Playing With Pictures: The Art of Victorian Photocollage

Starting around 1860, England’s fashionable women clipped photographic images of fine art and popular culture and placed them against new and incongruous backgrounds.

Through Jan. 3, 2010

The Art Institute of Chicago

The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up

Most museumgoers associate such techniques with 20th-century avant-garde artists, such as the surrealists, said Claudine Ise in Newcity Chicago. But this exhibition suggests that collage is nearly as old as photography itself. “Armed with paper-cutting knives, watercolor palettes, and sticky pots of glue,” these proper Victorian ladies appropriated images from fine art and popular culture to “remix” their life stories in flattering ways. The precise arrangement of families and friends within a collage can often be telling. In one, a socialite places her husband, Lord Filmer, off to the side. She reserves pride of place for the Prince of Wales, “the man at the top of their social food chain and Lady Filmer’s well-known partner in flirtation.”