Lupin review: the French series taking Netflix by storm
It’s good, slick escapism, and easily binged in a day
Created by the British writer George Kay, Lupin is “good, stupid fun”, and is predicted to become one of Netflix’s biggest hits, said Hugo Rifkind in The Times. Omar Sy stars as Assane, a young French man who sees himself as a modern-day Arsène Lupin – the gentleman thief and master of disguise created by the French writer Maurice Leblanc more than 100 years ago.
The books are old, but Assane is a new kind of French hero, said Sophie Gilbert in The Atlantic. He is the son of an immigrant from Senegal who came to France in search of a better life. Instead, his father was falsely accused of theft by his wealthy employer, and hanged himself in jail. Inspired by Leblanc’s books, Assane devises a series of devilishly clever schemes to avenge his father’s death, schemes that often rely on his tendency, as a black man in France, to either blend in or stand out in different contexts.
Sy brims with charisma, in a series that offers a “refreshing twist” on two familiar stereotypes – the “uncatchable master of deception” and the “con man with a heart of gold”, said Adrian Horton in The Guardian. It’s good, slick escapism, and, being made up of just five episodes, it is easily binged in a day.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
In its most recent financial report, Netflix revealed that since its release in early January, Lupin has hit No.2 in the streaming service’s US Top 10 list and ranked No.1 in countries including Brazil, Argentina, Germany, Italy, Spain, Poland, Vietnam and the Philippines. Netflix projects 70m member households will choose to watch the French language series in its first 28 days of release.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
5 new horror movies to jump-scare your way through Halloween
The Week Recommends A new take on Stephen King classic 'Salems Lot', a spooky take on late-night talk shows, and more
By Theara Coleman, The Week US Published
-
Why is there such a long gap between TV seasons?
In The Spotlight Ambitious productions and a focus on data are creating 'staggering' waits
By Chas Newkey-Burden, The Week UK Published
-
TV to watch in October, from 'Disclaimer' and 'The Franchise'
The Week Recommends An HBO comedy from the 'Veep' creator, a mystery from master filmmaker Alfonso Cuarón and a reboot of an '80s classic
By Anya Jaremko-Greenwold, The Week US Published
-
Monsters: why is the Menendez brothers Netflix hit so controversial?
Talking Points Ryan Murphy’s latest true-crime series recounts infamous 1989 Beverly Hills murders, but some critics say his retelling takes too many liberties with the truth
By Irenie Forshaw, The Week UK Published
-
The Perfect Couple: glossy Netflix murder-mystery starring Nicole Kidman
The Week Recommends However hard you try to resist it, 'you will want to know the who, what, where and why-dunit'
By The Week UK Published
-
Apollo 13: Survival – a 'real, rare and breathtaking tale of survival'
The Week Recommends Netflix documentary includes 'remarkable' archival footage from near-disastrous moon mission
By The Week Staff Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
TV to watch in September, from 'Agatha All Along' to 'The Penguin'
The Week Recommends A 'WandaVision' spinoff, a DC Comics villain's starring turn and a silly Netflix original
By Anya Jaremko-Greenwold, The Week US Published