Helios: Eadweard Muybridge in a Time of Change

The San Francisco Museum of Modern Art's retrospective recognizes the photographer's “breathtaking” cityscapes and landscapes.

San Francisco Museum of Modern Art

Through June 7

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But Muybridge’s true genius lay elsewhere, said Jennifer Modenessi in the Contra Costa, Calif., Times. Distracted by “wildly innovative sequential images of galloping horses, graceful dancing women, and acrobatic men,” most curators gloss over Muybridge’s cityscapes and landscapes, which capture, in all their “breathtaking” glory, the “natural splendors of Yosemite and the Sierra Nevada, the broad avenues of early San Francisco, and Northern California’s lighthouses and rocky, rolling coast.” Thankfully, this show gets it right. The “lushest” images here come from an 1870s trip Muybridge took to Central America soon after he was acquitted of murdering his wife’s lover. There, “he took melancholy, painterly photographs of ruined churches, his troubled psyche seeking some kind of spiritual refuge, perhaps.” Indeed, these pictures are so gorgeous and haunting, “I’d love to wander through an exhibition devoted solely to them.”