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The Silence of the Lambs: a ‘thrilling’ on-stage rendition of hit filmThe Week Recommends Nikolai Foster’s production encapsulates ‘extraordinarily dark world’ of ‘grisly tale’
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Amanda Knox and real crime stand-up shows at Edinburgh FringeIn the Spotlight Should some subjects be off-limits for comedy?
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Ariadne auf Naxos: a ‘rapturous’ Glyndebourne productionThe Week Recommends Stellar operatic performances from Rachel Willis-Sørensen and David Butt Philip
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The Car Man: ‘lust-drenched’ thriller is perfect summer showThe Week Recommends Matthew Bourne’s ‘steamy’ dance hit is back and touring the UK
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The Cherry Orchard: Kenneth Branagh takes centre stage in ‘star-studded’ productionTalking Point Laura Wade’s staging looks ‘beguiling’ but fails to mine the play’s ‘heartbreaking depth’
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Sweeney Todd: a ‘deliciously blood-curdling production’The Week Recommends Joe Murphy’s vision for Stephen Sondheim’s 1979 musical is ‘sure to bring goosebumps of excitement’
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Jesus Christ Superstar: a ‘welcome return of the Bible belter’The Week Recommends Sam Ryder ‘ambushes’ West End audiences with ‘surges of emotional force’
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The Truth: a ‘seat-shakingly funny’ farceThe Week Recommends Stephen Mangan shines in Florian Zeller's ‘double helix’ of marital deceit
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Summer Holiday the Musical: an ‘immensely good-humoured and infectious show’The Week Recommends The reimagined 1960s hit puts new energy into Cliff Richard’s classics
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Much Ado About Nothing: a Shakespearean ‘summer blockbuster’The Week Recommends With ‘simply gorgeous’ costumes, dance and music, the Globe’s ‘charming’ production is ‘eminently worth seeing’
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Under the Shadow: ‘nerve-shredding’ production ‘could scarcely be timelier’The Week Recommends Carmen Nasr’s production set during the Iran-Iraq war is ‘intriguing and always watchable’
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High Society: a ‘gorgeously glamorous’ spectacleThe Week Recommends Helen George and Freddie Fox star in the ‘dazzling’ Cole Porter musical
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The Tempest: an ‘enchanting’ production starring Kenneth BranaghThe Week Recommends Legendary director Richard Eyre’s Stratford debut brings ‘masques, magic and monsters’
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Care: ‘profoundly moving’ play set in nursing home for elderlyThe Week Recommends ‘Powerful’ show that’s ‘unbearably touching’ at times
The Week Recommends
