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  • The Week's Saturday Wrap
    The dark side of paradise, a K-pop competition, and the scientific quest to beat headaches

     
    FILM review

    Eden

    Seekers of a new utopia spiral into savagery.

    “In a film littered with monstrous behavior, what is perhaps most shocking about Eden is the director behind it,” said Tim Grierson in Screen Daily. In most Ron Howard movies, “the best of humanity usually shines brightest.” Here, he aims instead to reveal the worst, taking us to a Galápagos island in the 1930s to watch as unwelcome guests poison the wilderness utopia that a pompous real-life German doctor and his wife had begun to build. As rivalries emerge, “Howard embraces the story’s demented bent,” offering the viewer kinky sex and “a level of brutality unique to his oeuvre.” Still, “he can’t quite connect with the evil that permeates his film.” Jude Law, playing the doctor, does some “enjoyable scenery chewing,” and Vanessa Kirby “goes toe to toe with him,” said Maureen Lee Lenker in Entertainment Weekly. 

    But the story leans heavily on an “over-the-top” Ana de Armas as a grifter traveling with two male lovers and on Sydney Sweeney, who’s clearly “not suited for a period piece.” Playing a meek young mother, the rising star “has the energy of a modern woman,” and “it’s impossible to believe this is a human being who existed prior to the internet.” At least the “flamboyant sexiness” of de Armas’ character gives the movie a needed spark, said Nick Schager in The Daily Beast. “Part biblical cautionary tale, part Lord of the Flies nightmare,” Eden winds up being “never dull” but also “only intermittently surprising.”

     
     
    tv review

    KPopped

    East meets West in the pop arena in this new music competition series. Western chart-toppers from across the decades—including Kesha, the Spice Girls, Boy George, and Patti LaBelle— team with such top K-pop acts as Itzy, Ateez, and Billlie to put a K-pop spin on the Westerners’ hits. The teams then deliver the songs in a performance battle before a live audience in Seoul. Friday, Aug. 29, Apple TV+.

     
     
    FOOD & DRINK

    Drinks: The Hugo spritz

    There are always plenty of candidates for the drink of the summer, said Brooke Steinberg in the New York Post. The paper plane, a modern classic, took off before the warmer months and the spaghett—a ­Miller High Life with a splash of Aperol and a squeeze of lemon—looks like the budget king. But don’t sleep on the still-rising Hugo spritz, said M. Carrie Allan in The Washington Post. It’s a “lovely,” floral spritz that’s neither bitter nor too sweet. To make it, fill a wine glass with ice, add 1/2 oz St-Germain elderflower liqueur, 4 to 5 oz. prosecco, 1 oz sparkling water or club soda, and gently stir to combine. Slap a mint sprig between your hands to release its aroma, then fluff it out and add it to the glass, along with a lemon wheel.

     
     
    BOOK OF THE WEEK

    The Headache: The Science of a Most Confounding Affliction—and a Search for Relief

    by Tom Zeller Jr.

    “Roughly 40% of the global population, or 3.1 billion people, suffer some kind of headache disorder,” said Brandy Schillace in The Wall Street Journal. Yet because the source is unknown and invisible, the pain is often brushed off, “or worse, considered imaginary.” Tom Zeller Jr.’s new book about migraines and other debilitating headaches can’t solve the mystery of their cause. But he provides “ample and vivid evidence of the all-consuming pain that headache sufferers endure” and, using a tour through medical history and his own experiences of excruciating cluster headaches, argues powerfully that researchers and their funders must direct more attention to relieving the afflicted. 

    “Why are migraines such a common part of human experience?” asked physician Jerome Groopman in The New Yorker. Other mammals don’t seem to suffer chronic headaches, which suggests that they’re produced in the interaction of the most primitive and the more advanced parts of the brain. Headaches were taken seriously by the medical profession up through the 19th century. But even though 40 million of today’s Americans suffer from migraines, costing the economy as much as $1 trillion a year, research into the cause has been feeble ever since, leaving doctors divided about whether the root trouble lies in abnormal functioning of blood vessels or in an abnormal flux of ions in the brain, mimicking epilepsy. Like many other migraine sufferers, I now use several medications to manage the challenge, after chasing a medical solution for years. “Reading Zeller’s book, I was reminded that there is a kind of uneasy fellowship in this condition—a vast, involuntary community of people mapping out their lives between attacks, haunted by uncertainty but sustained in part by accounts like his.” 

    The reasons that so little progress has been made are “highly contested,” said Laura Miller in Slate. Migraines afflict three times as many women as men, suggesting that some blame lies in gender bias. But cluster headaches, which are more painful but far rarer, afflict mostly men. Fortunately, there’s been progress in the past 35 years on treatment options, including the one I depend on, sumatriptan, which stimulates serotonin receptors. “While the medical explanations in The Headache occasionally made my eyes glaze over,” Zeller’s accounts of feuds among headache researchers and potential federal funders “present a delectable blend of dish and substance.” And such fights matter. After all, “for millions of people, headaches are a literal torment.”

     
     
    OBITUARY

    Terence Stamp

    The British actor who made audiences swoon

    Terence Stamp soared to stardom in the 1960s on the strength of his piercing blue eyes and artfully tousled hair. Named “the world’s best-looking man” when he was in his 20s, the British actor made viewers swoon with his turn as a naïve seaman in Billy Budd (1962), quickly followed by roles as a menacing psychopath in The Collector (1965) and a sinister swordsman in Far From the Madding Crowd (1967). Billy Budd earned him an Oscar nomination and a Golden Globe statue, and he won best actor at the Cannes Film Festival for The Collector. Having become almost as famous for the starlets he dated as for his talent, he left the movies for a long sabbatical throughout his 30s and returned, more seasoned, to take such roles as the villainous General Zod in Superman (1978) and a transgender nightclub performer in The Adventures of Priscilla, Queen of the Desert (1994). “I had transmuted myself,” he said. “I no longer saw myself as a leading man. I just decided I was a character actor now.” 

    The son of a tugboat captain, Stamp grew up in a poor East London neighborhood. His school recommended he become a bricklayer; instead, he got a scholarship to the Webber Douglas Academy of Dramatic Art. With Billy Budd, “the cockney Stamp” was suddenly a darling of swinging ’60s London, “enjoying all the accoutrements that went with celebrity,” said The Guardian. That included high-profile romances with actress Julie Christie and supermodel Jean Shrimpton, and he developed a reputation with the ladies. But he “famously failed to get on” with his directors, said The Times (U.K.). “Intense, brooding, and enigmatic, he was never an easy man.” After meeting an Indian mystic, he decided to chuck stardom and stop chasing hunky roles. He took up vegetarianism and yoga and moved to India to study under Bhagwan Shree Rajneesh. 

    Stamp came back to acting because he wanted to work with Marlon Brando in Superman, said The New York Times, and he arrived “with a seriously receding hairline, devilish facial hair, and a newly mature persona.” For the next four decades, he worked steadily in character roles, appearing in over 50 movies. His final performance, in the horror thriller Last Night in Soho (2021), was praised as “a master class in minimalist menace.” He also published four volumes of memoirs and a cookbook for those with wheat and dairy intolerances. “I don’t have any ambitions,” he said. “I’m always amazed there’s another job.”

     
     

    Sunday Shortlist was written and edited by Susan Caskie, Ryan Devlin, Chris Erikson, Chris Mitchell, Rebecca Nathanson, and Matt Prigge.

    Image credits, from top: Vertical Entertainment / Everett; Apple TV+; Getty Images; Allied Artists
     

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