Oz the Great and Powerful: Will Hollywood finally stop subversively retelling classic stories now?

Tim Burton's 2010 adaptation of Alice in Wonderland started the trend. Disney's new take on The Wizard of Oz may finish it

Once again, we're not in Kansas anymore.
(Image credit: 2012 Disney Enterprises, Inc.)

Oz The Great and Powerful, which hits theaters today, probably looks familiar. After all, who doesn't have at least a passing familiarity with 1939's The Wizard of Oz? (The new film is a prequel that delves into the wizard's backstory.) But the ubiquity of L. Frank Baum's magical world isn't the only reason Oz The Great and Powerful seems familiar. Indeed, today's release is just the latest film in a recent but popular Hollywood trend: Subverting, retooling, and reshaping fairy tales and classic children's stories for a new generation, often by adding a healthy dose of grit (and tens of millions of dollars in special effects).

This model has proved to be financially successful, though critical reception has been rather tepid. How did this trend begin, and where can it go? Here, a look at some of Hollywood's most recent and prominent adaptations of fairy tales and classic children's stories, and what they say about the genre's future.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up

Matt is an arts journalist and freelance writer based in Washington, D.C. He has written about film, music, and pop culture for publications including Washington City Paper, The American Interest, Slant Magazine, DCist, and others. He is a member of the Washington D.C. Film Critics Association.