Gustav Klimt: The Magic of Line

The artist's drawings reveal “exquisite draftsmanship” and “the subtlest of emotions.”

J. Paul Getty Museum, Los Angeles

Through Sept. 23

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The faces tell just a fraction of the story, said Michelle Lopes in the California Literary Review. This show is a “visual feast of anatomical studies,” a showcase for the various ways the human body “communicates emotion, passion, and ideas.” By the time Klimt emerged as a leading artist of the Vienna Secessionist movement, his drawings seemed to pull female nudes “from the paper itself,” as in Fish Blood (1897–98), a work in which five sparsely drawn female figures “recline and writhe above a plane that suggests water without definitively indicating it.” Never bashful about his own carnality, or that of his female subjects, he became looser in his drawing, bringing “a frenetic power” to his late nudes. “These sketches are studies not only of the women he drew, but of his relationships with these women. Carnality is here once more, but so too is respect.”