Exhibit of the week: John Baldessari: Pure Beauty

The Los Angeles County Museum of Art’s retrospective is dedicated to the artist’s photographs, films, and other conceptual pieces in which he mocked traditional art. 

Los Angeles County Museum of Art

Through Sept. 12

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Over the years, Baldessari has created an incomparably diverse oeuvre of works designed to playfully upset viewers’ expectations, said Doug Harvey in the LA Weekly. Yet his lasting works may be the early ones, in which he undertook “a systematic disavowal of painting.” Tips for Artists Who Want to Sell consists of hand-lettered, tongue-in-cheek instructions for hack painters. For Commissioned Paintings, from 1969, he hired graphic artists to “faithfully reproduce photographic slides of one of his friends walking around and pointing at things that caught his attention”—including stains, smudges, and other seemingly meaningless detritus. Similarly, in Baldessari’s early photographs, “the pointing finger was one of his primary and most effective pictorial widgets.” Line of Force (1973) consists of repeated shots of a hand aimed off-screen. In such works, Baldessari was making a serious theoretical point about how conceptual artists could create meaning by simply pointing out things in the real world. But the images were also hilarious ways to “overtly flip the bird” at more traditional artists.

That’s just the problem with Baldessari, said Lance Esplund in The Wall Street Journal. His critiques of painting are “primarily cheeky,” intended to mock artists whose tastes differed from his own. The epitome of this artist’s anti-art aesthetic is the 1971 video I Am Making Art. In it, Baldessari faces the camera, striking one pretentiously silly pose after another. “With each new gesture, he states, ‘I am making art’”—parodying the whole idea that anyone would ever bother to create something beautiful or meaningful. Yet if making art is really such an absurd and pointless endeavor, why has Baldessari kept doing it?