For many people busy ferrying their kids to camp or embarking on vacations, summer is a time to let their TV backlog swell. But if you’re the kind of person who streams as usual during the summer months, there are some terrific options for you this July.

‘Silo’ season 3

“Silo” has become one of the most beloved dystopian sci-fi series of the decade, in large part due to its magnetic central character, Juliette Nichols (Rebecca Ferguson). The show returns for a third season with a major surprise.

Instead of focusing exclusively on the post-apolyptic bunker dwellers of the title, the new season also leans on a second timeline, set in a near-future Washington, D.C. There, Congressman Daniel Keene (Ashley Zukerman) and journalist Helen Drew (Jessica Henwick) — introduced in the season 2 finale — navigate the events that led to the apocalypse, including a war with Iran. It’s “fun and incredibly interesting,” said Jean Henegan at Pop Culture Maniacs, and the “final stretch of this season is just spectacular across the board.” (on Apple TV+ now)

‘The Westies’

MGM+, a relatively new streamer, may have its first big hit with this real-life tale of dueling New York crime families set in the 1980s. Eamon Sweeney (J.K. Simmons) and his deputy, Jimmy Roarke (Tom Brittney), lead an upstart Irish-American syndicate battling their Italian mafia rivals for the spoils stemming from a major construction project, the Jacob K. Javits Convention Center. Hamish Allan-Headley (“Mayor of Kingstown”) plays John Gotti, the leader of the far larger and more powerful organization. This “gritty new drama” ultimately “takes a Shakespearean turn, as the new generation clashes with the old” in both families, said Erin Maxwell at TV Insider. (July 12 on MGM+)

‘Lucky’

Anya Taylor-Joy (“The Gorge”) found perhaps her biggest success in the 2020 Netflix mini-series “The Queen’s Gambit,” and here she’s the centerpiece of Apple TV+’s seven-part limited series “Lucky.” Taylor-Joy plays Luciana “Lucky” Armstrong, a seasoned criminal aiming for one final heist before going straight. To complicate the narrative, her mom, Priscilla (Annette Bening), is a mob boss and her dad, John (Timothy Olyphant), is a career criminal. With “adrenalized action, tense familial drama, and a classic ‘one last job’ hook, the omens are strong” for this highly anticipated thriller, said Jordan King at Empire. (July 15 on Apple TV+)

‘The Hawk’

Comedy legend Will Ferrell has starred in several beloved sports parodies, including the car-racing satire “Talladega Nights” and the figure skating send-up “Blades of Glory.” This time he brings his many talents to a TV series about golf.

Ferrell stars as Lonnie “The Hawk” Hawkins, a pro golfer two decades past his prime who seeks one last big tournament win even though his wife, Stacy (Molly Shannon), and golf phenom son, Lance (Jimmy Tatro), want him to retire. Lonnie is a “loud, silly and gloriously arrogant” man whose “on-the-green rivalries take on an extrafamilial dimension,” when he ends up competing against Lance, said Luke Buckmaster at The Guardian. (July 16 on Netflix)

‘Gone’

Respected Bristol schoolteacher Michael Polly (David Morrissey) displays a strange lack of emotion when his wife, Sarah, goes missing, triggering the suspicion of Detective Sergeant Annie Cassidy (Eve Myles) in this engrossing, six-part pressure cooker from “Lupin” writer-creator George Kay. The setup sounds similar to the superb HBO Max drama “The Staircase.”

The couple’s daughter, Alana (Emma Appleton), is caught in the middle as Michael becomes the prime suspect, while the audience is left to figure out who is telling the truth. “If there is a tauter, clammier or more engrossing drama this year I will eat my mortarboard with chips,” said Sarah Dempster at The Guardian. (July 23 on BritBox)

‘Your Day Will Come’ by Chanel Beads

★★★

“Of all the so-called ‘cloud rock’ bands dissolving the line between analog and digital, Chanel Beads have the most evocative melodies and moments of unlikely beauty,” said Kieran Press-Reynolds in Pitchfork. Or maybe we should credit Chanel Beads’ band, because Chanel Beads is also the stage name used by frontman Shane Lavers, who’s now put out a second album that bears the title of his group’s acclaimed 2024 debut. It’s another “nervy tangle of organic and digital sounds,” filled with songs that are “even more expressive, stricken, and achingly contradictory.” It also helps clarify how the New York City–based group, which includes multi-instrumentalist Maya McGrory and violinist Zachary Paul, leaped from playing clubs to opening for Lorde at arenas last fall. Though Lavers’ songs “have earworm qualities,” they “nevertheless unsettle,” said Grant Sharples in Paste. The song “Tyler Richard,” which references Lavers’ deceased brother, is a “pointed examination of grief and regret” that throws in a scream before settling back into a repeated piano figure and “luxe” strings. The music and Lavers’ impressions of the world feel “real and unreal at once.”

‘The Ground Above’ by Beth Orton

★★★★

“Death hangs over The Ground Above,” said Mark Richardson in The Wall Street Journal. “But for Beth Orton the inevitability of the end electrifies the present.” As she ponders mortality, the former darling of Britain’s trip-hop era continues a career resurgence that began with 2022’s Weather Alive. Acting as her own producer and working with musicians ranging from Portishead guitarist Adrian Utley to Smile drummer Tom Skinner, she’s evolved a plaintive, sprawling sound that recalls both 1980s Van Morrison and “the shadowy atmosphere of a Daniel Lanois production.” Her voice has evolved to match her somber themes, becoming “scuffed and battered” like Marianne Faithfull’s. “She stretches her breathy, cracked vocal style over songs about death, friendship, and other big themes that tend to become preoccupations in middle age,” said Will Hodgkinson in The Times (U.K.). On the album’s closer, “Otherside,” a sleepless Orton seeks clarity amid a blackbird’s morning call. She’s grateful for another day to set things right “as the track builds into a ‘Hey Jude’–like sing-along begging to be belted out in town squares the world over.”

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Fiona Sampson’s new book, Becoming George, is a biography of the cross-dressing 19th-century writer George Sand. Below, the award-winning poet and author of Two-Way Mirror, a biography of Elizabeth Barrett Browning, recommends six other life stories.

‘How to End a Story’ by Helen Garner (2025)

Journal extracts from the Australian author create a compelling portrait of the nation’s counterculture, 1980s feminism, and, latterly, an abusive relationship with a fellow writer. But above all, this page-turner by one of today’s great nonfiction writers is alert to the glories and terrors of daily inner life. Buy it here.

‘The Years’ by Annie Ernaux (2008)

Not so much a group biography as the autobiography of the author’s generation, The Years examines the life choices, culture, and politics of France’s Baby Boomers. Ernaux, the surprise French Nobel winner, packs this absorbing panorama with domestic, academic, and pop-cultural details. Buy it here.

‘Come Back in September’ by Darryl Pinckney (2022)

Pinckney, writing like a gossipy angel, captures the fun and anxiety of a high-octane life at the heart of New York City’s literary village in the 1970s and ’80s. Come Back is both self-portrait of the artist as a young gay Black man, and a nuanced homage to his mentor, the novelist and critic Elizabeth Hardwick. Buy it here.

‘A Fortunate Man’ by John Berger and Jean Mohr (1967)

In 1966, writer John Berger and photographer Jean Mohr spent three months following a country doctor through picturesque landscapes made famous by Wordsworth’s “Tintern Abbey” as the doctor ministered, often futilely, to the rural poor. Evocative images and writing lyrical with anger capture a lifetime’s devotion and its cost. The “fortunate man” went on to kill himself. Buy it here.

‘Hold Still’ by Sally Mann (2015)

It seems unjust that a photographer as visionary as Mann should also be able to write. But she truly can. This story of her emergence as a photographer—as well as a wife, mother, and farmer—always sends me running back to my desk. Buy it here.

‘Flush’ by Virginia Woolf (1933)

The evergreen Flush is a life portrait both of the poet Elizabeth Barrett Browning and of her adored pet spaniel. Barrett Browning helped transform 19th-century verse, and as her biographer, I should probably mind this approach. But as a dog lover, I’m delighted. Buy it here.

‘Villa Coco’ by Andrew Sean Greer

Personal style that appears effortless often requires much invisible work, said Jacob Brogan in The Atlantic. “I thought about this distinction often while reading Andrew Sean Greer’s witty and, yes, stylish new novel.” The narrator, an American, is looking back on a sojourn in Tuscany when he was hired to work at the home of a scheming 92-year-old baronessa. But he also comes under the sway of other larger-than-life characters, including a male romantic interest, resulting in a “relentlessly charming” coming-of-age tale. Because Greer “has such a light touch,” the book “reads like a grand adventure, not a lesson,” said Chris Hewitt in The Minnesota Star Tribune. Perhaps because the Pulitzer-winning author of 2017’s Less has earned the privilege, Villa Coco “has the summery feel of someone writing whatever he feels like writing.” I have zero complaints—“other than that I wish it were longer.”

‘Rasputin Swims the Potomac’ by Ben Fountain

“Is it even possible to write a satirical novel about American politics anymore?” asked Laura Miller in Slate. If so, Ben Fountain, the author of the Iraq War–era send-up Billy Lynn’s Long Halftime Walk, “is a good candidate to try.” This time out, Fountain gives us a U.S. president who could only be Donald Trump plotting to win an unconstitutional third term by tapping as his running mate a wrestler named Rasputin. But a billionaire cabal prefers Rasputin at the top of the ticket, and as the drama levels up, Fountain’s prose “fizzes with a Dickensian color that makes the novel a blast to read.” A novel that also features a likable reality TV star turned White House staffer, a reporter named Clarence Thomas Jr., and a weeping epidemic is “a lot, for sure,” said Michael Schaub in the Los Angeles Times. “But Fountain pulls it off with his gleefully absurd sense of humor.”

‘Dolly All the Time’ by Annabel Monaghan

“Romance readers have found their book of the summer,” said Kimberly Ramirez in Los Angeles magazine. “A radiant and tension-filled love story,” Annabel Monaghan’s latest best seller revolves around a single mom and kindergarten teacher who’s pushing 40 when she returns to her Rhode Island hometown for the warmer months and agrees to a wealthy heir’s suggestion that she pose as his girlfriend. Because Dolly prizes her independence and they both have family burdens, the novel develops into a “gripping” read “packed with passion and doubt.” When the pair strike their deal, “only the truly inattentive will be shocked that complications ensue,” said Joanne Kaufman in The Wall Street Journal. That’s fine, because “the settings—sailboats, lush gardens, elegant townhouses—couldn’t be lovelier,” and resourceful Dolly “deserves every nice thing that seems to be coming her way.”

‘The Children’ by Melissa Albert

“Contemporary fantasy could certainly do with more sophisticated takes on the genre like this one,” said Jessie Lethaby in The Times (U.K.). Melissa Albert’s first foray into adult fiction hooks the reader from the moment it introduces its protagonist, Guinevere, a woman who was made famous as a child by her mother’s fantasy novels and is now releasing a dishonestly rosy memoir about her upbringing. Albert takes too long to bring the story to resolution, but as The Children advances along three timelines, there’s no denying “the sheer pleasure” of the reading experience. All along, you wonder how the fire started that killed Guinevere’s parents, said Lucy Rees in the Chicago Review of Books, and why she and her artist brother have long been estranged. “The answers converge with the meeting of the timelines in a sequence of pages so dazzling I had to take breaks to seep in the complexities.”

‘Pool House’ by Mary H.K. Choi

“Brace for the kind of heartbreak reserved for mothers and daughters who have more in common than they care to admit,” said Elisabeth Egan in The New York Times. When a former TV actor dies by suicide, his beautiful Korean American co-star and Stevie, her 20-year-old daughter, open their L.A. home to another of the show’s co-stars, who, to Stevie, is both a brother figure and a longtime crush. The house is unaffordable. Stevie wants out but can’t escape her mother’s orbit. And the domestic drama that then unfolds feels “unexpectedly perilous.” In reality, Stevie and her mom have been renting out their home and living in its pool house, said P. Claire Dodson in Vogue. As Choi tracks this unusual Hollywood trio, “Choi writes like she’s inviting you inside the joke, to the blood and sweat that make up the fame machine and the lives within it.”

‘The Shampoo Effect’ by Jenny Jackson

In her “deeply satisfying” new rom-com, Jenny Jackson “flips the usual romance novel progression of initial friction-laced attraction that melts into undeniable love,” said Carol Iaciofano Aucoin in WBUR.org. Caroline, a New York City–based writer, and Van, an environmental scientist, hook up shortly after Caroline arrives in a Massachusetts shore town, and the suspense lies in whether the pair will be torn apart, particularly after Van learns that he’s impregnated a member of his tight local friend group. The scandal, the sex, and the coastal setting “make for a perfect summer beach read,” said Julia Vitale in Air Mail. After all the complications, The Shampoo Effect emerges as “a breezy, fun novel whose ending is tied with a neat bow, as all endings of books read between Memorial Day and Labor Day should be.”

Sunset strolls by the sea, snorkelling and picnics on the beach: it’s hard to beat an island holiday. Europe is dotted with picture-perfect isles that lie waiting to be explored. From a tiny island nestled within a Tuscan archipelago, to a quiet Greek haven at the southern tip of the Peloponnese, these are our favourites.

One of Tuscany’s most tranquil islands

The Tuscan island of Giglio hit the news in 2012 when a cruise ship, the Costa Concordia, ran aground here and capsized, with the loss of 32 lives. Today, it is hard to imagine that such a tragedy should have struck this beautiful, “laid-back” place, says Elizabeth Heath in Travel + Leisure. An hour by ferry from Porto Santo Stefano, on the Monte Argentario peninsula, the island has a “completely away-from-it-all feel”. The main town, Giglio Porto, is “colourful” and charming, and there are some good, if occasionally steep, hiking trails (Giglio is five miles long), with views to the larger island of Elba, 30 miles to the north. Hire a boat to reach hidden coves – perfect spots to “swim, snorkel or picnic” – and be sure to look up the island’s summer theatre season and its festivals of opera, film and wine. The stylish La Guardia hotel has rooms from £280 a night.

A beloved, less-visited Greek island

I grew up in Greece and have visited many of its islands – but “none has captured my heart quite like Kythira”, says Alexis Conran in The Times. Sitting alone, off the southeastern tip of the Peloponnese peninsula, it is quite big, and offers plenty to see and do; but with no international airport nearby, it never feels too busy. On a recent trip, I stayed in a “beautiful” villa run by Kythera Houses, near the central village of Potamos, which has a great farmers’ market on Sundays. There’s an attractive beach, Kaladi, not far away, but my favourite of the island’s beaches is Limnionas. The drive to it, passing the massive caves of the Agia Sofia, is “dramatic”, but the beach sits in a protected cove, and has lovely “clear”, calm waters. Eat if you can at Platanos, a “lovely” traditional taverna in the nearby village of Mylopotamos.

An arty stay in the heart of Sardinia

In the Costa Smeralda, Sardinia has one of the Med’s most glamorous tourist destinations, but the island’s interior is a world apart from its glitz, says Emma J. Page in House & Garden – “deeply agricultural” and steeped in tradition. Set next to the “rugged” Supramonte mountains, Su Gologone makes a great base. This family-run hotel has a huge collection of folk art, and offers a diverse range of art classes and outdoor activities. Ancient choral songs are sometimes performed during the communal feasts served in its terraced gardens, and there are wonderful artisans’ studios to visit in nearby villages. Also unmissable are the street murals in Orgosolo. Dating back to the 1970s, they address social and political themes, and lend this former bandit town an “edgy air”.

The Blytonesque charm of St Martin’s

Of the five inhabited Scilly Isles, none is more enchanting than St Martin’s, says Paul Miles in The Telegraph. Situated in the north of the archipelago, it is a “Famous Five” sort of place that has barely changed since the 1950s. Home to just 140 people, it lacks the “upmarket” shops and holiday lets of Tresco (more popular with “well-heeled” tourists). But it has seductive beaches of “almost-white” sand, lovely walking paths, and with the island’s mild climate, it “feels like a garden”, peppered with exotic species such as “tall” echiums and blue-and-white agapanthus. It’s worth hiring a kayak to visit the uninhabited islands nearby, and dropping in at the community observatory, with its two telescopes: on clear nights, the skies here are “tar-black” and full of stars.

A lonely cottage on a Cornish island

Fifteen minutes by boat from Cornwall’s southeast coast, Looe Island is a great place to connect with “the wilder world”, says Carol Donaldson in The Guardian. Managed by the Cornwall Wildlife Trust, the 22-acre island welcomes day-trippers, but also has two places to stay – a bell tent sleeping two, and a “cosy” one-bedroom cottage that was home, long ago, to a “pipe-smoking, fist-fighting” smuggler called Black Joan and her brother, Finn. There’s also a tiny museum and a house where the island’s wardens live. I rented the cottage for three nights, and spent my time reading and wandering the island’s woods and meadows. I also swam in a “little-visited” cove, and watched local seals frolic on the rocky shore.

If you are after a good cry, these films will have you reaching for the tissues. From stories of survival and life-changing decisions to heartbreak and hope, here are some of the best tragic tales brought to the big screen.

Titanic (1997)

Director James Cameron became “king of the world” in the 1990s with this “wildly over-the-top weepie romance” between Rose (Kate Winslet) and Jack (Leonardo DiCaprio) on the so-called unsinkable ship, said Peter Bradshaw in The Guardian.

Our heroine is “not suited for life in the gilded cage”, said The Hollywood Reporter, and finds herself saved by Jack, “whose joy for life and eagerness for living it to the fullest soon revitalise the young Rose”. Their love is not only tested by class boundaries, but with the “horrible outcome” of the voyage.

If the story was “made of showbiz and hype”, said Roger Ebert, “well – so was the Titanic”. The 194-minute, $200 million (£151 million) epic was “flawlessly crafted, intelligently constructed, strongly acted and spellbinding”.

It’s a Wonderful Life (1946)

Frank Capra’s Christmas classic is repeatedly voted Britain’s favourite festive film for a reason. It is an “uplifting story of family, love and hope”, said the BBC. It’s “also the story of one man’s struggle with life’s knockbacks”. George Bailey, played by James Stewart, is brought back from the brink of suicide with the help of an angel, Clarence, played by Henry Travers.

George is shown how “worthwhile his life has been and what treasures, largely intangible, he does possess”, said Bert Briller in Variety, when the film first came out in 1946. This recounting of his life is “just about flawless in its tender and natural treatment”.

Atonement (2007)

Another romance set during a tragic historical period, “Atonement”, reflects on how a single error “destroys all possibility of happiness in three lives”, said Roger Ebert. Based on Ian McEwan’s book of the same name, the film begins with a “breathless celebration of pure heedless joy”, as heiress Cecilia (Keira Knightley) falls in love with the housekeeper’s son, Robbie (James McAvoy), on an English country estate.

But the actions of Cecilia’s younger sister Briony (Saoirse Ronan) and then the couple’s separation during the Second World War force us to “think deeply about what betrayal and atonement might really entail”.

The Pursuit of Happyness (2006)

In this “truish story set in 1980s San Francisco”, Will Smith’s Chris Gardner is a “newly single dad juggling bankruptcy, childcare, and high hopes of an internship” at a stockbrokers for no pay, said Tim Robey in The Telegraph. Smith is “sublime and moving” in this “tailor-made, sweetly serio-comic, Julia-Roberts-in-‘Erin-Brockovich’ Oscar vehicle”.

Chris and his son Christopher Jr. (played by Smith’s own son Jaden) navigate poverty, eviction and homelessness, but the hope portrayed in the movie is enough to “turn even the strongest of viewers into a puddle of tears”, said Harper’s Bazaar.

Graveyard of the Fireflies (1988)

Isao Takahata’s animation about two orphaned siblings in Japan during the Second World War is “one of the greatest films to have ever been made about children in wartime”, said Robbie Collin in The Telegraph. Made at Studio Ghibli, it has a “quiet but devastating power that breaks every heart it finds”.

The film creates “magical moments of natural beauty and childish delight” that only make the tragedy of Seita and his little sister Setsuko “even more harrowing”, said Steve Rose in The Guardian. It’s a “war story as wrenching as any live-action movie”.

Never Let Me Go (2005)

On the surface, the three main characters – played by Carey Mulligan, Andrew Garfield and Keira Knightley – are embroiled in a love triangle, but “this romantic drama tells an entirely more complicated story than you might expect”, said Entertainment Weekly. Based on Kazuo Ishiguro’s “devastating dystopian novel”, the film “dives into heavy themes of mortality and ethics with striking clarity”.

The characters are “expertly acted” and played “with such conviction” that “we get caught up in their doomed romance”, said The Hollywood Reporter.

Hotel Rwanda (2004)

The first mainstream film to approach the subject of Rwanda’s genocide, “Hotel Rwanda” focused on the story of hotel manager Paul Rusesabagina (played by Don Cheadle), who sheltered more than 1,200 people.

Turning such a “brutal and heart-wrenching subject” into “entertainment” has its risks, said the BBC at the time. But director Terry George’s decision to choose the “One Man Who Made A Difference” angle, as seen in “Schindler’s List”, gave “filmmakers the freedom to inject suspense, humour and romance – all the stuff that an audience actually wants to see – into otherwise sombre material”. Cheadle offers a “thrilling portrait of ordinary heroism, a performance that’s matched only by the magnificent Sophie Okonedo as his wife Tatiana”.

Sophie’s Choice (1982)

Meryl Streep delivers a performance “of such measured intensity” that encapsulates the “tragic, voluptuous” heroine of William Styron’s novel “Sophie’s Choice”, that “the results are by turns exhilarating and heartbreaking”, said Janet Maslin in The New York Times when the film first came out.

Sophie, a Polish immigrant, is forced to make an unconscionable decision which will have life-changing and haunting consequences. It’s not a flawless film, but it is a “unified and deeply affecting one” that “casts a powerful, uninterrupted spell”, thanks largely to Streep’s “bravura performance”.

Dancer in the Dark (2000)

A “dreadfully sad musical”, said Vogue, “Dancer in the Dark" is “painfully bleak, but very beautiful”. Björk stars as Selma, an immigrant mother losing her vision while trying to provide for her son.

Director Lars von Trier “pushes the limits of modern film-making”, said the BBC, combining the “extreme styles” of “hand-held documentary melodrama” and an “all-singing, all-dancing Hollywood musical shot in vibrant Technicolor-style”. There are “many moving and heartfelt scenes, if you can cope with the burst of a song or two”.

The Notebook (2004)

A romance that “transcends obstacles, space, and time”, said Marie Claire, “The Notebook” follows the romance between Allie (Rachel McAdams) and Noah (Ryan Gosling) from “youthful intoxication to old age”, said Vogue.

Switching from scenes showcasing the “urgency of young romance” to the tragedy of an older Allie “disappearing into the shadows of Alzheimer’s”, it’s a “sentimental fantasy”, said Roger Ebert.

The story builds a relationship that will make you “root for the pair to beat the odds against them”, said Stephen Holden in The New York Times.

“What can there possibly be left in the Sedaris backstory that the writer hasn’t already mined?” asked Emma Brockes in The Guardian. The American humourist has written nine volumes of essays over his decades-long career, which leaves you wondering whether he’s “suffering from a problem that comes to all writers in the end” – a “dearth of usable material”.

But his latest collection reveals that he hasn’t run out of ideas yet. While reading Sedaris is a “glitchier experience” than it once was, his “tone still charms, even as it advances to a state of crankiness that makes him look like a gay Larry David”.

In the 28 pieces that make up “The Land and its People”, Sedaris sticks to his tried-and-tested formula of harvesting from “everyday experiences with his husband, Hugh, his siblings and his friends”. The book is peppered with “laugh-out-loud moments”, like his experience of a No Kings protest against Trump in which he finds himself “baffled by his fellow protesters’ lack of focus”. But there are also sections that “an editor could have put a red line through”, where he veers into an “occasionally too rote adoption of the grumpy-old-man trope”.

Inevitably some of the essays “have more going for them, and more in them, than others”, said Roddy Doyle in The New York Times. Is it as funny as his earlier books? “We’re very lucky to have both.” Sedaris has grown older and the “world seems weirder”. That’s why I love reading his work: “for him, being alive has always been strange and atrocious, contradictory, unfair and hilarious”. Now approaching 70, he “examines ageing with the same vigour, curiosity and grim glee” that brought his other books to life.

It is when he reflects on the “minutiae of everyday life” that his writing “really shines”, said Buzz Magazine. Whether he’s “documenting a humdrum car journey” or “arguing in bad French with an AI assistant on Duolingo”, Sedaris remains a “masterful storyteller” who is “always outrageous and highly entertaining company”.

Sometimes “ill-tempered and frequently hilarious”, he brings readers with him on a “touchingly honest journey through life’s peaks and troughs”, and continues to “mine gold from both the mundane and absurd”.

“For centuries, the Cerne Abbas Giant has been hard to miss,” said the BBC. The 55-foot chalk outline of a “naked, club-wielding man” cut into a hillside in the Dorset countryside is “one of the UK’s most instantly recognisable historic landmarks”.

Following recent fundraising efforts, the National Trust purchased the land surrounding the figure to help preserve it for future generations. Its origins are unknown but scientific analysis of sediments published in 2021 revealed the giant was probably first cut in the late Saxon period, between 700 and 1100 AD. Every eight to 10 years, volunteers visit the hillside to restore the figure by packing fresh white chalk into his outline.

Britain is “seared” with chalk figures like this one, said Dr Matthew Green in The Telegraph. From “fantastical beasts” to “beguiling symbols”, the “unsettling and beautiful” shapes are “cut into the bedrock of chalky hills”. In the “absence of detailed written evidence”, their roots remain a mystery.

Among the most “striking” is the Uffington White Horse in Oxfordshire. Best seen from the car park above Dragon Hill, it’s “more of a spectral echo of a horse than a horse”: the chalky outline doesn’t have hooves, its mouth looks like a beak, and it has a “ghastly, ghostly eye”.

Archaeology has dated the horse’s creation to 3,000 years ago in “the late Bronze Age” which is an “extraordinary survival”, said Jon Woolcott in The Guardian. “Generation after generation” have cared for it, “somehow keeping it bound to its wind-blown hill”.

Just over the border in Wiltshire, the rolling green hills are peppered with eight other chalk horses. Following the Ridgeway trail, you can walk to the Alton Barnes White Horse which is carved into Milk Hill, and another gleaming white horse cut into Cherhill Down near Oldbury Castle.

Drive for around two-and-a-half hours into East Sussex and on a “steep scarp of the South Downs” you’ll find the Long Man of Wilmington trekking over the hill, a “stave clasped in each hand”. Possibly Anglo-Saxon in origin, the “mysterious” carving has “fascinated” artists and writers for hundreds of years. Like the 40 or so other chalk figures that mark the British landscape, “their appearance enlivens walks and invites conjecture” to this day.

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It is unseasonably warm in some parts of the world, and the indoors beckons as many of us try to escape the heat. A few of this month’s new books will make the perfect companion for some cool summer reading. July’s releases include the highly anticipated conclusion of Colson Whitehead’s trilogy and an author’s first foray into romantasy.

‘How to Kill a Language: Power, Resistance and the Race to Save Our Words’ by Sophia Smith Galer

Nonfiction fans will find journalist Sophia Smith Galer’s “erudite exploration” of what she dubs ‘systemic linguicide’ fascinating, said Publishers Weekly. The number of languages that have ever existed is “placed at between 31,000 and 140,000,” but at most “only 4,000 will remain by the 22nd century, about half of the current total.”

Moreover, many of them “will not have died natural deaths” but will have been “killed off.” Smith Galer “weaves together heart-wrenching accounts” of those who have “suffered linguicide.” The collection of personal accounts creates a “spirited reconsideration of language as a natural resource that must be protected.” (July 7, $33, Penguin Random House, Amazon)

‘Dominion’ by Jean Kwok

Jean Kwok, who is best known for “contemporary family dramas” like “Girl in Translation” and “Searching for Sylvie Lee,” “swerves into romantasy with this Chinese mythology-infused epic,” said The New York Times. “Dominion” is the first book in a planned trilogy that follows Rubi Morningtail, a refugee who lost her memory after a demonic attack.

Kwok’s romantasy debut has been described as “‘Fourth Wing’ meets ‘The Hunger Games,’” Jezebel said. The story is a cornucopia of genre favorites: “romance, action, magic, politics, a broody hero, a heroine coming into her own and a fierce mythical companion animal.” (July 14, $32, Penguin Random House, Amazon)

‘Cool Machine’ by Colson Whitehead

The highly anticipated conclusion of two-time Pulitzer Prize-winner Colson Whitehead’s “Harlem Trilogy” arrives this summer. Following 2021’s “Harlem Shuffle” and 2023’s “Crook Manifesto,” readers with an “appetite for Whitehead’s noir fiction and stylishly exuberant storytelling” are rewarded with an “atmospheric, stylish finale,” said The Independent. Whitehead brings 1980s New York to “vivid, unforgettable life.” (July 21, $30, Penguin Random House, Amazon)

‘Dad, Love, Me: A Memoir’ by Matthew Quick

In this “deeply personal” memoir, South Carolina novelist Matthew Quick, author of “The Silver Linings Playbook,” reflects on his public success and “private struggles with depression, addiction and the lingering wounds of a fraught relationship with his father,” said Southern Living. As his father’s dementia progresses, Quick “confronts his past and races to find healing and reconciliation before it’s too late.” (July 21, $30, Simon and Schuster, Amazon)

‘Fishbone Cinderella’ by Elizabeth Lim

Young adult fiction author Elizabeth Lim makes her adult debut with a “historical fantasy inspired by the Chinese version of Cinderella,” in which magical fish bones replace a fairy godmother, said Literary Hub. The “multigenerational tale” takes place across two timelines: 1940s occupied Hong Kong and 1960s San Francisco.

The story follows a Chinese girl who “only manages to escape the Japanese soldiers during the Sino-Japanese War by turning invisible” and, in turn, learns of a family curse that could be related to her newfound magic, said Book Riot. (July 28, $30, Penguin Random House, Amazon)

Round Hill, Va.

This 1950 dairy barn with a stone silo on 3 acres in the Stoneleigh community, about an hour from Washington, D.C., has been converted into a five-bedroom modern farmhouse.

The barn’s original wood structure forms vaulted ceilings over wood floors, a living room with a fireplace, and a mezzanine loft. The kitchen has soapstone counters and a walk-in pantry. Outside are a one-bedroom carriage house, run-in shed, and garage. $2,999,990. Nancy Bossard, Long & Foster McLean/Luxury Portfolio International, (703) 431-2940

Sonoma, Calif.

Dos Palmas, a barn restored in 2007, makes use of the original post-and-beam frame, which contrasts with steel, marble, brass, and walnut. The three-bedroom includes a loft with a fireplace, a modern kitchen, and a connected silo with a spiral staircase.

The nearly 3-acre lot features a guest house, pool, bocce court, and olive and fruit trees. Sonoma’s main plaza is about a 10-minute drive. $5,250,000. Erin Lail, Coldwell Banker Brokers of the Valley, (707) 333-5596

Glen Ellen, Calif.

This Australia-inspired farmhouse with a corrugated metal roof and a cupola is on more than 5 acres about 50 miles northeast of San Francisco. Anchoring the home is a vaulted, wood-paneled great room with a floor-to-ceiling stone fireplace; a lower level has a catering kitchen and a theater.

Sonoma Creek crosses the property, which also includes a two-bedroom cottage, a garage, and a tower with a studio and gym. $4,400,000. Wendy Storch, Sotheby’s International Realty—San Francisco Brokerage, (415) 519-6091

Kent, Conn.

On 11 acres in Litchfield County, this circa-1800 Greek Revival farmhouse is in a historic downtown along the Housatonic River. The renovated four-bedroom has a black-and-white diamond floor entry, a living room with built-ins, a wood-paneled dining room, and a chef’s kitchen with a Wolf range, a farmhouse sink, and quartz counters.

The property includes a covered porch, lawns, woods, a saltwater pool, and a barn from 1862. $2,595,000. Jeffrey Phillips, William Pitt Sotheby’s International Realty, (917) 284-8276

Minneapolis

In leafy Lowry Hill near the Lake of the Isles, this 2020 modern farmhouse has five bedrooms. The stylish contemporary includes oak herringbone floors, rustic wood beams, a kitchen with two islands and a teal walk-in pantry, arched doorways, hand-plastered walls, and a gym connected to the primary suite.

A lower level has a rec room and a sauna, and sliders open to a pool, spa, and lounge area. $4,500,000. Sheri Fine, Edina Realty/Luxury Portfolio International, (612) 720-2442

Upper Jay, N.Y.

In the Adirondacks near the Sentinel Range Wilderness Area, this updated 1880 four-bedroom is across from the Ausable River. The kitchen includes new flooring, a wood-paneled wall, exposed brick, open shelving, and an apron sink, while the living room has roofline windows and a woodstove.

The three-quarter-acre lot has a wraparound porch, a roomy yard, and a firepit area. Lake Placid’s dining and shops are about 20 minutes away. $539,000. Brenda Goulette, Engel & Völkers Lake Placid, (518) 637-1748

‘The Invite’

Directed by Olivia Wilde (R)

★★★

Olivia Wilde’s new comedy drama is “the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of,” said Benjamin Lee in The Guardian. Wilde, in her third directorial offering, co-stars as a stay-at-home-mom who, to the consternation of her failed musician husband, Joe, has invited the freewheeling couple upstairs to dinner. With Seth Rogen, Edward Norton, and Penelope Cruz filling out the cast, the charged get-together soon turns into “a night that Edward Albee would approve of,” except that this evening hits peak tension when the guests extend a surprise invitation to join them for a night of group sex.

Perhaps because it’s an adaptation of a 2016 Spanish play that has spawned overseas film versions, The Invite is “an American film that feels vaguely international,” said Matt Zoller Seitz in RogerEbert.com. Though the first half is overdirected to the point of being “irritating,” the showy camerawork fades away as the actors take over, creating a second half that’s “the best work Wilde has yet done as a director.” While all four actors excel, “it’s Rogen who’s the revelation,” said Alissa Wilkinson in The New York Times. “His line readings fill out Joe’s backstory brilliantly, a guy who was always used to being rejected, somehow landed a girl way out of his league 20 years ago, and now is miserable that she doesn’t really want him anymore.” In this movie, relationships change because people change. “To me, that feels true.”

‘Minions & Monsters’

Directed by Pierre Coffin (PG)

★★★

Though they’re “one of the more enduring creations of 21st-century cinema,” the Minions “still get no respect,” said Scott Roxborough in The Hollywood Reporter. Maybe, though, this seventh film in the Despicable Me franchise will finally end a 16-year awards shutout, because it’s a love letter to cinema that argues, between its mile-a-minute gags, that the highest-grossing animated franchise of all time deserves a place in Hollywood’s canon. Minions & Monsters is “very much a film of two halves,” said Drew Taylor in The Wrap. In the first, a quick history tour revisits how bad Minions have been in their quest to find villains to serve, until one group lands in 1920s Hollywood and stumbles into stardom. A flurry of homages to Buster Keaton and other legends follows, until talkies arrive and put the gibberish-spouting Minions out of work.

The second half offers more-conventional Minion action, yet it “builds to an open-hearted tribute to the power of the communal moviegoing experience.” When two of the Minions start work on creating a monster movie using real monsters, this outing “does rather lose momentum,” said Guy Lodge in Variety. But as the film speeds toward a standard save-the-world climax, the latest Minions serves up the usual mayhem “with gusto and a delirious cartoon grin.” It’s “a clear peak for the series: a Minions movie with an actual idea at its core beyond general cheerful chaos.”

Even with the many streaming-induced changes to the film industry’s operations, July remains a month for blockbusters. This July will include an intriguing mix of madcap comedies, sweeping action epics and independent fare hoping to get as many viewers into theaters — or in front of their televisions — as possible.

‘Gail Daughtry and the Celebrity Sex Pass’

Gail (Zoey Deutch) is so shocked when her fiance, Tom (Michael Cassidy), uses his half-joking “celebrity sex pass” — an exception to marriage vows if the opportunity arises to sleep with your most-lusted-after famous person — that she decides to even the score by traveling to Los Angeles and convincing actor Jon Hamm to go to bed with her. Featuring a “tone that’s broad, antic, overemphatic and a bit wacked,” director David Wain (“Wet Hot American Summer”) brings us a film “so aggressive in its meta absurdity that it makes an episode of ‘Seinfeld’ look like Ingmar Bergman,” said Owen Gleiberman at Variety. (in theaters July 10)

‘Reading Lolita in Tehran’

After a year of protests and war for Iran, the timing for an adaptation of Azar Nafisi’s celebrated 2003 memoir is exquisite. Golshifteh Farahahi (“Invasion”) stars as Nafisi in Israeli director Eran Riklis’ film that follows her from her sacking as an English professor at the University of Tehran following the 1979 revolution to her emigration to the United States in 1997.

The book gets its title from the secret book club Nafisi conducted in her home for her students, including Sanaz (Zar Amir Ebrahimi) and Mahshid (Bahar Beihaghi), after her dismissal. The film’s “message about the humane power of literature” makes it a “work of art rather than an exercise in sloganeering,” said Arash Azizi at The Atlantic. (in theaters July 10)

‘The Odyssey’

There may be no more bankable director working in Hollywood today than Christopher Nolan (“The Dark Knight”). He has succeeded at everything from science fiction (“Interstellar”) to war (“Dunkirk”).

In “The Odyssey,” Nolan tackles Homer’s epic story of Odysseus (Matt Damon), the king of Ithaca, and his journey home to his wife, Penelope (Anne Hathaway), following the Trojan War. An extraordinary cast includes Zendaya as the goddess Athena and Jon Bernthal as Menelaus, the king of Sparta. Nolan “has been circling this kind of scale for much of his career, but ‘The Odyssey’ marks a new technical milestone even for him,” said Rodrigo Perez at The Playlist. (in theaters July 17)

‘The Dink’

Sports comedies like “Dodgeball” don’t always get the critical love they deserve. In “The Dink,” director Josh Greenbaum (“Barb and Star Go to Vista Del Mar”) looks to capture the zeitgeist with a big-hearted satire of the pickleball phenomenon.

Jake Johnson stars as Dusty Boyd, an over-the-hill tennis pro slumming it as a children’s tennis teacher at his father Chuck’s (Ed Harris) country club, where pickleball is squeezing out tennis. When an injury forces Dustin to try pickleball, he meets Candace (Mary Steenburgen) and reevaluates his kneejerk loathing of the sport. It has “all the hallmarks of a typical sports redemption story,” said Ryan O’Rourke and Maggie Lovitt at Collider. (July 24 on Apple TV+)

‘A Sad and Beautiful World’

Nino (Hasan Akil) and Yasmina (Mounia Akl), who were born on the same day in a Beirut hospital, are childhood friends who rediscover each other as young adults and fall in love against the backdrop of Lebanese political turmoil and violence. The country’s tragic 21st-century travails provide much of the fodder for the couple’s drama in director Cyril Aris’ moving film, including whether to stay or emigrate, with touches of magical realism and whimsy providing levity. A movie that “combines exuberant comedy with soft-hearted drama,” it “builds its entire thesis on the idea that there is still reason for hope,” said Matthew Joseph Jenner at International Cinephile Society. (in theaters July 24)

As the scorching weather returns, the best way to cool down is with an ice cream by the sea. The UK’s coastal towns are peppered with parlours serving everything from rich, creamy gelato, to refreshing sorbets and conefuls of quirky flavours. Here are some of our favourite spots.

Joe’s Ice Cream, Mumbles, Swansea

This century-old family run parlour in Mumbles is a “local cult”, said Felicity Cloake in The Times. It also has branches in Cardiff and Llanelli. There are rules: “always order the vanilla” which is “churned fresh every day” and has a “distinctly savoury edge”. You’ll also find huge sundaes here, and a knickerbocker glory that present owner Adrian Hughes thinks is “far too big for one person. Believe me, it’s not.”

joes-icecream.com

Jannetta’s Gelateria, St Andrews, Fife

“If you’ve ever visited St Andrews in winter, you’ll appreciate just how good Jannetta’s gelato must be to have stuck it out in South Street for the past 118 years,” said Cloake in The Times. When it comes to choice you’ll be hard pressed to find better: the parlour serves 54 different flavours that make use of locally sourced ingredients like Fife tayberries and Dundee marmalade. Expect long queues when it’s hot but the samples on offer while you wait “sweeten the deal”.

jannettas.co.uk

Hive, Aberaeron, Wales

Master ice cream makers Kevin and Mateuz make their “legendary” honey ice cream at Hive, said Portia Jones on Wales Online. The “distinctive, creamy” confection is “hands down my favourite ice cream” in the country. “One scoop, and you’ll see why it has a cult following.” Located right by the picturesque harbour in Aberaeron (with branches in Cardigan and Saundersfoot), it’s a great place for a sunny afternoon stroll.

thehiveaberaeron.com

Rossi’s Ices, Weymouth, Dorset

“Forget your standard vanilla”, said Judy Cogan in The i Paper. At Rossi’s, the Figliolini family “let the natural taste of the cooked milk shine”. They’ve been scooping here since 1937 and certainly know a thing or two about how to make and serve ice cream properly. Expect everything from banana splits and chocolate sundaes to affogato and ice cream sodas.

rossisweymouth.com

Moomaid of Zennor, St Ives, Cornwall

Milk is supplied by the cows at the on-site family farm to the parlour at this charming spot in St Ives, said Cogan in The i Paper. In keeping with its Cornish location, every scoop of ice cream is “topped with a dollop of clotted cream”. Flavours are creative but not “heinously quirky”: things like orange and mascarpone or almond and cherry ripple. “Watch out for circling seagulls”.

moomaidofzennor.com

The Toyota Rav4 was the world’s bestselling car last year, said Car Magazine. This sixth-generation version of the family SUV is available only as a plug-in hybrid in the UK, with “more range, tech and attitude”.

The 2.5-litre PHEV gets up to 305bhp in all-wheel drive form and can do 0-62mph in 5.8secs, while the new 272bhp front-wheel drive version takes 7.5secs. Electric range is “top-of-the-class” at 85 and 83 miles respectively.

With nearly twice the range of the previous Rav4 PHEV, the new model is good value and remains relatively refined, said Top Gear Magazine. It’s not that exciting to drive, but the soft set-up makes for a comfortable ride.

There’s a fair amount of body roll through corners, but it “never feels ungainly”. Pitch and dive is “well controlled”, the steering is light and pretty direct and there’s “decent feel” to the brake pedal.

Inside, the Rav4 is “more rugged” than plush, but the hard plastics “feel durable rather than cheap”, said What Car? reviewers.

There’s a clear 12.3-inch driver’s display, but opt for Excel trim or above and you get a head-up display with speed projected onto the windscreen, plus a “punchy” JBL speaker system. The 12.9-inch infotainment touchscreen is “a big improvement”, and there’s plenty of space and storage options.

Set in the ice-capped peaks of the Annapurna range, the upper Manang Valley is one of Nepal’s most “extraordinary” places – and last year it acquired its first-ever “upscale” hotel, said Christopher P. Hill in DestinAsian. Perched on a lonely, “gravelly bluff”, Mountain Lodges of Nepal’s new property is a “thrilling” sight – stone built, as “stout as a medieval stronghold” – and it commands “postcard- shaming” views, too. The 14 rooms are comfortable, with wooden floors and full-height windows; the food is “unfussy yet satisfying”; and guests can choose from “numerous” guided excursions. Among these is a “demanding” climb to the remote glacial lake of Kicho Tal, and a visit to the 15th-century Sangag Samling Monastery, a rich repository of thangka paintings and sacred texts, set into a cliff high above the ancient farming terraces of Bhraka village.

Double rooms cost from £150 b&b (mountainlodgesofnepal.com).

A food-focused cycling trip in Italy

Widely regarded as Italy’s gastronomic heartland, Emilia-Romagna is a great place for an “eating odyssey”. If that sounds a bit heavy, consider doing it by bicycle, said Sean O’Neill in The Times – as I did this spring with a group of friends on a seven-night, self-guided tour with Saddle Skedaddle. From Cremona, we cycled 180 miles south to Bologna, via Parma, Modena and other lovely towns, travelling mostly along quiet country lanes, with hotels and luggage transfers arranged for us, and daily restaurant and bar tips sent via WhatsApp. I chose an e-bike, which made the going delightfully easy. There was plenty of time to “stop and stare” each day – at castles and palaces, and distant mountain views – and we enjoyed “sumptuous” feasts and lots of good wine.

The trip costs from £1,575pp, excluding bike hire (skedaddle.com).

Lovely Penzance with fresh polish

It doesn’t have the splendid beaches of St Ives, but Penzance is my favourite seaside town, said William Cook in The Telegraph – and after “decades in the doldrums”, it has “become chic”. Artists’ studios, “trendy” cafes and “quirky” independent shops have multiplied, but Penzance still doesn’t feel overcrowded, and nor has it lost its “grungy, vaguely hippy vibe”. If you go, eat at Orto (try the “rich” venison ragù) and, even better, Argoe, a seafood place in nearby Newlyn; and consider staying at the “elegant yet understated” Chapel House hotel. Don’t miss the “fabulous” coffee at The Hoxton Special (a “funky” surf shack on Marazion Beach). And make time for some of the best local sights, including the Jubilee Pool (a huge art deco lido from 1935), and the Tremenheere Sculpture Gardens, created by a local GP.

Whether you are after memoirs or analysis, here are the most compelling business books to pick up this summer.

1873 by Liaquat Ahamed

A “lively and compelling” account of how America’s Gilded Age economy broke the world, says The New York Times. Action sweeps from America’s railroad barons to Vienna’s stock market crash. Ahamed tackles “one of the great forgotten financial crises”, combining the nuances of high finance with some excellent vignettes, says Robin Wigglesworth in the Financial Times. The cast of characters, says The Wall Street Journal, ranges from the Rothschild clan to a “still-obscure” Karl Marx.

Super Nintendo by Keza MacDonald

How did a 19th-century Japanese playing-card manufacturer become one of the most influential companies in the entertainment world, asks Stephen Bush in the FT. This “engaging” history of the home of Mario, Zelda and Pokémon, by The Guardian’s video games editor, is a delight whether you’re a gamer or not.

Suing the Kremlin by Martin Sixsmith

“If you want to see Vladimir Putin’s soul, study the fate of Yukos,” says The Economist. An early indicator of his “authoritarian turn” was the “seizure and dismemberment” of the Russian oil giant and imprisonment of its boss Mikhail Khodorkovsky. Here, Sixsmith, a former BBC Moscow correspondent, charts how shareholders fought back. “Their unlikely champion was a cheery, phlegmatic London-based tax lawyer, Tim Osborne.”

Streetwise: Getting to and Through Goldman Sachs by Lloyd Blankfein

This memoir, from the “ultimate Goldman insider”, doesn’t quite break the bank’s “blood oath” of silence, says Literary Review. But it’s interesting on Blankfein’s ascent from working-class New York, and includes a “vivid retelling of the desperate days of September 2008”. Blankfein emerges as a “straight-arrow guy”.

Surviving Rome: The Economic Lives of the Ninety Percent by Kim Bowes

This history examines the everyday finances, food and working practices of ordinary Romans in “thrilling detail”, said the FT. Don’t be put off by the 35 bar charts, said the Times Literary Supplement. This is “that rarest of birds”: an “utterly gripping piece of economic history”.

Bonfire of the Murdochs by Gabriel Sherman

“A brief, deft account” of one of the most consequential family feuds of recent corporate history, says the FT – and the costs of elevating just one child to run the empire.

Money Beyond Borders: Global Currencies from Croesus to Crypto by Barry Eichengreen

In this “timely book”, Eichengreen – an expert on the international monetary system – puts today’s concerns about the global role of the dollar into historical context, says the FT. Technological change is important, but it all depends on “trust”.

It’s an overused term, but Frida Kahlo “has become an icon”, said Laura Freeman in The Times. Her likeness is now inescapable and her story, too, is familiar: born in Mexico City in 1907, she took up painting as a teenager, while recovering from a traffic accident that would lead to her losing a leg below the knee.

She had a short but difficult life, compounded by health problems and her tumultuous marriage to the philandering muralist Diego Rivera. She died in relative obscurity in 1954, aged 47; but her works have since become “objects of mass worship and private devotion”.

“The brand, the brow, are unmistakable”; even before this exhibition opened, Tate had sold 35,000 advance tickets – the greatest number in its history. The show brings together around 30 of Kahlo’s own works alongside 150 by her contemporaries and admirers, in an attempt to track her arc from neglected painter to global phenomenon. I’m “no Frida fangirl”, and as an exhibition this is in some respects unsatisfying, but I left “reeling” from the “dizzying singularity of her vision”.

“There are few faces as familiar,” said Chloe Ashby in The Independent. Yet as the show demonstrates, she “had multiple selves: avant-garde artist; political activist; devoted wife; bisexual; disabled person; intellectual”. Her father was German, her mother “mestiza” (part Indigenous). In art and life, she “projected her shifting identity”. Among the “big hitters” here is a self-portrait painted in 1940, shortly after her divorce. It sees her “surrounded by greenery”, a “black cat and spider monkey peeking over her shoulders, a thorn necklace pricking her skin”.

There are some nice surprises, too: “The Chick” (1945) is an “exquisite” vision of “a fluffy, white fledgling”. Unfortunately, Kahlo’s own work represents only the first half of the show. Her “icon” status has made it hard to borrow her works, said Jonathan Jones in The Guardian. “Kahlo’s collectors, it seems, don’t care about supporting museums or sharing their treasures – I’m talking to you, Madonna.” The curators compensate for this “thin haul” by adding works by her contemporaries, and by artists who have been inspired by her one way or another.

Kahlo “was a sort of creative patron saint” to many artists, said Alastair Sooke in The Telegraph. Yet when we see homages here, we rarely see the original image that inspired them. This shifts the focus “from Kahlo to her imitators”; and much of their work is “boring and second-rate”. There’s a room concentrating on “Fridamania”, featuring everything from editions of a “canonical” 1980s biography, to a Frida Barbie doll – a tribute controversially manufactured “with lightened skin”. This could have been a “fascinating” exploration of the artist’s latter-day cult, but there’s too much padding here. The show feels like a “festive get-together at which the guest of honour is only intermittently present”.

Tate Modern, London SE1. Until 3 January 2027

Taylor Swift’s rumoured wedding celebrations kicked off last night at a star-studded New York event with a guest list of around 100 people, ahead of a much larger celebration today which could involve up to 1,000 guests.

Swift marrying NFL star Travis Kelce is “shaping up to be the biggest in showbiz history”, said The Sun, with “secret ‘military’ plans” to make sure it all runs smoothly.

‘Military-grade organisation’

Guests will be “ushered into the venue through an underground car park so they can get in and out without being seen”.

Madison Square Garden has “discreet entrances, a windowless roof and well-practised security arrangements”, so the public and paparazzi, “including drones”, can be “kept at bay”, said The Times.

Keeping their “nuptials almost completely secret” is a “feat” that will have required “military-grade organisation” and probably a “fair amount of legal paperwork”.

But some believe Madison Square Garden could be a red herring to distract attention from the wedding’s real venue. An MSG wedding is seen by some as “too tacky” for the “singer who writes about lakes, countryside, and enchanting fairytales”, said the New York Post. “You cannot convince me” that Taylor Swift isn’t getting married in a chateau in the French countryside, or “maybe even on the coast in Rhode Island”, a fan said on TikTok. But not MSG. “How stupid do you guys think we are.”

Dogs and drones

The logistics of planning a wedding for a celebrity “sound a lot like warfare”, said The Wall Street Journal. Former Navy Seals are “stationed at the door”, German shepherd dogs are “sniffing the perimeter”, radio frequency jammers will be “scrambling the Wi-Fi signal” and drones that “shoot down spying drones” are “locked and loaded”.

“Keeping things under wraps can involve multiple security teams, inner and outer circles of trust” and possibly “fake names and fake venues”. Sometimes guests “won’t know their final destination until they arrive”. They park their car and get put in a shuttle bus to the true location.

Hospitality staff “coming to a secret celebrity wedding site usually have to surrender their mobile and travel in a blacked-out vehicle”, said The Times. Guards are often “very attractive ex-military men in beautiful suits”, said Larry Walshe, a celebrity event designer. For anyone who goes “against the wishes” of the hosts and breaks an NDA, the punishment is that they are “de-friended”.

There’s not just the media and fans to consider. The city the wedding is planned for “might be plunged into a tailspin of resentment” by the prospect of being “invaded” by A-list celebrities and an “entourage” of designers, caterers, security staff and guests, said The Telegraph. Protest posters appeared in Palermo on the eve of Dua Lipa’s wedding to Callum Turner and in Venice last year during the wedding of Jeff Bezos and Lauren Sanchez.

And “rogue family members” can be “just as distressing” as fans, paparazzi and locals, said the WSJ. Michelle Rago, a luxury events specialist who has planned weddings for the likes of Brooklyn Beckham, said at one event a serious concern was preventing an ex-wife from crashing the party.

From a very modern romantic entanglement to an epic tale of power and class in Pakistan, here are some of the most exciting debut novels of the year so far.

Prestige Drama by Séamas O’Reilly

In his 2021 memoir, “Did Ye Hear Mammy Died?”, Derry-born journalist Séamas O’Reilly applied “gallows humour” to the death of his mother, said Michael Delgado in Literary Review. In his “slim but impressive” first novel, he adopts a similar approach, finding comedy in “the Troubles and the shadow they continue to cast”. The action – set in present-day Derry – centres on the disappearance of “glamorous American actress” Monica Logue, who came to the city to film a 1980s-set crime series, said Miriam Balanescu in The Spectator. Featuring a “cacophony of voices” (each chapter is narrated by a different townsperson), this is a “thoughtful novel” from a “startlingly perceptive writer”. O’Reilly doesn’t fully pursue the “missing-actor thread”, said Joanna Quinn in The Guardian. Some may wish he had given it “more prominence”. But his main goal is to create a “patchwork portrait of the city”. Full of “gloriously vivid” writing, and insights about how Northern Ireland’s past misfortunes are recreated and commodified in the present day, “Prestige Drama” is a “brilliant” debut.

I Want You to Be Happy by Jem Calder

Jem Calder – who grew up in Essex before moving to London 10 years ago – is a writer much concerned with the “specific indignities of living in the capital”, said Laura Hackett in The Times. Both his 2022 story collection, “Reward System”, and now this debut novel are full of observations about “extortionate rent, overpriced coffees and fickle trends”. Chuck, 35, is a copywriter who has just broken up with his long-term girlfriend. At a party, he meets 23-year-old barista Joey, and they begin a “halting relationship” – one driven by their shared ambition to be writers. “Calder is brilliant at parsing the nuanced power dynamics of this situationship”; he’s a writer of “genuine talent”. “Frustrated romantic entanglements” are hardly rare in novels, but “I Want You to Be Happy” also presents a “hyper-specific chronicle of the current moment”, said Natalie Perman in Literary Review. “A significant plotline involves the opening of a branch of Gail’s”; characters spend “a lot of time” on WhatsApp. Impressively, Calder makes us care about what happens; and his “humour lands”.

Upward Bound by Woody Brown

Woody Brown is a 28-year-old with a severe form of autism, which means he’s unable to speak or type, said Xan Brooks in The Guardian. And yet, he has produced a “triumphant first novel”, about a “non-speaking” person like himself and his experiences at Upward Bound, a “dismal adult daycare centre” in Los Angeles. Told from multiple perspectives, the novel is essentially a “series of vivid character sketches”, although it builds to a climax when a “client” of Upward Bound escapes. Both a “garrulous, charming story of a young man who can’t speak, and an inclusive, friendly guide to the overlooked and the isolated”, it is “moving and ringing with life”. It is controversial, though, said Laura Hackett in The Times. Brown communicates using a system known as “rapid prompting”, which involves him pointing at a letter board. Some say helpers can influence the process – others even suggest that his mother wrote the book. Yet even if you ignore its background, the novel “stands proudly on its own”. It offers a “fascinating insight” into the mind of a non-speaking autistic person, and is “genuinely entertaining”.

Discipline by Larissa Pham

This “spare” debut tells of a “lapsed art student”, Christine, who’s touring America to promote her own first novel, said Alexandra Jacobs in The New York Times. That book is a revenge fantasy about the former art school professor who seduced her, discarded her and destroyed her confidence as a painter. On her travels she shares her story with a variety of interesting characters. But all roads lead to a confrontation with the professor on an island off Maine, at which point the book “acquires Stephen King vibes”. Will Christine, like her protagonist, resort to murder? “Thickly pigmented” with suspense, Discipline shows that Larissa Pham “is a writer to keep a close eye on”. Pham’s “spiky” novel provides rich insights into the art world, said Ceci Browning in The Sunday Times. It’s “splattered with colourful descriptions of artists’ materials and references to specific paintings that will have you gleefully googling them”. On the surface, it’s about the aftermath of an illicit affair: but, as with a painting, “far more can be revealed with a longer, more thorough look”.

This is Where the Serpent Lives by Daniyal Mueenuddin

Writers who leave a long gap between books run the risk of being forgotten, said John Self in The Times. But I think Daniyal Mueenuddin “will get away with it”. The Pakistani-American author published his first book – the short-story collection “In Other Rooms, Other Wonders” – in 2009. It was widely acclaimed, and he was hailed as “Pakistan’s answer to Chekhov”. Now, 17 years later, comes his first novel, a “sweeping parable of power and fortune” set in Pakistan in the decades following Partition. Filled with “lovingly created characters”, it more than “lives up to expectations” – and is sure to be “all over the prize lists later this year”. Divided into four self-contained sections, the novel immerses us in a semi-feudal world where “property and influence are everything”, said Lucy Popescu in The Observer. We meet those at the top, and those at the bottom – and observe their fraught, often complex interactions. The prose is “exquisite, lush” and “evocative”. It really is an “exceptional novel”, said Stevie Davies in Literary Review. “From the opening pages, I knew I held a masterpiece in my hands.”

Workhorse by Caroline Palmer

Clo, the protagonist of this “diverting” debut, is a lowly assistant at a New York fashion magazine, said Siobhan Murphy in The Times. She starts out as a “classic outsider”, who’s often mocked by her snobbish colleagues. But while she poses as a “self-deprecating storyteller”, she’s actually ruthlessly ambitious – and has an “ample amoral streak”. Caroline Palmer, a former Vogue staffer, “brings impeccable insider knowledge to her takedown of the absurdities and indignities” of the glossy magazine world. The novel is too long – and sometimes loses “propulsion” – but it’s “often punchily funny”. Any novel set at a Vogue-like magazine will inevitably draw comparisons with “The Devil Wears Prada”, said Alex Beggs in The New York Times. Yet “Workhorse” feels closer to a more “sinister story, with a paranoid and untrustworthy antihero”: “The Talented Mr. Ripley”. Palmer is a witty writer, and her observations are “razor-sharp”, said Rhiannon Lucy Cosslett in The Guardian. Still, it’s quite an ask to spend 560 pages in the head of such a “seething, grasping” central character.

This, My Second Life by Patrick Charnley

In 2021, a “near-fatal cardiac arrest” left Patrick Charnley with a brain injury, said Tilda Coleman in The Telegraph. The former lawyer draws on this experience in his “impressive” debut – about a 20-year-old who has just suffered a similar injury. Needing to lead a simple life, Jago has returned to the Cornish village where he grew up, to help his uncle on his farm. It’s not a novel in which a great deal happens (though there is “some plot”, involving a local drug dealer). Charnley’s aim, rather, is to convey the “limitations of life after such an event” – and this he does “expertly”. Like his mother, the late poet and novelist Helen Dunmore, he has a “mellow, pared-back style”. Although this novel is inspired by Charnley’s experiences (as he acknowledges in a brief preface), to see it mainly “through the lens of personal trauma would be to do it a grave injustice”, said Christobel Kent in The Guardian. It succeeds as a work of art: written in “spare and beautiful” prose, it’s as “finely wrought as poetry, luminous with Jago’s sheer delight in the world”. This is a work of “piercing intensity”.

The French playwright Florian Zeller is best known for 2012’s “The Father”, the elliptical dementia drama that – in its film adaptation – won Anthony Hopkins his second Oscar, said Clive Davis in The Times.

But he has written more than a dozen plays in all, one of which, “The Forest”, had its world premiere in London in 2022. That play was a misfire – a “pretentious study of bourgeois adultery”.

“The Truth” covers similar territory but is a very different beast. A comedy that “breezes along”, it is like an “old-fashioned English sex farce” with a Gallic twist – and Lindsay Posner’s production is well worth seeing.

“The Truth” takes the physical comedy of French farce, and adds a “metaphysical dimension about whether accuracy and veracity are possible or even sensible”, said Mark Lawson in The Guardian. “Across seven scenes, each featuring two characters, alibis overlap and contradict. Lies may be a tactic to expose truth and vice versa until the plot twists into a double helix of deceit.”

Zeller nods to his debt to Pinter’s “Betrayal”, the “guvnor of adultery dramas”, and as in that play, the two men here “are more faithful to their friendship” than to their wives. “The Truth” is one of seven Zellers translated into English by Christopher Hampton (of “Les Liaisons Dangereuses” fame), and it is “made seat-shakingly funny by four fabulously fibbing performers”.

The play opens with a classic farce set-up, said Caroline McGinn on Time Out: a bed from which the rumpled head of Stephen Mangan’s Michel “emerges, looking roguishly pleased” with himself, next to the less satisfied head of Alice, who we discover is the wife of Paul, his best friend. What follows is 90 minutes of tightly plotted light entertainment, and Mangan fans will not be disappointed: he is terrific as the charmer who thinks he is managing to deceive everyone around him.

The other actors – Janie Dee, Sarah Hadland and Ardal O’Hanlon – also expertly navigate the “gathering reliance on contrivance”, and some tricky tonal shifts, said Matt Wolf on London Theatre. This is not a profound piece, but it is fun, in a staging that has been “polished to a glistening sheen”.

Apollo Theatre, London W1. Until 12 September

Across five “pacy” episodes, “The American Experiment” (Netflix) “draws you into the grand story of how a British backwater became the most powerful nation in the annals of humanity”, said Ed Power in The Irish Times.

The series, directed by Brian Knappenberger and produced by Tom Hanks, offers a bird’s-eye view of America since the 16th century, and features more than 60 talking heads (including Mike Pence, Ted Cruz, Hillary Clinton and Al Gore), who weigh in on the US’ origins and its “enduring fabulosity”. Yet the series is not entirely “self-congratulatory”; as it gets into the weeds of US politics, it makes it clear that all is not entirely well at the centre of Pax Americana.

The series makes use of an “awful lot” of voices, said Carol Midgley in The Times, but they are “woven tapestry-like to present a compelling, clear narrative that is detail-dense and immersive”. Dramatised re-enactments provide welcome breaks from the expert commentary, and the battle scenes are brilliant. It is a “punchy, spiky but cerebral few hours” that convey that the experiment is evolving – and fragile.

The commentary on American ideals is compelling, said Lucy Mangan in The Guardian, but there is an awful lot to take in. You might start to feel numbed and exhausted by the detail. The series lacks the flair of Ken Burns’ recent series “The American Revolution” (on the BBC), and it is all so carefully balanced that, at times, it starts to feel like “the televisual equivalent of consuming a kale smoothie on a wellness retreat”.

Jodie Foster has appeared in several French films, said David Sexton in The New Statesman – she speaks the language fluently, having attended the Lycée in Los Angeles as a child and lived in France for nine months, shortly after her breakthrough role in “Taxi Driver”. But this is her first lead role in French, and “it is her casting that makes this movie, a teasing melee of genres, work – more or less”.

Foster plays Lilian Steiner, a bad-tempered Jewish-American psychoanalyst, living in an elegant apartment in Paris, but now separated from her French husband Gaby (the “ever enchanting” Daniel Auteuil).

Things are not going well for her. One of her former patients has seemingly died by suicide using drugs that Lilian had prescribed her illicitly. She is being blamed, but Lilian suspects foul play by the patient’s partner and daughter, and recruits her ex to help her with some “dodgy sleuthing”. The set-up is good, and for the first few minutes it is “hugely enjoyable and promising”, and you wonder where it’s heading: “a satire on therapy? A family romance? A murder mystery?” Alas, the film tries to embrace them all, while never quite fulfilling any.

There are points when the story “probes potentially rich psychological territory”, touching as it does on Lilian’s suppressed childhood memories and her Jewish identity, said Philip Concannon in Sight and Sound. But ultimately, this “convoluted mystery, cluttered with red herrings and signifiers, doesn’t grip”.

Still, it is worth watching for Foster’s performance alone, said Deborah Ross in The Spectator. “She is Lilian through and through – and there isn’t a single scene where she doesn’t make an interesting choice or something doesn’t flicker over that face that keeps you hooked.”

The life of Juan Carlos I, Spain’s 88-year-old former king, has been one of “richly deserved triumph followed by richly deserved disgrace”, said Jim Lawley in The Spectator. And it’s a life that is superbly charted by Paul Preston in this “magisterial” biography.

Born in Rome in 1938, Juan Carlos was the son of Don Juan de Borbon, the exiled heir to the Spanish throne. Aged 10, he was sent back to Spain by his father, to be indoctrinated in the “political tenets” of Spain’s fascist leader, General Franco – who’d intimated that this could pave the way for a “restoration of an authoritarian monarchy”. Taking a close interest in the prince’s education, Franco would regularly lecture his charge “on the mistakes made by previous Spanish monarchs”.

It was a “very lonely” childhood, but Juan Carlos emerged as Franco’s chosen successor, and was proclaimed king after Franco’s death in 1975. Contrary to the dictator’s wishes, he then set about initiating democratic reform. In 1981, his “supreme test came” when he faced down a military coup. “Grateful Spaniards poured out onto the streets”, to hail the king who’d saved their democracy.

If the first half of this book “tells the tale of a lonely boy who turns into a noble king”, then the second “tells of his transformation from noble king into corrupt sleazebag”, said Craig Brown in The Sunday Times.

Having always been “something of a playboy”, Juan Carlos married Princess Sofia of Greece in 1962. But that didn’t staunch his appetite for what Preston calls “industrial-scale adulteries”. Although estimates vary, according to the highest figure mentioned he has slept with 4,786 different women – a voraciousness matched by his talent for procuring mammoth “gifts” from Middle Eastern rulers ($10 million from the Shah of Iran; $100 million from the Saudis), and a taste for “bear hunts and elephant hunts”. In 2014, “beset by political scandal and ill health”, he was “obliged to abdicate in favour of his son, Felipe”. Since 2023, he has lived in Abu Dhabi.

“Preston’s narrative is perhaps needlessly haunted by the question ‘Why?’,” said Jeremy Treglown in Literary Review. Seeking psychological reasons for Juan Carlos’ self-indulgence, he writes of the “strain of having to please two antagonistic masters” – his father and General Franco – and describes a horrifying accident in his late teens, when he fatally shot his “intellectually more able” younger brother while playing a game with an ornamental pistol. Yet the references to his “damaged psyche” don’t seem altogether convincing. “You don’t need to have read ‘Don Quixote’ or ‘King Lear’ to know that some men just go nuts.”

Sheffield’s musical adaptation of the 1963 Cliff Richard hit film “radiates enough rays of feel-good energy to leave you with a tan”, said Matt Barton on The Stage.

The story follows a group of friends who take a road trip across Europe in a double-decker bus. The gang travel through France, Switzerland and Italy towards their final destination of Greece, picking up a pop group and a mysterious American singer along the way.

But beyond the “globetrotting destinations”, it’s about the journey, which “provides a vehicle for Richard’s easy-going hits”. They beam with “warm familiarity”. The audience is kept in a “gentle sway, while pops of colour burst out of the sepia set and the boys step out of their boiler suits to strut around in stripy shirts”.

Amanda Stoodley’s costumes are “fabulously colourful, heightening the feel-good fun factor”, said Jacob Bush on The Reviews Hub. “The 1960s aesthetic is perfectly captured while somehow still feeling fresh.” Though the structure of the bus is “mainly left to the imagination”, it is “impressive to see a full-size Mini and scooter on stage”.

Directors Elizabeth Newman and Ben Occhipinti ensure the show is “packed with hits” and delivers an “irresistibly feel-good evening" in Sheffield’s Crucible Theatre, said Mark Brown in The Telegraph. Versions of the show were staged in 2018 and 2019, but Michael Gyngell and Mark Haddigan’s adaptation adds a “twist” by moving the opening scenes of the “charming” journey from London to Sheffield.

The cast is undoubtedly “talented”, but George Jones as the “fine-voiced, charismatic Don is a standout”. In fact, “he gives an even more likeable and magnetic performance than Sir Cliff himself”. The score is “crowd-pleasing” and boasts many of Richard’s well-known songs, including “Bachelor Boy”, “The Young Ones”, “On the Beach” and, of course, the title number.

It is an “immensely good-humoured and infectious show”, said Ron Simpson on WhatsOnStage. Opposite Jones, Fanta Barrie has a “standout turn” morphing from “glamorous singer to urchin boy to Don’s ever-graceful bride”. There was, however, one problem that the Crucible “could do nothing about”: singing the title number with the lyrics “We’re going where the sun shines brightly” to an audience “gasping in the current heatwave!”

The Crucible Theatre, Sheffield until 18 July, then Blackpool Grand Theatre

After scoring tickets to see your favorite team, you are going to need to book somewhere to stay if you don’t live nearby. The cold, hard facts: The best accommodations are always within walking distance.

You can enjoy the game, stay for every inning or quarter and not worry about leaving early to beat the lot-exiting traffic. These seven hotels are close to — and in one case, in — some of North America’s biggest sports venues. They’re not just convenient, though. They are straight-up great stays.

The Anthem Hotel, Inglewood, California

The thrill of the game continues at The Anthem Hotel. This vibrant hotel is in the “lively” Stadium District, next to Intuit Dome and down the street from SoFi Stadium and Kia Forum, said The Points Guy.

All of the comfortable rooms were recently renovated and are decked with blackout curtains. There are also, for an immersive experience, themed suites that celebrate L.A. basketball and soccer. Cool off in the “massive” pool, and enjoy cocktails at the colorful Soundwave Pool Bar or rooftop Tom’s Watch Bar. (rates from $130)

Caravan Court, Arlington, Texas

A historic motor court, aka a vintage roadside motel, has been revamped for the modern age. Caravan Court’s well-appointed rooms come with stocked Smeg refrigerators, Nespresso coffee makers, smart TVs and wireless charging pads.

AT&T Stadium and Globe Life Field are short walks away, so before and after the games you can swim in the hotel pool, relax in a private cabana and hang in the Idle Hour Social Club or Elora Sky Club rooftop lounge. (rates from $152)

Carté Hotel, San Diego

Petco Park is a fast walk — or even quicker trolley ride — from Carté Hotel. The sleek property features several odes to San Diego landmarks, starting with the heated saltwater pool inspired by the Balboa Park Lily Pond and gazebo honoring the Botanical Building.

Head to The Rooftop for craft cocktails and live music with a side of fantastic city views. The bar’s game day menu features all the bites you want to eat while watching sports. You know the ones: buffalo wings, cheeseburgers, beer-battered fries and other edible kin. (rates from $232)

Fidelity Hotel, Cincinnati 

The spectacular 1913 Beaux Arts Gwynne Building has been transformed into Fidelity Hotel Cincinnati, the city’s newest lodging. The sophisticated rooms and suites feel like home, with plush couches and beds.

Oversized windows look over downtown, and Great American Ball Park, home of the Cincinnati Reds, is right around the corner. When it’s time to eat, there are two restaurants to choose from: the full-service Gwynne and grab-and-go Cora’s All Day Café. (rates from $143)

Hotel Commonwealth, Boston

The Hotel Commonwealth’s Fenway Park Suite is a mere 507 feet from the legendary stadium, bringing guests as close to the action as possible. Fans will appreciate the one-of-a-kind decor and furnishings, including original seats from the ballpark, an authentic scoreboard and a coffee table signed by Red Sox players. From the balcony, there’s a direct view into Fenway, which is a five-minute stroll away. Hotel Commonwealth occupies an entire block in Kenmore Square and is known for having “comfy” mattresses and “warm” service, said Condé Nast Traveler. (rates from $362)

The Rally Hotel, Denver

Guests at The Rally Hotel love its “rare mix” of “sports excitement and luxury amenities,” said Rolling Stone. Adjacent to Coors Field, the property offers “quick access” to Colorado Rockies games and McGregor Square’s restaurants and stores.

Rooms are “stylish” and “upscale,” featuring curated art and one-of-a-kind furnishings, and the rooftop pool boasts impressive city views. At check-in, guests are greeted with a glass of Coors Banquet or seasonal wine, and additional amenities include ice cream during the hotel’s social hour and access to s’more kits and roasting tools. (rates from $253)

Toronto Marriott City Centre Hotel, Toronto

You can’t beat the sights from Toronto Marriott City Centre Hotel. It’s inside Rogers Centre, home of the Toronto Blue Jays, and several accommodations peer directly into the field.

From inside The Rawlings Room, guests can watch the action unfolding a few feet away. That could include batting practice and warm ups, or the big game itself. The hotel’s Sportsnet Grill also offers a great vantage point of the stadium, with floor-to-ceiling windows and plenty of big-screen televisions broadcasting every inning. (rates from $265)

Prediction markets have already made their mark on Americans, but right now they are especially persistent about attracting a particular audience: women. Social media campaigns are popping up online, urging women to place their bets on sites like Kalshi and Polymarket. Instead of sports, though, women are wagering on their knowledge of pop culture.

Gambling is in its #girlboss era

Up until recently, prediction markets have had a “dude problem,” said The Atlantic. Despite hosting all kinds of wagers, including celebrity gossip like Taylor Swift’s possible bridesmaids, the user base has skewed mostly male. They have largely become “yet another place for men to bet on football and March Madness.” Now, Polymarket and Kalshi are trying to lure more women to their sites using “social media campaigns that parrot the language of female empowerment and girlish memes.”

Some posts are company advertisements, while others are paid influencer partnerships. These are “either undisclosed partnerships” or made by “women who are just super excited to post a suspicious amount of links to Polymarket,” the Atlantic added. When the markets attempt to entice women, they “especially tend to lean into the idea that all of this is investing, not gambling.” Kalshi, in particular, has been “ramping up its efforts with women.” The fact that one of the company’s co-founders, Luana Lopes Lara, has become the youngest self-made female billionaire only adds to the #girlboss appeal.

A campaign that seems to be gaining particular steam appeals to the fanbase of the popular dating reality show “Love Island USA.” The massive fandom, which includes a large proportion of women, is “already doing the forecasting work of analysts,” so the “pipeline from group chat guesswork to prediction markets” is “evidently short,” said Time. Kalshi is capitalizing on the cultural phenomenon by “showing up where the fandom already lives,” sponsoring influencer posts that are “turning episode recaps into market analysis.”

In the first two weeks of the latest season of “Love Island USA,” the show’s markets “amassed more than $20 million in trading volume on Kalshi,” said Time. For context, the latest Oscars race for Best Picture “drew $25 million in trading volume.” The show is testing whether “social-media dominance” can translate into “record trading volume for a television show” and whether the show’s “female-skewing audience can reshape who trades on prediction markets.”

The value of women traders

Prediction markets “operate on a simple premise”: Prices get “smarter when a more diverse public participates,” and a “crowd dominated by one kind of trader can only be so wise,” said Time. The “significance in the marketplace” of “Love Island USA” may have “little to do with forecasting the winner of a reality dating show,” and everything to do with “bringing prediction markets closer to the wisdom of crowds they promise to harness.”

Simply put, women are “50% of the population,” Elisabeth Diana, Kalshi’s head of communications, said to The Atlantic, noting that 26% of Kalshi account holders are female — up from 13% just 10 months ago. The more women there are betting, the “closer these sites get to their stated goal of forecasting the future,” said the outlet. If they want to be able to predict the “Fed’s next interest rate, the winner of The Bachelor or whether or not it will rain tomorrow in Poughkeepsie,” a market “made up only of male sports fans won’t cut it.” If women start “using them en masse,” prediction markets will “burrow into American life even more deeply.”

Regardless, the threat of gambling addiction looms over the growing popularity of prediction markets. There is “going to be an absolute epidemic,” Kitty Martz, the executive director of Voices of Problem Gambling Recovery, said to The Independent. It is worrying that companies are targeting Gen Z and young millennials because they are at a stage of life when they are “trying to have some equity in getting into the workforce, [buying] homes and paying off tuition.” Women have these “very specific concerns,” and the prediction markets’ strategy seems to be to “convert that concern into contracts.” There need to be “actual, robust warnings” that the “more you do it, the more you’re going to lose.”

Refik Anadol isn’t just any artist, said Laura Hertzfeld in The Art Newspaper. He’s “a mad scientist who is translating one of the most complicated questions of our time—how we can use AI for human connection and deeper understanding—into a visceral experience.” At Dataland, a new Los Angeles attraction developed by Anadol and billed as the world’s first AI arts museum, the 40-year-old Turkish American innovator has created an immersive exhibit, “Machine Dreams: Rainforest,” that “captures something that has been lost in many museums’ experiments with new technology—a sense of joy.” Visitors entering the show don neck rings and wrist bands, the first to add the aromas of earth and flowers to the multi-sensory experience, the second to adjust the visual displays to each person’s emotional response. In the five galleries that lie ahead, digital data drawn from 16 rainforests produce ever-changing images set to orchestral music, creating an experience that’s “part science experiment, and part immersive theme park.”

“Dataland is an entertainment complex designed to astonish,” said R. Daniel Foster in Forbes. In the cavernous first gallery, “enormous flowers unfurl and sail away into fractals” while “light tunnels into new worlds” and “flocks of birds, if they are indeed birds, dive and soar.” The images are often realistic but sometimes “burst into fields of data,” as if the AI generator “has remembered that it is indeed not sentient.” Meanwhile, the “overwrought” orchestral music, blasted through 250 speakers spread throughout the show, “hits you from everywhere.” As a person who’s neurodivergent, said Julia Paskin in LAist, “I revel in sensory stimulation but can also find it overwhelming, even physically painful.” In that first gallery, “both experiences were true for me.” On the plus side, “it was the closest experience to being on a psychedelic you can get without consuming anything.”

Before visitors enter the show, they may experience shock at the ticket window, said Daniel Farr in the New York Post. Adult tickets start at $49 and reach $79 at peak times, making Dataland “one of the priciest museum experiences in Los Angeles.” But “if experiential spaces are the new films, then Dataland is Citizen Kane,” said Ann Hirsch in Artnet. A generative-art project Anadol installed in 2023 at New York City’s Museum of Modern Art was dismissed as a high-tech lava lamp, but this show “feels so real you could live inside it.” You might have questions about how your heart rate and skin temperature, as measured by your wristband, affect the images the AI generates from its data banks. But those questions don’t matter. “The data is neither the content nor the form; it’s the paint,” and Anadol has used that paint to create an incredible experience. “My 6-year-old left Dataland saying she wanted to go back every day. That may be the highest praise an artist can receive.”

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Deborah Lutz, a professor of Victorian literature and culture, is the author of six books, including The Brontë Cabinet and This Dark Night, a new biography of Emily Brontë. Below, Lutz recommends six books for lovers of biographies.

‘Virginia Woolf’ by Hermione Lee (1996)

Woolf composed her great modernist novels and her brilliant essays while troubled by suicidal thoughts and the tumult of two world wars. Lee’s portrait, searching and moving, first sparked my enthusiasm about biographies as histories of eras and of minds. Buy it here.

‘Survival Is a Promise’ by Alexis Pauline Gumbs (2024)

This book is a poetic love letter to writer, poet, philosopher, and civil rights activist Audre Lorde. Gumbs makes the case that Lorde’s community organizing, teaching, and radical feminist lesbianism had a cosmic reach. She convinced me. This book also sent me back to reading Lorde’s marvelous poetry. Buy it here.

‘The Brontës’ by Juliet Barker (1994)

A giant, door stopping account of an entire literary family, Barker’s book is a monumental achievement. But it is also riveting and tragic, telling of the passions, failures, and early deaths of the four Brontë siblings, with a specific focus on Emily and Charlotte, the authors of Wuthering Heights and Jane Eyre. Buy it here.

‘Margaret Fuller’ by Megan Marshall (2013)

Fuller, an early feminist, played a central role in many progressive movements in 19th century America, including abolition and prison reform. In this deeply researched and absorbing life story, Marshall places Fuller among the famous thinkers of her day and proves that Fuller should be as famous as they are. Buy it here.

‘Super-Infinite’ by Katherine Rundell (2022)

A short account of the life and times of the Elizabethan poet John Donne, Rundell’s book bristles with energy and vivid set pieces. She tells of his many lives—scholar, clergyman, diplomat, and adventurer—and carries the reader into the courts and brothels of London. Buy it here.

‘Jane Austen’ by Claire Tomalin (1997)

It is easy to imagine a dull biography of Austen, since, apart from writing her great novels, not much happened in her life. Brisk and amusing, Tomalin’s book contradicts such simplification. Reading about how Austen set about writing and publishing her novels is delightful. Austen’s witty letters take center stage. Buy it here.

‘Communion: Finding My Way Back to Faith’ by JD Vance

“For its first 177 pages, JD Vance’s new book is a thoughtful read,” said Molly Olmstead in Slate. It begins roughly where Hillbilly Elegy, his breakthrough 2016 memoir, left off: with the 2005 death of the grandmother he called Mamaw. Vance, raised in the Pentecostal-evangelical tradition, had by then become, in his words, “an angry atheist.” In Communion, our vice president depicts his journey to converting to Catholicism in 2019 with real care. Then the account reaches the start of his political career, and “what happened here is clear”: He wrote that first part of this book before he decided in 2021 to run for a U.S. Senate seat. Vance suddenly begins trashing straw-men foes and weakly defending his flip-flop on Donald Trump, and it’s depressing because, until then, “you might have forgotten you were reading a book from the same Vance who supported Immigration and Customs Enforcement’s brutal crackdown in Minneapolis.”

He talks early on about the importance of being humble in the face of life’s complexity, said Barton Swaim in The Wall Street Journal. But by the book’s second half, “he has cast humility aside,” suggesting, among other things, that the government should do more to make businesses fairer and kinder. At one point, he falsely accuses a conservative policy analyst of prioritizing corporate profits over family, and his “egregious” misreading of her argument “typifies the low regard he has for people who profess views he dislikes.” His arrogance is such a feature of the thinking, said Alexandra Petri in The Atlantic, that his new book reads like an account of “how he finally decided that Catholicism met his exacting standards.” He has famously counseled the pope to “be careful when he talks about matters of theology,” and here he complains that Pope Leo XIV’s emissaries weren’t specific enough when they directly shared concerns with him about the Trump administration’s inhumane treatment of migrants. “What did they take issue with, exactly?” he writes.

Still, Vance’s book “offers a telling look into the movement he may try to reform,” said Christian Paz in Vox. “I found his faith journey moving,” and it tracks with that of many young men who, after becoming disillusioned by secular culture, find meaning in the millennia-old teachings and rituals of the Catholic Church. So far, though, he can’t square the cruel politics of the president he serves with the church’s teachings about how to turn faith into good works. Communion reads to me like a book by a man “who has a deeply anxious personality, carries serious real scars from his childhood, and doesn’t really know who he is even now,” said Michelle Cottle in The New York Times. Having found some answers in Catholicism, “he seems upset that he can’t find a way to map that onto the world.”

‘The Traveler: One Man’s Quest for Humanity From the South Seas to Revolutionary Paris’ by Andrea Wulf

“George Forster is one of the most fascinating figures you have probably never heard of,” said Jennifer Szalai in The New York Times. Fortunately, Andrea Wulf’s new book “thrillingly” resurrects the 18th-century polymath’s life story, recounting how he became famous by his early 20s as a traveler, scientist, and author who was ahead of his time in speaking out against racism and sexism. Born in 1754 in a Prussian village that’s now part of Poland, Forster was 10 when he began traveling with his father, a pastor and naturalist. By 17, young George was living in England and fluent in several languages when he joined Capt. James Cook’s second voyage to the South Seas. He shared his vivid observations in a remarkable 1777 book, and however forgotten he is today, “it is invigorating to read him observing, thinking, and enthusing on the page.”

Likewise, “it is unusual to devote almost half a biography to only three years of a subject’s life,” said Nick Bartlett in The Guardian. But that’s how crucial the Cook voyage was in shaping Forster’s unusual sociopolitical views. He was instantly appalled by how his fellow Europeans treated the Indigenous peoples they encountered, devoting his time to getting to know the targets of the bias. Transformed, Forster wrote about his findings in 1777’s A Voyage Round the World and for the remainder of his life railed in his writings against the racism he detected in the philosophical writings of Immanuel Kant and Jean-Jacques Rousseau. Wulf came to know Forster’s mind so deeply that we follow his adventures “as if perched on his shoulder.”

“Forster was, on Wulf’s ample evidence, good to the core,” said John Banville in The Wall Street Journal. Life, though, was less kind in return. His father, who inspired his intellectual curiosity, was an irascible man who took more from George than he gave. Forster’s friends cuckolded him and his wife disdained him. Late in life, “Forster’s good sense deserted him,” as his enthusiasm for the French Revolution inspired him to openly back the Reign of Terror. He’d die in Paris of an illness at just 39. Still, “how many men of twice his age have lived a life so marvelous and rewarding?”

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Summer is here, and it’s time to fire up the grill. Cooking outside keeps your house cooler and cleaner — and when you use these nine tools and accessories, making yourself one with the flames is a whole lot simpler.

Bambusi meat cutting board

Grill masters will love this “smartly designed” bamboo board, said CNET. Treads on one side of the “sturdy” block help “stabilize slick meats,” and a deep juice groove catches “all that liquid gold for basting or making sauce.” The other side is smooth and great for prep work like chopping vegetables. ($25, Amazon)

Black Diamond Spot 400-R headlamp

Sometimes grilling sessions last into the night, or you want to get started after dark when temperatures drop. Wearing a headlamp ensures you can see what you’re doing and cook safely well after the sun goes down. The Spot 400-R is a “small, powerful and effective” headlamp with a “simple and intuitive” user interface, said GearJunkie. It’s lightweight, rechargeable and can run on low for 225 hours. ($58, Amazon)

GIR silicone basting brush

With its long handle and two types of durable bristles, this basting brush is “perfect” for “applying marinades and sauces while food is on the grill,” said The Strategist. Silicone is highly heat-resistant and also makes cleaning a “breeze.” (starting at $10, Amazon)

Grillaholics grill basket

Throw your diced vegetables in the basket, and let the grill do the work. The stainless steel basket’s “larger perforations” provide “better heat and air circulation” and give veggies more contact with the grate, resulting in “more color and flavor,” said Wirecutter. The basket can also be used for chicken wings, fish and small pieces of meat. ($30, Amazon)

Nordic Ware Naturals baker’s half sheet

Baking sheets aren’t just for cookies and one-pan dinners — they are also the “perfect vessel” for transporting food to and from the grill, said Wirecutter. This half sheet is made of “sturdy” aluminum and has a 1-inch rim you can “grip comfortably with one hand while working fast over the grill.” The galvanized rims also won’t warp, so you can plan on keeping the sheet for years to come. ($33, set of two, Amazon)

Oxo Outdoor Grilling turner and tongs set

Made of stainless steel with nonslip grips, Oxo’s turner and tongs help you flip burgers, rotate hot dogs and even open bottles with ease. Both tools are sturdy, and come with metal loops at the end so you can hang them. The scalloped tongs are especially useful, with extra-long handles that are the “perfect length” and a built-in bottle opener if you want to enjoy a cold beverage grillside, said Serious Eats. ($24, Amazon)

Scrub Daddy BBQ Daddy grill brush

Using a wire-bristle brush to clean your grill is “out,” as the sharp fibers can “dangerously” dislodge, get stuck to grill grates and “end up in your food,” said Food & Wine. The bristle-free BBQ Daddy is made with woven steel-wool mesh, and you just dip it in water, then let the steam of the grill “power” the brush through the “built-up deposits” and “residual gunk.” ($30, Amazon)

Thermapen One meat thermometer

Getting an accurate meat temperature is an important part of grilling, and the Thermapen One meat thermometer offers precise, consistent readings in about one second. You’d be “hard-pressed” to find an “easier-to-use” or “faster-responding” thermometer, said Food & Wine. The large display is backlit and “rotates to orient itself,” so you never have to “read the temperature upside down.” ($80.50, ThermoWorks)

Williams Sonoma mini rub bestsellers set

Kick your dinner’s flavor up several notches. Four of Williams Sonoma’s best-loved rubs are in this sampler, with each blend of spices and seasonings bringing a different point of view to the table. The mildly spicy Potlatch Classic Seasoning combines paprika with chile pepper, while the Smokehouse Rub strikes a savory-sweet balance. Chile Lime Rub pairs bold New Mexican chiles with tart lime, and Butcher’s Rub mixes salt, pepper and garlic with chile flakes, paprika and mustard seed, plus a dash of Worcestershire sauce. ($30, Williams Sonoma)

If the weather doesn’t scorch, you want to be outside during the year’s hottest months. You also want to be drinking because you are going to need to both stay hydrated and take the edge off. These eight destinations run the spectrum from full-bore bars to semi-restaurants that also do drinking very well. Fun in the sun — or better still, shade — is how to hit the bars this time of year.

Bacchanal Wine, New Orleans

Bacchanal is New Orleans’ worst-kept secret: a top-tier, low-key destination with an enormous patio, far from the scrum of the French Quarter. At its core, “it’s just a really, really cool wine shop, with a great number of bottles prechilled,” said Imbibe magazine. That is merely the opening salvo. You could leave with your bottle, or you could head to the building’s back and share your bottle with a bunch of current — or new — friends while you nod along to the live jazz band.

Bowstring Brewery, Raleigh

If your idea of the ideal outdoor drinking spot involves 10,000 square feet, throngs of people and constant live music, Bowstring Brewery is where to be. There are more than 10 beers available by draft and endless others available in a can. The food menu is designed for people-pleasing, with pizza, wings and cheesesteaks. Sometimes, you want to hide in a bar. Other times, you want to be among loads of other drinkers. Bowstring is all about the latter.

Club Tee Gee, Los Angeles

Los Angeles is a wonderland of outdoor drinking spaces. But good luck finding one that sports the right vibe — cool but not trying too hard. Club Tee Gee nails it. The 75-year-old bar reopened in 2018 after a renovation and now has a “banging roster” of dance parties, karaoke nights and regular live music, said The Infatuation.

Jet Wine Bar, Philadelphia

Sparkling Spanish whites, earthy Georgian oranges, bright Chilean reds — Jet Wine Bar wanders wide for its exciting by-the-glass wine list. Out back on the patio is where you want to be while getting to know your wine. Once a month, there is a wine tasting group, and its leader, Jill Weber, comes at wine from an uncommon angle, taking attendees on “wild side quests through unexpected histories” about the day’s wine-growing regions, said Philadelphia magazine.

Metro, Indianapolis

This “laid-back” bar is the “gathering place for much of Indy’s LGBTQ+ community,” said Do317 of this bi-level institution. Mondays have $5 martinis, mules and margaritas, Fridays and Saturdays are for boogying upstairs and the patio at Metro is an any-day spot for a leisurely drink or three.

Paymaster Lounge, Portland, Oregon

A good dive bar rarely lends itself to outdoor seating. Too much sun and space can burn the allure away. Paymaster Lounge sizes its patio right, with plastic siding functioning as roof material and well-worn communal tables optimal for staying put. Two bonuses: an outdoor pool table, if that is how you want to pass your time, and a drink menu far better than it needs to be.

Strega, Nashville

“Casual but not sloppy,” said Nashville Scene about the admirable vibe of this new Italian-centric bar. On the ample patio are darts, a pool table and a shuffleboard, along with plenty of tables under umbrellas. The drinks at Strega, like the Cucumber Lemon G&T and Italian Margarita, are smart and accessible. From 4 p.m. to 7 p.m. during the week, pizza slices are a mere $1. Come thirsty, come hungry.

Supergeil, Detroit

In some ways, Supergeil, with its dishes that speak to the culinary connections between eastern Europe and northern Africa, can indeed be experienced as a restaurant. But the inspired cocktails, many of which are made with spirits from the local distiller Two James Spirits, demand that attention must be paid. Do so on the patio, and order a doner or lamb meatballs to help you keep drinking.

“It would take a lifetime to explore all of Scotland’s kelp-fringed islands,” said Mike MacEacheran in The Times. Stretching all the way from the “west-coast Hebridean chains” to the “northerly Orkney and Shetland archipelagos”, there are around 800 of these “mystical destinations” – although just under 100 are inhabited.

Whether you’re looking for a place to immerse yourself in nature or the setting for your next foodie break, these are some of Scotland’s best islands.

Jura, Inner Hebrides

Deer outnumber residents by almost 30 to one on this “sardine-shaped” island, said MacEacheran in The Times. On the western side, three mountains – the Paps of Jura – “rise up from stretches of blanket bog interspersed by lochans (small lochs)”. There are plenty of hiking trails to explore; be sure to walk to the north side of the island where you’ll find the “lonely” whitewashed house where George Orwell wrote “1984”.

Islay, Inner Hebrides

Just a short ferry ride from Jura lies Islay. Known for its distinctive, peaty whiskies, the island is home to a “whopping” 14 distilleries, said Robin McKelvie in The Telegraph. With its “floor-to-ceiling windows sweeping out to water”, Ardnahoe is the “stuff of ‘Grand Designs’”: stop by for a delicious lunch with whisky pairings. Book a room at the Port Charlotte Hotel which “feels like living in a postcard”.

Isle of Harris, Outer Hebrides

If you’re looking for “blissful isolation” and stunning scenery, make a pilgrimage to the Isle of Harris, said Ted Thornhill in The Independent. Luskentyre is one of the best beaches in the world: an “outrageous sweep of golden sand” that’s “almost totally deserted”. While the west coast is filled with beautiful sandy stretches that wouldn’t look out of place in the Maldives, the east coast is a “lunar-like landscape pockmarked with tiny lochs”.

Orkney mainland

Located on the Mainland, the largest island, Heart of Neolithic Orkney is a network of 5,000-year-old monuments that “blows Stonehenge out of the prehistoric water”, said McKelvie in The Telegraph. It’s worth travelling to Orkney to visit this Unesco World Heritage Site alone. But there are more “showstopping” landmarks to explore, such as Maeshowe where you can take a guided tour “down the long dark tunnel into the ancient burial cairn illuminated with Viking graffiti”.

Unst, Shetland

Britain’s most northerly inhabited island is a wonderful spot for birdwatchers. It’s home to the Hermaness Circular: a dramatic clifftop nature reserve where you can spot “puffins, guillemots and dive-bombing skuas”, said Kerry Walker in National Geographic. The “drama peaks at the island’s northern tip”, where you’re met with sweeping views of “rocky islets like Muckle Flugga – home to a 19th-century lighthouse built by the father of ‘Treasure Island’ author Robert Louis Stevenson”.

Addison, Vt.

Blue Heron Point, a shingled gambrel-roofed home on a headland with more than 1,200 feet of Lake Champlain shoreline, was built in 2001. The four-bedroom’s vaulted great room features northern hemlock timber and a floor-to-ceiling fieldstone fireplace; a lower level includes a gym, wine fridges, and another fireplace.

The 14-plus-acre property has a pool, trails, gardens, lawns, a pond, a barn apartment, and a lakeside lounge area. $5,500,000. Wade Weathers, LandVest/Christies International Real Estate, (802) 238-6362

Norfolk, Conn.

Located on 118 wooded acres, Katsura Lodge has about a mile of frontage on Winchester Lake. Built in 2004, the five-bedroom contemporary features a great room with vaulted wood ceilings, heart pine floors, a fireplace made from the property’s stones, a bay-window seating nook, and a high-end, wood-clad kitchen.

The lot includes a pool, tennis court, and boathouse. New York City is under three hours away. $7,250,000. Lenore Mallett, William Pitt Sotheby’s International Realty, (203) 209-1777

Six Mile, S.C.

This 2023 four-bedroom contemporary lodge in a gated community is steps away from Lake Keowee. The open-plan main room has exposed wood trusses, a stone fireplace, and a gourmet kitchen with aqua-hued cabinets and an eat-in island.

Outside on the almost 1-acre lot are a deck, a covered patio, and a dock. Clemson is about 15 miles away, and amenities nearby include a pool, gym, and dining. $5,999,000. Justin Winter, Justin Winter & Associates/Forbes Global Properties, (864) 506-6387

Grand Beach, Mich.

On the southern shores of Lake Michigan, this modern 2010 home’s glass walls offer full water views. The open-plan four-bedroom includes ceramic tile floors, a glass-sided staircase, a chef’s kitchen with granite counters, a fitness room, a balcony, and an elevator.

The nearly 1-acre lot on a private road has a pool and stairs leading down to the beach. New Buffalo’s casino, nature preserve, and dining are a short drive. $4,450,000. Liz Roch, @properties/Christie’s International Real Estate, (312) 636-8751

Sammamish, Wash.

In a Seattle suburb, this 1942 four-bedroom shingled lake home is on a stretch of private Beaver Lake shoreline. The living room has hardwood floors and beamed ceilings; the kitchen includes a peninsula and a sitting area that opens to a balcony; and the primary suite features a bath with heated floors.

Outside are evergreens, a hot tub, a wraparound deck, and a patio by the water. $3,390,000. Mei-an Yuen and Colin Dalrymple, Windermere Real Estate/Luxury Portfolio International, (425) 546-7399

Vernon, N.J.

Evergreen Cove, a 1960 ranch about 50 miles from Midtown Manhattan, is on East Highland Lake in northern New Jersey. The waterfront three-bedroom has hardwood floors, tongue-and-groove wood walls, exposed beams, a fireplace with a wood nook, French doors to a primary bedroom, and a country kitchen with a farmhouse sink and laundry.

A lake path leads to a private dock and firepit. $555,000. Robin Dora, Kienlen Lattmann Sotheby’s International Realty, (973) 570-6633

‘Maddie’s Secret’

Directed by John Early (Not rated)

★★★★

“The secret of Maddie’s Secret—or maybe it’s the central joke—is that the movie’s creator and star takes the whole thing seriously,” said Peter Debruge in Variety. In this “tricky, one-of-a-kind stunt,” comedian John Early sends up disease-of-the-week TV movies of the 1980s and ’90s while cross-dressing to play the title character, a woman with an eating disorder that’s reactivated by sudden fame. But the Search Party star “treads lightly here,” spoofing a movie genre while taking Maddie’s bulimia utterly seriously. The blend of high camp and deep sincerity works only because Early, while playing Maddie, “wins the audience over so thoroughly,” said Monica Castillo in The A.V. Club. Maddie is thrust into food-world stardom after her husband shoots a video clip that goes viral, but the pressure causes her to unravel. Some scenes in the movie are light and silly, including those pairing Maddie with a lesbian friend, played by Kate Berlant, who clearly loves her. Other sequences “take a deeply serious turn,” even landing Maddie in a hospital.

By then, “Maddie’s Secret has, without any fundamental shift in tone, begun to feel ultra-real,” said Sam Bodrojan in IndieWire. “The film’s climax, which has Maddie confronting her mother about her childhood, is a genuine showstopper, one that can only really work with the trust Early and company have built up with the audience over the preceding hour and a half.” The result is “a film of real kindness” that’s also “one of the boldest American movies I have seen in years.”

‘Rose of Nevada’

Directed by Mark Jenkin (Not rated)

★★★

“In the hands of a conventional filmmaker, this would be a conventional scary movie,” said Peter Bradshaw in The Guardian. Two strangers in need of money take work on a potentially cursed fishing trawler and discover when they return from two days at sea that it’s 30 years earlier in their village and that the lives they’d known no longer exist. But instead of using that premise to chase scares, British director Mark Jenkin “makes of it something more elusive and complex,” a movie that “feels like a remembered dream” and conjures “the claustrophobia of family and community.”

Co-star Callum Turner brings “an absorbing swagger” to the role of a drifter who suddenly finds himself with a wife and child in his new reality, said Josh Parham in Next Best Picture. George MacKay “makes a much more lasting impression,” though, because he plays a father and husband who loses his family when time mysteriously spins back to 1993. But even though Turner’s Liam and MacKay’s Nick find themselves mistaken for two men lost when the Rose of Nevada vanished in ’93, the story that then unfolds feels more conventional than the filmmaking. Because Jenkin films on grainy 16mm and overdubs his actors’ dialogue, said Tim Grierson in the Los Angeles Times, his movies have a disorienting effect. Fortunately, “everything that the casual moviegoer would consider ‘wrong’ about Jenkin’s approach is what makes his films so transcendently jarring.”

It is not just that you want to avoid adding additional heat to your home during summer. Skipping the oven and the stove for meals during the dog days also ensures a mere modicum of effort. Because the last thing anyone wants to do during summer is spend unnecessary time feeding themselves.

Bean Salad Marbella

The best bean salads are adventures in contrast. This legume-centric take on chicken Marbella combines prunes, capers and almonds with a plucky vinaigrette of red wine vinegar, maple syrup and Dijon mustard. In the interest of ease, choose whichever canned beans suit your fancy. (Get your recipe)

Everything Bagel Cottage-Cheese Dip

Cottage cheese: very much not just for breakfast! Acquaint your crackers and crudités with the pleasurable versatility of this savory dip. Bring out the premade everything bagel seasoning dip, or make your own. Stir it into cottage cheese, along with capers and scallions. Make the dip a day ahead or so, if you like. (Get the recipe)

Greens-and-Beans Sandwiches

Mashed beans are mixed with a sesame-scallion sauce then stacked with fennel, planks of feta and chile-spiked cucumbers on rye bread. Zip, crunch, salt, lushness — satisfaction in no time. (Get the recipe)

Raw Thai Citrus Crunch Salad

The dressing does the heavy lifting in this vibrant tangle of zucchini, carrots, cabbage and red bell pepper. You whir together soaked cashews, dates, lime juice, chile, ginger and garlic, then toss it with the uncooked vegetables. The result is both light and rich, precisely how you want to be satisfied when the scorching weather heckles. (Get the recipe)

Strawberry Malt Icebox Cake

Seven ingredients and many hours in the fridge are all this no-bake recipe requires. The cake anchor is dozens of vanilla wafer cookies layered with whipped cream laced with malted milk powder and strawberry slices. No muss, no fuss, all summertime deliciousness. (Get the recipe)

Sugared Melon with Cardamom and Mint

A sublime melon needs nothing further than a fork and your mouth. Then you go and toss it with turbinado sugar, salt, and smashed cardamom, let it sit for an hour or so and realize: Oh, now that is a whole other kind of delicious. (Get the recipe)

Tomato Tonnato

No, not toh-may-toh, toh-mah-toh. Toh-may-toh, toh-nah-to. Tonnato being the absurdly delicious — and absurdly simple — sauce of tuna, mayonnaise, capers and anchovies. Tradition dictates, in its birthplace of the Piedmont region of Italy, that tonnato is served with thin pieces of veal. Here, the lush puree is mounded on a plate, then topped with sliced ripe tomatoes, black sesame seeds, basil and flaky salt. (Get the recipe)

Wedge Salad with Tahini Green Goddess Dressing

The “green” comes from a glut of basil, cilantro, dill and parsley. The dressing’s base is mayonnaise and sour cream, along with the traditional addition of tinned anchovies and the untraditional — and inspired — inclusion of tahini. The wedge salad never saw the tahini coming and will never want to bid it goodbye. (Get the recipe)

The heatwave that’s broken records across the continent could change how we travel this summer as we face a new normal of sizzling temperatures.

The impact of extreme temperatures on “tourism-reliant” countries could be “huge,” Alejandro Saez Reale, a specialist in heatwaves and their impact at the World Meteorological Organization in Geneva, told National Geographic.

The parts of the Mediterranean that have recently experienced prolonged heatwaves, with temperatures exceeding 40C, may become less attractive. Areas that are increasingly affected by wildfires, drought or water shortages could also be hit.

Temperate spots

Travellers might increasingly seek more comfortable temperatures rather than the hottest destinations. They might also place greater value on where weather is more steady and therefore less likely to disrupt their holiday.

This could lead to a rise in the “coolcation” – a term that “neatly summarises” the “emerging trend” for European tourists “seeking out more temperate spots”. A study by the European Travel Commission in 2025 found 81% of Europeans were adjusting their travel habits due to the changing climate, with 15% actively seeking out cooler climates and 14% avoiding destinations prone to extreme heat.

Sustainable holidays, which boast features such as eco-certified accommodation, lower-carbon transport, and activities that support conservation, are also expected to rise in popularity. Forests, lakes, and cooler mountain environments could become more sought after.

Low-lying tropical islands threatened by sea-level rise and coastal erosion, and ski resorts at lower elevations, where shorter and less reliable snow seasons reduce winter tourism, could face a decline in bookings. Resorts are investing “heavily” in artificial snowmaking but the cost is “being passed on to skiers themselves”, said The Independent.

There is also a growing interest in “last-chance tourism”, or visiting places that are changing rapidly due to climate change, such as glaciers or coral reefs, said National Geographic. Ironically, this trend can increase the pressure on the very fragile environments that visitors are so enamoured by.

Finland, Norway, Poland and Iceland are recording double-digit growth in inbound visitors but this doesn’t mean the patterns have shifted entirely: last year, France and Spain were still the most visited countries in the world, with 102 million and 96.8 million visitors respectively, according to UN Tourism. So the “growth rate may have slowed”, but the number of visitors to these warmer countries “is not dropping”.

The Association of British Travel Agents (ABTA) said feedback from its members suggests that, “on the whole, people are continuing to travel much as they always have, enjoying Mediterranean destinations during the summer months”, so the “increased interest in slightly cooler destinations remains the exception rather than the norm”.

Ballooning costs

Flying is “one of the hardest activities to clean up” because “technological solutions and efforts to keep disasters from spiralling” mean the cost of a flight is “likely to balloon” if it includes a charge for “making planes greener or sucking carbon pollution back out of the atmosphere”, said Ajit Niranjan, The Guardian’s Europe environment correspondent.

Journeys could become trickier during the hottest months because heatwaves, storms, flooding and wildfires are expected to cause more delays and cancellations for flights, trains, ferries and even road travel. This means that travellers may increasingly avoid the peak summer months in very hot regions, and choose to visit during spring or autumn instead, spreading tourism more evenly throughout the year.

However, this might not mean they escape the issue because heatwaves are “spreading across the calendar”, said National Geographic. In May 2022, Spain endured a heatwave of “extraordinary intensity”, the following year in France, “severe heat” extended into September, and this year, much of the southwestern US was “hit by a March heatwave” with temperatures as high as 43C.

There are plenty of chances to see some impressive live comedians this summer. Get a laugh or two with these talented stand-up comics currently zigzagging across the States.

Mo Amer

Mo Amer has been entertaining audiences for a long time with his comedy, which often relates to his Palestinian heritage. Now he is back on the road with an ongoing tour across the United States.

Amer’s shows are popular, but if you can’t get tickets, don’t panic. You can still enjoy his comedy in the critically acclaimed Netflix show “Mo.” Plus, there may be another chance to see him onscreen, as Amer recently “teased plans for a feature-length film set in his hometown” of Houston, Texas, said the Houston Chronicle. (through November)

Bill Bellamy

If you want a blast from the past this summer, check out Bill Bellamy’s ongoing comedy tour. The comedian is best known for honing his comedic chops on HBO’s “Def Comedy Jam” but has evolved over the years to become a beloved stand-up artist.

“The thing about comedy that I love is you can take your real life and just embellish it,” Bellamy said to KTLA-5 TV. Audiences “come to see me, and they know they’re going to laugh, they’re like, ‘What is he going to say?’” (through October)

Alonzo Bodden

Until the end of summer, you can catch “Last Comic Standing” alumnus Alonzo Bodden as he takes his stand-up shows across several states. The funny man, who fans may also recognize from consistent appearances on NPR and the progressive news channel The Young Turks, began in a much different career field: aviation.

“Long ago, I fixed and built airplanes and worked at Lockheed,” Bodden told the Fullerton Observer, but “I could always make people laugh. When you put public speaking and being funny together, you start looking at comedy as a career.” (through August)

Ilana Glazer

Ilana Glazer wears many hats, among them comedian, actor, writer and director. But in the months ahead Glazer is going back to their roots with a stand-up tour across the U.S. and Europe.

Well-known for their acclaimed Comedy Central series “Broad City,” Glazer has recently talked about how current events inform their stand-up. “We are in this anti-human, techno-fascist moment in the United States,” Glazer told the Irish magazine Hot Press. The U.S. “feeds so much of global culture that I feel like it’s urgent to start having international conversations between real people in this way.” (through August)

Jessica Kirson

If you’re looking for a New York City original this summer, look no further than Jessica Kirson. Known for traversing the comedy club scene throughout the Big Apple, the stand-up artist is taking her talents on the road for the remainder of the year as part of a cross-country tour.

The tour is coming on the heels of Kirson’s acclaimed Hulu comedy special “I’m the Man,” and the comedian often “plays sold-out theaters across the country, drawing crowds who know her voice, her energy and exactly what kind of night they’re signing up for,” said Pridesource. (through Jan. 2027)

David Sedaris

David Sedaris is an American comedy icon, and now he is back on tour for nearly another full year. Sedaris may be better known for his humorous essays and novels than his stand-up career, but the funny man and NPR veteran is nonetheless recognized for his “dry, observational storytelling that explores family life, travel mishaps, retail oddities and human quirks,” said Sedaris’ website. His new tour “brings the celebrated humorist back to theaters with his signature blend of sharply observed memoir, diaristic humor and dry, conversational delivery.” (through Feb. 2027)

Ali Siddiq

Another Comedy Central veteran as the winner of the station’s first “Up Next” stand-up competition, Ali Siddiq’s ongoing international tour will have you laughing until nearly the end of the year. His tour is coinciding with “My Father,” a new stand-up special that explores Siddiq’s relationship with his late dad.

For Siddiq, who served time in prison before turning to comedy, joke-telling is cathartic. “I think that’s the biggest part of it, that I take the stories and me reliving them in front of people or revisiting them in front of people is healing,” Siddiq told NPR. (through November)

Emil Wakim

Emil Wakim endeared himself to fans during his turn on “Saturday Night Live” despite being on the show for only one season. He was also, notably, the first “SNL” cast member of Lebanese heritage.

Now, Wakim is bringing his stand-up on the road for a tour across the United States. If you can’t catch Wakim live, you’ll be able to see him on television soon enough, as he’ll be recording his first stand-up special for Netflix this October. The recording will take place on the same Indiana stage “where I started comedy nine years ago,” Wakim said on Instagram. “Everything has been for this.” (through October)

“Grand Theft Auto” fans have reacted with “shock and relief” after the announcement that “GTA 6” pre-orders are now open, “all but confirming that the game won’t get delayed once more”, said IGN.

Thirteen years after the release of “Grand Theft Auto 5”, the sequel is finally set to launch on 19 November 2026. It is expected to be one of the biggest releases in entertainment history and is projected to generate $7.6 billion (£5.67 billion) in revenue in its first two months alone.

But the journey has been far from smooth. Fans have now “waited two console generations for a new ‘GTA’”, while developer Rockstar “continually pushed back its next blockbuster’s launch – again, and again”.

Quest for perfection

“GTA 6” was announced in February 2022 and originally scheduled to hit shelves in late 2025, but this was pushed back first to May 2026, then to the current release date, 19 November.

The most recent delay, according to Strauss Zelnick, CEO of game publishers Take-Two Interactive, was due to “limited circumstances where more time was required to polish a title and make sure that it was spectacular”.

For avid fans of the franchise, the reaction to the delay was one of “resignation, frustration, déjà vu”, said the BBC at the time. Rockstar is a “notoriously perfectionist” developer: “Red Dead Redemption 2”, its most recent major release, “is still widely considered a benchmark for open-world video games due to its depth and obsessive attention to detail”.

Alongside broader industry-wide shifts that have made game development “more expensive, more complex”, Rockstar also has to contend with its own hype, with each success “raising ever-higher expectations” for future games.

Speaking in May at the TD Cowen 54th Annual Technology, Media & Telecom Conference, Zelnick stressed that “Grand Theft Auto” titles have never pushed for yearly releases. “What has driven the gap is the amount of time it takes to do something that is as good as it can possibly be for that intellectual property.”

Union-busting

The long wait and repeated delays may also be connected to with Rockstar’s decision to fire more than 30 staff who were trying to unionise, sparking a legal action against the developer.

The employees, the majority of whom were based at the gaming giant’s Edinburgh HQ, were dismissed in October 2025 for what the company called “gross misconduct”, claiming staff had discussed confidential information, including specific game features from upcoming titles, in a public forum.

The sacked workers dispute this, saying they were part of a secure union-focused Discord channel that existed to allow members to discuss unionising the company and improving working conditions. They also claim they were subject to blacklisting, a “practice in which information about workers engaged in union activity is compiled to facilitate discrimination”, said The Register.

The Independent Workers Union of Great Britain called it “the most ruthless act of union busting in the history of the games industry”. The case was raised at Prime Minister’s Questions in December, and Keir Starmer said ministers would investigate the allegations, describing the situation as “deeply concerning”.

This month, Rockstar lost a legal battle “which means fired unionised workers can continue to bring blacklisting claims against the influential games studio”, said Novara Media. The final employment tribunal trial is set to conclude in mid-October, just a month before “GTA 6” is released.

The RS5 is Audi Sport’s first plug-in hybrid, and the most complex car in its RS division, said Top Gear Magazine. “This is not your average Audi.”

It pairs a 2.9-litre, 503bhp twin-turbo V6 with a 174bhp electric motor, powered by a 25.9kWh battery. Despite weighing a “daft” 2,370kg in Avant form, it feels relatively light thanks to clever suspension and ground-breaking rear axle technology, and it can do 0-62mph in just 3.6secs.

“Exceptionally”, “unhingedly agile” for such a big car, the RS5 is “a hoot” to drive, said Autocar. It’s fast and also “supple” and “refined”, with a “very smooth response”. The steering is “always precise” and the car shows “great body control and resistance to pitch”. It has a 50-mile electric range, and should return about 70mpg officially, but the smaller 48-litre fuel tank means stops to refill.

The RS5 comes as a saloon or an estate, and there’s plenty of space up front, with two figure-hugging sports seats and lots of storage, said What Car?. The driver gets an 11.9-inch digital display, plus there’s a 10.9-inch passenger’s touchscreen and a 14.5-inch infotainment touchscreen, with crisp, clear graphics.

However, most functions are buried in menus and there are very few physical buttons. Higher-spec trims quickly drive up the cost.

“A summer’s night, attentive groundlings, gales of laughter: when the Globe is in its element, there’s no more magical spot,” said Dominic Cavendish in The Telegraph. “A Midsummer Night’s Dream” kicked off the summer season in April, in an enjoyable (if frenetic) staging which will play in rep until late August.

Now it’s joined by a “Much Ado” that is “one of the most charming accounts” of the play in years.

It’s a giddy, light-filled production of Shakespeare’s “romcom”, said Matt Wolf on London Theatre. Director Chelsea Walker brings “wit, incisiveness and vigour to a play shot through with those very qualities”, plus “a generous dollop of heart”.

“Much Ado” is “rightly celebrated as a showcase for one of theatre’s most-cherished sparring partnerships”, said Donald Hutera in The Times. Here the “skirmish of wit” between the “tart-tongued proto-feminist” Beatrice, played with “mischievous vivacity” by Pippa Nixon, and Ken Nwosu’s “equally marriage-wary” Benedick is a pleasure to behold. “This pair of frenemies function like opposing magnets whose push-me-pull-you attraction, outrageously exploited and manipulated by those around them, grounds the play in rollicking and sarcastic humour.”

Yet lurking beneath the frivolous “discourse on the vagaries of love” in “Much Ado” “are darker forms of pretence and deceit”. I’d say that the production has the balance between them “just about” right.

I felt that the evening could have leaned more deeply into the play’s problematic elements, said Arifa Akbar in The Guardian. For instance, the scene in which Beatrice’s young cousin Hero (Assa Kanouté) is humiliated at her own wedding to Claudio contains a powerful moment – but it “does not fully swivel”, as it should, “into stark, potentially tragic territory”.

Still, in its charms the production delights. Elegant and effervescent, it has a “universally adept” cast, and “simply gorgeous” costumes, dance and music (courtesy of a live band). It is “insuppressibly crowd-pleasing, eminently worth seeing”, and surely destined to be a “summer blockbuster”.

Globe Theatre, London SE1. Until 24 October

“If you dipped in and out of the documentary ‘Jon Snow: A Last Big Story’” (Channel 4), you might be confused as to what it was all about, said Benji Wilson in The Telegraph.

At one level, the film, in which Snow reveals his Alzheimer’s diagnosis, is a “touching tribute to a now diminished national figure”. But it also includes a “bravura piece of reportage”: while visiting Zambia with his wife, the neuroscientist Dr Precious Lunga, Snow hears about the collapse of a dam at a copper mine – a disaster that has gone largely unreported – and starts to investigate. The documentary weaves these two strands together to create a whole that is “deeply affecting”.

It’s a delight to see this veteran reporter back in his element, said Lucy Mangan in The Guardian, as he and his team break the story of the worst environmental disaster in Africa for 30 years.

We also see Snow in the grip of what is “an unforgiving, relentlessly worsening condition”: he repeats himself, has to be reminded why the camera crew is there, and doesn’t know what day it is. But “his compassion and his outraged sense of justice remains undimmed”: “if this is Snow’s swan song, it is as fine a one as he could wish”.

The film is deeply moving, and makes important points about Alzheimer’s, said Susie Goldsbrough in The Times; but I wish it had focused more on how the couple are coping with their everyday lives, and skipped Snow’s report, which was painful to watch, and ended up making the actual disaster look “queasily like a sideshow”.

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Summer is a sleepy season for new cookbooks. Publishers are stacking the deck for the fall, when a glut of books are sent into the world steeled for holiday gifting. But the publishing machine never quite halts, and the coming months do star a (smaller) collection of exciting new releases.

‘Cooking from Scratch: A Careful Selection of Useful Recipes’ by Toya Boudy

New Orleans is forever a keystone of African American culture. Boudy, a native New Orleanian, draws the thread from the Black past to the Black present, using the first known cookbook published by a Black woman, Malinda Russell’s 1866 text, “A Domestic Cook Book,” as a model. The subtitle of “Cooking from Scratch” is “A Careful Selection of Useful Recipes.” Practicality and lineage, with recipes that capture south Louisiana, like mini crawfish pies, and those that honor the homeland, like African spinach stew, anchor Boudy’s story in the now and the omnipresent before. (out now, $33, Countryman Press, Amazon)

‘Great Bakes from the Midwest: Modern Classic Recipes from the Midwest’ by Martin Sorge

The debut cookbook from Sorge, the winner of “The Great American Baking Show” in 2023, sprints across a variety of baking topics. It is a fitting approach, considering the show’s versatility demands. Chapters on cookies, bread and cobblers and their kin cover all the baking essentials.

There is often a Midwestern bent to Sorge’s recipes, proper for someone whose home base is Chicago. Focaccia bursts with the flavors of a Chicago hot dog. A Michigan Forest Cake employs the state’s famed sour cherries. Homey and precise, the book will prime you for baking success.(Aug. 4, $38, Agate, Amazon)

‘Coffee Shop at Home: The Ultimate Guide to Making Your Favorite Coffee Drinks’ by Katerina Diaz

You’ve heard the gripe: Millennials spend all their money on fancy coffee drinks. The bromide has been debunked, but there is power — and delight — in making coffee shop drinks at home. Diaz shows you how, by walking almost-caffeinated readers through how to shop for beans, buy equipment and brew. Plus, there are recipes for the syrups and techniques you crave, including Brown Sugar Oat Milk Shaken Espresso and Honey Lavender Latte. Yes, even pumpkin spice appears, in the form of Pumpkin Cream Cold Brew. (Aug. 11, $25, Clarkson Potter, Amazon)

‘Cooking Thai: Heritage and Modern Recipes from My Kitchen Notebooks’ by Pim Techamuanvivit and Andrea Nguyen

Plenty of chefs have Michelin-starred restaurants across different continents. Less common is a female chef doing so. All the more rare is a Thai American woman juggling that kind of constellation. Techamuanvivit, the Bangkok-born chef of San Francisco’s one-starred Kin Khao and Nari and Bangkok’s one-star Nahm, gets to the bones of Thai food. There are family recipes, alongside modern interpretations of Thai food.

A personal tale that also looks at one of the world’s great cuisines from a bird’s eye view, “Cooking Thai” might overturn your ideas of Thai food. Essential bonus: Techamuanvivit’s co-author, Andrea Nguyen, is one of the States’ premier cookbook authors, a guarantee that this book’s recipes will be clear-eyed and executable. (Aug. 25, $40, Ten Speed Press, Amazon)

‘Foods of La Frontera: Recipes and New Taste Frontiers from Both Sides of the Border’ by Pati Jinich

Jinich is like an ambulatory Benetton ad. She deftly flits between the U.S. and Mexico, aiming to not solely showcase recipes from both sides but to reveal the humanity behind those dishes. In her latest book, the Mexico City-born, Washington, D.C.-based author and television personality wanders the borderlands of the two countries.

Tamales are loaded with bean, chile and cheese. Chocolate deepens tres leches cake. Nachos receive the starry treatment they warrant. Whether you want to cook ideal versions of dishes you already know and love or crave to better understand the exceptional liminality of La Frontera, Jinich’s newest treatise is ready to assist. (Sept. 15, $35, HarperCollins, Amazon)

“‘Toy Story 5’ – do we need it?” asked Deborah Ross in The Spectator. It’s been 31 years since the first film came out, and “one worries for the narrative integrity of characters when an IP is thrashed to death like this”.

The latest instalment, however, does at least bring the franchise up to date by addressing one of the “pressing dilemmas of modern childhood”: screen time, and whether it will be the end of toys (“Extinction... Not again!” cries Rex, the dinosaur).

‘Delicious touches’

Our favourite toys still belong to Bonnie, but while Bonnie loves them still, all the other eight-year-olds now play in the digital world. To help her make friends, her parents grudgingly buy her a frog-themed tablet called Lilypad. It does not, however, go to plan: Bonnie not only gets hooked on Lilypad (Greta Lee), she ends up being cyberbullied via it. So the toys contact Woody (Tom Hanks), who left Bonnie’s room at the end of ‘Toy Story 4’, to ask for his help.

The film contains some “delicious” touches – Woody now has a bald spot and a paunch – and it is “superb” to look at – but it does all “feel a little generic”.

‘Loses its nerve’

The plot is “amazingly timely”, said Nicholas Barber on BBC Culture, and may be a bit “triggering” for some parents: this is the only Pixar cartoon that dwells on a child being “crushingly lonely”. But compared with the “peerless” first three films, it is short on good jokes, and heavy on subplots: one of them, about 50 Buzz Lightyear toys making their way across the country, could have been scrapped altogether.

The film also “loses its nerve with its own big idea”, said Peter Bradshaw in The Guardian: the “creepy” tablet turns out to be capable of “self-sacrificial heroism”. “Really? At least Lots-o’-Huggin’ Bear, the villain from ‘TS3’, had the courage of his evil convictions.”

“It’s well known that pregnancy and childbirth affect women’s brains and hormones,” said Camilla Cavendish in the Financial Times: so profound is the impact of “baby brain” that “a computer can tell a mother from a non-mother just by looking at a scan”.

How parenthood affects men is less well understood; but in her new book, Darby Saxbe, a professor of psychology at the University of Southern California, “fills an important gap in our understanding”.

Saxbe herself carried out one of the world’s only studies into how men’s brains are altered by having a child, and it revealed that men undergo many of the same changes as women, “though not quite as dramatically”.

In men, the “volume of grey matter shrinks”, enabling a “temporary tuning-up of the parts of the cortex that connect us to others’ emotions”. New fathers also suffer a drop in testosterone, which facilitates bonding with their infant, as well as making a “dad bod” likely.

Combining academic data with “stories about the men in her own life”, Saxbe’s book is a “refreshing” call to “bust the stereotypes of fathers as clueless or uncaring”.

Kierkegaard described becoming a father as a transition from the “aesthetic stage, which is mainly about yourself, to the ethical stage, which is mainly about other people”, said Thomas W. Hodgkinson in Literary Review. “Dad Brain” engagingly explores how such a “massive life change” manifests itself physically. The fact that it is about such an under-investigated area is both its “USP” and a weakness: Saxbe’s account of the “science of fatherhood” inevitably ends up feeling frustratingly patchy. New fathers lose 1% of their brain matter. Is that a lot to lose or a little? I’m still not clear. Still, “anyone due to become a dad” could do a lot worse than this accessible, “nicely done primer”.

Buy “Dad Brain” for £19.99 from The Week Bookshop

“With her first two albums, Olivia Rodrigo proved herself perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake,” said Mikael Wood in the Los Angeles Times. But her best work to date, starting with the 2021 smash single “Drivers License,” conveyed “the hot sting of betrayal.” On her “thrilling” third album, You Seem Pretty Sad for a Girl So in Love, the 23-year-old former Disney teen star opens with “a number of first-flush-of-love songs as potent as any breakup tune,” then brings new wisdom to the heartbreak that so often follows. To accommodate the wider range of emotions, this record “pulls in chiming folk-rock and synthed-up new wave” and even throws in “a gorgeous wine-bar piano ballad that might put the scare in Rodrigo’s pal Laufey.”

The result is Rodrigo’s “most complete, musically adventurous album yet,” said Julyssa Lopez in Rolling Stone. Beginning with “Drop Dead,” a recent No. 1 single, the initial run of songs captures the dopamine rush of love’s onset. But from about the halfway point on, “the seams come apart a little more with each track.” As the record progresses, she “dives into her insecurities with a mix of humor and honesty” until, in the end, “she comes to the brutal realization that you can adore someone more than anything and still have to let them go.”

Rodrigo “has always kind of been a theater kid,” said Jason P. Frank in NYMag.com. With this album, “she’s written a musical.” As in a musical, “the songs are constantly looping back in on each other, rewriting and commenting on what Rodrigo said before.” Arriving a track before the closer, “Expectations” is a banger that’d serve beautifully as an 11 o’clock number, the kind of showstopping tune that rouses an audience for the finale. “Now all that’s left is to get this thing onstage. Broadway producers, your job starts now.”

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Tom Coyne is the author of several acclaimed books about golf, including A Gentleman’s Game, Paper Tiger, and his latest, A Course Called Home, about his adventures as the owner of a run-down nine-hole course. Below, he names the books for which he’s most grateful.

‘Where I’m Calling From’ by Raymond Carver (1988)

I am certainly not the only MFA grad who has Raymond Carver to thank (or blame) for pursuing short-story writing as a vocation. When this collection landed in my hands, I was not only taken by the stories but also inspired to try my hand at this thing he made look so easy. These are stories I return to when I worry that I need to be writing about vampires or dragons. Buy it here.

‘This Boy’s Life’ by Tobias Wolff (1989)

Memoir gets a bad rap as indulgent and self-absorbed stuff, but this book was a lesson in memoir as entertainment and storytelling. And it would influence my next five books, steering me away from the therapeutic confessional that tempts the nonfiction writer. Buy it here.

‘On Writing’ by Stephen King (2000)

I used to not read a lot of Stephen King, and a writer reading another writer’s take on writing felt like a circular chore. But the book turned out to be life-changing stuff. The man knows literature and craft in a way that his popular fiction belies, and it’s a surprising page-turner. Buy it here.

‘My Ántonia’ by Willa Cather (1918)

If you want to write books, you have to love them, unreasonably so, and I remember falling hard for My Ántonia. Everything about it—the place, the heart, the strength. I was a high schooler who found a book I wanted everybody to read, and I told everyone who would listen that I had the book for them. Buy it here.

‘To the Linksland’ by Michael Bamberger (1992)

I went to grad school to write the Great American Novel. Instead, I wrote a book about caddies. When I found myself accidentally landing in the golf-writing genre, I wasn’t sure if I had sold out my ambitions. Bamberger’s book assuaged such fears and helped me embrace golf as a subject worthy of literary treatment. Buy it here.

‘Sailing Alone Around the Room’ by Billy Collins (2001)

Insert any of Billy Collins’ collections here. Before I sit down to write, I read a few of his poems—“Snow Day” is a favorite—to recall what great sentences sound like, and to recall that one right word trumps a thousand ambitious ones. Buy it here.

‘World Cup Fever: A Soccer Journey in Nine Tournaments’ by Simon Kuper

“It would be a mistake to think of World Cup Fever as a simple sports book,” said Dan Friedman in the Los Angeles Review of Books. Simon Kuper, a sportswriter for the Financial Times, has attended every World Cup tournament since 1990, and he’s “uniquely qualified” to tell each of the several stories his latest work weaves together. Besides being a memoir, a portrait of the passions soccer inspires, and an account of how the World Cup and the game itself have evolved since the inaugural 1930 tournament, “it is, in effect, a snapshot of how history has dashed the hopes of the post–Cold War generations.” FIFA, the organization that runs the World Cup, once was led by men who dreamed that sport could help create a more just and democratic world. But power eventually shifted to the “venal creeps” who’ve run the show for three decades. Indeed, after reading Kuper’s “complex and loving” indictment of the sport, “I felt physically sick.”

Kuper, “one of the best sportswriters in the English language today,” doesn’t overromanticize the World Cup’s past, said Ian Buruma in The New Yorker. Jules Rimet, the idealist who presided over FIFA from 1921 until 1954, agreed to let Mussolini’s Italy hold the 1934 event, establishing that any nation can win FIFA’s blessing if it’s willing to pay the costs of hosting. Rimet’s successors kowtowed to murderous dictatorships in Chile and Argentina, while the most recent Cups have unfolded in Putin’s Russia in 2018 and in Qatar, an authoritarian sheikdom. FIFA was always corrupt. In Kuper’s “highly engaging” book, we learn how it’s become more corrupt than ever, but we also get much more. The Ugandan-born, Dutch-raised French resident writes “superbly” about the skills of different players and national teams, and he’s just as good at observing the cultural differences between host cities and each team’s fan following.

“Each tournament Kuper has covered marked a shift in the geopolitical weather,” said Andre Pagliarini in The New Republic. When Italy hosted in 1990, hopes were high because the Cold War had entered a twilight phase. In 2018, Russia paused to host between its invasions of Ukraine. And Kuper also provides revealing portraits of 2002 East Asia, 2010 South Africa, and 2014 Brazil. “World Cups don’t change the world,” he writes, “but they do illuminate it.” He proves that over and over again, providing “a testament to the benefits of committing oneself to a subject for a long time.” As viewers around the globe watch the World Cup unfolding, “they see virtuosity, emotion, and the hand of fate at work on the grandest stage in sports.” Because the event is a mirror, “they also glimpse the world as it is.”

‘Trash! A Garbageman’s Story’ by Simon Paré-Poupart

“It’s been a long time since I’ve read so good and rowdy a memoir about blue-collar work,” said Dwight Garner in The New York Times. Written by Simon Paré-Poupart, a veteran Montreal garbageman now in his 40s, this “slim, raffish, and spirited” book “raises the blinds on his industry,” revealing the job’s taxing demands, the coarse language and renegade attitudes of its practitioners, and the dark humor that keeps them sane. “Paré-Poupart is in love with almost all of it,” including the sense that being on society’s bottom rung makes him tougher, freer, and less prone to self deception. “Trash! has been compared to Kitchen Confidential, Anthony Bourdain’s restaurant kitchen exposé. Usually, comparisons to Bourdain are fatuous. This time it’s accurate.”

“It quickly becomes apparent how vital Paré-Poupart and his colleagues are to the functioning of polite society,” said Ceci Browning in The Times (U.K.). The mostly male cohort is packed with colorful characters. A collector nicknamed Spandex often works while wearing nothing but bike shorts and flip-flops. Another vomits each day on the first block of the run, then just does the work. Many others work drunk or high, even though a run can require lift ing heavy loads for 15 hustling miles. Paré-Poupart likens the typical garbageman to Sisyphus, fated to clean up for society day after day eternally. Despite his writing’s political thrust, it’s “suffused with literary oomph and good humor,” and “I zoomed through Trash! in a couple of hours.”

“Paré-Poupart elegantly makes the case that we should all think more about the people who collect our trash,” said Amanda Perry in the Literary Review of Canada. He’s an unusual example: He has earned advanced degrees in sociology and international business since he started his career in garbage, and his memoir “mixes in blue collar curse words with references to labor history and Émile Zola.” Politically, Trash! is uneven, “offering points of critique but no coherent program of reform,” including for the way recycling programs mostly just enable the steady increase of plastics pollution. The author leaves us, though, with a provocative thought experiment: What if we compensated and glorified professions accord ing to their social necessity?

The new beginning for the old US Embassy on Mayfair’s Grosvenor Square was one of the most eagerly anticipated openings in recent memory. The years spent walking past the hoarding, dodging the street closures, and watching as the iconic façade changed but also remained the same, tantalised locals and visitors alike. In the few months since guests have finally been welcomed inside, those of us who have had the privilege of a stay have not been disappointed.

The Chancery Rosewood is an all-suite property, positioned as a new standard in global luxury hospitality. The sheer size of the building allows for space to be the baseline for all its aspects, from the huge rooms to an utterly gargantuan fitness space. This is a place for casual drop-ins, with the coffee house at street level already popular with Londoners, as well as overnight visits. Stays of an hour or a week are equally welcome.

Why stay here?

First, the add-ons are generous. Perks like airport transfers, usually chargeable or only with a few room classes, are included with any booking. Use of the house cars, a fleet of lavish Bentley Bentaygas, is available to any guest who needs to travel within two miles and doesn’t fancy the Tube. From the heart of Mayfair, that covers the majority of central London. Check-in and departure are flexible to your schedule. These little touches make an enormous difference.

Inside, the design is soft and considered. The centre of the building is one huge atrium, giving a breathtaking sense of scale to the lobby. Rooms are impeccably furnished, with sumptuous soft touches contrasting the dark woods of the flooring and resplendent marble of the bathrooms. Views look across the Mayfair rooftops or the square itself, depending on your position within the building.

The Asaya Spa is easily accessible from street level at the exterior or via a private lift from your suite floor. The gym is truly exceptional, catering to a growing demand among travellers who refuse to compromise their fitness routine while travelling. Blonde wood and sand-coloured Technogym equipment give an airy aesthetic, which makes up for the lack of natural light. Sauna, steam and snow shower are found next to the 25-metre pool to aid recovery.

Eating and drinking

The word ‘iconic’ is woefully overused these days but is fairly applied to the giant gold eagle remaining on the roof from the building’s US Embassy days. The terrace at the Eagle Bar provides a panorama worthy of a visit on its own. Breakfast at Serra is as light and airy as the room itself, with an open kitchen to watch exquisite plates being assembled as well as a particularly delicious porridge; GSQ is a neighbourhood café with alfresco seating for an alternative start to the day and some excellent pastries. Afternoon tea is served in Jacqueline, hidden behind the reception area, and comes with chamber music on weekends. At Japanese fine dining restaurant Tobi Masa, chef Masayoshi Takayama presents seasonal Omakase at a small 12-cover counter or à la carte sushi throughout the rest of the dining room.

Things to do

You have two options: everything and nothing. Those who have selected The Chancery Rosewood as a London base will find all of London on their doorstep, be it the shops and galleries of Mayfair, the greenery of Hyde Park, or the museums of Kensington. It’s worth noting that the London address of Carbone, the buzzy New York Italian kitchen currently one of the hottest names in global hospitality, is also in The Chancery Rosewood, and there are plenty of other restaurants and bars and clubs around if you want to get into London life.

Equally, those who search for indulgent respite will find it here as well. Moving from your suite to a meal to a pampering in the spa can easily take up a full day, and there’s no reason for tomorrow not to look similar. This is a property very well suited to a reset rather than an energetic city break, and we all need that sometimes.

The verdict

The stakes were high for this hotel when it opened, such was the potential of the site and the expectation and demand of the market. It has delivered on its promise. The beauty of the surroundings, the attentiveness of the service, and the inventive ways the existing building has been reimagined to create a welcoming, soothing environment out of a bureaucratic and utilitarian frame are genuinely exceptional. The bar has been raised for hotels that aspire to this level worldwide.

Nick was a guest at The Chancery Rosewood; rosewoodhotels.com

“Breathe a fiery sigh of relief,” said Jack Seale in The Guardian. After two “forgettable” series, “House of the Dragon” has finally “found its focus”.

Set centuries before “Game of Thrones”, the new season of the spin-off sees a “power vacuum” emerge in Westeros, into which various rulers and royals “seek to step”. The third instalment kicks off with the bloody Battle of the Gullet at sea: an “orgy of CGI carnage” with “underwater punch-ups and dragonly intervention”.

But the “explosive” sequences early on thankfully don’t “come at the cost of nuanced character drama and thoughtful quasi-historical themes”, said Caroline Siede in Empire. In one “tremendous” episode, Emma D’Arcy (Queen Rhaenyra) is put at the centre of the action as we’re given a “high-wire day-in-the-life-style story about what it actually means to be a queen”.

Until now, the prequel had lacked an “over-the-top anti-hero”, said Ed Power in The Telegraph. The “long wait is at an end”, however, as “top telly totty” James Norton has been brought in to play the “love-to-hate” Lord Ormund Hightower. He goes “full fantasy panto” with his “absurdly OTT” performance, accelerating from “calmly psychotic to full-fledged loony” in one memorable scene. The “reliably charismatic” Matt Smith returns as Rhaenyra’s “power-mad husband” Daemon Targaryen. He is a “devilish delight”.

However, the “increasing prominence” of Mysaria only further highlights how “wretched” Sonoya Mizuno’s performance is, said Nick Hilton in The Independent. And the many “portentous conversations” in shadowy rooms lack the “earthy wisdom” and “wit” that made “Game of Thrones” so compelling.

The show at times “stretches itself thin” moving between so many characters on an “increasingly crowded board”, said Siede in Empire. But the “upside” is a “welcome sense of unpredictability” about what will come next, in a series that’s packed with plot twists. “More action-packed but as thoughtful as ever”, season three might just be the show’s “best offering yet”.

Horror movies are enjoying a jump-scare moment, as hit films like “Obsession” and “Backrooms” thrill zeitgeist-moving Gen Z audiences. Summer promises to deliver yet another slew of memorable thrills, including these five highly anticipated features.

‘Leviticus’

A movie with already-deafening buzz, director Adrian Chiarella’s queer horror story drops at a time of retrenchment for gender and sexual minorities in many parts of the world, including the United States. Naim (Joe Bird) and his mother, (Mia Wasikowska), move to a small Australian town, where he begins to fall for Ryan (Stacy Clausen). A pastor (Nicholas Hope) then subjects the boys to a cruel form of conversion therapy in which they are both stalked, terrifyingly, by a shape-shifting demon that impersonates the other boy. A “Sundance darling with few quote-unquote recognizable movie stars and no I.P. ties to speak of” that was snapped up by Neon after thrilling audiences at the Sundance Film Festival, it fully deserves to be the “next big summer horror movie,” said Ryan Lattanzio at IndieWire. (in theaters now)

‘Evil Dead Burn’

If you’re watching an “Evil Dead” film at this point, it isn’t for the originality but rather for the seemingly endless joys of seeing angry demons lay waste to whatever unfortunates happen to rouse them from their turpitude. Director Sébastien Vanicek (“Infested”) takes over the franchise after the unexpected success of 2023’s “Evil Dead Rise.”

The new story features a grieving widow, Alice (Souheila Yacoub), whose visit to her in-laws’ isolated cabin goes predictably awry when someone decides to open up the Book of the Dead and read it aloud. Have the characters not seen any of these films? The movie “unleashes the franchise’s most savage and terrifying ride to date, blazing onto big screens with an all-new chapter of carnage and demonic mayhem,” said Meagan Navarro at Bloody Disgusting. (in theaters July 10)

‘Ice Cream Man’

Parents who believe sweets turn their kids into raging monsters may sympathize with the plot of this bananas movie from director Eli Roth (“Cabin Fever”). Ari Millen (“Orphan Black”) plays an ice cream man whose wares convert children into demonically possessed killers, who then turn on their parents and teachers in ways that make “Children of the Corn” look like a bedtime story for toddlers.

Roth, who also stars in the film, “looks to slaughter any sense of good taste with his brand new horror movie, delivering a blood-soaked exploitation film,” said John Squires at Bloody Disgusting. Even the trailer is not for the faint of heart. (in theaters Aug. 7)

‘Teenage Sex and Death at Camp Miasma’

Fresh off her career-making turn in the recently concluded HBO Max comedy “Hacks,” Hannah Einbinder stars as a young, queer filmmaker tasked with rebooting a trashy slasher franchise called “Camp Miasma.” When she seeks out Billy Preston (Gillian Anderson), the reclusive star of the original, she finds Preston living in the woods where the film was set and discovers that the movies might not all have been fiction.

The franchise’s villain, Little Death (Jack Haven), is trans, and director Jane Schoenbrun “approaches critiques of transphobia in horror cinema with so much levity and irreverence,” said Samantha Allen and Ana Osorno at Them. But the film lands because it is able to “shed the meta trappings and dive deeper into raw feeling.” (in theaters Aug. 7)

‘Hope’

Rounding out the summer, South Korean director Na Hong-jin returns with his first feature since the wild, justifiably acclaimed 2016 horror movie “The Wailing.” Bum-seok (Hwang Jung-min) is the chief of police in a small town under siege by nightmarish alien creatures. Jung Ho-yeon (“Squid Game”) plays his deputy, who helps him track and hunt the creature, while Beom-seok’s cousin, Sung-ki (Zo In-sung), leads a separate group on the monster’s trail.

Alicia Vikander, Michael Fassbender and Taylor Russell also star as three of the aliens. The film is “jammed with sharp, semi-parodic meta-commentary” yet remains a “full-on, unapologetic action movie packed with breathtaking and breathless car chases, horse chases, foot chases and monster chases,” said John Bleasdale at Sight and Sound. (in theaters Sept. 9)