Is Vertigo the greatest film of all time?
Rosebud, Schmosebud. In a respected once-a-decade ranking of history's best films, Hitchcock's classic knocks Citizen Kane from the top spot it held for 50 years
Vertigo has just ascended a great height. British film magazine Sight & Sound, which surveyed nearly 1,000 prestigious critics, academics, and film-industry insiders to create its once-a-decade list of history's 50 best movies, just named Alfred Hitchcock's Vertigo No. 1 — knocking Orson Welles' Citizen Kane out of the top spot it's held since 1962. Despite getting dismissive reviews upon its 1958 release, "Hitchcock's spiraling dream-narrative of obsessive love," in which Jimmy Stewart plays a retired detective with a fear of heights and a thing for gloomy blondes, has crept up the list over the years. But is Vertigo really a better movie than Citizen Kane?
Yes. Vertigo resonates with the millennial mindset: What's not to love about "the Master of Suspense's otherworldly Mobius-strip reverie on love, loss, and obsession," asks Christian Blauvelt at Entertainment Weekly. "Dreamlike and densely coded, with just the right mixture of romanticism and alienation for a 21st century audience, Hitchcock's film is the perfect choice for the Internet Age."
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
No. Citizen Kane is better: Orson Welles' visionary epic Citizen Kane — which tracks the rise and fall of a flawed publishing tycoon modeled on William Randolph Hearst — "was the kind of revolutionary moment in art that happens once in a generation," says Ray DeRousse at WhatCulture. Welles' creation is "the equivalent of...Darwin uncovering natural selection, or the Beatles stumbling onto multi-track recording." Meanwhile, "I'm not even sure Vertigo is the best film of Alfred Hitchcock's career, let alone of all time."
"Vertigo beats Citizen Kane as BFI's best film ever"
Hitchcock's film is benefitting from a Kane backlash: For 50 years, "venerable, venerated Citizen Kane has topped every list like a Third World President for Life," says Richard Rushfield at The Daily Beast. "Its greatness has been unquestionable by any but the most suicidal subversives." But in today's Twitter-fueled "Backlash Era," the new norm is "furious negative reaction to anything seemingly hyped or imposed." Vertigo is a great film — "quirky, subversive, surreal, and outlandish." But it's mostly benefiting from the fact that Kane has become too obligatory.
"Citizen Kane v. Vertigo: Why Kane fell in the Sight & Sound poll"
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
It's all subjective: There are no bad decisions here, says Damon Houx at ScreenCrave. All of the films on Sight & Sound's list are "worth seeing and appreciating." And remember, it's not as if voters conspired to push Vertigo over the top. There are too many people involved in the voting — 846 this year compared to 145 in 2002 — "to consider this a conscious decision." I, for example, "would have ranked Rules of the Game higher, but that's just me." Let's take this whole list with a grain of salt.
"Vertigo dethrones Citizen Kane in Sight & Sound's latest poll"
Frances is a senior editor at TheWeek.com, managing the website on the early morning shift and editing stories on everything from politics to entertainment to science and tech. She's a graduate of Yale and the University of Missouri journalism school, and has previously worked at TIME and Real Simple. You can follow her on Twitter and on Tumblr.