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Review of reviews: Stage
feature Talking Pictures
By The Week Staff Last updated
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Review of reviews: Stage
feature The American Plan
By The Week Staff Last updated
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Review of reviews: Art
feature Life’s Pleasures: The Ashcan Artists’ Brush With Leisure, 1895–1925
By The Week Staff Last updated
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Review of reviews: Stage
feature Macbeth
By The Week Staff Last updated
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Review of reviews: Stage
feature Paradise Park
By The Week Staff Last updated
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Exhibition of the week
feature Gustave Courbet
By The Week Staff Last updated
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Review of reviews: Stage
feature Victory
By The Week Staff Last updated
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Around the World in 80 Days
feature The Irish Repertory’s adaptation of Jules Verne’s classic adventure novel is near-perfect summer entertainment, said Rachel Saltz in The New York Times.
By The Week Staff Last updated
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Lucky Number Seven: Seventh International Biennial Exhibition
feature The artworks in the Seventh International Biennial Exhibition in Santa Fe were made expressly for the exhibit by artists from around the world.
By The Week Staff Last updated
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Theater: Buffalo Gal
feature Two of A.R. Gurney's favorite themes permeate Buffalo Gal: the disappearing East Coast WASP and the decline of live theater.
By The Week Staff Last updated
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Damn Yankees
feature “With baseball season in full swing and a sexy sports scandal making headlines, Damn Yankees has opened with championship timing,” said Joe Dziemianowicz in the New York Daily News.&
By The Week Staff Last updated
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Opera: Radamisto
feature “No soap opera could outdo the plot of Handel’s Radamisto,” said Scott Cantrell in The Dallas Morning News. The Santa Fe Opera delivers a fine performance.
By The Week Staff Last updated
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Kicking a Dead Horse
feature In Sam Shepard's 80-minute monologue, Hobart Struther, a world-weary Manhattan art dealer on a soul-searching solo trip through the badlands of Wyoming, finds himself in a desperate predicament when his horse dies.
By The Week Staff Last updated
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Exhibition of the week: Diebenkorn in New Mexico
feature The Phillips Collection in Washington, D.C., is displaying Richard Diebenkorn's paintings from his time in New Mexico, a period when he transformed the abstract-expressionist motifs he learned in New York into his own Western-inflected idiom.<
By The Week Staff Last updated
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