Miami Art Museum
Through Oct. 16
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Don’t let the sentimentality fool you, said Anne Tschida in The Miami Herald. Neuenschwander smuggles a wealth of serious, thought-provoking complexity into her crowd-pleasing gestures. In Rain Rains, a series of water-filled, perforated aluminum buckets, suspended from the ceiling, drip at various speeds into vessels below. It’s a pleasant work of “sound art,” yes. Yet it’s also rich with layered meaning, alluding to the gradual eradication of the rain forest in the artist’s home country, or to “the sound of a leaking roof, slowly decaying as the water seeps through and sends a constant reminder of its demise.” Throughout the exhibition, Neuenschwander returns again and again to this general theme: “the endless process of destruction and rejuvenation, recycling and remembering.”
What really impressed me was the artist’s knack for narrative, said Carlos Suarez de Jesus in the Miami New Times. “Savoring each chapter of Neuenschwander’s career reveals she is a natural storyteller gifted with an insatiable curiosity.” One standout is The Conversation, based on a classic 1974 Francis Ford Coppola movie about a paranoid surveillance expert. For the installation, Neuenschwander hired professionals to hide 10 microphones under wallpaper and carpet; afterward, the artist and her assistants ransacked the space looking for the bugs. “Visitors entering the creepy installation can listen to the group’s frantic search—sounds of carpet and wallpaper being ripped.” The effect is so ominous you can almost feel Big Brother lurking overhead.
