Is Bob Dylan a serial plagiarist? asked Mallika Rao in HuffingtonPost.com. It’s already been proved that the legendary folk-rock singer repeatedly borrowed lyrics and melodies for some of his famous songs from poets, novelists, and other musicians. Now Dylan’s penchant for unauthorized imitation seems to have spread to his foray into the visual arts. A New York City art gallery recently unveiled a series of 18 paintings that were supposedly “firsthand depictions” of Dylan’s travels in Japan, China, Vietnam, and South Korea. But when bloggers examined the works online, they quickly recognized 11 of them as painted copies of photographs taken by Henri Cartier-Bresson, Leon Busy, and others. Clearly, the exhibit’s title should have been “Bob Dylan: The Paint by Numbers Edition.” Why are these rip-offs in a gallery? said Ann Binlot in ArtInfo.com. This exhibit is nothing more than a record of “Dylan’s travels through online photo archives.”
Dylan should have been more open about his technique, said Blake Gopnik in TheDailyBeast.com, but the uproar over his “plagiarism” is overblown. A hundred years before the Internet, many great painters based their works on photographs. Edgar Degas and Edvard Munch, in fact, barely bothered to alter their reference photos, and “some of Matisse’s greatest works riff on cheap postcards of North Africa.” Modern painters like Andy Warhol engaged in more-explicit borrowing. “Dylan has never denied the art of the lift,” said Ben Greenman in NewYorker.com. In the folk tradition, it’s commonplace for songwriters to reshape traditional lyrics and melodies handed down from performer to performer. He’s just carried that over to his painting. As any true musical or visual artist would admit, “no artist is entirely original.”
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