New monster, familiar fear
The new JJ Abrams
What happened
The new JJ Abrams–produced film Cloverfield—about a monster that attacks New York City—has stirred a debate among critics over whether its apparent references to 9/11 are in bad taste.
What the commentators said
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
“It was only last month that Will Smith started up boogeyman patrol in Manhattan in I Am Legend,” said Manohla Dargis in The New York Times, “and yet here we go again with the end of the world.” Despite its “tacky allusions to Sept. 11,” Cloverfield offers no “political critique,” but the “screams and the images of smoke billowing through the canyons of Lower Manhattan may make you think of the attack, and you may curse the filmmakers for their vulgarity, insensitivity or lack of imagination.”
“While Cloverfield is replete with 9/11 imagery,” said Sonny Bunch in The Weekly Standard, “the movie isn’t all death, destruction, and heartache.” And the story really isn’t even about “the destruction of New York City.” Like other “great films set against a tragic backdrop, Cloverfield focuses on people doing what they can to survive in the midst of an unimaginable horror.”
Actually, Cloverfield is partly about the destruction of New York City, said Nathan Lee in the Village Voice, and it “makes for a most satisfying death-to-New-York saga.” The movie “enacts its deft simulation of that infamous September morning in order to brutalize the society that flourished from its ruin like some tacky, tenacious, condo-dwelling fungus.” It’s “delicious” to watch a monster “feast” on “neo-yuppies” and “smug, self-entitled whitest-kids-you-know.”
“What’s behind our appetite for the apocalypse?” said Lev Grossman in Time. “Is it a way of confronting deep-seated, species-wide fear?” And “what fears are we currently bottling up?” Cloverifeld forces us to deal “with our own fears, starting with the attacks of Sept. 11.” And maybe this film makes people uncomfortable because “there’s a part of each of us that is rooting for the monster and that would be glad to see us go. Because we know there’s a little beast in us too.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why does Elon Musk take his son everywhere?
Talking Point With his four-year-old 'emotional support human' by his side, what message is the world's richest man sending?
By Rebekah Evans, The Week UK Published
-
The Week Unwrapped: Why are sinkholes becoming more common?
Podcast Plus, will Saudi investment help create the "Netflix of sport"? And why has New Zealand's new tourism campaign met with a savage reception?
By The Week UK Published
-
How Poland became Europe's military power
The Explainer Warsaw has made its armed forces a priority as it looks to protect its borders and stay close to the US
By Elizabeth Carr-Ellis, The Week UK Published