Oliver! review: a superb staging of a 'glorious' musical
The 'universally excellent cast' will leave audience's arms 'above their heads applauding'

It's more than 60 years old, but "Oliver!" has never stopped delighting audiences – and for good reason, said Tom Millward on What's On Stage. It is, of course, blessed with Dickens' gripping plot about the beleaguered orphan who makes his way to London and winds up in the hands of Fagin and his gang of thieving urchins; but on top of that, it has Lionel Bart's almost unrivalled run of show-stoppingly brilliant songs. The likes of "Food, Glorious Food", "Where Is Love?", "Consider Yourself", "Pick a Pocket or Two", "Oom-Pah-Pah", "I'd Do Anything" and "Reviewing the Situation" are just so memorable, and so "beloved", people never tire of them.
You couldn't really call "Oliver!" festive, with its focus on poverty, criminal gangs and domestic violence, said Mark Brown in The Daily Telegraph. But if James Brining was taking a risk in choosing Bart's great musical as his first big Christmas show at the Leeds Playhouse, then it has been "rewarded marvellously". The "universally excellent cast" brims with talented child actors, not least (on press night) Nicholas Teixeira as a "remarkably sympathetic and vulnerable" Oliver and Felix Holt as a "cocky, yet, ultimately, anguished" Dodger. There are equally fine performances from Steve Furst as Fagin, Jenny Fitzpatrick as Nancy and Chris Bennett as Bill Sikes. And the "clever, minimal design" (by Colin Richmond) uses numerous platforms and staircases to help generate pace and drama. It is, all told, an "unalloyed triumph".
It's a superb staging of a "glorious" musical, agreed Mark Lawson in The Guardian. Furst's Fagin is a "wry, vigorous eccentric whose only archetype of ethnicity is klezmer-inflected cadenzas on a violin". And in Nancy's numbers, Fitzpatrick "reaches top notes that will be as alarming to theatre-roof insurers" as Nicole Scherzinger's in "Sunset Boulevard". The choreography is great too. There are perhaps too many dances in which Fagin's boys flap "bent-elbowed arms like hen's wings"; but the audience's arms "will be above their heads applauding".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Quarry, Leeds Playhouse (0113-213 7700; leedsplayhouse.org.uk). Until 27 January 2024. Running time: 2hrs 30mins. Rating *****
Stars reflect the overall quality of reviews and our own independent assessment (5 stars=don’t miss; 1 star=don’t bother)
Sign up to The Week's Arts & Life newsletter for reviews and recommendations.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
5 hilariously cutting cartoons about the Department of Education
Cartoons Artists take on being rotten to the core, budget cuts, and more
-
Kartoffelsalat (potato salad) recipe
The Week Recommends German dish is fresh, creamy and an ideal summer meal
-
Sickness benefits: an unaffordable burden?
Talking Point A welfare bill 'debacle' caused by 'sickfluencers' who are beating the system
-
Kartoffelsalat (potato salad) recipe
The Week Recommends German dish is fresh, creamy and an ideal summer meal
-
6 peaceful homes near small towns
Feature Featuring doors with local topographical maps in Oregon and a 1850s homestead-turned-house in Vermont
-
Too Much: London-set romantic comedy from Lena Dunham
The Week Recommends Megan Stalter stars as a 'neurotic' New Yorker who falls in love with a Brit
-
Apocalypse in the Tropics: a 'troubling' portrait of modern Brazil
The Week Recommends Petra Costa's sobering documentary examines the rise of right-wing evangelical Christianity in Brazilian politics
-
Murderland: a 'hauntingly compulsive' book
The Week Recommends Caroline Fraser sets out a 'compelling theory' that toxins were to blame for the 1970s serial killer epidemic
-
The 2025 James Beard Award winners
Feature Featuring a casually elegant restaurant, recipes nearly lost to war, and more
-
Film reviews: Superman and Sorry, Baby
Feature A hero returns, in surprising earnest, and a woman navigates life after a tragedy
-
Music reviews: Lorde, Barbra Streisand, and Karol G
Feature "Virgin," "The Secret of Life: Partners, Volume Two," and "Tropicoqueta"