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  • The Week's Saturday Wrap
    An alien kidnapping, Kim Kardashian’s divorce drama, and what technology takes from humanity

     
    FILM review

    Bugonia

    A kidnapped CEO might only appear to be human.

    “If Emma Stone didn’t exist, some of her movies couldn’t exist—especially not the ones she’s created with edgy director Yorgos Lanthimos,” said Amy Nicholson in the Los Angeles Times. The two-time Oscar winner “can play shrewd, silly, gorgeous, repellent, frail, and frightening simultaneously,” and she hits all those notes in her fourth feature with the Poor Things auteur. Stone portrays Michelle Fuller, a Big Pharma CEO who is kidnapped by two men convinced she’s an alien who’s working to destroy Earth. And while a rundown of the abuse Michelle suffers “would sound like a Saw film,” Stone renders the character so slickly insincere that she “makes it OK for us to laugh at Michelle’s torment.” 

    Jesse Plemons, who plays Teddy, the lead kidnapper, “matches her intensity and manages to outdo her craziness,” said Nick Schager in The Daily Beast. Teddy orders Michelle’s head shaved because he believes her hair is her means of communicating with fellow ETs. But Lanthimos leaves open the possibility that Teddy is onto something, and “the director’s askew aesthetics are a natural fit for his absurd material,” the use of low-angle imagery adding to the film’s “wobbly sense of reality.” Still, though Lanthimos’ dramatization of the vast divide between the powerful and the powerless feels dangerous, said David Fear in Rolling Stone, it’s “not as dangerous as it could have been.” At least Bugonia gets at a core trouble with our times: There’s no truth we can all agree on.

     
     
    tv review

    All’s Fair

    If you’re building a drama series around messy high-profile divorces, why not call on Kim Kardashian? Ryan Murphy created his latest show for the reality star, who plays Allura Grant,  the chief of an all-female firm of top L.A. divorce lawyers. Allura lands on the other side of the negotiating table when her husband files for divorce and hires one of Allura’s fierce former colleagues, played by Sarah Paulson. Guests and co-stars include Glenn Close, Naomi Watts, and Jessica Simpson. Tuesday, Nov. 4, Hulu.

     
     
    FOOD & DRINK

    Vanilla extract: A top three

    “Vanilla is the backbone of almost every American dessert,” said Sam Stone in Bon Appétit, and choosing the right one can make a difference. Recipes most often call for vanilla extract, so we blind-tested 13 brands—stirring 1 tsp into a cup of whole milk in each case—and landed on excellent options in three different price ranges.

    Trader Joe’s Organic Pure Bourbon Vanilla Extract ($10)
    Our budget choice delivers “luxuriously rich flavor,” with a caramel-like base note topped by “a floral almond taste.” The “Bourbon” in the name refers to the vanilla’s island of origin. 

    Nielsen-Massey Pure Vanilla Extract ($20)
    A favorite of many of our tasters, this well-balanced mid-tier option “had a robustness and complexity that outperformed  nearly all of its peers.” 

    Heilala Pure Vanilla Extract ($32)
    Made from Tonga-grown beans, Heilala “bowled over” our tasters with its “vivacious” aromas and flavors.

     
     
    BOOK OF THE WEEK

    Against the Machine: On the Unmaking of Humanity

    by Paul Kingsnorth

    “Paul Kingsnorth tends to think in the most sweeping terms imaginable,” said Alexander Nazaryan in The New York Times. In Against the Machine, his recent best seller, the British novelist, poet, and essayist urges us all to rediscover our humanity before “the Machine” fully exterminates it. And by “the Machine,” he means a belief system born during the Enlightenment that glorifies technological progress and has induced the people of the West to gradually cede power over their lives to government, corporations, and other large institutions. Kingsnorth has spread these ideas via his Substack, said Justin Ariel Bailey in Christianity Today, and he has now consolidated his missives into “a trenchant and terrifying account of what modern people have sacrificed in exchange for technology’s promise of power and autonomy.” 

    “Kingsnorth is a fascinating man,” said Corbin K. Barthold in City Journal. In his youth, he was an eco-activist who chained himself to bulldozers, and by his early 40s he was both an accomplished novelist and one of the U.K.’s leading environmentalists. But he lost faith in the green movement, and in 2014 he and his wife decamped to rural Ireland, where they homeschool their children and grow much of their food. Eventually, he joined the Eastern Orthodox Christian church. “Kingsnorth is a gifted stylist and a syncretic thinker,” and his ideas, at their best, are “sharp and layered.” In this “engrossing but often vexing” book, unfortunately, he “rests his boldest claims on little more than vibes.” He romanticizes the rural life of past centuries, ignoring its hardships, while his distrust of economic data “leaves his treatise fatally incomplete.” 

    Still, “the deeper provocations of Against the Machine are worth hearing, however gloomy,” said Cal Revely-Calder in The New Yorker. “Kingsnorth is surely right that public life has been overtaken by a narrow fixation on data and measurement” and that technologies of convenience are robbing us of skills, such as cooking, that were once foundational to the human experience. He tells us that the Machine has severed our ties to the four anchors of prior human cultures: people, place, prayer, and the past. But he has no concrete recommendations on how to fight the Machine beyond walking away from it—or at least limiting our participation in its growing omnipotence—while seeking to support small communities built upon older values. Even Kingsnorth, however, had to access the internet and work at a laptop to produce his book. In short, “we can’t walk away when there is no ‘away.’”

     
     
    OBITUARY

    June Lockhart

    The Lassie actress who played beloved moms

    June Lockhart was a mother figure for a generation of TV viewers. After years toiling in theater and films, she hit TV stardom in 1958 as Lassie’s warmhearted, unflappable Ruth Martin, wife to a Midwestern farmer and adoptive mother to 7-year-old Timmy and his spunky collie. She then played another nurturing matriarch in a hit series in the late 1960s: the campy sci-fi show Lost in Space. There, she was Maureen Robinson, a biochemist adrift on a spaceship with her husband, three children, a robot, and the villainous stowaway Dr. Zachary Smith. In a career spanning nine decades, she racked up more than 150 film and TV credits, but she was most identified with her maternal roles. “Motherhood has been a pretty good dodge for me,” she said in 1992. “I seem to have outlasted most of my colleagues because of it.” 

    Born in New York City, Lockhart grew up “steeped in the arts,” said the Los Angeles Times. Both her parents were actors—her father, Gene Lockhart, was in over 300 films and was once nominated for Best Supporting Actor. She made her film debut at 13 in A Christmas Carol (1938), playing Belinda Cratchit alongside her parents playing Bob and Mrs. Cratchit.  After the family moved to Hollywood, she began doing more film work, taking small roles in movies such as Sergeant York (1941)  and Meet Me in St. Louis (1944). Moving into TV in the 1950s, she landed “modest but frequent roles” on shows such as Wagon Train and Gunsmoke before being cast in Lassie. That show ran for two decades and featured various lead actresses, said The Washington Post, but Lockhart’s years “marked its popular heyday,” and she “defined its wholesome and nurturing spirit.” 

    Leaving in 1964, she soon began a four-year run on Lost in Space. With its “low-budget production values,” said The New York Times, the show “became something of a camp classic” and acquired a cult audience. In the following decades, she appeared on scores of shows ranging from Beverly Hills, 90210 and Grey’s Anatomy to Roseanne and Ren and Stimpy. A political junkie and space buff, she insisted she was a bolder personality than the genial mothers she played. “I love rock ’n’ roll and going to concerts. I have driven Army tanks and flown in hot-air balloons,” she said in 1994. “I do a lot of things that don’t go hand in hand with my image.”

     
     

    Sunday Shortlist was written and edited by Susan Caskie, Ryan Devlin, Chris Erikson, Isaac Guzman, Chris Mitchell, and Matt Prigge.

    Image credits, from top: Focus Features; Hulu; Getty Images; Getty Images
     

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