When You’re Strange: A Film About the Doors

Tom DiCillo’s documentary about Jim Morrison and the Doors offers a trove of never-before-seen footage, but the narration is too worshipful and the scenes of the era too clichéd.

Directed by Tom DiCillo

(R)

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While the career and music of Jim Morrison and the Doors are “worth revisiting,” Tom DiCillo’s documentary isn’t worth seeing, said Elizabeth Weitzman in the New York Daily News. The frontman of the 1960s rock band was a “star of impossible magnetism,” but When You’re Strange fails to say anything new about this enigmatic character or his place in rock history. DiCillo approaches Morrison with the “glazed eyes of a true fan,” said Ty Burr in The Boston Globe. Though his film offers a trove of never-before-seen footage, it also sags under worshipful narration and clichéd scenes of the era. DiCillo doesn’t even bother interviewing the band’s surviving members, exploring Morrison’s troubled relationship with his father, or investigating his baffling death in Paris, in 1971. Preferring the rock-god myth to the facts of the man’s life, the director fails to “frame the Doors properly,” said Noel Murray in the A.V. Club. Fortunately, he doesn’t shortchange the actual music. Listening to Ray Manzarek’s keyboards, John Densmore’s jazz-influenced drums, and Robby Krieger’s “flamenco-goes-pop guitar”—as well as to Morrison’s vocals—helps explain why the legacy of this short-lived band endures.