Sarah Weinman is the author of 2018's The Real Lolita, a journalist, and the editor of three crime anthologies. The latest of those anthologies, Unspeakable Acts, collects 13 true-crime stories from contemporary masters of the form.
The true-crime genre as we understand it could not exist without the writings of Roughead (1870–1952), a Scottish lawyer with an avid interest in criminal trials. His writeups of trials he attended and cases he researched, collected in this single volume, are infused with delight and brio, as well as bursts of outrage at obvious wrongs.
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Thorwald's incisively written tour through cases obscure and famous highlights 20th-century forensic science techniques such as blood typing and elemental analysis of gunshot residue. He showcased these pioneering techniques at a time when the revolution of DNA evidence was still two decades away.
With each rereading, I find something new in Malcolm's account of the complex battle between author Joe McGinniss and his subject, convicted killer Jeffrey MacDonald. The principals and the case matter less to Malcolm than the failures of the journalist-subject relationship, which she conveys with near perfection.
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Fourteen-year-old Reena Virk's murder by several classmates was a flash point in my — and Godfrey's — home country of Canada in the late 1990s. Godfrey renders the victim and the perpetrators in stunning, three-dimensional detail, combining immersive journalism with a novelist's eye.
True-crime narratives by African-American authors are disappointingly scarce — something that must change soon. Gross, a Rutgers University history professor, masterfully reconstructs both a ghastly late-19th-century murder and the life of a woman tried for the crime. Gross also illuminates how the American criminal justice system continues to fail the black community.
What a marvel of a book — one that's as much about a series of murders that rocked small-town Alabama in the late 1970s as it is a thoughtful, empathetic portrait of Harper Lee, psychologically overwhelmed by the prospect of writing another book after To Kill a Mockingbird.
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