Watch SNL skewer its own lack of racial diversity
With Scandal's Kerry Washington hosting, Saturday Night Live takes pains to point out that it has no black women in the cast
Saturday Night Live has gotten some flak lately for its lack of racial diversity — and more specifically, its lack of a single black female cast member. Much of the controversy is of SNL's own collective making.
First, of course, producer Lorne Michaels and his team haven't hired a black woman to the show since Maya Rudolph left in 2007. Then in mid-October, after the season had begun with a freshman class of six white cast members, Kenan Thompson poured fuel on the fire by telling TV Guide that no black women have joined the cast because "in auditions, they just never find ones that are ready."
Last week, the civil rights group ColorOfChange.org excoriated Michaels for not hiring any black women, and also for "aggressively continuing to push images of black women as incompetent, rude, hypersexual, and financially dependent." As The Week's Emily Shire points out, this demographic hole in the cast not just a political-correctness problem — SNL is leaving a lot of jokes on the table by not having a woman who can play, say, First Lady Michelle Obama.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
This weekend, Kerry Washington, the star of ABC's Scandal, hosted SNL, and the show's writers finally had a black actress to work with. They wasted no time: The cold open had Washington play, naturally, Michelle Obama. And Oprah. (Watch above.) That was basically the entire joke. In case you didn't get it, a voiceover makes it explicit, reading this message scrolling across the screen:
To put an exclamation point on the sketch, the Rev. Al Sharpton came out at the end to deliver the enigmatic message: "What have we learned from this sketch? As usual, nothing."
SNL skewered its race problem in "quite brilliant fashion," says Kevin Fallon at The Daily Beast. The show has a long history of "biting into controversies with fang-baring irreverence," and it's refreshing to see that SNL can tackle its own sensitive issues "with such nimble confidence and hilarity," too.
Gawker's Max Rivlin-Nadler is less charitable. "By poking fun at itself and not really addressing anything," he says, SNL is mostly rolling its eyes at the controversy. Perhaps the better term is awkwardly self-flagellating.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
The cold open "was a funny sketch in a generally solid, racially aware episode," says Willa Paskin at Slate, and the two black cast members, Thompson and Jay Pharoah, received a lot more screen time than usual. But ultimately, "cracks about the show's lack of diversity, however well executed, don't make the show diverse."
"The self-skewering didn't stop after the cold open," notes The Daily Beast's Fallon. In one stand-out sketch, Thompson, Pharoah, and Washington "made fun of White People Problems for four minutes," while also commenting on the unshakable support President Obama seems to have in the black community:
Pharoah and Washington also appear in an all-black takeoff of Ylvis's bizarre viral hit "What Does the Fox Say."
Some of the comedy borders on trafficking in black stereotypes. But "calling these sketches, characters, and jokes stereotypical isn't a knock on SNL," Fallon says. "The show spoofs stereotypes often, and, as it happens, very well. It's been too long since black women have gotten in on the fun."
Lorne Michaels confidently predicted last week that Saturday Night Live will hire a black female cast member soon. Maybe once Scandal ends, he could talk Washington into signing on.
Create an account with the same email registered to your subscription to unlock access.
Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
-
Silk Roads at The British Museum: a 'mesmerising' exhibition
The Week Recommends 'Epic' show explores the many routes connecting East and West, through a collection of 'beautiful, unusual, intricate' treasures
By The Week UK Published
-
The week's best photos
In Pictures A hurricane's aftermath, a marching parade, and more
By Anahi Valenzuela, The Week US Published
-
Sarah Moss picks her favourite books
The Week Recommends The author shares works by Virginia Woolf, Dorothy Wordsworth and Ross Gay
By The Week UK Published