Nicci French: crime-writing duo Sean French and Nicci Gerrard share their favourite books

The pair choose books by C.S. Lewis, Charlotte Brontë and more

Nicci French
The couple have written a host of books, both together and separately
(Image credit: Ulf Andersen / Contributor / Getty Images)

The bestselling husband-and-wife crime-writing duo – Sean French and Nicci Gerrard – choose their favourite books. Their latest thriller, "The Last Days of Kira Mullan" (Simon & Schuster, £18.99), is out this week

Jane Eyre

Charlotte Brontë, 1847

This Victorian classic about an unloved orphan growing into a woman who is free, equal and passionately loved is a gothic romance, an erotic masterpiece, a work to read when you’re young, old, and all the ages in between.

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Lolly Willowes

Sylvia Townsend Warner, 1926

Miss Willowes is a young spinster living with her stiflingly respectable London family when she decides to move to the countryside and discover her destiny. Which is to become a witch. Townsend Warner's debut novel is like a joyously funny and sexy hand grenade.

The Silver Chair

C.S. Lewis, 1953

The most underrated of the Narnia books, in which Eustace and Jill find themselves in Narnia on a quest for a lost prince. In some ways this is a thriller for children, brilliantly plotted, with great twists and moments of genuine terror.

The Unwomanly Face of War

Svetlana Alexievich, 1985

In WWII, Soviet women could be soldiers and pilots as well as nurses. In the 1970s, Alexievich interviewed them. The resulting tapestry of voices – old women recalling their teenage years – is overwhelming, a work of art and one of the great acts of remembrance.

Presumed Innocent

Scott Turow, 1987

A lawyer is charged with murdering a fellow lawyer with whom he was having a secret affair. The legal process is evoked with pungent authority; the plot is genuinely startling. This couldn’t be more different from our own work, but Turow’s debut is a key inspiration.

Skippy Dies

Paul Murray, 2010

A story of coming of age, sex, death, betrayal and the meaning of the universe in an Irish private school. It’s hilarious, compelling, deeply sad. How on earth does Ireland keep producing these great writers?

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