Alley Theatre
Houston
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Like much of his earlier work, Rajiv Joseph’s new play is a busy assemblage of story lines held together by his “dazzling feel for theater magic,” said the Houston Press. As surreal subplots spin out from its central story—about an artist creating a commissioned work for the headquarters of a shady securities firm—Monster at the Door proves to be “funny, gruesome, and beautiful, often all at the same time.”
-
No Kings rally: What did it achieve?Feature The latest ‘No Kings’ march has become the largest protest in U.S. history
-
Bolton indictment: Retribution or justice?Feature Trump’s former national security adviser turned critic, John Bolton, was indicted for mishandling classified information after publishing his ‘tell-all’ memoir
-
Chicago: Scenes from a city under siegeFeature Chicago is descending into chaos as masked federal agents target people in public spaces and threaten anyone who tries to document the arrests
-
If/Thenfeature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.