Wearable and sellable is key at Paris Fashion Week

It was a week of refreshingly serious, complex and wearable clothes in Paris, says Rebecca May Johnson

There were two 100th celebrations during this year's Paris Fashion Week. The first was Dries van Noten’s, which the Belgian designer took as an opportunity for a love-in with 54 women who have walked for him since 1993. Supermodels of the past proved they still had what it took to own the runway in a collection that was a remixed retrospective of prints that have made Van Noten’s name. Clothes were styled to show "how the women would like to dress themselves" according to the designer, and for Ellie Pithers at vogue.co.uk, "the joyful atmosphere was infectious". For Pithers, standout looks included "body-enveloping quilted jackets in jewel-toned patchwork satin and velvet, worn with simple jeans, navy polo necks and brogues". On a serious note, Sarah Mower at vogue.com reflected that of the legions of models, there were only three women of colour: "Those were not good times for diversity… Now a new day’s dawning. Fashion in general must make that change."

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