Santa Monica Museum of Art, Santa Monica, Calif.
Through April 20
Artist Samira Yamin makes it her mission to poke holes in the story of the war on terror, said Carmen Winant in Artforum. Or at least Time’s early version of that story. In “We Will Not Fail,” the Los Angeles–based artist’s first solo exhibition, Yamin has taken a copy of Time’s first issue devoted to the U.S. military response to 9/11 and subjected the 2001 artifact to a painstaking transfiguration. Every photographic image in the magazine, from the cover portrait of Osama bin Laden to the image of a New York City firefighter on the back-page ad, has been turned to lace “so dense and intricate that at times the photographs become practically unrecognizable.” The blurring effect is “no accident.” Each pattern is a sacred ornamental Islamic geometry—to the artist, a visual representation of one of the 99 names of God. Yamin has found a way to make palpable the gaps in understanding that can separate two cultures steeped in different systems of reason.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
SUBSCRIBE & SAVE
Sign up for The Week's Free Newsletters
Join more than 350,000 subscribers and keep yourself informed with a selection of The Week’s most interesting, enlightening and entertaining stories - plus daily puzzles.
Join more than 350,000 subscribers and keep yourself informed with a selection of The Week’s most interesting, enlightening and entertaining stories - plus daily puzzles.
Latest Videos FromThe Week
In the finished work, however, those two conflicting worldviews have also been “brought into fragile harmony,” said Christopher Knight in the Los Angeles Times. The exquisite display case that the magazine sits in would be “suitable for a storied manuscript,” thus honoring the mass media’s power to create its own consciousness-shaping icons. But an interesting thing happens to the title of the issue’s main story, “We Will Not Fail.” The phrase was taken from a 2001 speech that President George W. Bush gave to Congress, yet bin Laden’s face on the cover seems to offer “an equal measure of determination not to fail,” and his system of reason seems to encompass the far longer view. In Yamin’s juxtapositions, “mass-media topicality bumps up against eternity,” and old images “fairly vibrate” with new energies.
