1. James by Percival Everett (Doubleday, $28)
Percival Everett’s brilliant latest novel “tears down and rebuilds a cultural landmark,” said Dwight Garner in The New York Times. A bold reimagining of Mark Twain’s Adventures of Huckleberry Finn, it largely retains the outline of the original, except that perspective has shifted. Here we see Huck’s raft trip down the Mississippi through the eyes of his enslaved adult companion, who prefers “James” to “Jim,” secretly reads widely, and consciously speaks in an unschooled patois to prevent white people from seeing him as a threat. But Everett is not taking on Twain to score easy points. This “thrilling” and “soulful” novel is “a tangled and subversive homage” that sharply illuminates what the American experiment truly looked like circa 1861. “To call James a retelling would be an injustice,” said Tyler Austin Harper in The Atlantic. Everett has repurposed Huck Finn, and in the process has engineered “a systematic dismantling” of a tired narrative staple: “the Black man or woman who exists to morally enlighten a fallen but basically redeemable white protagonist.” In James, Black oppression is poisonous to its victims, not sanctifying.
2. All Fours by Miranda July (Riverhead, $29)
“Was Miranda July’s sensational tale of a midlife turned upside down occasionally a little too arch?” asked Dan Kois in Slate. Of course it was. What’s more, few of its secondary characters seemed like fully sketched human beings. But when its unnamed narrator, a 45-year-old semi-famous artist, checks out of her home life with a husband and child, settles in at a hotel an hour away, and begins a fevered affair, All Fours proved so “intellectually and physically attuned to the vicissitudes of its narrator’s questionable decisions” that it set readers abuzz. In 2024, “there was no book that was more fun to talk about.” Once I picked it up, said Emily Gould in NYMag.com, “I neglected my life until the last page, and then I started begging every woman I know to read it.” We’re used to seeing infidelity in literature followed by a comeuppance, and “I expected some similar punishment to befall the narrator.” It never arrived. The narrator’s new life isn’t perfect, but her story leaves intact the “comforting fantasy” that a woman can create a refuge where she can be fully herself.
3. Martyr! by Kaveh Akbar (Vintage, $18)
“Martyr! is the serious fiction lover’s favorite kind of book, offering plenty to think about, all of it a pleasure to read,” said Wendy Smith in The Boston Globe. Its protagonist, an Iranian-American poet in his late 20s, is fighting off a sense of purposelessness by collecting stories about martyrs when he decides to travel to Brooklyn to talk to a dying artist who’s spending her final days answering museum visitors’ questions about her imminent end. Cyrus’ own conversations with this unlikely sage “form the philosophical and emotional heart of the novel,” but the book is also “stuffed with gorgeous images and a surprising amount of humor.” Perhaps because Cyrus becomes so desperate in his search for meaning, said Katy Waldman in The New Yorker, author Kaveh Akbar ends Martyr! by unleashing the apocalypse, “replete with wild horses, smoke, and flowers raining from the sky.” It makes for “an appropriately gonzo finale” to a book that can’t tell us what it’d like to: that art can save the world.
4. Colored Television by Danzy Senna (Riverhead, $29)
“For Danzy Senna, identity politics is as much a playground as a battleground,” said Stephen Kearse in The New Republic. In Senna’s latest novel, a biracial academic is already living beyond her means with her husband and children when her agent rejects her 400-year history of fellow “mulattos” and she turns to television in a bid to get rich quick. As she pitches a half-baked concept for a sitcom about a mulatto family, “her desperation is funny and cutting,” and after a producer buys in, “Colored Television slowly dilates into a fever dream as expansive as the Los Angeles metropolis.” Senna, who is married to Percival Everett, has been satirizing America’s anxiety about racial ambiguity since her 1998 debut, said Ron Charles in The Washington Post. This book, while focusing on the challenges of being an artist of color, has “a surprising amount of fun” along the way. “Indeed, the way Senna keeps this wry story aloft may be the closest paper can come to levitation.”
5. Creation Lake by Rachel Kushner (Scribner, $30)
“Rachel Kushner is a dazzling chronicler of end times,” said Maureen Corrigan in NPR.org. In her latest novel, the author of The Flamethrowers applies her singular sensibility to a new genre, following an attractive, hard-drinking American spy who is going by the alias Sadie Smith when she infiltrates a rural French commune suspected of sabotage. Though Sadie longs to escape the lonely life she’s fallen into, “you don’t read Kushner for the relatability of her characters. Instead, she draws readers in with her dead-on language and the threat-alert atmosphere of the worlds she imagines.” As every good spy novel does, “Creation Lake begins with sex and romance and leads to violence,” said Lauren LeBlanc in the Los Angeles Times. After seducing her way into the radicals’ circle, Sadie is seduced in turn by the writings of the group’s reclusive mentor, who is obsessed with the evolution of human behavior. Step by step, Kushner’s novel “demands we question what any of us are,” especially when we lose faith in the mission in front of us.
How the books were chosen
Our top-5 lists were created by tallying and weighting end-of-year recommendations published by 21 print and online sources, including The Atlantic, BookPage, The Boston Globe, the Chicago Tribune, the Los Angeles Times, The New Yorker, The New York Times, NPR.org, NYMag. com, Publishers Weekly, Slate, Time, Vanity Fair, The Wall Street Journal, and The Washington Post.The best-selling minister who forecast end times