In other openings
The Two Foscari
Los Angeles Opera, (213) 972-8001
A minor work like this 1844 Verdi opera needs “at least one star onstage to justify putting it on,” said The Hollywood Reporter. Happily, this production is justified. Plácido Domingo, playing a Venetian doge whose son has been convicted of murder, is a star that “still burns brightly.” What’s more, Francesco Meli and Maria Poplavskaya are clearly on the ascent.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
-
Why the world is going mad about Taylor Swift's wedding
The pop star unveiled diamond ring in cosy snaps with fiancé Travis Kelce earlier this week
-
Hostage: Netflix's 'fun, fast and brash potboiler'
The Week Recommends Suranne Jones is 'relentlessly defiant' as prime minister Abigail Dalton
-
France political crisis: what does Bayrou's gamble mean for Macron?
The French president could see his authority damaged beyond repair should another of his governments fail
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.