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  • The Week’s Sunday Shortlist
    When Minions become auteurs, a showdown in Hell’s Kitchen, and six sizzling beach reads

     
    FILM REVIEW

    Minions & Monsters

    Though they’re “one of the more enduring creations of 21st-century cinema,” the Minions “still get no respect,” said Scott Roxborough in The Hollywood Reporter. Maybe, though, this seventh film in the Despicable Me franchise will finally end a 16-year awards shutout, because it’s a love letter to cinema that argues, between its mile-a-minute gags, that the highest-grossing animated franchise of all time deserves a place in Hollywood’s canon. Minions & Monsters is “very much a film of two halves,” said Drew Taylor in The Wrap. In the first, a quick history tour revisits how bad Minions have been in their quest to find villains to serve, until one group lands in 1920s Hollywood and stumbles into stardom. A flurry of homages to Buster Keaton and other legends follows, until talkies arrive and put the gibberish-spouting Minions out of work. The second half offers more-conventional Minion action, yet it “builds to an open-hearted tribute to the power of the communal moviegoing experience.” When two of the Minions start work on creating a monster movie using real monsters, this outing “does rather lose momentum,” said Guy Lodge in Variety. But as the film speeds toward a standard save-the-world climax, the latest Minions serves up the usual mayhem “with gusto and a delirious cartoon grin.” It’s “a clear peak for the series: a Minions movie with an actual idea at its core beyond general cheerful chaos.” 

     
     
    tv review

    The Westies

    Brutality abounds in this crime series set in early 1980s New York City. J.K. Simmons stars as the head of the fearsome Irish gang that runs Hell’s Kitchen. When an underling kills a member of the Mafia, the Westies’ uneasy relationship with their Italian counterparts threatens to unravel. Conflicts within the gang and an investigation by the FBI compound the volatility. With Titus Welliver and Tom Brittney. 

    Sunday, July 12, at 9 p.m., MGM+

     
     
    FOOD & DRINK

    World Wine Awards: U.S. picks

    “Wine lovers have never had it so good,” said Olivia Mason in Decanter. At our magazine’s recent World Wine Awards, the world’s largest wine competition, a higher share than ever earned gold, silver, or bronze medals, and winners came from all corners. In the U.S., “California and Oregon delivered at the highest level,” while Texas and Virginia are ascending.

    2023 Domaine Serene Aspect Pinot Noir ($130)
    One of two Best in Show winners from the U.S., this Willamette Valley pinot has cherry cola on the nose while its berry notes “have a cured-tobacco softness and sandalwood allure.” 

    2023 Clos du Val Yettalil ($200)
    Again Clos du Val is a Best in Show winner, now for this Bordeaux blend from Napa Valley. The wine is “a master class in tannin handling: fine suede on the tongue.”

    2023 Turtle Creek Tannat ($48)
    Texas earned gold medals for the first time; one of the four winners was this tannat, which opens with plum, prune, and “a whack of black peppercorns.”

     
     
    BOOKs OF THE WEEK

    Summer fiction: Six captivating beach reads

    Villa Coco
    by Andrew Sean Greer
    Personal style that appears effortless often requires much invisible work, said Jacob Brogan in The Atlantic. “I thought about this distinction often while reading Andrew Sean Greer’s witty and, yes, stylish new novel.” The narrator, an American, is looking back on a sojourn in Tuscany when he was hired to work at the home of a scheming 92-year-old baronessa. But he also comes under the sway of other larger-than-life characters, including a male romantic interest, resulting in a “relentlessly charming” coming-of-age tale. Because Greer “has such a light touch,” the book “reads like a grand adventure, not a lesson,” said Chris Hewitt in The Minnesota Star Tribune. Perhaps because the Pulitzer-winning author of 2017’s Less has earned the privilege, Villa Coco “has the summery feel of someone writing whatever he feels like writing.” I have zero complaints—“other than that I wish it were longer.”

    Rasputin Swims the Potomac
    by Ben Fountain
    “Is it even possible to write a satirical novel about American politics anymore?” asked Laura Miller in Slate. If so, Ben Fountain, the author of the Iraq War–era send-up Billy Lynn’s Long Halftime Walk, “is a good candidate to try.” This time out, Fountain gives us a U.S. president who could only be Donald Trump plotting to win an unconstitutional third term by tapping as his running mate a wrestler named Rasputin. But a billionaire cabal prefers Rasputin at the top of the ticket, and as the drama levels up, Fountain’s prose “fizzes with a Dickensian color that makes the novel a blast to read.” A novel that also features a likable reality TV star turned White House staffer, a reporter named Clarence Thomas Jr., and a weeping epidemic is “a lot, for sure,” said Michael Schaub in the Los Angeles Times. “But Fountain pulls it off with his gleefully absurd sense of humor.”

    Dolly All the Time
    by Annabel Monaghan
    “Romance readers have found their book of the summer,” said Kimberly Ramirez in Los Angeles magazine. “A radiant and tensionfilled love story,” Annabel Monaghan’s latest best seller revolves around a single mom and kindergarten teacher who’s pushing 40 when she returns to her Rhode Island hometown for the warmer months and agrees to a wealthy heir’s suggestion that she pose as his girlfriend. Because Dolly prizes her independence and they both have family burdens, the novel develops into a “gripping” read “packed with passion and doubt.” When the pair strike their deal, “only the truly inattentive will be shocked that complications ensue,” said Joanne Kaufman in The Wall Street Journal. That’s fine, because “the settings—sailboats, lush gardens, elegant townhouses— couldn’t be lovelier,” and resourceful Dolly “deserves every nice thing that seems to be coming her way.”

    The Children
    by Melissa Albert
    “Contemporary fantasy could certainly do with more sophisticated takes on the genre like this one,” said Jessie Lethaby in The Times (U.K.). Melissa Albert’s first foray into adult fiction hooks the reader from the moment it introduces its protagonist, Guinevere, a woman who was made famous as a child by her mother’s fantasy novels and is now releasing a dishonestly rosy memoir about her upbringing. Albert takes too long to bring the story to resolution, but as The Children advances along three timelines, there’s no denying “the sheer pleasure” of the reading experience. All along, you wonder how the fire started that killed Guinevere’s parents, said Lucy Rees in the Chicago Review of Books, and why she and her artist brother have long been estranged. “The answers converge with the meeting of the timelines in a sequence of pages so dazzling I had to take breaks to seep in the complexities.”

    Pool House
    by Mary H.K. Choi
    “Brace for the kind of heartbreak reserved for mothers and daughters who have more in common than they care to admit,” said Elisabeth Egan in The New York Times. When a former TV actor dies by suicide, his beautiful Korean American co-star and Stevie, her 20-year-old daughter, open their L.A. home to another of the show’s co-stars, who, to Stevie, is both a brother figure and a longtime crush. The house is unaffordable. Stevie wants out but can’t escape her mother’s orbit. And the domestic drama that then unfolds feels “unexpectedly perilous.” In reality, Stevie and her mom have been renting out their home and living in its pool house, said P. Claire Dodson in Vogue. As Choi tracks this unusual Hollywood trio, “Choi writes like she’s inviting you inside the joke, to the blood and sweat that make up the fame machine and the lives within it.”

    The Shampoo Effect
    by Jenny Jackson
    In her “deeply satisfying” new rom-com, Jenny Jackson “flips the usual romance novel progression of initial friction-laced attraction that melts into undeniable love,” said Carol Iaciofano Aucoin in WBUR.org. Caroline, a New York City–based writer, and Van, an environmental scientist, hook up shortly after Caroline arrives in a Massachusetts shore town, and the suspense lies in whether the pair will be torn apart, particularly after Van learns that he’s impregnated a member of his tight local friend group. The scandal, the sex, and the coastal setting “make for a perfect summer beach read,” said Julia Vitale in Air Mail. After all the complications, The Shampoo Effect emerges as “a breezy, fun novel whose ending is tied with a neat bow, as all endings of books read between Memorial Day and Labor Day should be.”

     
     
    OBITUARY

    James Burrows

    The director who made our favorite sitcoms

    James Burrows’ name was easy to miss, but his work was inescapable. The prolific director helmed many of America’s most beloved sitcoms and co-created Cheers, directing most of its episodes as well as every episode of Will & Grace. As a frequent Friends and Frasier director, he dominated NBC’s “Must See TV” lineup in the 1990s. His résumé spanned from The Bob Newhart Show and Laverne & Shirley in the 1970s to Taxi in the 1980s to 2000s hits like The Big Bang Theory and Two and a Half Men. Over that career, the “Spielberg of sitcoms” got an astounding 48 Emmy nominations and won 11, five for directing and six for producing. “My mind is never a blank,” he said. “If something isn’t funny, I’ll try nine ways to make it funny. I won’t just quit on it.”

    Burrows was the son of Broadway composer Abe Burrows, and he grew up in the New York theater scene. He sang in the Metropolitan Opera Children’s Chorus until his voice changed, then went to the High School of Music & Art. While attending Yale University’s graduate acting program, Burrows took a required directing class and “got hooked,” said The Washington Post. 

    His family connections helped: He started out as a dialogue coach for a short-lived ABC show his father directed, and later—while working on the Broadway show Holly Golightly, also directed by his dad—he met Mary Tyler Moore. When he saw her Mary Tyler Moore Show on TV in 1974, he reached out asking for work and she invited him to direct. That break led him to more TV jobs, where he met Glen and Les Charles, his future Cheers co-creators. While Burrows wasn’t credited as a primary writer, “he contributed the best gags and was the creative force” behind Cheers, said The Times (U.K.), “shaping its wry humor.” He had an “instinctive feel for what makes an audience laugh.”

    Beloved by actors, Burrows could coax hilarious line deliveries out of even unseasoned performers such as the Friends cast, who saw him as a father figure. He extended that same mentoring to “a generation of helmers” now running their own shows, said Variety. But it’s his shows that have lasted: He directed more than 75 pilots that got picked up for series. “Almost any night you can turn on your television or go online and find a show that I directed,” he said in 2022. “I’m very proud of that.”

     
     

    Sunday Shortlist was written and edited by Susan Caskie, Ryan Devlin, Chris Erikson, Chris Mitchell, Rebecca Nathanson, and Matt Prigge.

    Image credits, from top: Universal Pictures/Everett, MGM+, Getty.
     

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