The Color Purple review: Alice Walker's epistolary novel gets the musical treatment

Blitz Bazawule's 'all-singing, all-sobbing weepie' is filled with sequins and some 'uproarious choreography'

from left to right: Taraji P. Henson, Fantasia Barrino and Danielle Brooks in The Colour Purple
Taraji P. Henson, Fantasia Barrino and Danielle Brooks in The Colour Purple
(Image credit: BFA / Alamy Stock Photo)

"It's been two weeks since 'Mean Girls', and here we go again," said Kevin Maher in The Times: another "film adaptation of a stage musical adaptation of an original, much-adored movie". And beneath it all, there is Alice Walker's Pulitzer Prize-winning novel. But in this version, "Walker's poetic prose, religious themes and epistolary structure" have vanished, under a "plethora of incongruous show tunes". 

So, as in the book, the resilient Celie (Fantasia Barrino) is repeatedly raped by her stepfather in early 20th century Georgia, and forced to give up the babies she bears as a result – but "now she intersperses the torture with jazzy dance routines". And when she is sold to the deranged Mister (Colman Domingo), who tries to rape her sister Nettie (Halle Bailey) then "beats Celie into a stupor over the next three decades", she has "some nifty melodies for comfort".

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