue. Open it, and you are greeted with a history of butter, plus simple ways to use it to elevate everyday dishes. Your pot of rice will thank you. More complicated recipes appear too, including fancified buttered pasta and butter roast chicken. (out now, $19.95, Chronicle Books, Amazon)

‘Down South + East: A Chinese American Cookbook’

This book “so seamlessly blends Chinese cuisine with classic Southern dishes that they seem almost destined to be paired together,” said The Kitchn. In truth, chef-author Ron Hsu, of Atlanta’s Lazy Betty, stretches the influences across multiple parts of East Asia. Banana pudding wafts with the green vanilla notes of pandan. Soy sauce, Maggi seasoning, daikon and shiitake mushrooms bring the pot roast into new territory. Batons of Chinese eggplant are coated in cornmeal before frying. Romaine is braised, as is common in Hong Kong, but with ham hock potlikker. You get the idea. (out now, $40, Abrams, Amazon)

‘A Feather and a Fork: 125 Intertribal Dishes from an Indigenous Food Warrior’

Crystal Wahpepah, the chef of Wahpepah’s Kitchen in Oakland, California, is an enrolled member of the Kickapoo tribe. With “A Feather and a Fork,” she uses her recipes to tell the story of her displaced family, who were moved from Oklahoma to the San Francisco Bay Area, and to “decolonize nutrition and reclaim sovereignty” over “traditional foodways,” Wahpepah said in her book. Lessons come true and fast in recipes for amaranth salad, wild onion soup and chokecherry pudding. (out now, $35, Rodale, Amazon)

‘Hello, Home Cooking: Do-Able Dishes for Every Day’

Ham El-Waylly’s debut is a “lively book that blends solid technique with a touch of whimsy,” said Library Journal. The chef of the New Orleans-influenced New York City restaurant Strange Delight, El-Waylly brings his fine-dining background and expansive, diverse home cooking skills to vivid life. With El-Waylly’s Bolivian mother, Egyptian father and childhood in Qatar, his recipes string these influences into a very inspired American way of eating. (out now, $35, Clarkson Potter, Amazon)

‘Lebanon: Cooking the Foods of My Homeland’

Anissa Helou, a food-writing legend, was born in Lebanon and focused her first book, “Lebanese Cuisine,” on the dishes her mother cooked. This new publication reaches across the nation to showcase a variety of regional dishes. Helou “came to look at the food of my own country afresh, realizing that it’s far more fascinating to view a cuisine through a regional rather than a national lens,” she said in the book’s introduction. (out now, $40, HarperCollins, Amazon)

‘Party Tricks: Easy, Elegant Recipes for Snacking and Hosting’

Let us be extremely real: Everyone needs at least two handfuls of party tricks. With Anna Hezel’s new book, you will be the indebted recipient of a bookful. She recommends votives instead of candles to prevent flammable accidents, premade snacks set in various parts of the space for easy access, and a variety of corkscrews plopped within reach — “that way, no one has to search when they are ready to open another bottle,” Hezel said to MarthaStewart.com. Of course, “Party Tricks” is loaded with knockout dishes and how to make them, including cured ham with hazelnuts warmed in butter, maple butter togarashi popcorn, and whipped feta with burnt honey. (out now, $24.95, Chronicle Books, Amazon)

‘La Copine: New California Cooking from an Oasis in the Desert’

Joshua Tree National Park, in southeastern California, is a desert stunner. Smaller by far and equally jaw-dropping is La Copine, a sliver of a restaurant in nearby Yucca Valley. The co-owners and couple, Nikki Hill and Claire Wadsworth, have “built what’s become a joyful queer oasis in the high desert,” said Olivia Tarantino at Bon Appétit. That assessment is sound. Open Thursday to Sunday during the day, La Copine is a respite after a long hike or a long night of carousing. The pair’s book, with its mix of hearty and feathery cooking, transports. (April 28, $45, Abrams, Amazon)

‘The Taste of Country Cooking’

It’s the “most beloved Southern cookbook of all time,” said the press materials for this 50th anniversary edition of Edna Lewis’ 1976 classic. There’s not a lick of exaggeration in that statement. Lewis taught Americans not steeped in the traditions of Black Virginian cooking how to prepare green tomato preserves, pan-fried chicken and her style of biscuits. Those in the know have long cherished their copies of “The Taste of Country Cooking.” Now a new generation can cradle their own. (May 5, $40, Knopf, Amazon)

‘Ammazza!: Culinary Adventures from New York to Italy and Back Again’

Hillary Sterling is currently known for the monster-hit Italian restaurant Ci Siamo in New York City. It’s a destination that’s both sophisticated and comforting. “Ammazza!,” Sterling’s debut cookbook, promises a similar endgame. There are recipes for her beloved Ci Siamo dishes, like the braised beans with oil-cured olives and fried sage and rosemary leaves. But Sterling’s resume is long, so her Italian way with Passover is here, as well, and her Mexican take on Thanksgiving, because “​​so many of our team members come from Puebla or other parts of Mexico. And because Mexican food is my second love after Italian,” said Sterling to Total Food Service magazine. (May 12, $40, Simon & Schuster, Amazon)

A ski resort probably isn’t the first place that springs to mind when brainstorming ideas for your next summer holiday. But as the snow melts in these charming Alpine towns, the crowds thin out and the lush greenery bursts into life.

It turns out ski resorts have a surprising amount to offer off-season: balmy (but not too hot) temperatures, crystal-clear lakes and miles of sun-dappled hiking trails to explore. These are some of our favourite spots.

Engelberg, Switzerland

Lying at the foot of the “mighty Titlis mountain” in Switzerland, Engelberg promises “challenging skiing” over the winter months, said Gabriella Le Breton in The Telegraph. When summer rolls around, though, there are more than 300 miles of trails for hikers to enjoy. They range from “child-friendly nature strolls” to the multi-day Buiräbähnli Safari adventure, which includes overnight stays in “rustic farmsteads” and rides on eight Buiräbähnlis (cable cars once used by mountain farmers). “A far cry from the winter bustle of Engelberg’s modern rotating Titlis cablecar”, this vintage transportation system offers a “rare glimpse into the tranquil pastoral world of Switzerland’s high-Alpine farms”.

San Candido, Italy

With its “pretty sawtooth peaks” and growing collection of luxury hotels, “it’s little wonder the Dolomites in northeast Italy are having a moment,” said Mike MacEacheran in The Times. San Candido’s Leitlhof hotel – “a daydream of wood, soft textiles and natural light” – is a great base for exploring. The pared-back “eco vibe” helps keep distractions from getting out into the mountains to a minimum. “Be clear with yourself on this: regardless of your fitness (or how much ham you’ve snaffled), you’ll have to hike to the dragon’s-back-shaped Tre Cime di Lavaredo.”

Chamonix, France

Chamonix is a “mesmeric place”, said MacEacheran. “Mont Blanc’s glaciers flow down over wild cliffs” and paragliders “twirl” in the sky. There are lots of places for “hairy-chested climbers” to stay, but I like the “chic” La Folie Douce. The lively hotel is famed for its “uninhibited après-ski that marries cabaret with clubbing” – and the same kind of “high Alpine hedonism” exists in summer.

Garmisch-Partenkirchen, Germany

This scenic Bavarian town hosted the 1936 Winter Olympics and is famed for its thrilling winter sports, said Vogue. Come summer there are “endless ways to immerse in nature here”, including hiking, biking and paragliding. “A dip in nearby crystal-clear Lake Eibsee, arguably one of the most beautiful in the country, is also not to be missed.”

Alpbach, Austria

Summer in Alpbach transforms the pistes into “blankets of pink blossoming mountain azaleas”, said Le Breton. This is the place to go for a family-friendly trip; it is easy to keep kids entertained, with trips to the mountain-top Lauserland adventure playground, Juppi’s enchanted forest and petting zoo. There’s also a wide variety of activities on offer from “herb foraging” to “visits to local beekeepers”.

Not a fan of concerts? That’s okay, as you can get a concert of laughs with some comedians hitting the tour circuit this spring. The season’s comedy shows star some of the biggest names in the laugh industry.

Maria Bamford

Maria Bamford has been a mainstay in the comedy world for years, and now she is back on the road with a stand-up tour taking her across the United States. Her latest comes on the heels of her new documentary, “Paralyzed by Hope: The Maria Bamford Story,” in which the comedian depicts her battle with mental illness in a way that “remains refreshing and fully involving,” said The Hollywood Reporter. For those who want to get newly acquainted with Bamford’s comedy, the documentary is a “good opportunity to fall in love.” (through November)

Margaret Cho

Margaret Cho speaks her mind like few others, particularly when it comes to social and political issues. Anyone who wants a glimpse of her quick-witted commentary should visit the legend on her “Choligarchy” tour. The comedian has helped open doors for many in the Asian American community, and her “greatest achievement is to have inspired so many wonderful people to take the stage,” Cho said to ABC6-TV Philadelphia. Her current stand-up show is “all about finding laughter to address real-life issues.” (through May)

Nikki Glaser

While many people know Nikki Glaser for her laugh-inducing Comedy Central roasts, she is also a gifted stand-up embarking on a wide-ranging tour. Glaser, who is coming off two straight years hosting the Golden Globe Awards, made a name for herself with a classic blend of raunchy and self-deprecating jokes. She “feels like someone who’s on the audience’s side and knows that she can’t betray that trust if she wants the dark jokes to go over okay,” said Vulture in its review of her “Saturday Night Live” hosting gig. But she also “seems genuinely nice.” (through December)

Gabriel Iglesias

Better known by his moniker Fluffy, Gabriel Iglesias has taken a routine based on clean, family-friendly comedy and turned it into one of the most successful stand-up careers ever. Now the master of sound effects is traversing America on his “1976” tour, allowing fans to catch his unique blend of laughs. The show is meant to highlight Iglesias’ 50th birthday this July but is also providing a “new chapter of the California native’s epic and decorated career, with a brand-new hour that follows up his most recent special,” said Vanyaland magazine. (through September)

Tracy Morgan

From “Saturday Night Live” to “30 Rock” and a bevy of other projects, Tracy Morgan has established himself as one of the most formidable comedians in recent memory. Morgan’s ongoing U.S. performances will surely have audiences laughing at his unique brand of off-color humor. They come as his latest TV outing, the sitcom “The Fall and Rise of Reggie Dinkins,” garners rave reviews. The show is Morgan’s “best star vehicle since ‘30 Rock,’” said Variety, as it has a “cast with chemistry in spades and a proudly goofy, punchline-a-minute pace,” much like Morgan himself. (through May)

Jerry Seinfeld

What's the deal with Jerry Seinfeld? Well, he’s back on the road. The creator of the eponymous sitcom is crisscrossing the U.S. providing laughs on his current tour. Tickets may not be easy to snag, as Seinfeld remains “one of the defining voices of observational comedy, known for building sets around the small annoyances and rituals of everyday life,” said Business Insider. While he has branched out into other television and film projects (including his never-to-be-replicated “Bee Movie”), Seinfeld clearly hasn’t forgotten his roots. (through July)

Dulcé Sloan

Most people probably recognize Dulcé Sloan from her seven-year stint as a correspondent on “The Daily Show.” But the comedian does so much more. Current example: Sloan is zigzagging the U.S. on a stand-up tour that has included a prior slew of shows in Hollywood. Sloan’s comedy has received accolades, as her resume “spans acting and improvising, too, and that shines through as she masterfully shapes the energy in the room,” said The Guardian of a 2025 performance. With these shows, she “avoids ‘The Daily Show’s topical comedy, instead sharing vignettes from her life.” (through August)

Chris Tucker

Chris Tucker, ever since his debut in the 1990s on the HBO series “Def Comedy Jam,” has been endearing himself to audiences around the world. Now the “Rush Hour” star returns to the stand-up stage in a big way with his ongoing “The Legend 2025-2026” shows. The U.S. and Canadian stops mark a continued resurrection for the comedian, who in 2023 embarked on his first stand-up circuit in more than a decade. With reports that “Rush Hour 4” is also in development, fans may soon get another chance to see Tucker on the big screen. (through May)

At the very top of the Spanish Steps, where the crowds thin and the city seems to exhale, Hotel de la Ville presides over Rome with quiet confidence.

This five-star address in the Centro Storico is spread across three 18th-century palazzi deftly brought together around a sun-splashed courtyard, creating a retreat that feels both intimate and unmistakably grand.

Since joining the Rocco Forte Hotels portfolio in 2019, the property has been reimagined by Olga Polizzi and architect Tommaso Ziffer as a love letter to the Grand Tour. Its rooms are layered with classical references, playful objets and a rich colour palette. The result is a hotel that doesn’t simply nod to Rome’s past but revels in it – while delivering the kind of polished service, destination dining and cocooning spa that makes stepping back outside entirely optional.

Why stay here?

Location is the obvious draw: you’re moments from the Spanish Steps. But the real seduction lies inside. Our Junior Suite Deluxe, on the fourth floor, opened on to a balcony overlooking the terracotta courtyard – striped parasols and potted greenery glowing even in the soft light of January. Interiors are gloriously free of safe neutrals. Instead, there’s a confident clash of colour and texture: a navy velvet headboard against duck-egg walls, olive drapes pooling beside antique desks topped with busts and art books. It feels curated rather than decorated, like a collector’s Roman apartment.

Bathrooms dial the drama back to pure white marble, with generous rainfall showers and Irene Forte’s Sicilian botanical products. The top-floor suites come with expansive terraces and knockout views across Rome’s domes and cupolas – the kind of panorama that turns a sunset into a private show.

Downstairs, the boutique spa is a welcome counterpoint to the city’s sensory overload. There’s a hydrotherapy pool for warming soaks, a thermal circuit with salt room, sauna and steam, and the bracing option of a cryotherapy chamber for the fearless. We opted for bubbles rather than sub-zero temperatures – a suitably indulgent Roman compromise.

Eating and drinking

In a city where eating well is practically guaranteed, Hotel de la Ville still manages to raise the bar. At Café Ginori – linked to the adjoining Ginori 1735 porcelain boutique – dinner arrives on the very plates you can later buy, a clever touch that blurs the line between meal and memento. Lasagnetta al ragù and fettuccine Alfredo are comfortingly classic, while dishes such as cod tempura add a contemporary flourish. Each course is matched with thoughtful Italian wines; a bright Orvieto with the fish was a particular highlight.

Breakfast and dinner are served at Mosaico, an elegant space that spills into the courtyard in warmer months. Indoors, black-and-white floors, columns and chandeliers set a theatrical tone for a dinner menu that travels beyond Italy, weaving in flavours from North Africa and the Middle East. Mornings bring an abundant spread of cheeses, charcuterie, fruit, pastries and eggs cooked to order – a filling start before a day of sight-seeing.

Later, the jewel-box Julep Bar beckons with its vivid yellow walls and velvet seating, perfect for an armagnac nightcap. In summer, cocktails migrate to the rooftop Cielo Bar, where Rome’s skyline becomes the ultimate backdrop.

Things to do

Step outside and the city’s greatest hits are within strolling distance: the Spanish Steps, the Pantheon, the Trevi Fountain and the elegant sweep of Piazza Navona. The green expanse of Villa Borghese is close enough for a morning wander, while the Colosseum and Forum are a short bus ride away.

If you’ve ticked off the icons before, Rome rewards deeper exploration. The Teatro di Marcello – a miniature precursor to the Colosseum – offers ancient grandeur without the queues. Art lovers can follow a self-guided Caravaggio trail through nearby churches, including San Luigi dei Francesi and Basilica di Sant'Agostino, dropping a coin into the light boxes to illuminate the paintings in situ – a quietly magical experience.

For retail therapy, the hotel is mere metres from Via dei Condotti, where designer flagships beckon customers craving haute couture, while Via del Corso offers a livelier, high-street passeggiata.

The verdict

Hotel de la Ville is more than a perfectly placed base; it’s a destination in its own right. Between the exuberant design, stylish rooms, accomplished dining and restorative spa, it offers a version of Rome that is as hedonistic as it is historic. Step outside and the Eternal City is at your feet; stay in, and you’re wrapped in a world of colour, craftsmanship and five-star ease. Either way, it’s la dolce vita distilled.

Vicki was a guest of Hotel de la Ville, a Rocco Forte Hotel; roccofortehotels.com

Visiting China these days, you can feel as if you are travelling two ways in time, said James Patterson in The Sunday Times: back into an “outlandish” past, and forward to a “strange” future.

The country is a place of “skyscrapers and temples, calligraphy and texting, AI and hand tools” and, on a recent trip to Shanghai and the nearby cities of Suzhou and Hangzhou, I got to see the best of this duality. In Shanghai, I stayed at the Amanyangyun hotel, where the guest villas are Ming- and Qing-dynasty houses, relocated – with some 10,000 camphor trees – from a village in Fujian province, some 400 miles away. And amid the modern luxuries, including a 20m lap pool, is a 17th-century school building offering calligraphy classes and music lessons on the seven-stringed guqin. The “hullaballoo of urban China” felt a long way away.

A 30-minute journey by bullet train took me to other “bucolic” Suzhou. This ancient city is known for its 60 or so “manicured” gardens (all of which have Unesco World Heritage status), including the Humble Administrator’s Garden, a watery maze of islands and elegant bridges. My hotel here, the Hanyu Garden Reserve, was redolent of the past, too, with its low pavilions and carved wood. I travelled to Hangzhou by taxi through the countryside, where women worked with mattocks in vegetable fields and, in the water towns of Lili and Nanxun, boatmen “propelled flat-bottomed skiffs along canals festooned with oblong lamps and willow trees”.

For the 13th-century explorer Marco Polo, Hangzhou was the “finest and noblest” city in the world, and it is still beautiful today. With its 10th-century pagoda and verdant setting, West Lake is “a vision from antiquity” and, in the spring, the forests in the surrounding hills are laden with peach and cherry blossom. I can also recommend the hotels where I stayed: the Muh Shoou Xixi and the Qiushui Villa, which can arrange trips to see the tea harvest around the village of Longjing.

After the boozy beverages of winter, spring requires, or at least requests, a lighter approach. So the coming months are a period for cocktails in bigger glasses that welcome more liquid for more leisurely sipping. Let’s get tall, baby!

Batanga

Blanco tequila, lime juice, cola and salt — welcome to the Batanga, a low-key icon of La Capilla, the “oldest cantina in the town of Tequila, Mexico,” said Imbibe magazine. There are easy drinks, but the Batanga is so effortless you could make it while horizontal in a hammock.

Caribeño

Take a daiquiri, and make it long and tall, and now you have yourself a Caribeño. The rum, lime juice and simple syrup are there, of course. Coconut water does the heavy work, creating a cocktail that will not knock you on your rear.

Champ-Ale

You can have your cocktail and beer, too. The Champ-Ale has you pour a light cream ale and sparkling wine into a big ol’ glass with ice and then shake it with sweet vermouth, lemon juice and cane syrup in a separate vessel. Pour the second mixture into the glass, stir and embrace the best of two booze worlds.

Earl Grey-Aquavit Spritz

Throw some Earl Grey tea leaves and a chunk of lemon peel in a bottle of aquavit, the caraway-seed-flavored spirit. Let infuse for 20 minutes or so, then combine with honey syrup, lemon juice and sparkling wine. Serve this plucky spritz to a crowd of pals.

Kombucha-Vodka Highball

The best of the basics, this highball combines vodka, ginger-flavored kombucha, lime juice, simple syrup and, oh yes, ice. Garnish with a lime wedge to prove you bothered a little.

Oita Chu-hi

A touch of future-thinking is required for this shochu-based highball. You will need to infuse a bag of barley tea in a bottle of shochu and blend sweet, herbal pandan leaves with coconut water, then carbonate the mix to make yourself a coconut soda. From there, it is all about assembling — a little rigmarole for much rejuvenescence.

Serpent-less Swizzle

A drink with ballast, the Irish whiskey base of the Serpent-less Swizzle is a hearty anchor. Sweet white vermouth, lemon juice and grenadine provide contrast and sharpness. Swizzles, a genre of cocktails served over crushed or pebbled ice, are meant for sipping. You may find yourself guzzling.

Watership Down

The “flavors make me think of fields,” said bartender Jeremy Oertel to Punch magazine about his Watership Down cocktail. Yes, its name is an homage to the classic leporine book, with grassy notes a rabbit might adore. Gin, dry vermouth, celery shrub and ginger syrup guarantee a balanced and refreshing drink.

Four years after its launch, the MG4 is still one of the best-value EVs out there, said Auto Express. But now we have the MG4 Urban, which is “so good” it makes the original, “which once seemed unbeatable value”, now seem rather “redundant”. Bigger and more practical than the MG4, and now with front-wheel drive, it’s nearly 4.4 metres long and has a “whopping” 557-litre boot. The kit list is impressive too, and it drives well.

MG’s “modern” family EV is great value, but there is stiff competition in the sub-£25,000 EV segment from Fiat’s new Grande Panda and Citroën’s C3 Aircross, said The Independent. The Urban is rather “old-school” on the road – the ride can feel “crashy” over uneven ground and there’s a bit of road noise. Overall, it’s “exactly what you expect it to be: a lot of car for the money”, and nothing to get wildly excited about.

Battery options are rather “small for a car of this size”, with the entry MG4 Urban carrying battery packs totalling 42.8kWh, which manages a range of just 201 miles, said Autocar. It’s not a quick car, taking about 9.5secs to reach 62mph, but that’s perfectly adequate “to dust off the occasional overtake”. Quality inside the cabin feels high, but there’s no escaping the “scratchy” plastic on the dashboard.

The leader of the Liberal Democrats picks books that explore human experience and interpersonal relationships. He will be talking about his own book, “Why I Care: and why care matters”, at the Oxford Literary Festival on Friday 27 March.

Middlemarch

George Eliot, 1871

Reading “Middlemarch” shifted my perspective on what it means to be “good”. Eliot shows that being a kind person isn’t about grand gestures. Instead, she writes about the importance of small, simple, everyday actions to remind the reader that they have the greatest impact on others.

Enduring Love

Ian McEwan, 1997

This was a humdinger. By turning a freak ballooning accident into a nightmare stalking situation, McEwan left me reflecting on the fragility of relationships and the unpredictability of the human mind.

Waterland

Graham Swift, 1983

This novel tells the story of two East Anglian families divided by class but connected by a dark secret. As a history lover, this was right up my alley. Swift shows how we are shaped by our past and can never truly escape where we come from.

There Are Rivers in the Sky

Elif Shafak, 2024

I loved the concept of following a single drop of water across centuries and cultures. It’s a beautiful way to reflect on our shared humanity and personalise the vastness of history.

The Name of the Rose

Umberto Eco, 1980

Set in a 14th-century Italian monastery, this is a wonderfully complex murder mystery. Eco challenges the reader to become a kind of detective, and leaves you questioning the nature of truth itself. The suspense feels dangerous and exciting.

Wild Swans

Jung Chang, 1991

This one is a total emotional roller-coaster that stays with you long after the final page. Chang takes the reader through a heart-breaking story of survival, focusing on three women. The sheer grit and strength of human spirit in this book is incredibly moving and gave me a new perspective on everyday challenges.

Ryan Craig’s play “The Holy Rosenbergs”, first staged in 2011, examines the response of a Jewish family in north London to the 2008/09 war in Gaza.

Fifteen years on, said Sarah Hemming in the Financial Times, it feels “strongly resonant, yet curiously like a period piece”, given the horrifying human cost of the more recent conflict. The play is an Arthur Miller-like “collision of the political and personal”.

There are acknowledged echoes of “All My Sons” in the depiction of a family reeling from the loss of a son, a pilot killed fighting with the IDF, and in the suburban mother (Tracy-Ann Oberman) “who daren’t sit still for fear of falling apart”; and there are shades of Willy Loman in the character of the father (Nicholas Woodeson), who is desperate to save his ailing kosher catering company.

Matters come to a head when their daughter Ruth (Dorothea Myer-Bennett) arrives. A UN lawyer, she is investigating war crimes during the conflict. This has enraged members of their local community, which could be the last straw for her father’s firm.

This gripping play tackles “knotty ethical family dilemmas” as well as fraught geopolitical issues, said Clive Davis in The Times. Yet it also has a “wry humour”: “time and again, you find yourself laughing through the pain while admiring the finely wrought performances”.

It’s an “absorbing” production, but it is quite contrived, said David Jays in The Guardian. Set over one evening, this is “the sort of play where characters representing useful debating positions happen to pop in, carrying crucial reports in buff envelopes”.

The themes debated – including Israel’s right to exist and defend itself, and notions of individual and collective responsibility – remain pertinent and important, said Nick Curtis in London’s The Standard; and there is a “pleasing economy to the way the family is used as a microcosm for a state and a people”. But “the way argument is loaded into the play feels forced”. This is a serious (“and at times seriously funny”) attempt to show how events in Gaza affect Jews elsewhere, “but also a clumsy one”.

Menier Chocolate Factory, London SE1. Until 2 May

Floating on my back and looking up at the shadowy tips of the trees and the warmly glowing windows of Palacete Severo, I can’t quite believe I’m taking a nighttime dip.

That morning, I had been standing on the tarmac waiting to board the aircraft beneath a gloomy grey sky in London. But in Porto there isn’t a cloud to be seen – and the hotel’s heated saltwater pool looked too inviting to miss swimming a few lengths before bed. It’s early March and no other guests have decided to brave it, so we have the entire garden to ourselves. Everything is quiet apart from the rustle of leaves and the gentle murmur of voices from the bar.

Why stay here?

Tucked away down a side street in Porto’s residential Cedofeita neighbourhood, Palacete Severo would be easy to walk right past if it weren’t for the attentive staff waiting to guide guests to the front door. The yellow-walled building peeping out from behind a curtain of crimson camellia trees doesn’t look like a hotel – at first glance it could be the elegant home of a wealthy resident.

For many years it was. The renowned Portuguese architect and engineer Ricardo Severo built the townhouse in 1902 for his Brazilian wife, Francisca Santos Dumont. It stayed in the family, slowly falling into disrepair over decades until the French art dealer Géraldine Banier bought the property and began the painstaking process of restoring the building to its former glory, transforming it into a luxury boutique hotel.

From the hand-painted azulejo tiles to the wooden panelling and ceiling frescoes, every effort has been made to preserve the architectural details and celebrate the building’s history. Look out for the immaculately restored original stained-glass windows, including one above the staircase, which is inscribed with the names Ricardo and Francisca.

The hotel has retained its residential feel with just 20 guest rooms split between the main building and a discreet modern addition across the garden, also home to the compact spa.

Designer Paulo Lobo is responsible for the beautiful interiors; rooms are pared back and spacious in calming neutral tones. Ours featured an enormous (and very comfy) bed with a rattan headboard, tasteful brass lamps, a plush green velvet armchair and a writing desk with views out over the camellia trees. Sliding glass doors lead into the marble-clad bathroom complete with a monsoon shower stocked with organic “8950” toiletries crafted from locally sourced figs, almonds and fennel.

Banier owns a contemporary art gallery in Paris and has turned the hotel into a second outpost; at every turn you’ll spot a painting or sculpture. One of the walls in our room was adorned with a striking ochre and saffron canvas by local artist Filipe Cortez. If something catches your eye, every piece on display is for sale, so you can take it home with you. Impressively, a curator changes the works every four months, and so you’re unlikely to see the same pieces twice.

Eating and drinking

Palacete Severo was relatively quiet when we visited in March, but the wood-panelled fine dining restaurant, Éon, had a buzzy atmosphere. Diners are in safe hands when it comes to the food; dishes are inspired by the early memories of talented head chef Tiago Bonito (who previously held a Michelin star at Largo do Paço). Each dish is expertly paired with a wine chosen by the knowledgeable and charming sommelier, Victor.

We kicked things off with a glass of white port (what else?) and a selection of delicious bite-sized morsels including mini pastry cases stuffed with trout and topped with dots of anchovy mayo, and Bonito’s playful take on Portugal’s favourite piri piri dish – a creamy chilli and lime filling sandwiched between two layers of crispy roast chicken skin. I could have eaten an entire plate of them.

Other stand-out dishes included delicate cubes of bluefin tuna served with a tangy Granny Smith apple ice cream and oyster emulsion; a consommé made from the heads of scarlet shrimp, dotted with drops of XO sauce; and a succulent piece of hook-caught hake with a heady pil pil sauce and a turnip head gel. Just when I was hoping for a bread roll to mop everything up, an entire bread course was served: sourdough and brioche rolls with extra virgin olive oil for dipping and three different butters. The final flourish came with the whimsical dessert – a tiny tree topped with candy floss, served with miniature churros, caramel and popcorn ice cream. It came as little surprise to find out Éon scooped its first Michelin star days after we dined there.

The bistro is a lovely laid-back setting for lunch; the glass-topped courtyard is decorated with pretty white-and-green tiles, and lush potted plants. Simple but tasty dishes span everything from truffle and mushroom linguine to veal loin with rustic potatoes and grilled tuna with malandrino “naughty” rice (a traditional Portuguese loose, soup-like rice dish with a similar texture to risotto). Breakfast is also served here. While you won’t find a buffet, guests are treated to a generous selection of bread rolls, pastries, cheeses, cured meats and fresh fruit, as well as a comprehensive menu of hot food including pancakes, scrambled eggs and smoked salmon on toast.

Things to do

Days are easy to fill sipping cocktails in the bar, reading a book in the wood-panelled library or taking a dip in the outdoor pool. Just a few steps from the main building, past the 300-year-old wild chestnut tree, is the tranquil spa complete with a Himalayan salt room, Turkish bath and gym. Susanna, the warm and experienced therapist, is on hand to carry out an array of treatments; the hot candle wax massage soon dissolved my lingering knots of tension.

The hotel is a short cab ride or half-hour stroll into town (a word of warning: Porto is very hilly, so allow some extra time to pause and get your breath back). The sun-drenched streets are lined with colourful, crumbling houses – these dilapidated yet beautiful buildings are all part of Porto’s charm, adding to its unique and authentic atmosphere that is absent from many of Europe’s more polished cities.

It’s well worth spending an hour exploring the shady interiors of Porto Cathedral, marvelling at the chapel’s elaborate frescoes and blue-and-white tiled cloisters, and climbing the steps to the roof for spectacular views out across the city.

For more wonderful panoramas of the Douro river, nip over to Arco Das Verdades – a small, friendly wine bar with a decent selection of traditional Portuguese nibbles. And for those with a penchant for port (and even those without), it’s worth heading down to the water for a visit to one of the historic cellars. Sandeman offers an hour-long tour and tasting for €23 (£20). Before you leave, be sure to visit the scenic Jardins do Palácio de Cristal, where peacocks and chickens roam freely through the winding paths.

The verdict

Whether relaxation is your priority or you’re eager to soak up as much of Porto’s culture as possible, you would be hard-pressed to find a better spot than Palacete Severo. This is far from a glossy resort. With its thoughtful staff, stand-out food and surprising artworks at each turn, this unassuming yellow townhouse is much more special.

Irenie was a guest of Palacete Severo, palacetesevero.com

The “fabulous floral extravaganza” will return in May, said India Lawrence in Time Out. Tickets to the flagship flower show are “highly covetable”, and on sale now.

From 19-23 May, visitors can admire the works of “world-class” growers and garden designers from around the world, in what many consider to be “horticultural heaven”.

What is it?

The Royal Horticultural Society hosts the event each year in the grounds of the Royal Hospital Chelsea in London. Usually, the first two days are reserved for RHS members, meaning it is open to the public from Thursday 21 May until Saturday 23 May. The BBC broadcasts coverage daily.

RHS judges award prizes to the top designs, with “blooming beautiful Edens” competing each year, said Time Out. Last year, the winners ranged from a Japanese tea garden to a garden that “hoped to change perceptions of people with Down’s syndrome”.

In recent years, the competition has also become “more focused on eco-friendly gardening, with bee- and butterfly-friendly flowers taking centre stage and a focus on growing native plants”, said The Guardian.

What to look out for?

This is an “unmissable opportunity to see some of the most beautifully designed gardens from the most exciting talents in the industry”, said Christabel Chubb in House & Garden. Some of the highlights this year include Tom Stuart-Smith’s “Tate Britain Garden”, an “evocation” of the new grounds designed for the art gallery, due to open this autumn. “Inspired by East Asian woodlands and featuring drought-resilient planting, this show garden will be a fascinating preview of one of the city’s most exciting new green spaces.”

Another one to watch is “The Eden Project: Bring Me Sunshine Garden”, masterminded by Harry Holding and Alex Michaelis. “Inspired by the landscapes of Morecambe Bay”, it aims to open up the “world of green industry” to young people “who might be underrepresented in the sector”.

As well as serving as a “reliable barometer for upcoming gardening and planting trends”, the gardens also have a social angle, and “support good causes” while helping to “spotlight charities”, said Wanda Sachs in Country Living.

Look out for “Parkinson’s UK – a Garden for Every Parkinson’s Journey”, which is divided into three “sensory zones” to act as a “calming space” for people with Parkinson’s and their family and friends. Similarly, “The Asthma and Lung UK Breathing Space Garden” serves as a “restorative ‘breathing space’ for people with lung conditions”, featuring accessible paths, “therapeutic planting and a platform for breath-focused exercises”.

For the first time, this year’s event will feature a “mini flower farm” in the Great Pavilion, considered the “crown jewel of RHS Chelsea”, said Liz Lane in House Beautiful. The 20 x 15ft plot promises a “visual feast” and will showcase the “full breadth of crops British flower farmers can grow in May”. Arranged in a “Fibonacci-inspired swirl, designed to mimic the unfurling of a flower”, it will include “wildflower corners, beds of individual cut-flower varieties framed with foliage, and plenty of richly layered, vibrant colour throughout”.

While it might not be quite warm enough yet for outdoor concerts, that doesn’t mean indoor venues won’t get plenty of action. Welcome in the sounds of spring with tours from your favorite big-name artists.

Alabama Shakes

Alabama Shakes has not released a studio album in over a decade following a long hiatus, but the rock band hasn’t left its fans in the dark when it comes to tours. Now the group — formed, unsurprisingly, in Alabama — is embarking on another tour that will see them crisscross venues in the United States, Europe and Canada.

The tour will feature “special guests” including soul icon Mavis Staples, according to the band’s Facebook page. With Alabama Shakes also announcing it is working on new music, fans have a lot to look forward to. (through September)

Cardi B

Cardi B has conquered the rap world during the last decade but has only ever headlined one concert tour — until now. The New York City-born rapper kicked off her “Little Miss Drama” tour in February in support of her second LP, “Am I the Drama?”

The tour, which takes Cardi B to destinations across North America, has featured some significant surprise guests, including Kehlani and Megan Thee Stallion, the latter of whom collaborated with Cardi B on the hit single “WAP.” The show has received rave reviews and is a “dramatic and weighty performance,” said The Minnesota Star Tribune. (through April)

Don Toliver

Since Don Toliver released his debut mixtape in 2018, the Houston native has emerged as one of the most popular names on the rap scene. Now he is embarking on his fourth concert series in five years with his “Octane” tour, which supports his recently released album of the same name.

The tour will see Toliver crisscross North America, though rumors of a future European leg also abound. In a potential preview of the tour, Toliver recently performed at SXSW in Texas, where he played a “headlining set packed with pyrotechnics and pulse-pounding production,” said The Austin Chronicle. (through July)

David Byrne

As a founder of the rock band Talking Heads, David Byrne is no stranger to fame, but he hasn’t hit the tour circuit since 2018. That is changing as the singer-songwriter embarks on his “Who is the Sky?” tour supporting his LP of the same name.

The tour took Byrne throughout the U.S. in 2025 and is set to bring him internationally in 2026. The result is an “ambitious new show blending visual art, storytelling and music into one compelling live performance,” said Rolling Stone Australia. Several of Byrne’s longtime collaborators are also accompanying him on stage. (through July)

Florence and the Machine

Florence and the Machine has always provided its fans with a unique blend of genres and sounds, and the rock band is continuing that streak as part of the “Everybody Scream” tour. The tour, in support of Florence and the Machine’s studio album of the same name, is visiting the U.S. and Europe. It received rave reviews during its opening shows, particularly for the performance of band leader Florence Welch. The tour is a “fitting manifestation of a weighty album about mortality and acceptance, midlife and motherhood, trauma, success, desire and more,” said the London Evening Standard. (through August)

FKA Twigs

British singer FKA Twigs has a loyal fanbase and is coming off a big year, having released two studio albums in 2025: “Eusexua” and “Eusexua Afterglow.” Now she is hitting the road on her “Body High” tour, bringing her music to listeners across the United States and Europe. The singer is known for incorporating a variety of artistry into her music, and the tour shows off a “full feast: classics from her catalog, acclaimed songs from ‘Eusexua,’ unreleased tracks and techno remixes of new hits,” said the Miami New Times. (through June)

My Chemical Romance

Go see a marching band with My Chemical Romance, currently crossing the globe to celebrate the 20th anniversary of their acclaimed studio album “The Black Parade.” The tour is a continuation of a separate anniversary journey the group embarked on in 2025, and the punk band has some lofty expectations to live up to.

The 2025 tour was critically acclaimed, and when the band played New Jersey’s MetLife Stadium, it put on the “most thrilling stadium show in MetLife history,” said Paste magazine. The show at that time felt “both eerily real and absolutely absurd.” (through November)

PinkPantheress

British singer PinkPantheress provides a unique sound, with her spunky pop songs becoming a hit among Gen Z fans. In 2025, she set off on her third concert tour in four years, “An Evening with …PinkPantheress,” tour, which is continuing throughout this year.

The tour, which takes place on several continents, comes on the heels of her debut album from 2023. PinkPantheress has also been riding the popularity of her recent song “Stateside,” which “found its breakthrough moment,” said Forbes, after U.S. figure skater Alysa Liu performed to it on her road to an Olympic gold medal. (through August)

“Weird Al” Yankovic

If you’re looking for a musical parody, there is only one master of the genre: “Weird Al” Yankovic, and now he’s back on the road with his comedic chops in the “Bigger & Weirder 2026” tour. The U.S. tour is a celebration of the singer’s wide body of parody songs, and fans can expect to hear “his iconic hits as well as a few fan favorites and deep cuts,” said the tour website. Yankovic, whose iconic songs like “Amish Paradise” and “White & Nerdy” remain cultural tentpoles, is joined on tour by four additional band members to “create a super-sized concert experience.” (through October)

Zach Bryan

Zach Bryan rose from the small town of Oologah, Oklahoma, to become one of the biggest names in country music, and you can catch his guitar chords in action during his ongoing “With Heaven” tour. The tour, in support of Bryan’s sixth studio album, “With Heaven on Top,” is making its way across two continents to critical acclaim.

In 2025, his performance at Michigan Stadium became the largest ticketed concert in U.S. history. It is only fitting, then, that his tours so far this year provide “world-class storytelling, chart-topping hits and a 20-piece band,” said the St. Louis Post-Dispatch. (through October)

Spring’s touring theater productions are a mix of old standbys and new shows. Relive the 1980s with “Les Miz” and “Phantom,” and experience the 1800s with “Hamilton” if you still haven’t seen, or want to see again, the long-running phenomenon. Your seats are waiting.

‘Hamilton’

It’s hard to believe that Lin-Manuel Miranda’s instant-hit “Hamilton” was born at New York’s Public Theater more than a decade ago in 2015. Oh, how the show has staying power. It’s the rare musical that pole-vaulted into the pop-cultural consciousness. In 2026, “Hamilton” still has various productions running across the globe, including the North American tour. (through Sept. 12, 2027)

‘Kimberly Akimbo’

The 2023 Tony Award for Best Musical walks an impossible tightrope. It’s a hilarious, heartbreaking tale of a 16-year-old girl in suburban New Jersey who ages rapidly and is currently living in the body of a 60-something-year-old. Her family is a mess, she struggles, understandably, to fit in, and time is running out. The legendary Ann Morrison plays the protagonist on the road. Expect guffaws, and bring tissues. (through May 17)

‘Les Misérables’

The grande dame of sung-through musicals is back on the road. Its slogan, “Still the World's Most Popular Musical,” is hard — OK, impossible — to quantify. Nonetheless, more than 40 years have passed since “Les Misérables” had its English-language debut in London, and it has been playing there ever since. The current U.S. touring production is a bit scaled back, but you can still expect the glorious melodrama to stretch to every theater’s back row. (through June 28)

‘MJ: the Musical’

This sanitized but by all accounts entertaining bio-musical about the King of Pop, Michael Jackson, is a journey through his life story told through his biggest hits. You might find yourself singing along to more than 25 of MJ’s best tunes. Just prepare for a whole lot of moonwalking. (through May 24)

‘Phantom of the Opera’

Since its debut in 1986, “Phantom of the Opera” has been seen by more than 160 million people. And still the thirst for the man in the half-mask and his unrequited love for his muse, Christine Daaé, continues. The current tour production of Andrew Lloyd Webber’s show stars Isaiah Bailey as the Phantom and Jordan Lee Gilbert as Ms. Daaé. (through Sept. 5, 2027)

‘Shucked’

It’s rare to encounter a new Broadway musical that’s born of an original story and also knee-slappingly hilarious. “Shucked” tells the tale of a small town that stars corn as its local moneymaker. Into town comes a con man, a “corn doctor,” and hijinks ensue, all to a score by Grammy-winning Nashville songwriters Brandy Clark and Shane McAnally. (through June 7)

‘The Sound of Music’

It’s difficult to imagine American musical theater without the presence of “The Sound of Music,” especially the film adaptation that starred Julie Andrews and Christopher Plummer. See and hear for yourself the original material in the current touring production of the stage musical. You will almost certainly recognize a bunch of the show’s numbers, including “Do-Re-Mi” and “Edelweiss.” (through June 27, 2027)

‘Wicked’

The two-decade-old Broadway smash continues its current tour, with dates booking through summer 2027, though this run may be extended into perpetuity after the raucous success of the two-part “Wicked” movies that starred Cynthia Erivo and Ariana Grande. The buzz around this tale of the origins of the Wicked Witch of the West just keeps on humming, and the musical carries a special magic in its staged incarnation. (through July 25, 2027)

Settling down with a good Agatha Christie adaptation “always feels rather delicious”, said Vicky Jessop in The Standard. “The 1920s costumes! The murder! The twistiest of plot twists!”

“Seven Dials” is the latest novel in the Queen of Crime’s collection to be given the Netflix treatment. A champagne-soaked party at a country estate ends in tragedy when diplomat Gerry Wade (Corey Mylchreest) is found dead, leaving it up to the witty young aristocrat Bundle (Mia McKenna-Bruce) to figure out what happened to the man she planned to marry. Absurd, silly and camp, the “deliciously twisty” show is “pure escapism” and “tremendous fun”.

Whether “Seven Dials” has put you in the mood for another glossy show with a star-studded cast, or you’re more of a purist longing for the classics, these are the very best Agatha Christie screen adaptations of all time.

Witness for the Prosecution, 1957

This cinematic retelling of Christie’s “captivating” 1925 novel is one of the “earliest big-screen outings” of her work, said Marie-Claire Chappet in Harper’s Bazaar. Billy Wilder’s courtroom classic follows the veteran British barrister Sir Wilfrid Robarts (Charles Laughton) as he defends his client Leonard Vole (Tyrone Power), a financially unstable young man accused of murdering a wealthy widow to inherit her fortune. Filled with stand-out performances from “screen legends” including Marlene Dietrich who plays Vole’s seemingly cold-hearted wife, the “stellar” adaptation “deservedly” scooped several Academy Award nominations.

Murder on the Orient Express, 1974

“Easily the best adaptation of probably the most famous Christie book”, Sidney Lumet’s film stars Albert Finney as Hercule Poirot, said Ben Dowell in The Times. The “fastidious sleuth” is investigating the murder of an American tycoon on board a luxury train stranded in a snowdrift in Yugoslavia. Released 14 months before Christie’s death, the “masterpiece” received her seal of approval. “But she reportedly had reservations about what she regarded as Finney’s unimpressively small moustache.”

Death on the Nile, 1978

“Death on the Nile” is “undoubtedly one of the superior appearances of the globetrotting Poirot”, said Nick Hilton in The i Paper. The “fiendishly intricate” mystery of a glamorous heiress murdered on an Egyptian cruise combines “sweeping romantic backdrops” with a “starry” cast including Mia Farrow, Bette Davis and Maggie Smith, with Peter Ustinov as the Belgian detective. “That’s star wattage enough to power the SS Karnak, the paddle steamer cruising from Alexandria to Wadi Halfa.” Kenneth Branagh also adapted the novel in the second instalment of his Hercule Poirot film series in 2022 with more mixed reviews, taking on the leading role alongside a big-name ensemble cast.

Miss Marple, 1984-1992

The small screen has been home to many a Miss Marple over the years, but “most Christie fans agree” that Joan Hickson’s take on the “underestimated old lady of crime” is the winner, said Harper’s Bazaar. Hickson brings a “cunning, quiet confidence” to the beloved sleuth, steering this “brilliant series” which ran for eight years, adapting all 12 books in the original “Miss Marple” series. It’s a must-watch.

Poirot, 1989-2013

“To many, David Suchet’s Poirot is the only Poirot,” said Michael Hogan in Radio Times. The series, which ran for 25 years on ITV, saw the super-sleuth solve 70 “puzzling murders” in a variety of art deco locations. “Respectful” to Christie’s books, these “classic whodunnits” are a small-screen staple and a satisfying binge.

And Then There Were None, 2015

Screenwriter Sarah Phelps sometimes makes “unnecessarily perverse changes to Christie’s perfect plotting”, with disappointing results, said Dowell in The Times. “But I’ll make an exception” for her “subtle and thoughtful” adaptation of “And Then There Were None”, in which she “cleverly” fleshes out the characters and brings “emotional depth to a classic tale”. Darker than Christie’s other works, the action follows a group of strangers, each lured to an isolated island off the Devon coast and murdered one by one. “First-rate performances” from Aidan Turner and Sam Neill anchor the chilling BBC miniseries.

Why Didn’t They Ask Evans?, 2022

This “superbly spry” mini-series adapted by Hugh Laurie is well worth watching, said Radio Times. “A dying man’s cryptic last words” sees childhood friends Bobby (Will Poulter) and Lady Frances “Frankie” Derwent embark on a “quest for the truth” in the small Welsh village where they live. “The leading duo dazzle and delight with screwball-style dialogue as the case lures them into danger.” And Laurie even finds time to “pop up for a cameo”.