Hercules: Disney musical is a 'blast' for kids – but lacks imagination
Family-friendly show has a 'larky' panto feel and 'radiant gospel-driven score'

Back in 1997, Disney "literally made the most successful musical of all time", said Andrzej Lukowski in Time Out. For the stage version of "The Lion King", virtuoso director Julie Taymor satisfied the Mouse megacorp by including "all the dumb stuff" from the film – "farting warthogs, basically" – but veered radically away in other respects to create an "audacious" production that is still pulling in audiences today.
Yet Disney failed to learn from this success, and its subsequent efforts, including "Aladdin" and "Frozen", simply plonked the film on stage – and have enjoyed far shorter runs.
'Perfectly adequate'
"Hercules" is the latest in this "line of perfectly adequate, not very imaginative adaptations" of the studio's "bountiful 1990s animated roster". It has charm, because it has been serviceably adapted from a charming film, but it's "definitely not going to go down in legend".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The animation had a "gloriously leftfield" take on Ancient Greece, said Alice Saville in The Independent. The muses appeared as a gospel choir; characters were drawn "with the spiky clarity of amphora paintings", and the rise of Hercules became a "pacy satire of celebrity culture". Unfortunately, this "stodgy" stage version lacks that "imaginative energy" and "lovable zaniness".
It is not without merit: the gospel muses remain, thank goodness; star Luke Brady radiates "twinkly brightness" as a "camp and joyful" Hercules; and the film's standout song, "Go the Distance", is full of "pep and yearning".
'An ungodly mess'
But, overall, the piece is "an ungodly mess", said Dominic Maxwell in The Sunday Times. It "staggers through its storytelling", ranging from the spectacular to the silly to the drearily po-faced, and both the comedy and the action feel "effortful".
Fans of the film are liable to be appalled by the many tweaks to plot and character – including the transformation of Pain and Panic, "shapeshifters from team Hades", into two "deadbeat blokes", said Claire Allfree in The Daily Telegraph. But this stage version, with its "larky" panto feel and Alan Menken's "still radiant gospel-driven score", is aimed squarely at families with younger children; and for them, it should prove a "blast".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Theatre Royal Drury Lane, London WC2. Until 28 March 2026
-
September 1 editorial cartoons
Cartoons Monday’s political cartoons include Labor Day picnic, branding strategy, and more
-
What is Tony Blair's plan for Gaza?
Today's Big Question Former PM has reportedly been putting together a post-war strategy 'for the past several months'
-
When does autumn begin?
The Explainer The UK is experiencing a 'false autumn', as climate change shifts seasonal weather patterns
-
Woof! Britain's love affair with dogs
The Explainer The UK's canine population is booming. What does that mean for man's best friend?
-
Millet: Life on the Land – an 'absorbing' exhibition
The Week Recommends Free exhibition at the National Gallery showcases the French artist's moving paintings of rural life
-
Thomasina Miers picks her favourite books
The Week Recommends The food writer shares works by Arundhati Roy, Claire Keegan and Charles Dickens
-
6 laid-back homes for surfers
Feature Featuring a home near a world-renowned surf spot in Hawaii and a house built to withstand the elements in South Carolina
-
Twelfth Night or What You Will: a 'riotous' late-summer jamboree
The Week Recommends Robin Belfield's 'carnivalesque' new staging at Shakespeare's Globe is 'joyfully tongue-in-cheek'
-
Hostage: Netflix's 'fun, fast and brash potboiler'
The Week Recommends Suranne Jones is 'relentlessly defiant' as prime minister Abigail Dalton
-
Music reviews: Chance the Rapper, Cass McCombs, and Molly Tuttle
Feature "Star Line," "Interior Live Oak," and "So Long Little Miss Sunshine"
-
Film reviews: Eden and Honey Don't!
Feature Seekers of a new utopia spiral into savagery and a queer private eye prowls a high-desert town