Acorn Theatre
New York
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In this drama about a splintering Brooklyn family, Janeane Garofalo “finds the tangy humor” in her role as a domineering Russian-Jewish mother, said The New York Times. Playwright Erika Sheffer could have developed the characters further, but she shows “an intuitive feeling” for tribal behavior as an uncle from Russia enlists his sister’s children in some highly dubious business deals.
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Revisionism and division: Franco’s legacy five decades onIn The Spotlight Events to mark 50 years since Franco’s death designed to break young people’s growing fascination with the Spanish dictator
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Did Cop30 fulfil its promise to Indigenous Brazilians?Today’s Big Question Brazilian president approves 10 new protected territories, following ‘unprecedented’ Indigenous presence at conference, both as delegates and protesters
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The best Christmas theatre shows across the UKThe Week Recommends Tip-top festive ballets, plays and comedies to book up now
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If/Thenfeature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
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Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
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Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
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The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
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Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
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The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
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No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
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The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.