American Cool

“Parisians have chic, Italians have la dolce vita, and Americans will always have cool.”

National Portrait Gallery, Washington, D.C.

Through Sept. 7

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The best arguments will focus on how cool has changed over time, said Philip Kennicott in The Washington Post. Other cultures have terms for effortless savoir faire, but cool was distinctly American because it was principally a middle- or lower-class attribute, and rooted in black culture. But “stylish stoicism” gave way in the 1950s and beyond to the outright rebelliousness of Marlon Brando’s biker in The Wild One. More recently, we’ve made personal wealth a prerequisite for our icons of cool, so that the show’s final section gives us the geek cool of Apple’s Steve Jobs and the entrepreneurial cool of rapper Jay Z and skateboarder Tony Hawk. There’s a “dark side of cool” never touched on—the “dumb, dismissive” attitude embodied by the phrase “too cool for school.” But the curators don’t go there. If you’re interested in cool’s unhealthy effects, you’ll have to tease them out yourself.