Madonna’s bold 14-minute film to mark her latest album, “Confessions II”, has put music videos back in the spotlight. While the viewing figures are yet to reach the stratospheric heights of years gone by, the buzz generated by her star-studded new film shows the medium is far from dead. Here are seven trailblazing artists who helped revolutionise the genre.

Michael Jackson, Thriller (1982)

“As if it wasn’t enough writing one of the greatest pop songs of all time”, Michael Jackson went one step further by pairing it with “one of the most memorable music videos ever recorded”, said Kelly Murphy and Dale Maplethorpe in Far Out Magazine. Essentially this is an entire “horror movie in its own right”, and, of course, it gave the world an “iconic” dance that won’t ever be forgotten.

A-ha, Take On Me (1985)

Steve Barron’s “thoroughly immersive” music video for A-ha’s “Take on Me” expertly mixes live action with hand-drawn animation, while “seamlessly” bringing in each member of the Norwegian pop trio, said Slant Magazine. The story follows a teenage girl who is “literally drawn into a newspaper comic strip and falls heads over heels for its protagonist”. More than four decades on from its release, it remains “one of the most gripping narrative videos of all time” – and a “testament to the power, proficiency and poignancy of the medium itself”.

George Michael, Freedom! ’90 (1990)

Shunning his “image-driven fame”, George Michael refused to appear in any of the music videos for his album “Listen Without Prejudice”, said Slant Magazine. Instead, for this shoot he brought in a “bevy of top models” to lip-synch to his “pointed” lyrics, including Cindy Crawford, Linda Evangelista and Christy Turlington. David Fincher directed Michael’s defiant video which was intended to mark the Wham! singer’s “artistic rebirth”; by the final credits his famous black leather jacket and guitar have been “ceremoniously burned and destroyed”.

Madonna, Vogue (1990)

“‘Come on, vogue’ – Madonna commands it, and the world listened,” said Rolling Stone. In her third collaboration with David Fincher, the Queen of Pop turned vogueing – an “outlandish” form of dance that originated in Harlem’s queer, underground ballroom scene – into a “refined form of feminist posturing and a statement of sexual defiance”. Madonna has since been accused of cultural appropriation for the track, but “there’s no denying” her “iconic” video propelled ballroom into the mainstream and inspired “countless queer kids to ‘strike a pose’”.

Gorillaz, On Melancholy Hill (2010)

There are “countless” stand-out Gorillaz music videos but “On Melancholy Hill” is the “most poignant”, said Far Out Magazine. This is a “masterclass” in perfectly capturing a song’s atmosphere; it can mean anything you want whether that be a “rumination on loneliness”, “unrequited love”, or a “general feeling of malaise”. The beautifully animated video sees band member Noodle survive a ship sinking and embark on an underwater adventure in a submarine. There’s no “sense of resolution” which means you’ll be drawn back to the video for “another taste of that weird sense of longing”.

Beyoncé, Formation (2016)

This “surprise-released” video for “Formation” cemented Beyoncé’s status as “one of the most important” artists of all time, said Rolling Stone. In it, she moves between a “plantation-style house, where the black denizens are the masters not the slaves, to the top of a sinking police car”. The star teamed up with director Melina Matsoukas to make the video, taking inspiration from the likes of Toni Morrison and Maya Angelou to craft this “striking commentary on significant moments in Black American history”.

Childish Gambino, This is America (2018)

The “gut-punch impact remains no matter how many times” you watch “This is America”, said Rolling Stone. Donald Glover’s “musical alter-ego” Childish Gambino wanders from scene to scene, shimmying his way through “dancing kids, angry cops” and moments of both “social unrest and unfettered black joy”. Bursting with references from “viral dance videos to the 2015 shooting in a Charleston church”, it’s a music video that “launched a thousand think pieces”.

Anish Kapoor’s first major exhibition was at the Hayward Gallery nearly 30 years ago. But his latest, delivered in an age of “minuscule attention spans”, is filled with so many “tricks and surprises you’re likely to drop your phone mid-text into a black hole”, said Jonathan Jones in The Guardian.

Kapoor’s “mind-warping” piece “Mount Moriah at the Gate of the Ghetto” (2022) is one of the standouts – a mountain hanging upside down from the ceiling, painted in “thick slathers of red and black” and dripping “fire or lava that metamorphoses into wet, fresh blood”. It’s a “metaphysical rollercoaster ride of a show, a divine bloodbath”.

His “Plastic Sacrifice” series exposes “horribly surgical-looking”, synthetic PVC skin. “They resemble a serial killer’s trophy art.” Contrary to the “small, dry efforts” of much modern art, Kapoor “soaks the Hayward in the blood and guts of his unfettered imagination”.

With his “brilliantly gross” sculptures of “gory, vile piles of wet guts”, Kapoor’s message is clear, said Eddy Frankel in The Times. “It doesn’t matter how special you think you are, at the end of the day we’re all just meat”.

His paintings using Vantablack – the most light-absorbent pigment on Earth – are not as successful, however. What are meant to be deep, searching abysses are just “black squares and circles”. These may be “pretty heinous”, but, at its best, Kapoor’s art is “universal, enormous, overwhelming and very, very human”.

The newest intriguing installation, “Ha Makom”, finished earlier this year, could be a “film set, a spaceport, or a remote ancient temple”, said Alastair Sooke in The Telegraph. Inspired by Uluru, the “sacred sandstone monolith” in Australia, it combines the “pristine” precision of his work, with “intense” colour.

In all, the “beautifully presented” show is “zinging”. If there had been any doubt, “Kapoor silences those who characterise his ambitious aesthetic quest, striving for metaphysical effects, as out of step with our ironic and cynical times”.

Hayward Gallery, London SE1, until 18 October

Two years ago, it was brat summer. This year, for summer 2026, everyone is wrapping themselves in a new trend: whimsy. From dopamine-spiking decor to more childlike, bright clothes, adults are romanticizing the smallest aspects of their lives and fully running with a lighthearted outlook.

Bring on the ‘childlike joy’

The word whimsy and the vibe associated with it are “having a moment,” thanks to Gen Z and millennials who have “recast the word to characterize a lifestyle that blends playfulness, spontaneity and being present,” said The New York Times. Searches on Etsy for “whimsical jewelry,” “whimsical decor” and “whimsy-related items” were each up by at least 50% from last year.

Shoppers use whimsy as a “form of everyday escapism, seeking out pieces that feel personal, playful and a little unexpected to make everyday life more extraordinary,” said Dayna Isom Johnson, Etsy’s trend expert, to the Times. The whimsy craze has an “emphasis on offline activities” that parallels a “movement by young people who are leaving behind smartphones and screens,” the outlet said.

Being whimsical is about “bringing levity to life when you can,” said Business Insider. The trend is flooded with lively colors and playful accessories.

Whimsy is “easier to recognize than to translate," said NSS Magazine. The term “indicates lightness, fantasy and spontaneity.” It is not “just an aesthetic” but a “different way of inhabiting one’s days.” For those who relish it, being whimsical means “reconnecting with what as children seemed natural: to be amazed, to invent, to celebrate even the smallest things.”

Chasing authenticity

Whimsy devotees see it as a “response to compounding anxieties over a series of stressors, including a challenging economy, multiple wars and a volatile presidency,” said the Times. No one can control “what our leaders are doing,” but you can control “what kind of mug you’re going to choose, what cute outfit you’re going to wear and what beautiful thing you can do in your morning,” podcaster Liz Plank said to the Times.

In the age of the internet, millennials and Gen Z face a more intense flood of information than before. Whimsy offers an escape from the more performative aspects of social media, Nassir Ghaemi, a psychiatry professor, said to the Times. These online experiences have been “going on now long enough” that Generation Z and millennials have figured out that a “lot of these online interactions are inauthentic.”

With how swiftly the trend cycle swerves, the whimsical moment may not last. Gen Z, in particular, has “grown up in a context in which almost everything can be turned into merchandise,” said NSS Magazine. Many trends are “intercepted, packaged and resold as a product,” as has happened in the past with viral terms such as “girl math, girl dinner or demure.” All were “born for fun” but became “tools for overconsumption.”

Still, when whimsy is “understood in its purest, most spontaneous and curious sense,” said NSS Magazine, then it can be read as an “attempt to withdraw from the pressure of constant consumption, choosing to live with more freedom.” A whimsical life can be a “small form of everyday resistance.”

Marjane Satrapi made revolutionary Iran come alive in stark black-and-white images. The Iranian-born writer, artist, and director was best known worldwide as the creator of Persepolis, the groundbreaking graphic novel describing her childhood experiences of the Islamic fundamentalist 1979 revolution that ripped away women’s rights and led to the horrors of the Iran-Iraq War. Published in four parts, from 2000 to 2003, Persepolis sold millions of copies, and Satrapi’s 2007 film adaptation received an Oscar nomination and the Jury Prize at the Cannes Film Festival. Satrapi said her goal was not just to protest the regime but also to humanize a people stereotyped as either terrorists or veiled, silenced women. “If these people scare you, look closer,” she said in 2007. “They have parents, they have lovers, they have hope, they have stories.”

“Satrapi was a born troublemaker,” said The Nation, just like the rest of her family. Descendants of a prince who became a communist, the Satrapis “opposed both the dictatorship of the shah and the theocracy that was established by the 1979 revolution.” At school, Satrapi “talked back,” wore what she liked, and hoarded tapes of rock music. When she was 14, her parents sent her to boarding school in Vienna for her safety, but she was lonely there, bouncing from dorm to dorm and even living on the streets a few months. After an illness, she returned to Iran, had a brief marriage to a war veteran, and earned a master’s degree in art. It was when she moved to France for further studies in 1994 that she finally “found her artistic voice,” said The Hollywood Reporter, as well as her longtime husband, Swedish actor Mattias Ripa. She followed Persepolis with Chicken With Plums, an illustrated story and film based on a musician relative. She then directed several more movies, including the 2019 Marie Curie biopic Radioactive, starring Rosamund Pike.

Yet her masterwork remained Persepolis, the story of the “gradual suffocation of a society,” said Le Monde (France), and of the lifelong depression that drove her to suicide attempts. Her family said she died “of sadness” a year after Ripa’s death from cancer. In her last book, she explored the Woman, Life, Freedom movement in Iran, which started in 2022 after a woman arrested for improper hijab died in custody. “Human nature,” she said, “is made for freedom.”

Really savvy travellers know that second cities are the ones we should all be flocking to: the overlooked ones, the quieter ones, the underestimated ones that have so much to offer.

Brno must be the epitome of this. Bursting with character, beauty and culture, it may be the Czech Republic’s second city, but it’s by no means second rate. In fact, having spent a considerable amount of time here, I would argue that it’s the perfect place to explore Czech culture away from the crowds.

Things to do

I’m always an advocate of just walking around to get to know a place, and here is no exception. Take in the varied architecture, as well as the Vegetable Market, Brno Dragon, Capuchin Monastery, Freedom Square, and bizarre Astronomical Clock as you explore.

The Brno Pass is a convenient way to see as much as you can in the city, and great value too. Use it to visit some of the city’s biggest sights, such as the imposing Cathedral of St Peter and Paul and the Old Town Hall, which dates from 1240.

The pass also gives you entry to Špilberk Castle, probably the most identifiable sight in all of Brno. This 750-year-old castle tops a hill of the same name, and can be seen from most of the city. The complex houses several museums, with art and artefacts explaining the region’s history. The park and walls have wonderful views, so take a seat and relax.

From here you will see just how many spires Brno has; there are dozens of churches. The Church of St James, however, should be on your list. Founded in the 13th century, its angelically white interior feels peaceful and serene but climb up into the roof space and you will find a fascinating light show.

Architecture buffs may also be surprised to learn that Brno is home to one of modernist designer Mies van der Rohe’s masterpieces, the Unesco-listed Villa Tugendhat. Built in 1930 for textile company owners Greta and Fritz Tugendhat, it was a sensation when finished, and still impresses today.

One of the newest attractions are the Water Tanks under Žluty Kopec, a complex of three cisterns built between 1874 and 1917. They are vast, cathedral-like, and truly astonishing examples of industrial engineering. Enjoy the art show and peculiar acoustics.

Subterranean tourism seems to be a big thing here. Head underground to the Labyrinth under the Vegetable Market to learn more about how the city grew. There’s also the Second World War air-raid shelter, 10-Z bunker, and the Ossuary at the church of St James, which is the second largest in Europe after Paris’ Catacombs and houses the remains of 50,000 people.

Get out of the city and head to the Brno Reservoir, a 259-hectare man-made lake that’s just a short hop on the tram away. It’s probably best enjoyed in the summer, when you can swim and take boat trips across to Veveří Castle. Also, check out the nearby Brno Zoo and the Brno Dam, built in the 1930s. On its shore is the Infinit Maximus Resort Spa, home to heated outdoor pools, hot tubs and a sauna complex.

Eating and drinking

At the elegant Pavillon Steak House, in Park Koliště near the National Theatre, service is smooth, and the food is hearty and delicious, yet still refined. The steak selection is a fantastic treat for two.

The Czech Republic has a large Vietnamese population, and the food is some of the best this far west of Hanoi. Try Bonjour Vietnam for a big bowl of aromatic pho, or refreshing summer rolls.

Castellana Trattoria is one of those family Italians that’s become a local favourite. We couldn’t spot another tourist, which has to be a good sign. Expect steaming mounds of pasta, as well as charcuterie boards of hand-sliced prosciutto.

For casual eats go to Bistro Bastardo, a Mexican burrito spot that always had a queue outside, as well as Úvozna, a burger joint near the Water Tanks, or Zaza for puffy sourdough pizzas.

You’ll find a daily menu, a lunch deal that’s usually great value, almost everywhere. At Nepalese restaurant Pokhara we got soup plus a thali of three curries, rice and naan for around £7.

Lokál u Caipla is the place for traditional food and unmissable Czech pilsners, or you can try U Třech Čertů in the city centre. If you’re looking for a drink, head to t’PUUB for craft beers, Café Trojka for student vibes, Super Panda Circus for cocktails, Výčep na Stojáka for its suntrap, Monogram for coffee, and Klára Bára Wine Cafe for wine. The cosy Pivnice U Poutníka and Poslední leč both feel like real locals’ places.

Where to stay

The Grandhotel Brno is a great spot to rest your head. Situated across from both the railway and bus stations, it’s not far to take your bags, and almost everything on this list is walkable. The beds are large and comfy, and the rooms have plenty of space for chilling out after a long day. The breakfast features local delicacies such as poppyseed cake, as well as meats, hot bites and even sparkling wine for those special occasions.

Jaymi McCann was a guest of Go To Brno

There’s a “surging interest” in apes, said Euronews. Nature documentaries like David Attenborough’s “A Gorilla Story”, which revisits the gorilla family he first filmed in 1978, are inspiring tourists to book gorilla-trekking holidays in Rwanda, Uganda and the Republic of Congo.

But tracking these beautiful creatures in their natural habitat isn’t easy: it’s physically strenuous, and permits are strictly limited, to protect the endangered animals.

Rwanda has 14 mountain gorilla families that have been carefully habituated to human observers and “can be visited by up to eight tourists for one hour daily”, said Lizzie Frainier in The Times. I travelled to the foothills of Mount Karisimbi in Volcanoes National Park to meet a family group of 14. Watching a baby gorilla running around in a “ferny glen” and frolicking into the “dense brush” was “magical”. I’ve had my fair share of wildlife experiences as a travel editor but none has compared to this.

This kind of “low-volume, high-value tourism” is pricey: a day’s trek costs over £1,000, with proceeds going towards anti-poaching initiatives and community development. Accommodation ranges from basic guesthouses to “ultra-luxe boutique hotels”. If you really want to push the boat out, check in at Wilderness Bisate Reserve, which has “epic misty 360-degree views and four palatial suites”.

On my trek through Uganda’s Bwindi National Park, the forest suddenly becomes “alive” with mountain gorillas, said Olivia Singer in Vogue. On my five-day trip with Abercrombie & Kent, I spot “two gargantuan silverbacks and a baby”; they “meander around us” for an hour “as they go about their business”. It is, I decide at once, “the best day of my life”.

Each night, we rested our heads in Gorilla Forest Lodge’s “remarkably lovely cabin suites”. Gorgeously decorated with “locally crafted furnishings”, each room features a “bathtub so vast, it could easily accommodate a silverback”.

New video game releases have been scant this year, as developers wait for the Grand Theft Auto VI drop date. But the next few months still have a few gems to eye. This summer, original games reminiscent of classic favorites are being released, along with a remastered collection of Metal Gear Solid entries.

The Adventures of Elliot: The Millennium Tales

Square Enix’s latest 2D role-playing game arrives this summer from the teams behind the Octopath Traveler games and Live A Live. Fans of those games might expect The Adventures of Elliot to be “turn-based like its genre compatriots,” but the game will feature “real-time combat” instead, said Polygon. As the eponymous main character, you explore the land of Philabieldia across four time periods to fulfill a 1,000-year mission.

The game is a “throwback to classic Super Nintendo-era action-adventure games,” said PCMag. The Adventures of Elliot is a “faithful homage to the Legend of Zelda games of old.” (June 18; Nintendo Switch 2, PC, PS5, Xbox Series X|S)

D-Topia

Fans of more chill games will likely enjoy the new “gentle-paced,” as described by the publisher, puzzle adventure from Annapurna Interactive. Even with its less tense game style, the premise of D-topia revolves around a shadowy society run by AI that is working to ensure happiness for the greatest number of people.

D-Topia is an “experience that’s laid-back” but with a “dark undercurrent,” said Comics Gaming Magazine. It “not only looks jaw-droppingly gorgeous” but “hooks you with an intriguing premise oozing with intrigue.” Its “blend of cozy charm and subversive darkness” has critics “eager to see more.” (June 18; Nintendo Switch & Switch 2, PC, PS5, Xbox Series X|S)

Beast of Reincarnation

Pokémon developer Game Freak is drifting from its usual fare for Beast of Reincarnation, an action role-playing game that’s “closer to a Souls game” with more intense focus on battling enemies than the “monster-collecting series that the developer built its name on,” said Polygon. Players take on the role of a young woman navigating a post-apocalyptic Japan with her dog companion while fighting off monsters.

According to the developer, Beast of Reincarnation isn’t an open-world game but is instead “made up of stages that are larger in scope than, say, those in a Devil May Cry game,” said Kotaku. (Aug. 4; PC, PS5, Xbox Series X|S)

Marvel Tokon: Fighting Souls

Superhero fans can rejoice, as last spring's Invincible VS “isn’t the only tag-team fighter for comic book readers this year,” said Polygon. From the developer behind Dragon Ball FighterZ, Marvel Tokon: Fighting Souls features classic Marvel heroes like “Spider-Man, Iron Man and Black Panther” with “new anime-inspired designs.”

The game gained attention online “thanks to its art style and the pedigree of its developer,” said Gizmodo. As a “4v4 tag-team fighter,” it is the “very same thing which defined Marvel vs. Capcom,” a beloved classic. PlayStation came to developer Marvel Games with a desire to “bring Marvel back to the forefront of the tag-team fighting genre,” Marvel Games’ senior product development manager Michael Francisco said in a statement. (Aug. 6; PC, PS5)

Metal Gear Solid: Master Collection Vol. 2

Following the release of the first Metal Gear Solid: Master Collection in 2023, volume two arrives this summer. While the first set included the first five Metal Gear games, this one has Metal Gear Solid 4: Guns of the Patriots, Metal Gear Solid: Peace Walker, and Metal Gear: Ghost Babel.

The collection is notable as “it’ll be the first time Metal Gear Solid 4 is made readily available outside of the PlayStation 3,” said Polygon. Master Collection Vol. 2 will include “bonus content in addition to the games.” A few of the additional items: a screenplay book and a digital soundtrack. (Aug. 27; PC, PS5)

“Tropical fruit and chilli sauce” is a tried-and-tested flavour combination that “works”, said Lucy Knight in The Guardian. The zingy mix of fruity and spicy – “fricy” – flavours has been around in South American cuisine for years. Now, though, it’s being tipped as the food trend of the summer here, with “more fresh, spicy, exciting flavour combinations” appearing on UK menus.

‘Fricy’ may sound like a “silly word” but the demand is real, Holly Thomson, food editor at online food retailer Sous Chef, told the paper. The website has seen a 19% year-on-year increase in sales of the “hero product” of the trend: a Mexican lime, salt and chilli spice blend called Tajín.

“The hashtag #fricy hasn’t quite gone viral” yet, said BBC Bitesize, but there are “plenty” of posts celebrating the flavour combination. The Mexican drink mangonada, more traditionally known as chamoynada, a mix of mango with chamoy, a condiment made from pickled, spiced fruit, has “more than 47k TikTok posts with people trying the fricy taste for themselves”. Spicy fruit bowls that mix “fruit such as pineapple and mango covered in spices like chilli” are also having a moment.

Food trends usually rely on “emotional pull” and “visual appeal”. Just as the “striking purple” hue is responsible for the rise of ube, or purple yam, the “vivid yellows, oranges, reds and browns” of the mangonada makes people “curious” to taste it.

The mangonada has lured many customers into Mango Twist, a London café founded by Peru-born Dominic Vargas, which sells its own version of the drink. The “tangy, spicy, sweet, salty” combination is “something you wouldn’t find in the UK that easily”, Vargas told The Guardian.

But this isn’t the first trend marrying the sweet and savoury. People have been “endlessly seeking umami” flavours in their food, Marks & Spencer food trends lead Annette Peters told The Times. She added that this explained the increasing demand for miso-infused desserts because the “balance of sweet and savoury gives you such a depth of flavour”. As long as the dish doesn’t “tip into cloyingly sweet”, the pairing can be “delicious”.

There are luxury resorts that strive to feel like homes, and then there are homes that accidentally become luxury resorts. The Seed Bali sits firmly in the latter category.

Set on Bali’s less frenetic east coast in Candidasa, The Seed began life not as a commercial hotel but as a private sanctuary: an extravagant, deeply considered coastal estate built as somewhere to retreat with friends and family. Only later was it opened up as an exclusive-use resort. That origin story matters because it explains almost everything about the place. The Seed does not offer luxury in the polished, corporate sense. Instead, it feels like borrowing the sprawling tropical compound of your wealthiest, most tasteful friend – the sort of person who casually happens to own a treehouse, an underground karaoke bar and a five-metre diving platform.

Arriving here, you immediately notice how personal it all feels. The villas are filled with books, instruments, games, curios and thoughtful details that suggest actual living rather than generic hospitality design. You are not simply assigned a room, you are temporarily entrusted with the care of an extraordinary beachfront home.

Why stay here?

Most luxury resorts in Bali divide guests into different areas: your villa, your pool, the restaurant, the bar. The Seed does the opposite. The entire estate is yours alone. This means there are never any strangers drifting past your breakfast table or competing for loungers. And it means no awkward encounters with someone else’s screaming children while you are attempting serenity beside the pool (just your own screaming children if, like us, you brought them along for the high-end ride of their little lives).

Instead, what you get is 6,400 square metres of private beachfront escapism spread across multiple villas and communal spaces, all stitched together by jungle paths, koi ponds, cascading pools and hidden corners.

What is perhaps most impressive is how relaxed it all feels despite the obvious expense involved. There is no trace of stiffness or pretension and even though the staff hugely outnumber the guests, somehow they manage to remain almost invisible unless summoned. At one point our children collectively decided, in the way children do, that they desperately needed pancakes in the middle of the afternoon. Minutes later the pancakes appeared without fuss and doused in sugar syrup (which made them an instant hit). Perhaps some people might prefer the alternative: perpetually attentive service, but for those looking for genuine privacy, a largely invisible staff is a real pleasure.

The accommodation itself borders on absurdly indulgent. Choosing where to sleep becomes almost a competitive sport among your group. The Treehouse is exactly as magical as it sounds: a two-storey treetop hideaway with open-air decks, elevated reading nooks in the high branches and an outdoor rain shower beneath the sky. The Rabbit Hole is more playful, with its games room, pool table, ping pong and private bar, seemingly designed for long nights and bad decisions. Villa Eywa may be the architectural showstopper though: split accommodation connected by an elegant deck suspended above water so that you can literally swim beneath your own living room. It even has its own private waterfall which, delightfully, you can switch off if the sound becomes too much at night.

Several villas also include fully equipped kitchens and bars, meaning you can easily entertain yourselves if desired. If part of your group wants to keep drinking and talking into the early hours while others retreat to bed, there are enough private spaces to allow both.

And then there are the outdoor bathrooms. Many spots in Bali do these well, but The Seed fully embraces the pleasure of showering beneath open skies while warm evening air drifts through tropical greenery.

Eating and drinking

The Seed’s dining impressively manages a difficult balancing act: variety and tastiness without too much fussiness. Meals are served either communally around big tables or more casually wherever you happen to be lounging at the time.

The menu moves between Indonesian and Western influences. Particularly memorable were the chicken satay skewers, which were adapted for us to avoid peanuts due to an allergy. Ironically this made them arguably more historically authentic than the peanut-heavy versions now associated with satay after Portuguese and Spanish traders introduced peanuts from South America into Southeast Asia several centuries after their invention. Regardless of historical accuracy, they were excellent: smoky, light and savoury.

Equally strong were delicate fish dumplings resembling oversized tortellini, served beneath a bright curry sauce. Desserts leaned tropical. The pandan cakes were feather-light yet buttery, balanced neatly by sharp passionfruit sorbet. Of course, some travellers might want more undilutedly local cuisine, while others may prefer to have steaks and burgers all the way. For us it felt like the mix was pitched well – and in any case the kitchen will adapt to your preferences.

There is also a very well-stocked bar featuring genuinely top-shelf spirits rather than the usual resort approximations. Cocktails are excellent and dangerously drinkable. Our favourite was the coco margarita, best consumed while sitting outdoors beneath stars and watching the flickering lights of nearby Nusa Penida and Lombok on the horizon.

Things to do

The danger at The Seed is that you never actually leave it. Much of the pleasure comes simply from exploring the estate itself. There are hidden pathways, jungle gyms, koi ponds and lounging spaces that reveal themselves gradually over the course of your stay.

The pool alone could occupy several days, and did so in our case. Beautifully landscaped, it shifts from shallow lounging areas suitable for children into deeper sections for proper swimming. Then, in the middle, comes the genuinely unexpected feature: a deep plunge pool beneath a five-metre diving platform.

There is also an outdoor cinema positioned beside the ocean. One evening we watched the Richard Curtis animated Christmas film “That Christmas”, which felt wonderfully surreal in 25-degree Balinese heat. Still, sprawled outdoors with popcorn arriving for both children and adults, it became one of those oddly perfect holiday memories.

Should your group be more nocturnal, The Seed has perhaps the most elaborate after-hours set-up imaginable. Beneath one of the villas lies a soundproof underground entertainment space containing a bar, cinema, karaoke kit and fully equipped music room complete with guitars, piano, drums, microphones, amplifiers and an excellent sound system. It is the sort of room that begins innocently with “just one drink” before someone ends up attempting Led Zeppelin covers at 2am.

For those seeking virtue before inevitable vice, there is also a deck that is perfect for yoga, as well as a sauna and cold plunge, dug next to the pool with a little viewing window for friends to wave to you as they swim past. The gym is a spectacle in its own right: a seemingly Fred Flintstone-inspired jungle hideaway with barbells made of tree trunks and resistance baskets that you fill with heavy rocks.

The verdict

The Seed feels less like a hotel and more like gaining temporary access to a private world that could, by rights, have remained private. Children are well catered for, adults can oscillate between wellness and mild debauchery, and the sheer variety of spaces means groups can coexist without being on top of one another.

It is no great surprise that The Seed has been nominated in this year's Condé Nast Traveller Awards in the Readers’ Choice category. On Bali’s increasingly crowded luxury landscape, it offers something entirely distinctive: privacy, personality and the rare feeling that you are not staying in a resort at all, but in someone’s really rather wonderful home.

Arion was a guest of The Seed, Bali; the eight-bedroom estate sleeps up to 21 guests

If you’re getting ready to hit the beach this summer, you may want to bring along some tunes. Fortunately, there is a wide selection of new albums from big-name artists to help you herald the arrival of all that glorious sunshine.

Boards of Canada, ‘Inferno’

Boards of Canada hadn’t released a solo LP in 13 years, but now the Scottish electronic duo is stepping back into the fire with “Inferno,” their second studio album. Despite the long hiatus, the pair didn’t miss a beat, as Boards of Canada are “back like they’ve never left,” said Rolling Stone, which gave “Inferno” rave reviews.

The album has significant symbolism, and its “themes are clearly concerned with our anxious here-and-now,” said Clash. The LP’s “invocation of religious themes, apocalyptic imagery and theocratic Americana are blended, chopped and warped into a mosaic.” (out now)

Giveon, ‘Beloved: Act II’

Eight-time Grammy nominee Giveon made waves with his second studio album, “Beloved,” in 2025, but the R&B star wasn’t done. He has since released a deluxe version of the LP, “Beloved: Act II.”

The new iteration “unveils five exclusive bonus songs, offering a deeper look into the artist’s introspective lyrics and captivating baritone,” said the singer’s website. The album’s 19 total songs, which are influenced by Giveon’s former relationship with singer Justine Skye, represent a “rich, immersive soundscape that defies musical standards and solidifies Giveon’s place as a modern icon.” (out now)

Lizzo, ‘Bitch’ 

One of the most notable hip-hop singers of her generation, Lizzo is back after a four-year pause with her fifth studio album, “Bitch.” The singer is known for her strong stances on women’s empowerment and named the LP after the derogatory word because it “takes a label once used to diminish women and [turns] it into a declaration of confidence and unapologetic self-love,” Lizzo said in a statement. The album is about “showing the Lizzo everybody knows and loves, letting her tell her side of the story and just letting her play again,” she told USA Today. (out now)

Of Montreal, ‘Aethermead’

Indie pop group Of Montreal has been pumping out records for three decades and has now released a milestone LP: The band’s 20th studio album, “aethermead.” The album is based on a deeply personal moment in lead singer Kevin Barnes’ life. It was written after Barnes “split up with his then-fiancé and left the isolated surroundings of Vermont for Brooklyn,” said Under the Radar magazine. “I’ve always had a romantic fascination with New York, but for forever I couldn’t figure out how to make it work. The timing was perfect this time around,” Barnes told the publication. (out now)

Vince Staples, ‘Cry Baby’

Vince Staples has been staying busy recently, as his seventh LP, “Cry Baby,” marks the rapper’s fourth studio album in just five years. While Staples is known for his “acclaimed introspective projects,” his newest venture marks a departure from that type of music, providing a “more outwardly facing artistic statement and piece of social commentary,” said the album’s record label, Loma Vista. Much of the LP focuses on policing reform, with the artist turning “most of his attention toward police and the racist system that empowers them,” said Okayplayer. (out now)

Beth Orton, ‘The Ground Above’

Beth Orton performs one of the most unique genres of music, a blend of folk and electronic often called folktronica. Now she is back with “The Ground Above,” her ninth studio album and first since 2022.

The LP is “billed as being split into two halves, with the first part tackling more ‘fragmented’ terrain, and the second section exploring more ‘expansive’ melodies,” said Pitchfork. The album features several notable collaborators, such as Nick Hakim and Tom Skinner. The LP’s self-titled track is out now. (June 26)

The Strokes, ‘Reality Awaits’

One of the most popular early 2000s rock bands, The Strokes haven’t released an album in six years, but that’s soon changing. The group’s seventh LP, “Reality Awaits,” is on the horizon.

The studio album marks yet another collaboration between the band and legendary producer Rick Rubin. “The feeling was just, ‘try anything, try everything,’” and the songs worked well “once we got on the same page,” the band’s bassist, Nikolai Fraiture, said of Rubin on the YouTube show The Plug. The Strokes’ prior album, also produced by Rubin, garnered rave reviews. A single from the album, “Going Shopping,” is out now. (June 26)

Lido Pimienta, ‘Caribenya’

Head to a tropical paradise with “Caribenya,” the fifth studio album from singer Lido Pimienta. The Colombian Canadian artist has become famous for incorporating a variety of sounds into her music, including styles from the indigenous peoples of the Americas.

The album is “firmly rooted in the Latin American and Caribbean anti-colonial concerns Pimienta has explored throughout her career” and “relies on joyous resistance, on the moments of escape on the dance floors and beaches and living rooms of our loved ones as the world burns,” said Glide magazine. The LP’s lead track, “Tóxica,” is out now. (July 17)

Tricky, ‘Different When It’s Silent’

This one is no trick: English rapper Tricky has a new studio album, “Different When It’s Silent.” While the artist has released music under various stage names, the LP marks his first studio album as Tricky in six years.

The album is something of a homecoming for Tricky, as it was “recorded between the trip-hop innovator’s new home of France and old hometown of Bristol,” said Pitchfork. “I just love making music. I’m grateful I’ve had the chance to live this life and keep creating,” Tricky said in a press release. A single from the album, “Out of Place,” is out now. (July 17)

Cypress Hill, ‘Dios Bendiga’

Cypress Hill helped Latin American music become a widespread part of the broader hip hop community, and now the group has completed a significant achievement: the 11th studio album, “Dios Bendiga,” which marks Cypress Hill’s first album entirely in Spanish. The LP helps reveal a “thrilling new chapter in a celebrated legacy that has spanned across cultures, languages and territories,” the group’s website said. “Dios Bendiga” was also produced by the Grammy-nominated DJ Flict, who has collaborated with major hip hop stars like Snoop Dogg and Lauryn Hill. A single from the album, “Campeones,” is out now. (July 24)

Scarborough, Maine

In the Prouts Neck community between Massacre Pond and the Atlantic Ocean, this 1965 beachfront home is on more than 4 acres. The refreshed six-bedroom contemporary features a vaulted living room, eclectic pendant lights, wood floors, a steel-and-wood floating staircase, an open kitchen with two islands, and bedrooms with dramatic wallpapers.

Outside are a covered porch with ocean views, a pool, and a sandy beach. $8,950,000. Elise Kiely, Legacy Properties Sotheby’s International Realty, (207) 838-1050

Chicago

This 1969 Gold Coast townhouse is a short walk from Lincoln Park. Transformed several times over the years, it is now an Art Deco–inspired three-bedroom with a curved bronze-and-steel staircase, inlaid oak floors, four fireplaces, a primary suite with a soaking tub carved from a block of marble, and a high-end kitchen with a banquette.

A deck, a landscaped patio with a koi pond, and a two-car garage are also included. $5,995,000. Jennifer Ames, Engel & Völkers, (312) 440-7525

Salt Lake City

The Siegel House, a 1962 modernist home designed by renowned architect John Sugden, is in the Mount Olympus neighborhood, adjacent to the Wasatch Mountains.

The four-bedroom has a rectilinear frame made of white U.S. steel and an open plan interior with floor-to-ceiling windows and original terrazzo flooring. The eat-in kitchen includes walnut cabinets, and the bedrooms have wool carpeting. Downtown is a 20-minute drive. $2,995,000. Mony Ty, Summit Sotheby’s International Realty, (801) 550-7430

Pinecrest, Fla.

Architect Barry Sugarman designed this 1966 home, on a canal about 30 minutes from Miami. The updated five-bedroom has a central vaulted rotunda with curved walls and a suspended fireplace with a rounded hearth, and other interiors have cherry wood floors and custom Italian doors.

A chef’s kitchen includes double Wolf stoves and a Sub-Zero fridge. Glass doors open to the nearly 1-acre lot, which has a pool, yards, and lounge areas. $3,295,000. Adam Levy, Compass Florida, (305) 389-3959

Zionsville, Ind.

Built in 1963 as a Dutch Colonial Revival, a 2021 gut renovation upgraded all systems and interiors in this five-bedroom home. The kitchen includes white oak cabinets, honed quartzite counters, and a walk-in pantry. The primary suite has a Japanese soaking tub, and downstairs is a sauna. A screened porch overlooks the property’s nearly 4-acre wooded lot.

Indianapolis is about a half-hour away, while a nature park, rail trail, and schools are all walkable. $2,250,000. Louise Bergmann, F.C. Tucker Company/Luxury Portfolio International, (317) 332-2046

Guerneville, Calif.

This hillside two-bedroom split-level cottage in Sonoma County’s Russian River Valley was built in 1963. The vaulted open-plan main room includes hardwood floors and a kitchen with open shelving, marble counters, and Viking appliances, plus a freestanding cone fireplace and a sky-light.

A deck bounded by the hill has a hot tub and shade from mature trees. The Armstrong Redwoods State Natural Reserve, wineries, shops, and dining are nearby. $519,000. Summer Stubblefield Olson, Compass, (707) 319-5983

‘Disclosure Day’

Directed by Steven Spielberg (PG-13)

★★★

“It’s been a long time since Steven Spielberg directed a film as quintessentially Spielbergian as Disclosure Day,” said David Rooney in The Hollywood Reporter. Like his best work, the beloved filmmaker’s latest alien adventure combines “a propulsive yarn” with human drama, here anchored by “deeply felt” performances from co-stars Josh O’Connor and Emily Blunt. O’Connor plays Daniel, a cybersecurity expert on the run after stealing evidence that the U.S. government has been hiding proof of extraterrestrial life for decades. Meanwhile, Blunt’s Margaret, a TV meteorologist, one day develops psychic powers linked to those secrets.

Daniel’s and Margaret’s paths eventually collide in a fantastic speeding-train sequence that proves Spielberg “hasn’t lost the knack,” said William Bibbiani in The Wrap. But while he’s crafted “an incredibly fast-paced summer thrill ride,” the story doesn’t work, largely because in our age of disinformation and complacency, it’s now naive to think that society would be turned upside down if one man announced proof of alien life. “Disclosure Day would have been a great thriller in the heyday of The X-Files, but in the 2020s, it’s out of touch.” If you seek flaws, “there’s much to roll your eyes at,” said David Fear in Rolling Stone, including the story’s “frustratingly arbitrary” twists and a climax that “should feel showstopping but somehow falls flat.” Even so, “this is a Steven Spielberg film,” and he brings “a baseline of love for filmmaking” that adds vitality to every scene. Better yet, his work still emits a simple faith: “that movies still have the power to blow minds and open hearts.”

‘Carolina Caroline’

Directed by Adam Rehmeier (Not rated)

★★★

“Carolina Caroline is a story we’ve seen play out a million times,” said Natalia Keogan in The A.V. Club. It’s a lovers-on-the-lam picture in the vein of Bonnie and Clyde, Badlands, and True Romance, “but there’s a down-to-earth quality here that eludes so many of these other iconic capers, and that’s what sweeps you up.” Samara Weaving and Kyle Gallner are “electric” as Caroline, a Texas gas station clerk, and Oliver, the charismatic con artist who whisks her away into a life of crime.

The absence of surprises in the story once they commence their Carolina-bound bank-robbing road trip “isn’t inherently a bad thing,” said Vikram Murthi in IndieWire. “It can be fun to watch talented people play the hits,” including when law enforcement starts closing in on this pair. Weaving imbues Caroline with “just the right amount of cunning that she never comes across as a simple victim” while Gallner lends the dangerous Oliver “a potent romantic streak.” But even the two stars can only do so much with some scenes in the film’s lumpy middle that “feel like going through the motions.” Throughout, though, there’s “legitimate heat and chemistry between the two lead actors,” said Sheila O’Malley in RogerEbert.com, and director Adam Rehmeier gives them space to connect at a soul level. “When Caroline and Oliver kiss, it’s not just hot or sexy. You can feel their relief. Finally, they are not alone in this weird, sad world.”

A “sprawling” estuarine reserve in the eastern Indian state of Odisha, the Bhitarkanika National Park is home to the country’s second-largest mangrove forest and no fewer than 1,825 saltwater crocodiles (the world’s largest reptile).

I explored it on one of the four luxury catamarans – each with just two “teak-floored” guest suites – that were introduced here last year by Delhi-based Antara Cruises, said Sneha Thomas in DestinAsian. The meals served on board were good (including some terrific local dishes).

We went on guided walks and motorboat trips deep into the “dense” forest, and also visited a village on the park’s fringes. Conservation efforts have brought the park’s crocodiles back from the brink of extinction, but there is much other wildlife to see, including spotted deer, fishing cats, cobras and more than 200 bird species.

A three-day cruise costs from £790 per person (antaracruises.com).

The Blytonesque charm of St Martin’s

Of the five inhabited Scilly Isles, none is more enchanting than St Martin’s, said Paul Miles in The Telegraph. Situated in the north of the archipelago, it is a “Famous Five” sort of place that has barely changed since the 1950s. Home to just 140 people, it lacks the “upmarket” shops and holiday lets of Tresco (more popular with “well-heeled” tourists). But it has seductive beaches of “almost-white” sand, lovely walking paths, and with the island’s mild climate, it “feels like a garden”, peppered with exotic species such as “tall” echiums and blue-and-white agapanthus. It’s worth hiring a kayak to visit the uninhabited islands nearby, and dropping in at the community observatory, with its two telescopes: on clear nights, the skies here are “tar-black” and full of stars.

A wild mountain railway in France

Climbing from Nice into the Alpes-Azur mountains, the aptly named Train des Merveilles (Train of Wonders) plies one of Europe’s most “spectacular” railways, said Annabelle Thorpe in The Guardian. Built between 1883 and 1929, it reopened in December following a year-long, €73 million (£63 million) renovation. The line crosses more than 100 bridges and viaducts, climbing 1,000 metres in 100km on its way to Tende, a town set amid the “jagged” peaks of the Mercantour National Park. The landscape is so wild and the little medieval towns along the way so unspoiled that the two-hour journey seems to take you back in time. Make a day of it if you can, and stop at Sospel, with its 13th-century bridge and “crumbling” baroque churches, and La Brigue, to see the huge and “vivid” 15th-century frescoes by Giovanni Canavesio in the Chapel of our Lady of Fountains, two miles outside town.

Just south of Alice Springs, in the dead centre of Australia, the MacDonnell Ranges rise from the desert plains like creases on a tablecloth. With peaks up to 1,531 metres and cut through by deep gorges, these mountains are wild and spectacular, said Oliver Smith in the Financial Times.

For the region’s Aboriginal inhabitants – the Arrernte people – the place “brims with stories, sanctity and secrets”. Winding through their western half for 220km is one of the greatest hiking paths in the outback, the Larapinta Trail. Even a single day’s walking on it is a “serious undertaking”, with water available only at 13 trailheads along the way (each accessible by 4WD), and food at three (through-hikers must arrange additional drops). But for lovers of remote places and untamed nature, the effort is well worth it.

I walked sections of the trail early in the season (which runs from April to October), when the landscape was at its greenest after the summer rains. Waterholes “sparkled” and “desert oaks cast shade over wildflowers”.

My guide was Anna Dakin, a British artist who has been leading hikes here since 2018 through Art Tours of Australia. She admires the work of the celebrated watercolourist Albert Namatjira (1902-1959), a local Arrernte man whose old house (now in a “sorry state”) we visited. Anna and I set up base camp by the Finke (believed to be the world’s oldest river), where we slept in swags (canvas bivvy bags) beside a campfire, and made day trips by 4WD to different trailheads, walking about 15km a day.

We were roused each morning by a “dawn chorus of butcherbirds and willie wagtails”. In the early light, the “terracotta” landscape was “flecked with subtle colours”, from the “silver-green spinifex” to the “red-and-blue mallee trees”. It was yet lovelier at sunset, and our walks took us to wondrous places, including the Standley Chasm – a “pocket paradise” like a cathedral nave, where cycads and lemongrass grow between towering sandstone walls.

Though caffeine remains the world’s most widely consumed drug, some people are turning to a smaller dosage to achieve their morning kick. A slew of lower-caffeine drinks are hitting the market as consumers look for ways to shake the negative effects of caffeine, while still having their daily cup of coffee.

‘Experimenting with a new range of options’

Even as millions of Americans consume mass quantities of caffeinated drinks, some question their caffeine intake. Many started “experimenting with a new range of options beyond the traditional cup of hot java, paying heed to caffeine’s impact on their sleep, mood and energy level,” said Bloomberg. Some people still consume multiple caffeinated drinks per day, but others are “becoming more cognizant of ‘energy management’ in their beverage choices,” Daniel Jhung, the president of the coffee and beverage division of Nestlé USA, told Bloomberg.

Many of the options are changing to accommodate shifting preferences. Younger consumers have begun to “embrace cold, canned beverages over hot coffee,” said Bloomberg. The change is not only evident in “rapid growth of energy drinks but also in less-supercharged options.” Sales of ready-to-drink, low-caffeinated bottles of coffee and tea were “up almost 15% in the 52 weeks ending March 22” of this year, while “sales of coffee beans and cocoa fell nearly 10%,” according to data from market research group Spins cited by Bloomberg.

A number of companies are also moving toward this trend. Panera Bread began “rolling out a new line of lightly caffeinated drinks,” said Business Insider, which comes about two years after the company’s discontinued, ultra-caffeinated Charged Lemonade was “linked to two deaths and multiple lawsuits.” While the Charged Lemonade had about 260 milligrams of caffeine, or the equivalent of three Red Bull cans, Panera’s lighter caffeinated drinks “contain about as much caffeine as a can of soda.” There has also been a resurgence in sales of Coca-Cola Zero Zero, which has no sugar or caffeine, said Bloomberg.

‘There are also some concerns about excessive consumption’

Many doctors seem to be happy that caffeine is trending the way it is due to potential health issues. Caffeine can “have positive effects on alertness, cognitive function and athletic function,” but there are also “concerns about excessive consumption and potential health risks,” said the American Medical Association (AMA). “One of the things that people don't realize is, if you think of it as a medicine, then the best way to use it is in small, frequent doses,” Dr. Shannon Kilgore, a neurologist, told the AMA.

Most people, despite the shifting tides, are consuming too much caffeine, which could have negative health effects. About 85% of adults “consume 135 milligrams of caffeine daily in the U.S.,” approximately “equivalent to 12 ounces of coffee, which is the most common source of caffeine for adults,” said the AMA. While drinking up to three cups of coffee per day “can reduce dementia risk and slow cognitive decline,” according to a recent JAMA study, even that would still be over the recommended daily dosage of caffeine.

The shift toward low-caffeine is because “health and wellness trends have persuaded many consumers to scrutinize ingredients more closely, with many trying to cut back on artificial dyes, added sugar, processed food and, in some cases, caffeine,” said Bloomberg. The anxiety of Jeremy Clark, an engineering professor in Montreal, has declined “almost to negligible levels” since he cut back on caffeine, Clark told Bloomberg. “So I think it was worth it.”

Cupra has carved a niche for itself as VW’s “fun, sporty brand”, but this could be “its ticket to the mainstream”, said Car Magazine.

The Raval is based on VW’s new MEB+ platform, with six trims and four motors to choose from. The entry-level Origin has a 114bhp electric motor and 37kWh battery with just 50kW DC charging. The flagship 222bhp VZ extreme hot hatch is “a stonker of a small electric car” with a 52kWh battery.

The “mature” VZ is “a blast to drive”; thanks to a “hefty punch of power”, it can get from 0-62mph in 6.8secs, said Autocar. With adaptive dampers and electronic front locking differential, it feels “properly engaging”, giving a taut, well-damped ride with “huge grip”. The brakes have an initial bite, but are satisfyingly firm. It may be “a bit lively” on UK urban roads, but it’s a great, playful, “surprisingly tactile little electric hot hatch”.

Cupra’s “spicy-little-tearaway” is surprisingly practical too, with a 441-litre boot, roughly 60 litres more than the VW Golf, said Top Gear Magazine. The “interesting” interior is “not gimmicky”. There’s a 10.25in driver’s display and a “responsive” 12.9in touchscreen. The VZ extreme gets “lovely”, comfy, “knitted” Cup bucket seats. With decent kit as standard, the Raval is “a solid little entrant to the market”.

Britain’s landscape has long been “a source of inspiration for artists”, whether the countryside, the coastline or the sprawl of “growing towns and cities”, said Tara Joshi in The Observer. This new exhibition at Pallant House records the various ways in which painters, printmakers and sculptors have captured the “sense and spirit of place” in our surroundings.

Bringing together works by more than 60 artists, it takes in much more than pictures of “pretty rolling hills”, instead encompassing “stories of labour, memory and myth”, and styles from romanticism to surrealism to pure abstraction.

As is often the case at Pallant House, it focuses on artists who espoused a particularly British form of modernism – Graham Sutherland, Eric Ravilious and Paul Nash are all present. Scenes of pastoral tranquillity clash with visions of “monstrous trees”, “almost flesh-like” terrain and “landscapes that seem post-apocalyptic”.

The show begins with the 18th-century “picturesque” movement and the Golden Age of the English watercolour, said Laura Freeman in The Times, featuring artists such as William Gilpin, John Sell Cotman and J.M.W. Turner. The real focus, however, is on the 20th century. Its first decade saw artists such as Wyndham Lewis and Edward Wadsworth revering the machine as an engine of progress; landscape painting seemed a “quaint” pursuit.

Yet following the industrial slaughter of the First World War, painters discovered “a new impulse to cherish” an environment beyond the cities. Paul Nash, recovering from the Western Front, painted ancient sites such as Avebury in Wiltshire and the Wittenham Clumps in Oxfordshire. Edward Bawden designed wallpaper mimicking the patterning of the fields. A new boom in motor touring led to illustrated guide books for Shell, employing many of these artists.

In this “gently elegiac show, rapture and sadness go hand in hand”. The growth of new developments is a recurring theme: Ravilious depicted a new bungalow beside a red-brick school.

There are a fair few “second-rate exhibits”, said Alastair Sooke in The Telegraph. Many British modernists were mediocre, ripping off “stronger talents”, deploying an ugly palette or fetishising rural customs to the point of sentimentality. The best work, by contrast, has an “idiosyncratic poetry”, finding “strangeness in the familiar”.

There’s a “first-rate” Ravilious watercolour of the Cerne Abbas Giant, turfed over so as not to offer the Luftwaffe a navigational landmark; it’s hidden behind a barbed-wire fence, “as if Britain’s primeval id had been cordoned off”.

Other highlights include five panoramic semi-abstract paintings by Ivon Hitchens and a “vast” vision of the Thames Estuary by Michael Andrews, painted shortly before his death in 1995. It’s “otherworldly”, like a depiction of the hereafter. It makes for a fine ending to this uneven, but interesting show.

Pallant House Gallery, Chichester, W Sussex. Until 1 November

Summers are the perfect time to explore, and that includes at museums. These new exhibitions — an examination of American Pop Art, a closer look at the scandalous painting that rocked early 20th-century France and an immersive celebration of Yoko Ono — are all worth the trek.

‘Guggenheim Pop: 1960 to Now,’ Guggenheim New York

The evolution of American Pop Art is explored in this exhibition of 29 pioneering and contemporary artists, like Maurizio Cattelan, Yayoi Kusama, Roy Lichtenstein and Andy Warhol. A “reaction to the consumerism” that infiltrated the U.S. post-World War II, American Pop Art “elevates everyday objects” like soup cans to the “status of art,” often with an “irreverent sense of humor,” said Artsy. By placing historic works alongside recent acquisitions by current artists, the Guggenheim aims to demonstrate how the art form, “as a strategy, continues to inspire, provoke and evolve,” said Lauren Hinkson, the museum’s curator of collections. (through Jan. 10, 2027)

‘Hew Locke: Passages,’ The Museum of Fine Arts, Houston

Using “found materials and iconic imagery,” Guyanese British artist Hew Locke creates “theatrical tableaux” that speak on “iconographies of empire, history and collective memory,” said The Museum of Fine Arts, Houston. “Hew Locke: Passages” is an impressive — and comprehensive — look at his work, from the 1990s to today. More than 40 collages, sculptures and assemblages will be displayed, including “Infanta,” Locke’s “richly detailed” charcoal drawings, and his reimagined royal coats of arms. (June 21-Sept. 13)

‘Matisse’s Femme au chapeau: A Modern Scandal,” San Francisco Museum of Modern Art

When Henri Matisse debuted “Femme au chapeau (Woman with a Hat)” in 1905, it was a “clanging bell” that announced the “split between Postimpressionism and Fauvism,” the French avant-garde art movement, said Galerie. This portrait of his wife, Amélie, with a “greenish face” and “crazily bright, abstracted hat,” was like nothing ever seen before, and stunned the art world. “Matisse’s Femme au chapeau: A Modern Scandal” tells the “full story” of how the painting changed the rules and showcases works by the other artists who appeared in the 1905 Salon d’Automne in Paris. (through Sept. 13, 2026)

‘Saodat Ismailova: Melted into the Sun,’ Smithsonian National Museum of Asian Art, Washington, D.C.

Through her videos and photographs, Uzbek artist and filmmaker Saodat Ismailova “immerses” viewers in the “expansive landscapes, layered histories and cultural memory” of Central Asia, said the National Museum of Asian Art. “Melted into the Sun” is Ismailova’s first major solo museum exhibition in the United States, and her work will be presented alongside historical objects in the museum’s collection. Highlights include “The Letters,” photographic prints based on portraits of Ismailova’s family, and “Her Right,” a short film about “sacrifices made for the freedom of contemporary Uzbek women” that will be projected on horsehair. (June 13-Nov. 29, 2026)

‘Willem de Kooning Drawing,’ The Art Institute of Chicago

Famous for his “frenetic, abstract canvases,” Willem de Kooning was also an “exceptional draftsman” who got his start “copying from casts and antiquities like the Old Masters before him,” said Artnet. More than 200 of his drawings will be shown during “Willem de Kooning Drawing,” from the iconic “Excavation” and “Woman I” to pieces that have never before been seen in public. Some of the most fascinating works in the exhibition were completed during the 1960s, when de Kooning would create “obstacles to his long-honed skill,” like drawing with his non-dominant hand or while blindfolded. (June 14-Sept. 20, 2026)

‘Yoko Ono: Music of the Mind,’ The Broad, Los Angeles

A “cultural reframing” of Yoko Ono’s legacy is underway, and instead of being seen as the “woman who broke up the Beatles,” she is now “widely understood” to be one of the “foundational figures of conceptual and performance art,” said Vogue. “Music of the Mind” features works that “underscore” this, like “Freedom,” a 1970 film addressing women’s liberation, and original typed pages of her 1964 book, “Grapefruit.” Visitors can also directly participate in Ono’s work, with opportunities to hammer a nail into a canvas or tie a wish to a tree outside in the Broad’s plaza. (through Oct. 11, 2026)

There’s a “noble tradition” of pop stars “putting on extravaganzas” in public toilets, said Ed Potton in The Times. “Never before, though, have we had a WC this full of VIPs.”

Madonna’s new 14-minute short film “Confessions II”, which marks the release of her latest album, features a “full-throttle celebrity perv-rave” in a nightclub loo packed with famous faces from Richard E. Grant to Benedict Cumberbatch. The Queen of Pop has delivered the kind of OTT, “bells-and-whistles music video” that seemed to be “on the way out”.

‘Hide the cocaine!’

In much the same way Madonna’s “Vogue” music video became “shorthand” for “‘pointy tits’” thanks to her pink conical bra, “Confessions II” will be remembered as the “vagina laser video”, said Zoe Williams in The Guardian. This time, the star must traverse a shadowy forest dodging green laser beams that fire from the dancers’ crotches in a symbol of “life force and unstoppable orgone energy”.

In one of the “clever scenes, Madonna literally morphs” into Julia Garner – the actor who is set to play her in her “long-gestating, self-directed biographical film”, said Joey Nolfi in Entertainment Weekly. She also “leans even more into embracing artists” who have followed her lead, such as Sabrina Carpenter. “The baton isn’t passed as much as it’s entrusted to artists who directly (Garner) and indirectly (Carpenter) walk in Madonna’s light.”

Later, she storms into the club bathroom where Chelsea footballers Cole Palmer and João Pedro “look around in alarm” from the urinal “as you would if the Queen of Pop sashayed past when you were having a wazz”, said Potton in The Times. “Hide the cocaine!” she sings before the camera cuts to Kate Moss flipping her hair in the mirror and dancing in slow-mo. Cumberbatch delivers some “textbook dad dancing”; “cruelly dressed” in a suit, he looks like “a City trader who has stumbled into a cool party and whipped off his tie to try and blend in”.

‘Gloriously over the top’

“Confessions II” is more than just a “flashy, star-studded commercial” for Madonna’s new album, said Nolfi in Entertainment Weekly. “It’s a powerful meditation on her legacy, her future, and how the world sees her as she reaches a new dawn in a storied life that’s largely played out in arenas beyond her control.”

The film will have “generated exactly the response she will have hoped for”, said Dan Wakeford in The Independent. Cameos from the eclectic assortment of celebrities have us “agog, debating who we are most thrilled to see sharing a frame”. But she’s also created a dance floor where “barriers between worlds have come down entirely”. The inclusion of the prestigious actor Cumberbatch is a “deliberate provocation”, telling us “high culture and club culture are the same culture” and it’s “cool to include someone who has no business being there”.

In its first 24 hours the film amassed just 1.2 million views on YouTube, far behind BTS’ “Butter”, which “racked up 108.2 million views on its first day in 2021”, said Potton in The Times. But “impact is not just about YouTube clicks” and various sequences from the dream-like film are sure to be “regurgitated endlessly” on TikTok. “There are signs that the event video could be on its way back.”

Of course, there have been “predictable snarks” about how Madonna should be behaving more appropriately for her 67 years. “Nonsense. Raucous, baffling and gloriously over the top, this film is exactly what she should be doing.”

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In Katherine Center’s new novel, The Shippers, a woman attending her sister’s cruise-ship wedding ropes her childhood bestie into being her wingman. Below, the best-selling author of The Bodyguard and Happiness for Beginners names six favorite books about love.

‘Persuasion’ by Jane Austen (1817)

This is my all-time favorite Jane Austen novel—and hands-down favorite literary love story. The romantic angst and the longing that Anne Elliott feels as the man she rejected, Captain Wentworth, shows back up in her life, still angry—it’s a feast of love agony. Totally page-turning! Buy it here.

‘Just Like Heaven’ by Julia Quinn (2011)

This is a perfect ride of a historical romance about two old friends who wind up falling madly for each other after he gets sick and she arrives at his estate to nurse him back to health. The anticipation, the stakes, the slow build—it’s all exquisitely, perfectly done. Buy it here.

‘Beach Read’ by Emily Henry (2020)

Emily Henry is one of the all-time greats, and this contemporary romance is my favorite of hers. Two writers—one a writer of literary fiction, the other a romance writer—wind up summering next door to each other as they work on their novels. The sparring between them is unbeatable. Buy it here.

‘Love in the Afternoon’ by Lisa Kleypas (2010)

The first time I read this historical romance, it made me cry. The longing that our quirky but lovable heroine feels for a man who doesn’t know who she is and doesn’t know that he loves her—it’s palpable. The heart of this story is about being seen and loved for exactly who you are. Buy it here.

‘Why We Love’ by Helen Fisher (2004)

This book by behavioral researcher Helen Fisher changed my understanding of the role of love in human life. Fisher studied subjects’ brains as they looked at photos of their beloveds in scanners, and she argues that romantic love isn’t some made-up cultural thing but instead a fundamental human drive. Buy it here.

‘Love 2.0’ by Barbara Fredrickson (2013)

This utterly compelling nonfiction read redefines love, transforming it from something enormous and monolithic into micro moments of experiencing “positivity resonance”: the kinds of connections that happen between people all the time, even strangers. It’s a whole new way to think about love. Buy it here.

‘Trudeau & Doonesbury: A Biography’ by Joshua Kendall

The new Garry Trudeau biography is, compared with the comic strip he’s known for, “not as sophisticated, in tone and content,” said Dwight Garner in The New York Times. But while it’s merely “a meat-and-potatoes biography,” it “has a good story to tell,” and “I devoured it in two or three sittings, as if it were an ideal bag of popcorn.” Trudeau, now 77, is a hero to many because, beginning with the first syndicated appearance of Doonesbury in 1970, he “dragged a knowing hippie sensibility onto the playground of the comics pages.” For decades, his strips were “a daily confirmation of one’s sanity,” and he’s been just as sharp since slowing in 2014 to a Sunday-only publication schedule. He is, as this book reveals, a short guy who shot up at age 17 but who “never forgot what being a short guy was like.”

Author Joshua Kendall traces Trudeau’s life back to its origins — “a childhood marked by both immense privilege and a quiet, defining trauma,” said David Smith in The Guardian. Trudeau grew up in an upstate New York town essentially built by his great-grandfather, but his mother left the family when Garry was 10, and he battled depression and towering bullies when he was sent away to prep school. But an inspiring teacher helped him express himself through art, and after he entered Yale in 1966, he started a comic strip in the student paper that evolved into Doonesbury. By the mid-1970s, he’d won a Pulitzer Prize and was carried in newspapers with a total readership of 60 million, and he’d graduated from lampooning jocks and preppies to calling out Richard Nixon’s criminality. In 1980, he married Today show co-host Jane Pauley.

“Kendall reminds us of the many times that Doonesbury was more than just a comic strip,” said Alex Beam in The Boston Globe. A moving chapter details Trudeau’s deep immersion in the experiences of wounded combat veterans, a group he honored when one of the strip’s original characters, the footballer B.D., lost a leg fighting in the Iraq War. At other times, Trudeau has drawn anger or censorship, as when he created the funny pages’ first openly gay character or spoofed new state limits on abortions. Though Kendall persuaded the famously reclusive Trudeau to answer some biographical questions, the author offers little insight about his subject’s emotional life, leaving “a yawning hole” in his account. Still, the book is “a warm and fuzzy romp for Baby Boomers” and “a perfect biography for Trudeau: respectful, informative, and none too intrusive — just the way he would want it.”

‘Dekonstructing the Kardashians: A New Media Manifesto’ by MJ Corey

In the preface of her new book, MJ Corey offers a note of apology for pouring so much energy into analyzing a family that’s famously famous for being famous, and for little else, said Megan Garber in The Atlantic. “The rest of Corey’s book, however, is unapologetic, and rightfully so: The Kardashians matter, Corey suggests, because of who they are but also because of who we are.” It’s the viewing habits of the rest of us, after all, that have turned sisters Kim, Khloé, Kourtney, Kendall, and Kylie—plus mother Kris—into ubiquitous and persistently influential presences in 21st-century culture. The Kardashians have become billionaires on the fuel of our attention, and Corey, who for years has been applying scholarly analysis to the family in her popular Kardashian Kolloquium social media posts, has written a book that “reads less as a biography of one clan than as a study of the culture that elevated it.”

To argue its points, the book “deploys a litany of canonical media theorists and philosophers,” said Kyle Chayka in The New Yorker. Jean Baudrillard, Walter Benjamin, and Marshall McLuhan are invoked to show how the Kardashians shrewdly used media formats both old and new to build an enduring following. Kim, now 45, has been particularly adept at amassing attention, building her fame off the 2007 leak of a sex tape to become a billionaire entrepreneur whose image still fills social media feeds. “Corey is at her best when parsing the ways in which the Kardashians resonate with their audience.” Alas, Dekonstructing the Kardashians can be “a frustratingly frenetic and recursive book, whose agglomeration of details doesn’t always amount to a deeper narrative.”

Yes, the book jumps around, said Molly B. Nash in the Chicago Review of Books, but “it is an organized chaos, one that reflects the progression of this multifaceted matriarchal family into the heart of the cultural zeitgeist.” Corey’s “incredibly ambitious” study takes in all the ways the Kardashians have harvested attention, all the ways they’ve infiltrated various consumer spheres, and all the ways our responses to their evolving act reveal shifts in our relationship to mass media. “Whether we’ve wanted to or not, we’ve been keeping up.”

It’s the ice, people! Yes, ice is central to the making of any cocktail — unless it’s a hot one. In the playland of frozen drinks, though, ice plays an all-the-more crucial role. It doesn’t simply chill then bolt for the sink. Ice becomes integral to the lush texture of a blended cocktail. These frozen reconsiderations of classic cocktails are summer manna.

Frozen Banana Daiquiri

An instant coconut cordial is made by combining coconut milk and sugar. Then you’re off to the banana-daiquiri races by blending together two kinds of rum (1 part each) with fresh lime juice (¾ part), half a way-ripe banana, that cordial (2 parts) and a load of pebble ice. (Get the recipe)

Frozen Caribbean Coffee

What happens when Irish coffee, tres leches cake and spiced coconut syrup take a trip to the islands? You get a lively, luxurious blended drink that merges a mixture of sweetened condensed milk and whole milk (2 parts) with an egg, coffee liqueur (¾ part), rum (½ part), brandy (½ part) and a heady masala-coconut syrup (¾ part). (Get the recipe)

Frozen Gin & Tonic

In this brain-freeze-y adaptation of a G&T, the tonic water is substituted by a tonic syrup. Because no one wants a watery frozen cocktail. A touch of that syrup (½ part) tangoes with gin (1½ parts), simple syrup (½ part) and lime juice (¾ part). (Get the recipe)

Pink Frozen Margarita

Campari (1 part) provides the pink element in this animated variation on a classic margarita. The tequila (3 parts), triple sec (2 parts), lime juice (2 parts) and agave nectar (2 parts) all play their roles like they typically would. The blender and ice step in for this performance, turning everything the right kind of chill. (Get the recipe)

Frozen Mojito

All that you admire about a mojito is present here. The mint (1 part), the rum (2 parts), the simple syrup (1 part), the fresh lime juice (1¼ parts). Start the four together in a blender so the mint is properly blitzed. Then add ice (8 parts), zap away and pour a few out for your pool mates. (Get the recipe)

Frozen Moscow Mule

You know the quartet — vodka (2 parts), ginger beer (3 parts), lime juice (¾ part), simple syrup (¾ part). Pour the lot into a blender, add ice, and your Moscow mule becomes even more of a warm-weather lounge-fellow. (Get the recipe)

Frozen Negroni

A Negroni is always an appetite-whetter. Come summer, one wants it to do double duty by dragging it into refreshing territory too. Freeze the base combination of gin (4½ parts), Campari (2½ parts) and sweet vermouth (2½ parts) for at least eight hours. Then whir that with ice in a blender. Zip, hunger, poolside nap. (Get the recipe)

Paloma Slushy

A handful of ingredients turn a classic paloma into a summertime icon for you and three pals. Start by freezing together grapefruit juice (2 parts) and lime juice (1 part) for a chunk of time. Toss the frozen juices in a blender along with tequila (1½ parts), sugar (¼ cup) and ice (4 cups). And if you like, line the rims of those glasses with salt. (Get the recipe)

Low-budget horror movie “Backrooms” has been generating “considerable buzz”, said Wallpaper. The unsettling directorial debut from 20-year-old YouTuber Kane Parsons is based on a viral web series he made as a teenager. It made $81 million (£60 million) in North America on its opening weekend, a new record for an original horror film.

The inspiration for “Backrooms” came from a discussion on the 4chan message board about slipping through a “crack in reality” and finding yourself in an “infinite maze of identical corridors”. Now, the A24 studio has adapted the chilling series into a film starring Chiwetel Ejiofor as a furniture salesman who discovers in his showroom basement a “fluorescent-lit threshold opening onto an eerie, labyrinthine office space” that looks like it stretches on for ever.

“Backrooms” is the latest success in the genre of liminal horror, based on the unsettling feeling of “in-between” spaces. “The horror here is not a monster or a ghost, but the Backrooms themselves.”

If that sounds like your kind of scare, here are eight other liminal horror films to lose yourself in.

The Shining, 1980

“One of the great classics of liminal horror,” this iconic film is “arguably one of the scariest” movies of all time, said SlashFilm. Much of Stanley Kubrick’s masterpiece centres on the “eerie emptiness” of the sprawling hotel Jack (Jack Nicholson) and his wife Wendy (Shelley Duvall) are looking after for the winter with their son Danny (Danny Lloyd). The long, deserted corridors that lead nowhere helped introduce the idea that emptiness “can, in itself be a character” or unsettling presence that creates a “sense of liminal dread”.

Lost Highway, 1997

“David Lynch can nail the atmosphere of liminality,” said MovieWeb. His surreal, neo-noir thriller follows jazz musician Frank Madison (Bill Pullman), who is accused of murdering his wife (Patricia Arquette). Through a series of haunting “dreamlike” sequences, Lynch builds an “uncanny” world while examining men’s toxic “obsession with women” and the lies people tell themselves to escape the truth.

The Blair Witch Project, 1999

Possibly still the “greatest found-footage horror movie”, this low-budget film is also an “excellent” example of liminal horror, said ScreenRant. The action follows three students who set out into the woods to document the mythical Blair Witch. “It’s a search none of them ever return from.” Space stretches and the “never-ending woods that loop constantly create a suffocating atmosphere”. It’s a must watch.

Pulse (Kairo), 2001

This Japanese techno-horror sees “ghosts invade the world of the living through the internet, terrorising those they encounter along the way”, said ScreenRant. It’s a “testament to the power of liminal horror” how Kiyoshi Kurosawa’s nerve-jangling film steers clear of “blood and gore”, instead exploring the “terror that comes from the corner of a room”.

It Follows, 2015

It “may not seem like it at first glance”, but “the label of liminal horror is a perfect fit” for this supernatural horror, said MovieWeb. The action follows Jay, a young woman who, “after sleeping with her boyfriend, becomes the recipient of a fatal curse” that follows her wherever she goes. “That is, unless she can pass it on.” With the feel of a “dream taking place in a cold landscape not unlike our own”, it’s a frightening watch.

Vivarium, 2019

Jesse Eisenberg and Imogen Poots star as a “conflicted couple” who settle down in the suburbs only to find their new home is a “source of sinister stasis”, said Dread Central. Trapped in a disturbing development where “unlimited versions of the same house” line “roads that lead to nowhere”, they soon find themselves in a living nightmare with a baby boy to raise.

Skinamarink, 2022

Based “almost entirely” around “liminal horror scares”, this chilling film follows two young children who wake up in the night to find their father has gone and “the doors and windows of their house have disappeared”, said ScreenRant. As the hours unfold without him, they “encounter frightening visions in the dark recesses of their home”. Director Kyle Edward Ball brings this nightmare vividly to life, plunging viewers into the “unknowable terror” of murky, unlit spaces.

Exit 8, 2025

Genki Kawamura’s liminal horror is based on a Japanese video game of the same name, said Dread Central. Taking the Tokyo subway as its sinister setting, the busy commuter hub is transformed into an “endless purgatory for the film’s perilous protagonist”. Brilliantly immersive and filled with a gnawing sense of dread, Kawamura expertly makes the “innocuous subway tunnel feel like a layer of hell”.

The horror genre occupies the current Hollywood spotlight, and we have YouTube to thank for a bevy of high-grossing indie films directed by popular former users of the video platform. The runaway success of these box office darlings has industry insiders questioning if this crew represents a new filmmaking era or if it’s a passing phase.

Pipeline from YouTube-to-horror filmmaker

The recently released “Backrooms” is “part of a growing wave of breakout films from fledgling directors” who “honed their instincts on YouTube” rather than “inside the Hollywood ecosystem,” said The New York Times. Kane Parsons, the 20-year-old first-time director, signed a deal with distributor A24 to make the film when he was 17. He joined the ranks of two other creators who have “already turned online followings into surprise box-office hits this year.”

The “YouTuber-to-filmmaker boomlet,” said the Times, began in January when YouTube creator Mark Fischbach, known as Markiplier by his fans, self-distributed his horror movie, “Iron Lung.” Though it only cost $3 million to make, it “took in $50 million” in the end. The run of successful YouTube horror directors continued with “Obsession,” a $750,000-budget horror movie directed by Curry Barker. Both Barker’s film and “Backrooms” have surpassed $200 million in earnings each. “It’s not an anomaly,” Stephen Galloway, the dean of Chapman University’s film school, said to the Times. It is the start of a “gigantic shift.” These are the “cinematic insurgents of our era.”

The YouTube generation has “finally come of age,” horror filmmaker James Wan, who coproduced “Backrooms,” said to Variety. They grew up creating content without money. That spirit has fostered a “new wave of filmmakers and storytellers.” YouTube is the “perfect incubator for emerging voices.”

There is a “whole generation of moviegoers who grew up” with a “very specific taste in horror, the stuff that sits a little outside the mainstream,” Jason Blum, the producer of the “Paranormal Activity” franchise, said to Variety. When one of these filmmakers “makes the jump to a theater, the audience that found them online comes with them.”

Wins with a grain of salt

While they are currently making a splash, these “box office victories come with caveats,” said the Times. All three movies are horror films, the genre that has “long been the most forgiving for first-time filmmakers, in part because horror is relatively cheap to produce.” For some studio executives, “that context is a reason for caution.” The real shift will come when “horror isn’t the only proof of concept.”

With so much emphasis being put on the “YouTube-to-horror movie trend” as the “next frontier of finding talented new voices,” a “difficult, uncomfortable conversation is more necessary than ever,” Slash Film said. Unless you exist as a “cisgender, heterosexual, white man,” the pipeline “doesn’t actually exist.” YouTube is not and has “never been a truly democratized platform,” and we are doing the “next generation of creatives a disservice by pretending it is.”

There are “random people from Discord who are, like, 14-year-olds” who are “not working in the industry at all, but they’re fucking wizards,” Parsons said to The Verge. Still, he refuses to “preach the blind optimism that I hear from a lot of other filmmakers who say, ‘You got a phone; everyone can be a filmmaker now.’”

The best lesson executives could take from the success of Parsons and Barker is “not to throw a zillion dollars at more movies that look just like these,” movie critic Alissa Wilkinson said at The New York Times. It would be to “find more creators like these two” because they’ve “built audiences in an organic way in the places that younger audiences congregate” and to give them “creative freedom to explore what feels right to them.” Remember, too, that “not everything will hit like these two movies.”

The world-renowned Bayeux Tapestry will embark on a “highly secretive journey” to cross the Channel on loan to the British Museum, said ITV News. The artefact, which depicts the Battle of Hastings in 1066, has reportedly been insured for “around £800 million” by the UK Treasury during its 10-month stay, which will begin in September.

The 70m embroidery, believed to have been created in the 1070s by English needleworkers, has left Bayeux only twice in 950 years. In 1803, it was displayed in Paris by Napoleon to inspire troops against the British, and during the Second World War it was moved several times to protect it from damage and the Nazi occupation.

The Tapestry is the “single most recognisable and understood object in our history”, former chancellor George Osborne, now chair of the British Museum, told the Financial Times. “The only thing that comes close is Stonehenge, and nobody’s going to be moving that any time soon.”

Dress rehearsals

The announcement of the loan “caused uproar” in France, said The Telegraph. A petition started by La Tribune de l’Art newspaper garnered around 78,000 signatures protesting the move due to the fragile condition of the tapestry. An assessment of the fabric in 2021 found that it contained “24,000 stains, 16,445 creases, almost 10,000 areas of damage and about 30 tears”.

A new “highly detailed” report on the arrangements for the tapestry’s transportation has “eased many concerns”, said Le Monde. “Nothing has been left to chance”, said Delphine Christophe, director general of heritage and architecture in the Ministry of Culture.

British roads – which generate “far more intense and constant vibrations” than their French counterparts – are the main source of concern. As such, teams have tested seven routes, and experts have “mapped every pothole and bump along the route from Bayeux to the British Museum”. Vibrations have now been “reduced by 96%”, said the outlet. This is about the “same level of movement a sculpture experiences on its pedestal in a museum”.

For the journey, the tapestry will be stored in a 1.6 ton “specially built climate-controlled crate” which is “literally suspended in mid-air” to minimise adverse motion. Two “full dress rehearsals” using a replica of identical length and weight have already taken place to practise proper handling of the 900-year-old work. The tapestry itself is currently being stored in a “secret location”.

‘Arduous’ journey

The Bayeux Tapestry is more than an artefact, said Financial Times political editor George Parker. Its arrival on British soil will be “hailed as a symbolic reconciliation of Britain and France after the chaos and bitterness of Brexit”. Ironically, despite depicting violent and bloody conflict between the Normans and Anglo-Saxons, the effort to bring the tapestry back to the UK has become a “symbol of Anglo-French co-operation”.

Britain’s journey to displaying the Bayeux Tapestry has been “arduous”, said The Independent. Requests to exhibit it in London have been “rejected several times”, most notably for the coronation of Queen Elizabeth II in 1953, and for the 900th anniversary of the Battle of Hastings in 1966. President Emmanuel Macron, however, first “signalled his eagerness for the move” in 2018, although progress was stalled by the Covid pandemic.

Now, the British Museum is “set to hit the jackpot”, said Le Monde. The cost of installing, displaying and protecting the piece, none of which will be covered by France, is “classified and likely enormous”. But considering that the tapestry has attracted around 400,000 visitors in Bayeux, the museum could easily expect to generate at least “€10 million” (£8.6 million) in ticket sales.

This will be the “museum event of the century”, but it may not be the easiest viewing experience, said Apollo Magazine. Time slots for viewing will be “only 40 minutes”, which has caused the art community to “raise an eyebrow”. “With the tapestry being 70m-long, that means each visitor has about 34 seconds to move along the work in 7cm intervals.”

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Some dads like receiving practical gifts for Father’s Day, while others want to be surprised with a present they’ve never heard of or wouldn’t buy for themselves. Whatever your dad, grandfather, father-in-law or father figure prefers, there’s a gift for him on this list of fun — and functional — presents.

Bite Society Snack Magic

Sweet, salty, savory — each taste is represented in Bite Society’s Snack Magic gift basket. This robust kit includes deliciously crunchy Kennebec potato chips, furikake snack mix, Bob’s Dilly Peanuts and Jalapeño Peanuts, plus a selection of cookies, chocolates and candies. Bonus: The whimsical tins and packaging feature original tattoo-themed artwork. ($155, Bite Society)

Camp Snap 2 screen-free digital camera

A screen-free digital camera is perfect for the dad who wants to cut down on their phone use “without sacrificing on capturing memories,” said CNN. The Camp Snap 2 offers a traditional point-and-shoot experience and can take 500 shots on one charge. It also comes with six built-in filters and can easily transfer images to smartphones and computers. ($70, Camp Snap)

Chamelo Dusk Classic smart sunglasses

These lightweight sunglasses are perfect for techie dads who love gadgets and gizmos. A button on the side of the frames lets him adjust the polarized lens tint to his exact liking (this can be done on the smartphone app too). There are also hidden speakers, so he can chat on the phone or listen to music while paying attention to what’s going on around him. ($260, Chamelo)

Cozy Earth bamboo stretch-knit short sleeve pajama set

He’ll stay cool and comfortable all night in these breathable pajamas. The soft and “silky” fabric “regulates your temperature” while feeling “just as cozy as cotton,” said Men’s Health. Both the top and shorts have a relaxed fit, great for lounging around the house. ($108, Cozy Earth)

Filson rugged twill zipper tote bag

This durable, water-resistant bag is the “toughest, most versatile tote there is,” said GQ. The reinforced base makes the tote strong enough to carry “everything from firewood to your laptop,” and the brass zipper keeps it all secure. The bridle leather handles are also on the longer side, so the bag can be slung over the shoulder. Choose from three classic colors: tan, black and otter green. ($299, Filson)

Ooni Koda 16 gas-powered pizza oven

Pizza on demand is the gift that keeps on giving. The Ooni Koda 16 “strikes the ideal balance between ease of use and portability,” baking dozens of 16-inch pies on a single tank of gas, said Wirecutter. It fires up quickly and has a “consistent” flame, cooking pizza “just as beautifully as other propane ovens that cost much more.” ($499, Lowes)

Powerup 4.0 paper airplane kit

Paper airplanes have come a long way since he was a kid. With this kit, he can fold up his plane, attach it to a motor and propeller controlled by a smartphone, then watch as it does loops, barrel rolls and hammerheads. It’s an “ingenious” present that combines “childhood pleasure with modern technology,” said Good Housekeeping. ($60, Amazon)

Rovr RollR 30 wheeled cooler

Dad will be the hero of any beach day, lake trip, picnic or desert campout when he rolls up with this wheeled cooler. Its inflatable rubber tires can “handle any and all terrain,” and the “sturdy and lengthy” telescoping handle make it a “joy to pull,” said Outdoor Life. The compact RollR 30 has “great insulation,” holds up to 40 cans with 10 pounds of ice and comes with a dry bin for food and snacks you don’t want to get wet. ($225, Rovr)

Tinkr mini car vacuum

Messy and immaculate dads alike will “appreciate how easy it is to clean up” with this rechargeable, hand-held vacuum, said Good Housekeeping. The vacuum and its attachments — a brush nozzle and a narrow hose nozzle — come in a case compact enough to keep in the glove compartment. It’s a small device but “big on suction” and able to get “crumbs, dust and other debris” from under seats, vents and cup holders. ($60, Amazon)

Have bread; breadcrumbs are inevitable. You would think then, with boundless English-speaking cultures using bread, there would be endless words for breadcrumbs. Terms that are mere descriptors for the bread pieces, like “fine,” “medium” and “large.” Would that we have 50 words to express a range of kinds of breadcrumbs, in the way Tamil has more than four dozen words for love.

In “All That Crumbs Allow,” authors Michelle Marek and Camilla Wynne creep toward that goal. Across 45 recipes — each its own kind of breadcrumb-naming treatise — the duo proclaims how versatile the kitchen staple both is and can be.

A prayer to pulverization

There is much bread-on-bread action in this text. Marek and Wynne, who both have backgrounds in pastry, cannot help themselves. Wynne, in a recipe for bread and jam twice-baked croissants, eschews the nut filling and crafts a breadcrumb frangipane, which is then slathered on bisected day-old croissants along with the jam of your choosing and baked until crackly.

Marek reminisces about the sweet cheese dumplings of her childhood visits to the Czech Republic. Soft bread cubes are beaten with butter, sugar, flour, egg and farmers cheese before a poaching turn in sweetened boiling water. The pillowy dumplings are then added to hot crisped breadcrumbs and served with roasted or fresh fruit.

Other recipes for sweets include such zingers as breadcrumb-glazed doughnuts, rhubarb cardamom breadcrumb cake and witches’ froth, a fluffy cloud of whipped apple served with clattering toasted breadcrumbs.

Savory-heads, fret not: Marek and Wynne have not abandoned you. A three-page blueprint for schnitzel ensures the finest you might ever cook. Roasted potatoes are shellacked with buttery crumbs. From the annals of cooking past, sauce jouvert, spunky with marjoram, red wine vinegar, both walnuts and hazelnuts, and breadcrumbs, is raised from the annals of recipe history to be draped over pretty much any kind of vegetable.

In the beginning, there was bread

The book’s centerpiece chapters on starters, mains and sweets are bookended on one side by a treatise on how to make and store breadcrumbs of various sizes, with an under-duress sub-section about how to buy breadcrumbs. “There is, it must be said, something perverse about paying for breadcrumbs,” Marek and Wynne write. “Buying breadcrumbs is one of life’s cosmic jokes, and it makes us laugh every time.”

A pantry chapter closes “All That Crumbs Allow.” It is a terse collection of six recipes that swerves from the book’s much-used, dead-simple Crunchy Topping to Fairy Rocks, with their sparkling blend of freeze-dried raspberries, sesame seeds, ground rose petals, sugar and, yes, breadcrumbs.

The book’s coda is a collection of exciting recipes from pals. In Marek and Wynne’s world, breadcrumbs are not for gatekeeping. They are meant to be spread wide and far. You can almost hear the authors chattering, “May you forever follow a trail of gluten nubbins to immeasurable deliciousness.”

Instead of reaching for biscuits or chocolate to “combat the 4pm slump”, people are turning to a “more natural sweet alternative: dates”, said The Guardian.

The wrinkled fruit has been “thrust into the snacking spotlight” thanks to a slew of viral online recipes and a growing demand for alternatives to ultra-processed foods. Ocado reports that sales of Medjool dates have soared by 100% year-on-year and searches for date butter have shot up by 458% over the same period.

Some fitness experts are suggesting their followers swap “additive-laden” protein bars for energy balls made with a mix of dates, nuts and oats. And TikTok is bursting with ideas for comforting yet nutrient-dense snacks like “sticky fried dates drizzled with olive oil and served with tangy yoghurt”.

First cultivated in the hot, arid climates of the Middle East and North Africa, “dates have had a place in culinary culture for millenniums”, said The New York Times. Traditionally used to break the fast during Ramadan, they are a staple ingredient in everything from tagines to sticky toffee pudding.

With more consumers interested in adding fibre to their diet, dates are “emerging as a simple vehicle for the macronutrient”. One serving of dates (around two to three large Medjools) contains about 5g of fibre – “a helpful step towards the daily recommendation of 25g per day for women and 38g for men”.

Brands like Date Better are opting for “bold flavour choices” to stand out in the crowded market. Varieties include dates stuffed with cashew butter, coated in chocolate infused with lime and dotted with toasted quinoa “for texture”.

But it’s important to “manage your health-related expectations” if you’re reaching for a jazzed-up version of the fruit. “If it’s stuffed with peanut butter and covered in chocolate, enjoy it!” said nutritionist Maya Feller. “But don’t think it’s going to support gut health. Right? That’s a dessert.”

If you don’t want to splash out on pricey on-the-go packaged snacks, consider adding the fruit when baking cakes, said The Times. Dates can be “chopped or blended” and “stirred through the batter instead of sugar, substituting the weights like-for-like”. They also make a delicious caramel sauce: simply soak them in boiling water before “blending them with butter” and “adding enough hot water until you have a smooth sauce”.

Dates aren’t only suitable for sweet treats, though. “I do a simple but brilliant lemon, chickpea, feta and date traybake,” said author and cook Melissa Hemsley. “The sweetness of the roasted dates with the salty feta is amazing. I’ll have that in a wrap or toss it into a warm salad. It’s perfect.”

Manhasset

Architect Tim Maldonado designed this 1991 modern four-bedroom in North Hills, on the North Shore in Nassau County. Carved Parisian doors open to a home with flamed Canadian granite floors, a water feature at the base of a floating steel staircase, a living room with floor-to-ceiling windows, and a primary suite with a balcony.

On more than an acre, the landscaped property includes a guest cottage, pool and spa, patios, fig trees, and a garage. $5,500,000. Irene Rallis, Douglas Elliman, (516) 241-9848

Quogue

Built in 1967 and expanded in 1998, this shingled Hamptons five-bedroom is near shops and oceanside Dune Road. The vaulted living room features a floor-to-ceiling brick fireplace, wood floors, and sliders to a deck; the home also includes two kitchens, a den, a sitting room, a screened porch, and a loft.

The flat property has yards, mature trees, and space for a future pool and sports court. $4,850,000. Lauren Battista, Brown Harris Stevens/Luxury Portfolio International, (917) 744-9382

Southampton

About five minutes from town and the beach, this estate spans more than 2 acres. The original 1900 barn has been expanded into a five-bedroom, open-plan home with decks extending from both levels and a 25-foot-tall great room topped by a loft with wood railings.

Outside are a three-story art studio with an elevator, a heated pool and hot tub, a shed, a garage, a riverbed garden, and stone bridges. $7,395,000. Pat Garrity, The Corcoran Group—Southampton, (631) 903-5900

Water Island

In a small, secluded, largely car-free enclave within the Fire Island National Seashore, this 2015 oceanfront coastal modern compound designed by Scott Bromley has a one-bedroom main house and a four-bedroom guesthouse.

Both feature walls of windows, cedar and teak woods, ocean views, built-ins, a high-end kitchen, and decks; the larger building also includes a pool, an outdoor kitchen, and a bar. The Atlantic Ocean is steps away down a boardwalk. $6,250,000. Nathaniel Larson, Daniel Gale Sotheby’s International Realty, (631) 800-1301

Sag Harbor

Set in the converted 1881 Watchcase Factory Lofts, this 2016 two-bedroom penthouse condo is a block away from the village’s Main Street. The apartment has exposed brick walls, 10-foot ceiling beams of old-growth pine, oak floors, oversize windows, a fireplace, and a chef’s kitchen with Thermidor appliances and thick stone counters.

Outside are a roof terrace with a firepit, plus a community pool, gym, lounge, bar, and parking. $5,995,000. Jack Pearson, Compass, (516) 457-7111

Port Washington

Docked on Manhasset Bay, this 1986 houseboat is near Bat Walk Park and shops and dining in the town’s center. The two-bedroom features diagonal wood-clad walls, a step-up living room and kitchen area with a woodstove and granite counters, and a lower level with bedrooms, a bath, and laundry.

Outside are a balcony, a lower deck, and an upper deck with 360-degree water views. $299,999. Giedre Pogozelski and Elpis Hardiman, Douglas Elliman, (917) 335-0264

‘Backrooms’

Directed by Kane Parsons (R)

★★★

“Might social media, a force often credited with hastening the death of theatrical moviegoing, instead prove to be its salvation?” asked Justin Chang in The New Yorker. As the three-week-old horror film Obsession continues its surprising run, it has now been blocked from topping the box office chart by another made-on-the-cheap hit by a young director whose vision was also shaped by social media. Backrooms, created by 20-year-old Kane Parsons, is “an ingeniously contoured exercise in liminal horror” built around the notion of a nearly endless maze-like expanse of eerily bland office spaces. Though the film “ends on a disappointingly conventional note,” it establishes Parsons as “an undeniable talent.”

Given that his theatrical debut grew out of the huge audience he’d built on YouTube for short videos set in the same world, said Amy Nicholson in the Los Angeles Times, “Backrooms would be one of the year’s most significant releases even if the movie itself was merely fine.” Instead, “it’s a work of honest-to-goodness art,” an “uncannily mature” tale about how the self-serving narratives we tell ourselves block emotional growth. Chiwetel Ejiofor plays an embittered furniture store owner who discovers a passage into the mundane alt-space, eventually drawing two young employees and his therapist, played by fellow Oscar nominee Renate Reinsve, into also braving its potential dangers. Still, Backrooms is less straightforward horror than “a surrealist painting in motion.” It conjures “a deep-in-the-bones unease,” said Kyle Smith in The Wall Street Journal. And while the disappointing screenplay ensures the film isn’t “a fully explained wonder,” it remains “well worth the wander.”

‘Power Ballad’

Directed by John Carney (R)

★★

The latest music-filled comedy drama from the director of Once and Sing Street “should be breezy fun,” said Stephanie Zacharek in Time. Instead, “it left me feeling mildly depressed,” because its happy ending felt unearned after roughly 90 minutes about a nice-guy musician who has a song stolen from him by a pop star. Co-stars Paul Rudd and Nick Jonas “aren’t to blame here; it’s the story that lets them down,” and the wrong turns start with the pain we have to see Rudd’s underdog endure.

Beyond that, “you have to suspend quite a bit of disbelief to meet the film on its own terms,” said Christian Zilko in IndieWire. Rudd plays Rick, the middle-aged American leader of a Dublin-based wedding band who, after meeting a former boy-band member, winds up exchanging song sketches deep into the night. Months later, Rick is shocked, and begins spiraling, when one of his tunes becomes an uncredited global hit for his new celebrity soulmate. But while some key events in the story are “tough sells,” the characters’ actions convey emotional truths, and “the film builds toward the mature realization that sometimes it’s OK to miss out on our material dreams if we replace them with something better,” such as a rich family life. Still, the likable Rudd is “about all that tethers Power Ballad to something like life,” said Manohla Dargis in The New York Times. Director John Carney “keeps everything insistently light, gesturing at complexities rather than delving into them.”

‘Masters of the Universe’

Directed by Travis Knight (PG-13)

★★

“The creators of the new Masters of the Universe movie really, really want to let you know that they’re in on the joke,” said Frank Scheck in The Hollywood Reporter. The brains behind Mattel Studio’s first movie since Barbie know that only children and over-grown adolescents would care about He-Man and Skeletor, two 1980s toys turned cartoons, so they’ve packed the film with “so much campy, self-referential humor that you don’t know whether to laugh or cry.” There’s plenty of action, but even that feels “more dutiful than exhilarating, with nothing really seeming at stake.”

When the movie works, it’s “a rollicking under-dog space adventure,” said Clint Worthington in RogerEbert.com. Nicholas Galitzine plays He-Man, aka Prince Adam of Eternia, who, as an adolescent, was sent to Earth after his kingdom was conquered by Skeletor, played by Jared Leto as a purring diva. Fifteen years later, Adam is working a dreary HR job when a chance encounter sends him back home to reclaim the throne. Owing to all the wisecracking, however, the movie too often “feels like it’s ashamed of what it truly wants to be.” It’s “most enjoyable as a fish-out-of-water tale on either side of the planetary divide,” said Guy Lodge in Variety. Once we’re back on Eternia, though, “things get less spry,” and as the movie lurches from one fight scene to the next, it becomes “a nostalgia trip that never quite belongs to the present, and never rouses any cherished memory of the past.”

The authorities in China have banned a prizewinning film because nationalists and the manosphere “resented its portrayal of their country”, said The Economist.

The movie, “Her Heart Beats in its Cage”, is a prison drama based on real killing, centering on Zhao Xiaohong, who may be perceived as a “star in the making”, a “feminist icon”, a “murderer” or “part of a calculated deception”, said The Times.

Deeply conflicted 

Zhao killed her husband with a fruit knife during an argument that “spilt over into a violent altercation” about the wider division of domestic chores. A court found her guilty of intentional killing in 2009 and sentenced her to 15 years in prison.

She was preparing for release from jail when Xiaoyu Qin, a film director, “discovered” her. He visited her prison, and was surprised to find “marginalised individuals full of personality and complexity, intense clashes between notions of good and evil” and “deeply conflicted stories”, he told China Newsweek.

For the film, Qin blended documentary-style footage of Zhao’s time in jail, filmed with the approval of the government, with scripted performances by her and her family, including her husband’s relatives. Critics claimed that Qin had “lured” the grieving family into participating and “feigning forgiveness”, said The Economist.

When the film was shown last year at the San Sebastian Film Festival in Spain, it “caused an immediate stir” and “made headlines back home in China”, said The Times.

It was quickly criticised online for allegedly whitewashing a convicted killer. Some argued that the film was “condoning violence” and “rewarding a criminal”, while others “questioned whether she was a victim of domestic violence at all”, noting that the judge had “rejected” her claim of self-defence.

There were also “the usual claims” on China’s “highly nationalistic internet” that the movie depicted the country in a “bad light”, which is the “sort of issue” on which censors “tend to agree with popular opinion”.

The film’s release in China was hotly anticipated, but as controversy raged, it disappeared from schedules less than a fortnight before its release. No explanation was given.

Meanwhile, the film’s cast and crew are not responding to requests for interviews, so “even finding out their defence to the accusations and counter-accusations” aimed at the film has “become more and more difficult”, as reports and reviews are “ruthlessly scrubbed”. Zhao’s social media accounts have also been blocked, according to reports in state media.

Touchy nationalism 

Chinese “propaganda” is “full of distortion and deception”, said The Economist, but much of the reaction online “reflected a touchy nationalism”, claiming the film was a “Western plot to undermine party rule by spreading liberal, pro-feminist values”.

China is undergoing its own “version” of the “West’s culture wars”, said The Times, with feminists “calling out the patriarchy and sexual harassment”, while men, particularly young men, are “crying foul”.

But “more informed online debate” about the movie has focused on reforms to the justice system. The law has been altered to allow judges assessing a self-defence claim to take into account any previous history of domestic violence.

I remember southern Africa’s old-fashioned sleeper trains, with their wooden carriages and “grand” dining cars, from my childhood in what was then Rhodesia in the 1950s and 1960s, said Matthew Parris in The Times.

They fell out of use long ago, and few of the region’s railways now carry passengers at all. You can, however, relive their glory days – with added luxury – thanks to Rovos Rail.

This tour operator was founded in 1989 by Rohan Vos, a South African businessman with a “passion” for restoring old railway carriages. The company’s trains now ply routes across the region, from Cape Town to as far afield as Dar es Salaam, going at a slow pace for comfort (the tracks are narrow gauge and sometimes poorly maintained) and making many stops for excursions to nearby “wonders” and occasional nights in “lovely” lodges.

I took an 11-night trip from Pretoria to the “massive sand dunes and mysterious desert coast” of Namibia – an expedition that combined “adventure” with “amenity and elegance of a high order”. Our train had 19 carriages from the old Rhodesia Railways, but carried just 60 passengers: my compartment occupied a third of a carriage and had mahogany panelling, brass fittings and an en suite shower.

The meals served in the two “magnificent” dining cars were “splendid” and varied. The staff were charming. A South African historian gave “sparkling” lectures. And I never tired of the observation car, where I spent chilly mornings and warm evenings sipping coffee or post-prandial negronis and watching the “ever-changing” landscape slip by.

In South Africa, we went for a cruise on the Orange River and took a trip to the Augrabies Falls, where the river plunges into an “immense” granite gorge. In Namibia, we gazed over the vast Fish River Canyon and saw lions and elephants in the Etosha Pan game reserve. The most fun I had, though, was sliding down a huge sand dune at Sossusvlei. “I felt like a boy again.”

Distant Journeys (distantjourneys.co.uk) has a 16-night trip from £9,696pp, including flights.

The Olympic gold medal-winning cyclist picks her favourite books. Her own book, “The Fear Opportunity: How Feeling your Fear Builds Strength and Confidence”, is available for purchase.

Invisible Women

Caroline Criado-Perez, 2019

This book explores the under-representation of women in the way the world is designed. It is tragically enlightening about the gender bias in everyday life.

The Boy, the Mole, the Fox and the Horse

Charlie Mackesy, 2019

I love this beautifully illustrated book in so many ways; it’s comforting and reassuring and filled with the kind of phrases that should be ingrained in your soul for all the hard moments in life. I wish I had read it as a child.

The Chimp Paradox

Steve Peters, 2012

I lovingly call Steve Peters “Uncle Peters”, because I worked with him on the Olympic team and he had such a huge influence on my life. This book helped me understand my behaviour better and allowed me to access my fullest potential. I would not have won gold without Steve.

Circe

Madeline Miller, 2018

I’m obsessed with mythology and I loved this reimagining of the sorceress from “The Odyssey”. I find it intriguing the way that Miller looks at ancient myths from the point of view of the characters. I couldn’t put it down.

Milk and Honey

Rupi Kaur, 2014

This poetry collection made me go, “Wow!” I’d never come across anything like it, and I found it very reassuring because it reflects the struggles and anxieties of the female experience in a way that is very relatable. It doesn’t pull any punches.

Dancing with Elephants

Jarem Sawatsky, 2017

In Western society we’re not very good at navigating death, and this book helped me through the loss of my brother and father. Sawatsky describes his journey through terminal illness and shows us how to celebrate the experience, rather than mourning the person it’s happening to. Beautiful.

With more people looking to unplug from the digital world, analog “grandma hobbies” are making a comeback. Crafting activities like crocheting, baking, painting and knitting are especially popular among young people looking for a way to slow down. And they have been shown to help with mental health issues such as depression and anxiety. Here’s how to get your granny on.

Start with a gateway hobby

The list of so-called grandma hobbies is long, with some being more complicated than others. There’s no need to start an advanced project immediately, and the right task could keep you more engaged in the long run. Many people “jump straight into punch needling or crochet and are put off when they don’t get it right,” said Andie Reeves, a writer and fiber artist, to Verywell Mind. Try a more accessible endeavor, such as “cross-stitch, coloring books or simple beading kits.”

Match your “activity levels to the hobby that you choose,” said Susan Albers, a psychologist at Cleveland Clinic. If you are tired, ” choose an activity that has slow, repetitive movements, such as crocheting or knitting.” If you are feeling more alert, a “brain puzzle or putting together a puzzle can help to tap into your focus and concentration.”

Let go of perfectionism

Grandma hobbies are therapeutic because they allow us to make mistakes and focus on the joy of creating. Amid the pressure to “constantly hustle and be productive,” grandma hobbies offer a “refreshing pressure-free way to achieve fulfillment and well-being,” said Forbes. They remind you that “time spent doing something slow, quiet and meaningful is not wasted.” Rather, it’s “restorative" and a way of “choosing presence over pressure and imagination over efficiency.”

Embrace taking a break from the digital world

It’s hard to “doomscroll while embroidering,” said Verywell Mind. Crafts offer an “immersive experience that pulls us out of the (often addictive) digital world.” Picking up a “crochet hook, a paint brush or a recipe for bread reconnects you with simple, sensory pleasures,” said Emily Sharp, an art therapist, to Verywell Mind. While you are “using your hands and letting your mind wander,” you are “getting in touch with a part of yourself beyond the phone screen.” That’s a practice “we should all actively nurture.”

Take your time

The most valuable aspect of incorporating grandma hobbies into your life “lies in embracing the freedom of slowing down and savoring the process,” said Forbes. When you set aside time for mindful activities, you “reconnect with a softer pace of life.” To make this a consistent part of your routine, “start by dedicating small, nonnegotiable time slots each week for your chosen hobby.” Remember not to do them for “social media, for likes or for others’ approval.” The magic lies in indulging in these activities “purely for your own satisfaction, without any expectation of a perfect outcome.”

Don’t forget community

You can obviously do these hobbies alone, but there’s a lot to be gained from doing them with other like-minded people. If possible, “learn from someone who already does it,” said Shelly Dar, a mental health and well-being specialist, to The Good Trade. “Ask your grandmother, your neighbor, someone at a community garden.” These hobbies are “always meant to be passed hand to hand, and that exchange is part of the healing.”

Engaging with other hobbyists “fosters a sense of connection based on shared interests,” which is “especially valuable in today’s technology-driven world that often leaves people feeling isolated,” said Patricia Dixon, a licensed clinical psychologist, to Good Housekeeping. It can motivate you to “improve and deepen your skills, creating an environment of mutual growth.”

Listening lounges, recording studios, secret venues and vinyl lending libraries are a few of the perks guests can tap into at these seven hotels made for music lovers. You may not run into your favorite artist, but you sure might discover a new one.

Aria Hotel Budapest, Hungary

Music inspired every design element at Aria Hotel Budapest, starting with the piano-keyboard marble inlay that stretches across the indoor courtyard. Rooms come in four styles — Classical, Opera, Contemporary and Jazz — and feature elegant touches like Murano glass chandeliers, coffered ceilings and custom area rugs.

In the afternoon, guests are invited to a wine and cheese reception with live music, and they can end the night on the rooftop High Note SkyBar. Aria even has a musical director, who arranges performances and special events and compiles soundtracks for individual stays.

D Maris Bay, Marmaris, Turkey

Once the sun goes down, the energy level at D Maris Bay goes way up, as guests prepare to spend the night dancing to DJ sets and live musical performances. Situated in a “stunning bay” on the Turquoise Coast, the resort’s “fabulous setting” and “extensive facilities” make it “one of the best” luxury beach properties in Turkey, said The Telegraph.

The property’s nightlife is second to none, with DJs coming from around the globe to play. The resort also hosts a summer gala series that blends gourmet dining with musical performances; previous artists included Seal and Sophie Ellis-Bextor.

Hotel El Ganzo, San José del Cabo, Mexico

The soundtrack of Hotel El Ganzo includes musicians jamming in the Underground Studio and bands performing on the private marina. Creatives love staying at this boutique property, where murals cover the walls, the rooms feature one-of-a-kind paintings and the Musicians in Residence program brings artists like Thievery Corporation, Rufus du Sol and Khruangbin to the hotel. When you’re ready to chill, head to the beach and swim club Playa El Ganzo, the rooftop pool, or the spa and wellness center.

Hotel Saint Cecilia, Austin, Texas

Named in honor of the patron saint of music, Hotel Saint Cecilia is an “ultraprivate” spot where “record label execs, artists, musicians and writers” go for a getaway, said Condé Nast Traveler. The rooms and suites inside this Victorian-era mansion have their own “distinct decor and personality” and come with Rega turntables and Geneva sound systems. When you feel like listening to tunes, head to the hotel’s lending library and borrow a vintage vinyl; while you are there, check out one of the many rock biographies available to borrow.

Okupa Athens, Greece

The centerpiece of Okupa is the Kitchen & Listening Bar, an “all-day space that combines brunch, dinner and a listening bar moment,” said Vogue Adria. Okupa is a place where “food, music and atmosphere” all “function as one and the same mood.” Here, you can enjoy an on-property jazz session, DJ set and concert in one day. The 32 modern, comfortable rooms come with portable speakers and, in some cases, record players. The music never need stop.

The Verb Hotel, Boston

The Verb Hotel “proudly” celebrates its hometown musical heroes, with local artists “commemorated through posters and pictures” across the hotel, said Rolling Stone. Other big acts who visited the city are “immortalized with autographs and coffee table books,” and this memorabilia makes the property feel like a “retro-chic museum” that “happens to offer plush beds.” For an over-the-top experience, stay in one of the Backstage trailers complete with Bose sound systems, custom art and “unique pieces of tour life.”

W Nashville, Tennessee

Music surrounds you at W Nashville. Both established and up-and-coming artists perform inside the intimate Living Room Bar & Lounge, and guests have a chance to attend listening sessions and songwriting collaborations in the Sound Room, a small venue hidden behind a wall of speakers.

The party continues poolside, where local DJs keep the tunes going at the Wet Deck. It’s a “stylish” property with excellent service — head to the friendly concierge with requests for “tickets to the Grand Ole Opry or whoever is playing at the Ryman,” said Condé Nast Traveler.

Most people don’t leave Ibiza feeling healthier. Sun, sea, sand and sangria have reigned supreme here for decades, from the hedonistic super clubs that provide its late-night soundtrack, to the beach bars overlooking its famous Balearic sunset.

Now, however, one of the White Isle’s most established hotels is hoping to turn that on its head, with a programme intended not only to make you feel better, but actually make you live longer. The Atzaró Agroturismo Hotel has long been known for the quality of its spa, but the team has pivoted to a novel approach, creating personalised longevity pathways using new technologies alongside long-standing organic and nature-focused treatments. And after a tough winter I arrive feeling like this is exactly what I need.

Personalised programme

The experience begins with a session on the 3D body scanner, which analyses your body’s composition, takes 14 measurements, assesses your flexibility and calculates your metabolic age. It’s slightly daunting, and my readings aren’t exactly ideal, but nonetheless the information is not only useful to have, it informs your personalised programme and is used to track your progress as well.

An individual programme is developed for each person based on this data, their health history and personal goals, using traditional treatments, nutrient IV therapies, and innovative technology-led sessions.

My own pathway uses several of these, and I begin with the hypoxia oxygen therapy, a guided breath and conditioning session using controlled low-oxygen intervals to boost efficiency, stamina and recovery. As I lie back with a mask strapped to my face, I settle in, uncertain what the treatment will feel like. But as the oxygen flows at different rates and I am treated to a reflexology session, I feel myself drift off into a dozy state. It’s designed to enhance cellular function, and while I can’t speak for this, I come back into the world feeling fresh and de-stressed

Next, I spend 20 minutes in the high-frequency infrared bed. Infrared is a trend that has swept social media, but it has strong evidence behind it, and this version is much stronger than the average mask you can use at home. The frequency can hit 900-plus, which, the team explains, can penetrate to the cellular level to energise and activate the mitochondria. It reduces inflammation and supports tissue recovery, and the warm bed immediately relaxes. It feels like a cocoon and my muscles feel supple afterwards.

This is followed quickly by a four-minute session in the cryotherapy chamber. I’m in my swimming costume but am given mittens and booties to keep the extremities warm. Overall, it’s cold but not cold like wild swimming in a British lake, so I am revitalised but not in pain. My programme ends with a massage by experienced technician Marina, who works the remaining knots out of my back and shoulders, and I leave the spa feeling like a different woman.

Nutrient-rich dining and a stand-out spa

Wellness is a recurring theme across the property, and during the rest of my stay I explore the estate. Atzaró Agroturismo Hotel opened in 2004, and is spread across 14 hectares of orange groves surrounded by lush hills. Life is slower here. It was originally a working farm and has been in the same family for more than 300 years. This heritage can be felt everywhere, from the original kitchen (now reception) where the current owners’ grandmother used to sit, to the enormous vegetable garden that supplies the kitchen each day.

When I take an early morning stroll one day I stumble across the staff selecting the veg for that night’s menu, as food plays a vital role in longevity too. To reinforce the spa’s work, the kitchen has designed a selection of nutrient-dense options, including anti-inflammatory salads and juices rich in polyphenols and amino acids. Of course, there is also a menu of indulgent treats like irresistible Iberico ham croquetas, and fresh locally caught corvina cooked on a Josper grill.

I spend the rest of my time doing lengths in the stunning 43-metre spa pool, relaxing in giant day beds among the herb gardens, and reading books in the outdoor hot tub. My room overlooks one of the nine pools, and I can watch the sunset from a cute Juliet balcony. The entire complex smells of lavender and orange blossom, creating a sensory experience that transports you to another world, and it feels like the whole place is designed with recovery in mind. The décor is local and rustic, with bathroom products made on site from the aforementioned herbs. Even the toothpaste is organic and sourced from the island.

The hotel is part of the Atzaró Collection, which includes Aubergine by Atzaró, a popular destination restaurant, and Atzaró Beach, an informal bar and restaurant in Cala Nova where you can swim in crystal water and enjoy views over Ibiza’s leafy cliffs. The family encourages visitors to get out and explore the island’s beauty. Soaking in its energy is all part of the package.

I end my stay feeling calm, refreshed and ready to go back to my ordinary life with a new vitality, a far cry from previous visits to the island. It’s important to remember that longevity isn’t just about living for ever, but living well, and if life feels this good then why wouldn’t you want more of it?

Jaymi McCann was a guest of Atzaró Agroturismo Hotel

With many parts of the world bracing for a scorching summer driven by the Super El Niño climate pattern, people might be spending more time indoors than they had expected. If so, they’ll have an impressive array of new and returning shows to help pass the time.

“Not Suitable for Work”

Last year brought two buzzy comedies aimed at the under-30 set, HBO Max’s “I Love LA” and FX/Hulu’s “Adults.” Now comes Hulu’s “Not Suitable for Work,” from the mind of creator Mindy Kaling (“The Mindy Project”).

AJ (Ella Hunt) and Abby (Avantika) are fresh-out-of-college Manhattan roommates embarking on their careers — AJ in finance, and Abby in fashion. They happen to live across the hall from a group of young men including Davis (Will Angus), who also works at AJ’s firm. If this kind of classic Kaling-esque plot conceit bothers you, this might not be the show for you because it’s full of them. The series is a “lightweight, frothy romp through a glossy, fictional Manhattan” whose “nimble pace, quick-enough wits and aspirational aesthetic” are enough to make up for its lack of realism, said Rachel Leibrock at The Wrap. (now on Hulu)

‘The Witness’

A two-timeline potboiler, “The Witness” stars Jordan Bolger (“This Town”) as André Hanscombe, whose 2-year-old son, Alex (Jahsaiah Williams as a child, Max Fincham as an adult), is the lone witness to the brutal 1992 murder of his mother, Rachel Nickell (Eleanor Williams). The arrest and successful prosecution of the alleged killer seemingly allows the family to move on, but years later the investigation is reopened, as are the emotional wounds. The “gripping but distressing” three-part series, based on a true story, shows a family working through “unimaginable trauma” while dealing with the long-term aftermath, said Phil Harrison at The Guardian. (June 4 on Netflix)

‘The Listeners’

A five-part limited series, “The Listeners” stars Rebecca Hall (“The Night House”) as Claire, a teacher who begins to hear a humming sound that no one else can. When doctors, friends and family can find no reason or meaning behind her ordeal, she turns to a student, Kyle (Ollie West), who says he can hear it too. A riveting exploration of how “people can fall off the map when it seems as if they have nowhere to turn,” director Janicza Bravo (“Zola”) “captures this sinking feeling” while staying “attuned to character in a way that feels deeply, disquietingly alive,” said Chase Hutchinson at The Wrap. (June 12 on Starz)

‘The Bear,’ season 5

FX’s Chicago-set restaurant drama, “The Bear,” returns for its fifth and final season. Syd (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Natalie (Abby Elliott) are left to pick up the pieces after Carmy (Jeremy Allen White) abruptly walks away following a tense baring of souls in the season 4 finale.

The group plans to pour everything into one final evening, with a massive storm bearing down on the city, in an effort to snag the Michelin star they need to survive. The fourth season told viewers that “if you’re tired, it’s OK to take a break” because “you can’t save someone else until you save yourself,” said Whitney Friedlander at Paste Magazine. The final season of creator Christopher Storer’s show is a slam dunk for fans and destined to be the subject of a thousand think pieces. (June 25 on Hulu)

‘Life, Larry and the Pursuit of Unhappiness’

Though this may not have been the original intent, Larry David’s HBO Max sketch comedy series will function as a kind of counterprogramming to the White House’s celebration plans for the Declaration of Independence’s 250th anniversary. Details are scarce, but the series is produced by Barack and Michelle Obama’s Higher Ground Productions, features the 44th president in the trailer and will comprise vignettes about America’s long history, as filtered through David’s distinct comedic aesthetic. David is “gearing up to take his ‘world’s most yelled-at man’ bona fides back into history,” said William Hughes at The A.V. Club, to squeeze more content out of the “very simple premise” that “Larry David is, largely, to be loathed.” (June 26 on HBO Max)

‘The Boys of Dungeon Lane’ by Paul McCartney

★★★★

Paul McCartney is “acting his age and defying it too, which is kind of the best of both worlds,” said Chris Willman in Variety. On his 20th solo album, the 83-year-old former Beatle keeps it “fresh and lively, and occasionally even fiery, but not by pretending that he’s a youngster.” Named after the area of Liverpool where McCartney spent part of his childhood, The Boys of Dungeon Lane is a nostalgia trip—“mostly in the flagrantly commercial, engaging, oft-rocking style of a 1970s Wings record.” He duets with Ringo Starr on one track, while another looks back on his “platonic crush on George Harrison.” The “ode to friendship from the Cute One to the Quiet One is so romantic, you could almost swoon.” McCartney’s sheer joy “comes through in every chord change,” said Simon Vozick-Levinson in Rolling Stone. From “moving acoustic ballads” to a “trippy” ode to hiking and magic mushrooms, the artist’s “life force remains undimmed.” What’s more, the “simple, elegant arrangements” are mostly played by the man himself: He understands that what we want from a new McCartney solo album “at this stage in his career is more McCartney.”

‘Blue Morpho’ by Ed O’Brien

★★★

The second solo release from Ed O’Brien “feels like a do-over” that was very much worth the effort, said Ryan Reed in A.V. Club. The Radiohead guitarist and backing vocalist’s 2020 debut, Earth, was “a sonically rich album” that never quite found its footing; here, he taps into what that record got right and runs with it. Blue Morpho finds O’Brien “relying less on lyrics, leaning more into psychedelic atmospheres,” and embracing prog-rock catharsis on the final track, the nearly 10-minute “Obrigado”—a “genuinely affecting head trip laced with jazzy keyboards.” O’Brien is “out of his cocoon and in dazzling flight,” said Andrew Trendell in NME. In a reflection of the Brazilian butterfly that inspired the album’s name, the orchestral title track “floods the record with color,” with the guitarist drifting above the cinematic orchestration with “all the cool Zen of an Oxford-born Beck or a reborn Nick Drake.” On the funky “Teachers,” O’Brien delivers for “fans of the smoky, jazzier corners of Amnesiac, albeit with a lot more druggy euphoria.” This is a savory treat, full of “the secret sauce that O’Brien has always added to the Radiohead recipe.”

‘Little Wide Open’ by Kevin Morby

★★★

This is an album that, “in the best way, can’t quite work out what it thinks,” said Alexis Petridis in The Guardian. On Kevin Morby’s eighth release, the Midwestern singer-songwriter is grappling with “the weird push and pull exerted by one’s hometown,” impending fatherhood, and introspection born of middle age. (On “Javelin,” he ponders: “Am I a has-been? Am I a husband?”) He’s aided by an impressive artistic lineup: The National’s Aaron Dessner produces, while Bon Iver lends his voice as a quasi–tornado siren and Lucinda Williams joins for a Springsteen-flavored monologue. Morby has delivered his “most cohesive, tuneful, and cleanly drawn” album yet, said Will Hermes in Pitchfork. It’s satisfying to watch an artist evolve steadily over the years and emerge as one of the “long-game players.” Here the folk-rock artist offers a “meditation on what happens when things aren’t falling apart” to arrive at “a balancing act of personal and universal that suggests an inverted Blood on the Tracks.” Set firmly in Middle America, Little Wide Open is the portrait of a musician becoming “more soulful, not less, as his sound grows more polished and inviting.”

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With I Hear a New World, Alan Moore continues his five-novel Long London fantasy series, which spans the second half of the 20th century. Below, the author of Watchmen, V for Vendetta, and From Hell recommends six books that have influenced his work.

‘Pariah Genius’ by Iain Sinclair (2024)

A favorite book that looms in the same territory as I Hear a New World, Pariah Genius is a fiction conjured from the life and death of Soho photographer John Deakin. It unfolds in a glistening underworld peopled by Deakin’s subjects and associates—Dylan Thomas, Francis Bacon—and delineated with the diamond focus of Sinclair’s consciousness-expanding prose. Buy it here.

‘Mother London’ by Michael Moorcock (1988)

An essential London novel, infused with a deep love of place. We view the war-wounded city through the eyes of memorable characters connected by those airraid shelter nights. Buy it here.

‘The Infernal Desire Machines of Doctor Hoffman’ by Angela Carter (1972)

Carter is another favorite London author, and although her later work includes tremendous novels that are situated in the capital, it’s in earlier books like this, with their unrestrained exoticism, their delirious sensuality, and their steaming orchid forest writing, that I find the new flavor of fantasy my current offerings are aiming for. Buy it here.

‘Gormenghast’ by Mervyn Peake (1950)

I first read Peake’s Gormenghast books at 14, and although bowled over by them, I’d not realized until I was reading my grandsons the trilogy just how much Peake’s berserk use of language, with its lyric seizures, has affected my own style. So, yes, I’m blaming him for my excesses. Buy it here.

‘One Last, Mad Embrace’ by Jack Trevor Story (1970)

Along with all the horror, history, and phantasmagoria of the Long London series, I wanted it to be grotesquely amusing, and my benchmark for wretchedly funny English literary comedy has always been Jack Trevor Story, who, in works like One Last, Mad Embrace, perfectly illustrates Ian Dury’s admonition that “a sense of humor is required amongst the bacon-rind.” Buy it here.

‘I Got References’ by Gerald Kersh (1939)

An honorary Londoner, the awesome Gerald Kersh deserves acknowledgment as an influence, for his shrewd grasp of how the city works, for his pitch perfect evocation of its aura, and, in I Got References, for introducing me to the astounding Ras Prince Monolulu. Buy it here.

‘An Inconvenient Widow: The Torment, Trial, and Triumph of Mary Todd Lincoln’ by Lois Romano

“No first lady has been more demonized than Mary Todd Lincoln,” said Amy S. Greenberg in The New York Times. Even before her husband’s 1865 assassination, the former Lexington, Ky., socialite was portrayed as unhinged and unworthy of both the White House and Abraham Lincoln’s love. With An Inconvenient Widow, former Washington Post reporter Lois Romano seeks to rehabilitate Mary Todd’s reputation—“an ambitious project,” given that there’s “a kernel of reality” even in the over-the-top depiction of the first lady in the Broadway comedy smash Oh, Mary! She was erratic, vain, and, even during a deeply depleting war, a compulsive spendthrift. Though Romano at times goes too far in defense of her subject, she’s right that the demonization of Mary has been wildly disproportionate. “Whatever her faults, and they were many, she deserved better, and Romano deserves praise for granting her, at long last, a measure of grace.”

Romano’s ambition here isn’t new, said Thomas Mallon in The New Yorker. “Measured rehabilitation of the first lady’s character has been the dominant mode of Mary Lincoln biography for more than 70 years.” But in the popular imagination, untruths persist that should be corrected. First, she was not a traitor. Born in 1818 into a slaveholding family, Mary evolved into a committed abolitionist and an im­placable Unionist who poured time into caring for wounded Union soldiers. Earlier, because she was well-educated and witty, she sometimes impressed reporters covering the 1860 presidential campaign even more than her husband did. But opinion turned against her when she began lavishly redecorating the White House, and the death of a second young son, in 1862, didn’t win her lasting sympathy. Her reputation was buried when Abraham’s former law partner, William Herndon, began spreading lies about her shortly after the assassination.

Though Herndon would object, Romano “offers a persuasive portrait of a loving, mutually supportive marriage,” said Melanie Kirkpatrick in The Wall Street Journal. The author also “emphasizes the impact of grief on Mary’s mental health.” Three of Mary’s four sons died by 18, and in the wake of her husband’s death, she struggled not just emotionally but also financially, having to fight for years for a congressional pension. Meanwhile, her politically ambitious surviving son, Robert, was so embarrassed by the negative press she attracted that he had her committed to a mental institution, a decision she had to fight to reverse. She died of a stroke in 1882, and while she “won’t go down in history as one of the most congenial first ladies,” Romano’s “exemplary” examination of her life may ensure she’ll be remembered for both her flaws and her merits.

‘Lady C: The Long, Sensational Life of Lady Chatterley’s Lover’ by Guy Cuthbertson

“Obscenity lacks staying power,” said Dan Piepenbring in Harper’s. Some 65 years after Lady Chatterley’s Lover was widely derided as a book that might hasten the collapse of Western civilization, even pornographers aren’t bothering to invoke Lady Chatterley’s name or riff on the extramarital romps she engaged in with her paraplegic husband’s brooding, sweaty gamekeeper. But the book’s history is worth revisiting, because for decades, “it set polite society on edge,” even triggering landmark obscenity trials in Japan, India, the U.K., and the U.S. more than a generation after it was first published. Though “the most corrupted among us have long abandoned Lady Chatterley’s Lover as a totem of smut,” D.H. Lawrence’s 1928 novel lives on as a cultural milestone.

“There was always a great deal of hypocrisy amid the furor surrounding the book,” said Tim Bouverie in Air Mail. From the moment Lawrence had the first edition privately printed in Italy, American and British authorities confiscated copies that had been smuggled across their borders and secretly read the novel for pleasure. Even editions in which the sex scenes and four-letter words had been expurgated sold well in the 1930s. Cuthbertson “consistently informs and amuses” as he surveys the jokes and parodies the novel inspired, and he’s “fascinating” on various readers’ political interpretations of the tale. The 1960 trial in London that unleashed the unexpurgated paperback edition was “one of the great comic episodes in British cultural history,” and Cuthbertson’s account adds fresh color.

Readers of the novel today might be less offended by the sex than by Lady Chatterley’s antisemitism and her lover’s homophobia, said Blake Morrison in The Guardian. But Cuthbertson doesn’t dwell on that ugliness or Kate Millet’s famous attack, in 1970’s Sexual Politics, on the phallocentrism of Lady Chatterley’s sexual awakening. Lawrence himself thought of his final book, completed two years before his death at 44, as a serious novel about the sacred nature of sex. Others justifiably found humor in the way he conveyed that idea. So credit Cuthbertson for keeping his story light. “After all the moralizing that went with the book, it’s the right way to go.”

“No literary genre divides opinion quite like self-help,” said Josiah Gogarty in GQ. Some people love it, while others steer well clear. But the best personal growth books “cover a lot more ground than you might think”, spanning everything from deeply personal memoirs about grief to science-backed guides that could change your relationships. Here are our top picks.

Secure by Dr Amir Levine

It’s been 16 years since Dr Amir Levine and Rachel Heller published the bestselling “Attached”, which set out the “four main styles of bonding” in human relationships: anxious, secure, avoidant and fearful avoidant, said psychotherapist Philippa Perry in The Guardian. Now Levine is back with his keenly anticipated follow-up that’s also rooted in attachment theory. The psychiatrist lays out a “set of tools to help us feel more secure in all our relationships” – not just with romantic partners, but with friends, parents and “even with ourselves”. Firmly grounded in neuroscience and research, it’s an insightful read that can help you “know yourself better” and move towards “positive change”. Of course, you can’t just read the book: you must also be willing to “do the work and then keep up the practice”.

The Courage to Be Disliked by Ichiro Kishimi and Fumitake Koga

This is “different from any other self-help book I’ve ever read”, said consultant psychiatrist Alex Curmi in The Guardian. Written in the format of a “philosopher talking to a young, frustrated student”, Kishimi and Koga introduce readers to Austrian psychoanalyst Alfred Adler’s ideas around the “separation of tasks, where you decide which tasks you are responsible for and then let other people get on with their own tasks”. This can be “extremely liberating” – especially for people pleasers.

The Body Keeps the Score by Bessel Van Der Kolk

Published over a decade ago, this insightful book is one that “hasn’t wavered in popularity” and continues to “attract new fans with each passing year”, said Daisy Jones in Vogue. “It’s easy to see why.” The Dutch psychiatrist writes in a “persuasive” way that “rings true”. Backing his ideas with scientific research, he argues that “though the brain may work hard to suppress trauma, the body does not in fact forget”.

Atomic Habits by James Clear

“If you’ve ever wanted to change something about your life but found it overwhelming”, this transformative book provides a “step-by-step” guide to building small positive habits, said Tria Wen in Reader’s Digest. This is a “great book to gift”, helping readers “think about their goals in terms of little shifts they can make” that can be divided into “more manageable pieces”. By adding “one tiny” habit at a time, it’s possible to “create real and lasting change”.

The Year of Magical Thinking by Joan Didion

Joan Didion is known for her “journalistic dispatches written in ice-cold prose”, said Gogarty in GQ. But following the sudden death of her husband in 2003, she “turned her unblinking analytical eye on her own life” in this powerful memoir. In it, she shines a light on her “debilitating grief”, transforming the nature of writing about bereavement. “Mourning is part of being human, and ‘The Year of Magical Thinking’ has lessons for everyone.”

Four Thousand Weeks by Oliver Burkeman

The title of this book might sound “terrifying” (4,000 weeks is the average human lifespan) but beneath the cover there’s an “optimistic” message, said Gogarty in GQ. Instead of trying to encourage “unattainable levels of productivity”, Burkeman “urges you to accept your limits and make peace with your perpetual mountain of tasks”. His advice? To “stop sweating over your to-do list” and choose to focus only on what’s important.

Christopher Nolan’s The Odyssey is under attack for the “unfathomable sin of having a diverse cast,” said Marlow Stern in Variety. Director Nolan has confirmed that Kenyan Mexican actress Lupita Nyong’o is playing Helen of Troy in his upcoming blockbuster film version of Homer’s epic. Critics of Nolan’s casting also claim, without confirmation, that trans actor Elliot Page is playing the warrior Achilles. Leading the anti-Odyssey charge is Elon Musk, the champion of “white-grievance campaigns,” who posted dozens of indignant screeds on X claiming Nolan had “desecrated” Homer’s story. He and other detractors “have not actually seen the film yet, mind you,” nor do they seem to care that Helen and Achilles are “fictional characters navigating a mythological fable” with a giant Cyclops and other monsters. For these “culture warriors,” a diverse Odyssey is an intolerable affront.

These detractors may whine about “accuracy,” said Peter A. Berry in Bloomberg, but they’re actually defending their “fantasy of the past.” Genetically Mediterranean, the ancient Greeks generally had darker hair and skin than the fair, blue-eyed Brad Pitt, who played Achilles in 2004’s Troy—a film that Musk extols. Homer described Helen as beautiful but without much detail, making any portrayal “an educated guess.” Whatever Homer imagined 2,700 years ago, said Rich Lowry in National Review, there’s “nothing inherently wrong with casting actors in roles that don’t match their ethnicity.” Liberals were equally misguided when they criticized Scarlett Johansson for saying she should be “allowed to play anyone” after starring as a traditionally Japanese character in 2017’s Ghost in the Shell. “What’s good for Lupita Nyong’o should be good for Scarlett Johansson, and vice versa.”

With an IPO for SpaceX looming, “you’d think Musk wouldn’t have the time or energy for this nonsense,” said Arwa Mahdawi in The Guardian. But the world’s richest man spends an “extraordinary” amount of time posting anti-immigrant rhetoric and “white genocide” conspiracies. On 26 of 31 days in January, he shared racially charged posts with his 240 million followers on X. Musk’s “whiny” race panic has become “boring,” said John DeVore in MS.now, and has zero impact beyond his reactionary base. The Odyssey is “already the most buzzed-about movie of the summer,” with brisk advance ticket sales. Musk is “losing the culture war; he just doesn’t know it yet.”

While much has changed about the movie industry in recent years, the presence of a sci-fi blockbuster like director Steven Spielberg’s “Disclosure Day” early in the summer season feels like a throwback. The buzzy tentpole will be joined by several other intriguing — if less hyped — films this month in theaters, including a talky dinner party drama and a queer horror fable.

‘Disclosure Day’

Hollywood legend Steven Spielberg will turn 80 this December but seems in no hurry to slow down. “Disclosure Day” looks like his most ambitious science-fiction project since 2005’s “War of the Worlds.”

The plot remains mostly under wraps, but Emily Blunt (“A Quiet Place”) plays Margaret Fairchild, a Kansas City meteorologist who works with whistleblower Daniel Kellner (Josh O’Connor) to blow the lid off of a government conspiracy to conceal the existence of alien life on Earth. It’s a “dense roller-coaster ride blending chase film, love story and mystery, all wrapped in sci-fi wonder” making up “Spielberg’s best film in 20 years,” said Gizmodo’s Germain Lussier on X. (in theaters June 12)

‘O Horizon’

Maria Bakalova (“Bodies Bodies Bodies”) is Abby, a neuroscientist who signs up for an experimental new app technology peddled by the delightfully goofy Sam (Adam Pally) to create an AI version of her recently deceased father, Warren (David Strathairn). But her new creation slips out of her control when “Warren” interferes with her budding relationship with Douglas (Avi Nash).

Though it sounds like the premise of a bleak “Black Mirror” episode, the movie has a bigger heart and is less cynical than most cinematic takes on AI. An “instant audience-pleaser,” director Madeleine Rotzler’s movie creates an “effective adult fairy tale, a kind of latter-day ‘Alice in Wonderland,’ in which the main character is sent down her own emotional rabbit hole,” said Greg Archer at MovieWeb. (in theaters June 19)

‘Maddie’s Secret’

Comedian John Early (“Search Party”) directs himself as Maddie, a chef who descends into eating-disordered hell after her husband, Jake (Eric Rahill), releases a video of her cooking that goes viral. It’s been a long time since a man played a woman like this in a mainstream feature, and it remains to be seen how audiences will react, but “Maddie’s Secret” boasts an impressive roster of comedic talent, including Kate Berlant (“A League of Their Own”) as Maddie’s close friend Deena. A “tricky, one-of-a-kind stunt” that’s “sure to be divisive,” Early’s film succeeds as a “tongue-in-cheek critique of influencer culture crossed with a sincere homage to the heyday of disease-of-the-week TV movies,” said Peter Debruge at Variety. (in theaters June 19)

‘Leviticus’

Director Adrian Chiarella’s first feature is an unusually poignant horror story set in rural Australia, where teenagers Naim (Joe Bird) and Ryan (Stacy Clausen) begin a halting romance. Then a local preacher (Nicholas Hope) curses the boys with a demon that visits them every night and takes the shape of whoever they desire the most.

The result most closely resembles a queer version of “It Follows” and feels perfectly timed as a critique of the authoritarian turn against kids struggling with their gender identities in the U.S. In a film that “takes a more restrained approach to horror tropes,” the demon turns their “love into a weapon against them” and “vividly visualizes” the church’s project of “converting desire into shame,” said Marshall Shaffer at Slant magazine. (in theaters June 19)

‘The Invite’

In director Olivia Wilde’s first feature since the divisive “Don’t Worry Darling,” Joe (Seth Rogen) is a down-on-himself music teacher whose moribund marriage to Angela (Olivia Wilde) is stress-tested when the pair invites their glamorous and seemingly blissful upstairs neighbors, Hawk (Edward Norton) and Pína (Penélope Cruz), over for dinner. The tense subtext is that Joe and Angela have been listening uncomfortably to their neighbors’ loud sex. Turns out Hawk and Pína may have accepted the invitation with more than a nice dinner in mind. “The Invite” intentionally recalls classic spiraling-marriage movies like “Who’s Afraid of Virginia Woolf?,” while the characters’ “interplay yields an entertaining, at times crackling evening that tries for a bittersweet note,” said Nicolas Rapold at Sight and Sound. (in theaters June 26)

Dating apps are “rooted in rejection and judgement” and that’s “not healthy”, Bumble founder Whitney Wolfe Herd told Fortune. She had an “epiphany” during a 14-month leave of absence that users are just “hurt people hurting people”, and has vowed to bring “more joy and satisfaction” to her app.

Bumble is now shifting to matching-making driven by AI – and it’s not the only dating app to see this as the solution to increasing dating-app fatigue. But newcomer Breeze is taking another route: switching the focus to in-person experiences by reducing opportunities to chat in app, and sending only a time-specific, limited number of matches.

‘Payment and consequences’

“Breeze is a welcome disruptor in the dating app landscape,” said Isabella Silvers in The Telegraph. Since it launched in Europe in 2020, after winning investment from the Dutch version of “Dragon’s Den”, it has clocked up more than two million downloads. Users join “matching pools” that bring together “like-minded daters”, based on everything from hobbies (“outdoor lovers”) to niche interests (“rat owners/lovers”). To date, the app has arranged more than 737,000 dates, “resulting in 10 babies – that it knows of”.

Users receive a “select number of profiles” at 7pm every day and the key to the app’s success seems to be “payment and consequences”. Once you accept a match, you have to fill out your availability and pay a £9.50 deposit to secure a drinks date (or £4.50 for a “walk and talk”), “before being allowed to make a decision on anyone else”. The chat function for matched users is only opened up four hours before the date – prompting last-minute date confirmations, rather than “meaningless messaging”.

Breeze is “evidently working”, especially in the Netherlands where it’s “the third most popular and fastest-growing” dating app, said Lydia Spencer-Elliott in The Independent. “But can it save Britain’s dismal dating scene?” It can certainly save us from “boring convos generated by ChatGPT”, or being stood up or ghosted or “strung out” for weeks with no follow-through. But “what it absolutely can’t save” us from “is ourselves”. It’s ultimately “knackering” to keep “riding the rejection rollercoaster of the dating-app landscape” – and, sometimes, “the best remedy is to give it all a rest”.

‘Charming chatbots’

There is “rampant” dating-app burnout, said Catherine Pearson in The New York Times. As Bumble embraces AI-powered algorithms to re-engage those who “crave an experience that feels less overwhelming and more purposeful”, it’s also removing its swipe feature. It’s hoping to “end superficial, snap judgements” by altering “the dating habits of millions of users who have grown used to vetting partners with the flick of a finger”.

But the AI pivot comes with risk. Integrating AI features “sloppily” could “alienate” dating-app customers, said Tatum Hunter in The Guardian. Some users are already reporting “being plagued by AI paranoia, unsure whether the people they are messaging are real or charming chatbots”. The messaging from the industry is clear: “if we let AI take the wheel, this will all get less depressing”. But can a “smooth, mindless path toward connection” really make dating more joyful?

Evolutionary psychology reminds us that “only a signal that is difficult to fake can carry reliable information about the sender”, said Andrew King on Quillette. A rightward swipe behind a screen “communicates almost nothing about the sincerity of the person making it”. But making an approach in person at a bar or an event carries the potential for “public rejection”, and that cost is a signal of sincerity. These signals “matter” and “cannot be easily digitised”: “the discomfort is the point”.

Forget “bleak dormitories with creaking iron beds and draughty communal spaces”, said Georgie Duckworth in The Guardian. A new generation of UK hostels offer a comfortable place to stay – without the hefty price tag that often comes with cabins, cottages and lodges.

As staycations boom in the face of uncertainty over the war in the Middle East and soaring airfares, holidaymakers are looking for affordable places to stay closer to home. But in prizing “seclusion” so highly, “have we lost the very essence of travel: the pleasure of meeting new people; sharing stories; hearing word-of-mouth tips; and stepping outside our familiar routines?”

That’s where hostels come in. These reasonably priced accommodations encourage “outdoor pursuits and socialising”, with a range of private rooms for families and communal rooms with bunk beds. One of the best is The Rocks in Pembrokeshire: a “bright and stylish” hostel with a cosy shared lounge, and firepits for “stargazing and marshmallow toasting” in the evenings. Rooms are “snug but smart” with “soft sheets and Welsh woollen blankets”.

The Youth Hostel Association offers rooms in a “beautiful building in a luxury location” for a fraction of the price of other staycations, said Catherine Lofthouse in The Sun. My “favourite” is Chester Trafford Hall: an “old Georgian mansion set in lovely grounds”. In a great “blend of city and countryside”, visitors can enjoy walks from the doorstep or “hop on the bus” to the city centre to “wander through the historic streets”.

There are plenty of completely “off-grid” escapes, too, for “wild adventurers” and “digital detoxers”, said Freya Parr on BBC Countryfile. Consider travelling off the beaten track to Ulva – a small Scottish island off the west coast of Mull. Here you’ll find the community-owned Ulva Hostel which sleeps just 14 people. Home to a comfy living area, shared kitchen, and sauna, with additional camping pitches available outside, it’s the “perfect spot” to explore the remote, car-free island.

At the end of a winding tree-lined driveway, this grand country house appears suddenly, like a dame at a ball. The late Victorian-era mansion, set in 66 acres of prime Hampshire parkland and gardens, certainly makes a statement.

When you step through the entrance archway onto the marble floor, you’re greeted with floor-to-ceiling walnut panelling that sweeps up the staircase, overlooked by gilt-framed portraits of past residents. This Grade II-listed hotel might boast a spa and award-winning restaurant, but it still feels like a grand country house (I imagine).

Why stay here?

Have you ever wanted to step into the pages of a Regency novel and be transported to a world of balls, halls and primogeniture? This is the place to do it. In fact, Tylney Hall is near many important Jane Austen sites. Her cottage, where she wrote “Pride and Prejudice”, is about a half-hour drive away, as is her grave, in the north nave aisle of Winchester Cathedral. The hotel itself feels familiar to fans of her work; you can imagine Mr Darcy brooding in a corner of the Library Room, or Elizabeth Bennet roaming the grounds.

Tylney Hall is the first of three Elite Hotels, an independent group that has carefully taken on some of the UK’s foremost historic homes. Tylney Hall has a fascinating provenance dating back hundreds of years, first as a home, then a First World War hospital, a school and the HQ of a shipping line. It’s worth reading the various information plaques dotted around the mansion and sprawling grounds. The Italian Lounge, for example, has a magnificent blue-and-gold ceiling imported from the Grimation Palace in Florence in the late 19th century.

Some of the 113 rooms are as you’d hope: fit for minor aristocracy. Think massive suites inside the mansion with four-poster beds, marbled bathrooms, and sitting rooms with views across the lawn. All that’s missing is a butler.

But some are located in the courtyard or gardens, and inexplicably furnished like student halls. To get to the spa, you have to walk back via gravelled pathways through the trees in your robe and slippers, braving inclement weather and darkness (there is zero lighting). Sneaking around like a scullery maid feels like a big ask on a spenny weekend break. Perhaps you’d do better to stay in the bathroom with the gorgeous Molton Brown toiletries.

Eating and drinking

The continental breakfast buffet is so comprehensive that I discovered a new type of jam. Dietary requirements are well catered for; every possible intolerance from celery to sesame is marked on the menu, and every milk substitute is available, which surprised me in an English country hotel. But the best items are à la carte – if you haven’t the space for the full English, with hand-linked, butcher-fresh pork sausages, go for the smoked salmon with perfectly poached eggs, or the filled pancakes with banana and crème fraîche.

The afternoon tea in the Grey Lounge is popular: a theatrical affair, with homemade pastries and silver teapots. Dinner is served in the opulent Oak Room Restaurant, and like the curtains, the menu skews towards rich, heavy and conventionally British. Mains like baked pork belly with rose harissa and coriander couscous, salmon poached in browned butter with mussel and cockle risotto, and a sharing Chateaubriand with chips are all presented with a flourish on white tablecloths, accompanied by the tinkling of a grand piano.

The beef fillet with wild mushroom gratin and autumn black truffle is the stand-out – but take care. The prices aren’t on the menu for a reason; lay off the starters and sides unless you want a hefty bill at check-out. I ended my evening with a stiff drink in the Library Bar, curled up in front of the fire like a Bridgerton earl.

Things to do

The outdoor pool, in pride of place within a walled Dutch garden, is a focal point in summer – weather permitting. The high trees shade half the sunbeds, so you’ll need to get up early to grab a good spot.

The indoor swimming pool area is beautiful; light floods in from the arched glass roof and through floor-to-ceiling windows. The problem is the acoustics. If you’re in there alone, the silence is funereal, but as soon as anyone opens their mouth for a chat, the noise is deafening. One hen party group nearly brought the roof down. Some low-fi chill, or generic spa music, would help the ambience. But otherwise, it’s a breathtaking bit of architecture.

You can fill your boots with genteel country pursuits: a game of golf or tennis, croquet, clay pigeon shooting and walking trails. Don’t miss the water gardens, designed by renowned horticulturalist Gertrude Jekyll, as well as lakes of Monet-style water lilies and a pond of fancy koi carp.

The verdict

Tylney Hall is conveniently located near Junction 5 of the M3, and a short taxi hop from the village station of Hook if you’re coming by train. But it feels like a world away from modern life.

It would be a shame to treat it as a spa-break destination, however – treatments are extortionately priced, and the facilities are limited. Consider it instead as a luxurious visit to a bygone era.

The jewel in its crown is the grounds: ancient trees, rolling hills, manicured formal lawns, rose and azalea flowerbeds, and an Italian garden complete with statues and a fountain. Follow the trails that wind through the gardens and orchard, then sit by the Boathouse Lake, taking in views of the house, and imagining the lives of those who once called it home.

Harriet Marsden was a guest of Tylney Hall Hotel and Gardens, part of the Elite Hotels Group

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It is not too early to start picking out your summer reading list because a slew of new releases promise to keep June interesting. Standouts for the perfect summer beach read include a highly anticipated debut of a speculative fiction rising star and several historical-fiction options.

‘Land’ by Maggie O’Farrell

The bestselling author of “Hamnet” and “The Marriage Portrait” returns with a novel about Ireland in the 1860s, during the years before and after the Great Hunger. “Land” follows a man named Tomás and his son Liam as they work on the Ordnance Survey, a project to map the whole of Ireland for the British Crown.

Through its characters, the book “stages an argument about the virtues of various types of maps—those that are measured, those that are recollected, those that are dreamed,” said The New Yorker. In her latest work, “the facts ground the fiction, the fiction enlivens the facts,” and both “work together to suggest that the pursuit of resurrecting the past and the pursuit of telling a good story can, in some cases, be one and the same.” (June 2, $32, Penguin Random House, Amazon)

‘A Resistance History of the United States’ by Tad Stoermer

Historian Tad Stoermer reframes American history by revisiting past resistance movements, such as the Salem Witch Trials and the Underground Railroad. Through these examples, Stoermer “dismantles the mythologies that pass for American history — exposing the curated nostalgia, moral evasions and institutional silences that have long protected abusive power,” said the publisher. (June 2, $20, Penguin Random House, Amazon)

‘Sublimation’ by Isabel J. Kim

Isabel J. Kim has made a name for herself in the genre of speculative fiction. The winner of the Nebula, Locus and Shirley Jackson prizes for her short stories is publishing her debut novel about immigration and doppelgangers this summer.

Across “Sublimation,” immigration is explored through a science-fiction lens in a world where emigrating creates a second “instance” of the person who stays behind in their home country. The story follows Soyoung Rose Kang, a Korean immigrant in America, who comes face to face with her clone when she returns to South Korea for a funeral. Kim’s “pulls in historical, cultural and literary examples of ‘instancing’” before “recasting them all in the brilliant light of her imagination,” said The New York Times. (June 2, $29, Macmillan, Amazon)

‘Daughters of the Sun and Moon’ by Lisa See

Best-selling author Lisa See returns with another historical fiction novel that illuminates a dark era of American history. The story focuses on the real-life “Night of Horrors” massacre of 18 Chinese immigrant men and boys in post-Civil War Los Angeles in 1871.

The novel is told through the shifting narration of three Chinese women whose friendship helps them survive the chaotic time. See offers a “stunning piece of historical fiction based in truth,” said Library Journal. Her book will “touch readers with the characters’ resilience, heroism and devoted friendship.” (June 9, $29, Simon & Schuster, Amazon)

‘Dead but Dreaming of Electric Sheep’ by Paul Tremblay

Paul Tremblay’s near-future, genre-blending sci-fi horror novel explores timely themes of AI, reality and memory. Julia Flang, a semi-professional gamer, was tasked with chaperoning a man in a vegetative state, who happens to have proprietary AI implanted in his head. What follows is a humorous, surreal and terrifying journey across the country. For fans, it will not “come as a surprise that Tremblay ends it all on a nicely gory note,” said Kirkus Reviews. A “smart and smart-alecky tale of technology put to bad ends by bad people.” (June 30, $30, HarperCollins, Amazon)

Nvidia has unveiled a new superchip for personal computers, marking its first entry into the lucrative consumer market.

“This reinvention of the computer is as big a deal as the reinvention of the phone into what we now know as the smartphone,” Nvidia’s chief executive Jensen Huang said, as he unveiled the RTX Spark chip at the Computex technology show in Taiwan on Monday.

‘Real game-changer’

Selling artificial intelligence chips used in enormous data centres has helped Nvidia become the world’s most valuable company, currently worth more than $5 trillion (£3.7 trillion). “Now it’s looking to put its technology in people’s homes,” said The New York Times’ Tripp Mickle.

The RTX Spark is a “new superchip for the era of personal AI agents – offering a new class of computer that moves from tool to teammate”, Nvidia said on its website.

Expected to be released in the autumn, it will power laptop and desktop computers from Dell, HP, Microsoft, Lenovo and others and is designed to run local AI systems that can sort files and quickly perform tasks.

The move into personal computing fires a “warning shot across the bow” of historic industry leaders such as AMD, Apple and Intel, said TechRadar, which described the move as a “real game-changer”.

Intel, Microsoft’s long-term partner, was once the “undisputed king of PCs”, but its performance has “slipped in key areas like battery life” in recent years, said Mickle. In 2021, Microsoft made it possible to run Windows software with processers from rival providers, creating an opportunity Nvidia has now exploited.

With the RTX Spark, the company will be hoping to move in on the growing market for AI computers that is currently dominated by Apple, which ditched Intel processors for its own hugely popular and powerful M-series chips in 2020.

“Apple more or less owns this market today,” Max Weinbach, a technology analyst at Creative Strategies, a tech research firm, told The New York Times. “Nvidia wants to build a laptop ecosystem for Windows that’s an alternative.”

An AI supercomputer in every home

The chip “lies at the heart of Nvidia’s push to embed AI directly into end-user devices, aiming to transform PCs into personal assistants which perform various tasks such as searching email, fixing coding bugs and accelerating generative AI features in software including Adobe Photoshop”, said Aqsa Qaddus Tahir on The News International.

Shohag Hossain, a digital creator, posted on X that the Nvidia-Microsoft partnership had “quietly built the hardware layer that makes AI run locally, privately, instantly, no cloud needed”. The result is your laptop “becomes an AI agent that works offline”, which means “no more sending your data to some server farm”.

“The real competition isn’t Apple vs Windows any more, it's who owns the AI that runs on your device.”

This new superchip could be the first step towards AI supercomputers becoming a common home appliance in the future, in the way that home theatres, large televisions, lawn mowers and dishwashers are not unusual, Huang told the conference in Taiwan.

“I could totally imagine someday there’s an AI supercomputer in your house,” he said. “It’s running all of your agents, it’s running all your assistants, and they’re doing all kinds of things for you all the time.”

Block Island, R.I.

On the west side of the island in the Grace’s Cove area, this 2003 shingle-style, 2-acre estate features a pool with an aqua-and-navy-tiled edge and spa, a stone patio surround, and ocean views. The updated five-bedroom includes tongue-and-groove wainscoting, hardwood floors, an all-white updated kitchen, and glass doors throughout that frame the water.

Decks, a pergola, a fitness cottage, and yards complete the lot. Dining and shops are about a 10-minute drive. $6,950,000. Rosemary Tobin, Lila Delman Real Estate/Compass, (401) 741-1825

North Miami Beach, Fla.

The pool at this 2026 modern seven-bedroom includes a spa, a seating shelf, and water views. Located along Little Arch Creek with access to Biscayne Bay, the two-story home has pale wood built-ins, a leafy atrium, a kitchen with a Wolf range, and a primary suite with three closets and sliders to a pink outdoor tub.

Also outside are decks, a kitchen, a lounge area, and a boat lift. $7,950,000. Zulu Zuluaga and Sergio Giraldo, Coldwell Banker Realty, (850) 803-1383

Pasadena, Calif.

This 1976 mid-century-modern-style home in the South Arroyo neighborhood features a heated infinity-edge pool with a waterfall, next to decks and a yard. Inside the four-bedroom are vaulted 15-foot ceilings, ebony-tone flooring, roofline windows, a folding glass wall, a kitchen with high-end appliances and Carrera marble counters, and a primary suite with a fireplace.

The property includes a covered outdoor kitchen and a gas firepit. $3,899,888. Georges Rouveyrol, Sotheby’s International Realty—Los Feliz Brokerage, (626) 676-5368

Turks and Caicos

Villa Palmera, a 2012 Caribbean Colonial on the north shore of the island of Providenciales, has a pool with a bathing shelf overlooking turquoise sea. The six-bedroom hillside home’s double-height living room has dual staircases and water views, and the bedrooms offer deck access.

A lower level includes a billiards room. The property features pergolas, decks, and stairs down to a private white-sand beach near a thriving reef. $6,900,000. Nina Siegenthaler, Turks & Caicos Sotheby’s International Realty, (649) 946-4474

Kilauea, Hawaii

On Kauai’s North Shore, this Balinese-style four-bedroom at the foot of Mount Namahana has a saltwater pool and spa clad in greenstone tiles adjacent to an ipe wood deck.

The home’s airy great room has exposed beams, skylights, and an eat-in chef’s kitchen; breezeways connect the bedroom suites. Spread over 3.5 acres are a lanai, a cottage, a garage, and tropical landscaping. Town and the beach are about 10 minutes away. $7,650,000. Neal Norman, Hawai’i Life, (808) 651-1777

Naples, Fla.

This 2003 three-bedroom condo in a gated community includes access to a community swimming pool next to a lake. The Mediterranean-inspired building faces south and has a sunroom, a living room with custom curtains and valance, tile floors, and an open kitchen with granite counters.

Amenities include pickleball, clay tennis courts, and access to a clubhouse. Vanderbilt Beach, on the Gulf coast, is about a 20-minute drive. $450,000. Lynlee Dusek, John R. Wood Properties/Christie’s International Real Estate, (239) 287-4911

The line between gamer culture and traditional storytelling is being blurred, one quest notification at a time, as readers get addicted to novels that combine sci-fi and fantasy narratives with features from video games.

These “gamified novels”, which are based on video games, are “going mainstream” and selling in their millions, said The Economist.

Cosmic octopus 

Standing for “literary role-playing game”, LitRPG is a genre of fiction that combines a traditional story with mechanics from role-playing games and video games. Although a Russian publisher insists that it coined the term in 2013, versions of the genre had been popular in Asia since the turn of the century.

The books “borrow the tropes of video and tabletop games”, and the characters “face challenges and grow stronger” as they “go on quests to obtain rewards”.

For instance, in the novels of Matt Dinniman, whose books have sold over six million copies, the hero “gets tougher as he punches goblins” and “defeats a monster” that is a mix of a “cosmic octopus” and “your average, suburban, anti-vax, let-me-talk-to-your-manager mom”.

The reader is regularly “updated on his character stats, health bar, XP [experience points] and special skills”. “Video-game vernacular” offers a “useful shorthand” – “minor figures” in the story are called “NPCs: non-playable characters”.

“Unlike choose-your-own-adventure tales”, readers don’t “make narrative choices”, but they “often interact with their favourite authors and leave comments on chapters, which then shape the stories”. This means the authors are “thinking strategically on and off the page” and many “self-publish their work online, chapter by chapter”. Some writers are particularly “prolific, posting new material daily”.

Foot-shaped sex toys

The adulation of readers is quite something. Dinniman “knew things were getting out of hand” when “rabid” fans “started asking him to sign their feet”, said The New York Times last year. When he put out a statement drawing the line at signing feet, his “undeterred” fans brought “foot-shaped silicone sex toys”, “heart-patterned boxers, pink Crocs, ‘Gilmore Girls’ DVDs, stuffed cats and severed doll heads” – all objects that feature in his novels.

The money is impressive, too. His series is in development for television and is being adapted into graphic novels, a multi-cast audio drama and a tabletop game. Dinniman has a merchandise range that includes sweatshirts, baseball caps, phone cases, wall tapestries, action figures and plush toys.

“Quantity has been trouncing quality,” said The Economist, so the genre is “not going to win any prestigious awards”, but readers “looking for escapist thrills are often forgiving”. Although the core readers are “gamers in their 30s”, its “biggest audience” is audiophiles, ranging from “truckers to stay-at-home mothers”, because the novels “often have only one perspective, and are usually narrated in the first person”, making them “easy to follow”.

Many of the readers “grew up gaming or playing tabletop games like Dungeons & Dragons”, said USA Today. Brandon Dwane, a 28-year-old from Massachusetts, “never considered himself a reader”, but “that changed” when he began reading LitRPG. Now, he’s a “junkie” for the “dopamine” hits the novels give him.