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  • The Week's Saturday Wrap
    Spinal Tap reunites, Jessica Chastain goes undercover, and a Supreme Court justice sets out her philosophy

     
    FILM review

    Spinal Tap II: The End Continues

    A fake but storied metal band reunites.

    “It’s almost always pleasant to hang out with old friends, particularly when no one overstays their welcome,” said Manohla Dargis in The New York Times. That’s about the best that can be said about the new Spinal Tap movie, a sequel to the 1984 comedy classic that popularized the mockumentary genre. Co-stars Christopher Guest, Michael McKean, and Harry Shearer are all back, playing the three self-important core members of a heavy metal band that was heading downhill in 1984 but now agree to reunite for a final concert. Though their antics here “will surprise exactly no one,” the entire team’s commitment to the bit “makes for a genial 83 minutes of soft jokes and jowls.” 

    But there’s a fine line between stupid and clever, and part two “falls too often on the wrong side of the line,” said Ty Burr in The Washington Post. As before, the actors were given the premise of each scene and then improvised the dialogue. But while the ideas are good, “it’s the energy that’s lacking and, to a large degree, the inspiration.” Gone too is the sense of daring the format once had. “What’s left is just nostalgia, which is what Spinal Tap was created to mock in the first place.” Even so, the movie is “lightly amusing,” said Kyle Smith in The Wall Street Journal. “Like its gray-wigged cast, it succeeds by not attempting to do too much.” Though the end product “doesn’t quite earn an 11 on a scale of 1 to 10, I’d say it rates a strong 7.”

     
     
    tv review

    The Savant

    We’ve seen Jessica Chastain track Osama bin Laden in Zero Dark Thirty. In this new limited series, the Oscar winner plays an undercover investigator who excels at infiltrating domestic extremist groups online and thwarting violent plots. She often works long hours alone while trying to remain an engaged mother and wife, and the stress ratchets up as she tracks a cell planning mass terror and learns that her family is in direct danger. Friday, Sept. 26, Apple TV+.

     
     
    NEW AND NOTABLE PODCASTS

    Picpoul: An oyster’s best friend

    The first thing to know about picpoul is that the wine has “never met a fish it didn’t want to join for dinner,” said Edward Deitch in Vinepair. The grape is native to the Languedoc region of coastal southern France, and it produces a “crisply acidic” white that pairs beautifully with the region’s oysters. Below are three fine examples of Picpoul de Pinet, the appellation for most of the picpoul produced in Languedoc. 

    2024 Domaine Guillaume Cabrol ($14)
    This great example of picpoul’s fruitier side “should please many palates, with pear, citrus and stone fruit notes.” 

    2023 Domaine la Grangette ‘Poule de Pic’ ($20)
    “There’s good complexity in this picpoul,” which skews to the herbal side but also has honeydew and apricot flavors. 

    2024 Château Saint Martin de la Garrigue ($21)
    This wine “practically jumps out of the glass with its burst of citrus fruit and lively acidity.” A creamy note softens the finish.

     
     
    BOOK OF THE WEEK

    Listening to the Law: Reflections on the Court and Constitution

    by Amy Coney Barrett

    Maybe the America we know still has a chance, said Noah Feldman in The Washington Post. As Donald Trump’s attacks on the U.S. constitutional system mount, “Amy Coney Barrett is the most important justice on the Supreme Court,” and in her first book, she lays out her judicial philosophy in a way that makes clear both why she occupies the very middle of the nine-member court’s current ideological spread and why the rule of law may withstand Trump’s assault. Liberal constitutional scholars like me reject one of the major pillars of her philosophy: originalism. But “unlike some of her conservative colleagues,” including those who see the late Antonin Scalia as a model, Barrett “takes seriously Scalia’s personal aspiration to decide cases purely on the basis of what the law says, not what she thinks it should be.” That helps explain why she has broken from her conservative colleagues and the president’s lawyers even on some major cases. 

    At a moment when the justices often spar sharply in the court’s written opinions, Barrett’s book is “a model of collegiality,” said Barton Swaim in The Wall Street Journal. “My own conclusions from it are, first, that she has a sharp and well-organized mind, and, second, that she is a very nice person.” She “seems genuinely burdened by the reality that most Americans know little about the Supreme Court” and devotes many pages to explaining how the court operates. When explaining her approach, she “writes superbly on originalism,” the idea that the Constitution must be interpreted according to its text as the framers understood that text. But she’s a bit less persuasive in explaining how the “due process” clauses of the Fifth and 14th Amendments protect certain unnamed individual rights but not others. 

    If you hoped the book would help you get to know Barrett herself, you’re out of luck, said Jennifer Szalai in The New York Times. The former Notre Dame law professor and mother of seven “clearly knows that readers crave relatability, especially from women, so she offers a few breadcrumbs.” Still, “she’s not about to let her guard down, even for a reported $2 million advance.” Her book’s “studied blandness” becomes more irksome, though, when she’s claiming that justices are merely referees deciding who has played by the rules as the rules are written. For almost 50 years before she joined the court, the law of the land was that women have a right to abortion. For almost 250 years, the president had no right to act like a king. She voted to change those rules.

     
     
    OBITUARY

    June Wilkinson

    The pinup who flaunted her assets

    Even in the heyday of blonde bombshells, June Wilkinson stood out. With her voluptuous measurements of 43-22-37, the British-born model and actress was known in the 1960s as “the most photographed nude in America.” She acted in over two dozen movies and TV shows over her career but was most famous for appearing topless, posing for Playboy seven times and once lending her bosom for an uncredited cameo in a Russ Meyer film. A tomboy as a child, she basked in her sex-symbol status. “I realized some time ago,” she said in 1958, “that as long as there were men in this world, I’d make good.” Born in Essex, England, to working-class parents, June Rose Wilkinson longed to be a ballerina. But once her figure began to develop at age 14, she had to abandon ballet for modern dance. A teacher suggested she audition for dance-hall revues, and by age 15, she was performing topless as “Baby June,” doing a fan dance that artfully concealed her chest. That was “the start of a career path that may have been considered orthodox at the time but which now seems unenlightened, to say the least,” said The Times (U.K.). 

    Wilkinson moved to New York while still a teen and made her first Playboy appearance in 1958, at age 18, under the headline “The Bosom.” She “naturally captured the attention of a number of eminent men,” said The Telegraph (U.K.), and had dalliances with stars like Elvis Presley and Paul Anka and even the notorious playboy Henry Kissinger. A model at first, she began acting in films, “rarely remaining clothed to the end of the picture.” But after director John Cassavetes cast her in a small role, he told her she was too talented to “coast on your body alone” and should take her craft seriously. Wilkinson had a daughter from her nine-year marriage to Houston Oilers quarterback Dan Pastorini and worked steadily, acting onstage and in films until the 1990s. She ventured briefly into the fitness industry, then settled in Los Angeles with her daughter and mother. Despite the changing times, she never disavowed her early work, recognizing that her pinup days were “the cornerstone of her legacy,” said The New York Times. She even titled her 2023 autobiography Hollywood or Bust! “Why should I get mad” at men who ogle? she said. “I’ve been blessed.”

     
     

    Sunday Shortlist was written and edited by Susan Caskie, Ryan Devlin, Chris Erikson, Mark Gimein, Chris Mitchell, Rebecca Nathanson, and Matt Prigge.

    Image credits, from top: Bleecker Street; Apple TV+; Getty Images; Getty Images
     

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