"In the wrong hands", Amy Jephta's new play could have become a "very conventional critique" of South African society, said Clive Davis in The Times. Yet this "quirky" satire "sends you home with awkward questions buzzing around in your head".
Unsurprisingly, race lies at the heart of the domestic drama, but the "mischievous" production also "homes in on subtle questions of class and money" too. The story follows Bonolo (Mimî M. Khayisa) and Sihle (Sifiso Mazibuko), a Black middle-class couple who have recently moved to a "manicured suburb" in South Africa. When an unsightly shack appears on a nearby plot of land, "threatening to bring down property values", white neighbours "brazenly" recruit Bonolo and Sihle to a local group tasked with getting rid of it.
The affluent residents' "paranoid assumptions" quickly bring out "deep-rooted prejudices in this biting, subversive satire", said Dave Fargnoli in The Stage. Jephta's "richly drawn characters" are "intriguingly flawed", with Khayisa "gripping" as the "fabulously frosty" and "pretentious" Bonolo. The arguments between Bonolo and Sihle feel "real and complex", making the occasional "breakouts of didacticism" elsewhere feel "jarring", said Arifa Akbar in The Guardian.
Jephta "mercilessly skewers" middle-class prejudices and "latent racist white fears", painting a "bleak" picture of a "Rainbow Nation ill at ease with itself", said Lindsay Johns in The Telegraph. In all, it's a "morally nuanced, exhilarating and deeply humane work" that marks Jephta as one of South Africa's "leading contemporary playwrights".
At the Royal Court Theatre, London, until 8 February, then at Bristol Old Vic from 14 February to 8 March |