Vidal Sassoon, 1928–2012

The street fighter who redefined hairstyling

With one high-profile haircut, Vidal Sassoon became an international sensation. In 1967, director Roman Polanski paid the London-based hairdresser $5,000 to fly to Hollywood and trim Mia Farrow’s tresses for the movie Rosemary’s Baby. Reporters and photographers were invited to watch as the actress sat on a chair in a boxing ring while a scissor-wielding Sassoon danced around her and sculpted his masterpiece. The short pixie cut became Farrow’s signature, and the movie served as a fine advertisement for the hairdresser’s sharp style. “It’s Vidal Sassoon!” Farrow tells a shocked character in the film. “It’s very in.”

Sassoon didn’t set out to be a hairdresser, said The Wall Street Journal, but his choices were limited. Born to a Jewish immigrant family in London, he spent six years in an orphanage after his father walked out on the family. When he was 12, his newly remarried mother reclaimed him and insisted he apprentice at a hair salon, despite his dreams of being a professional soccer player. While still in his teens, “Sassoon joined a Jewish patrol that battled homegrown British fascists—followers of Oswald Mosley—in the streets.” At 20, he volunteered to serve in Israel’s army and fought in the new nation’s war of independence. His unit suffered heavy casualties, but the experience gave Sassoon a new sense of confidence. “I came home after a year, and although my profession was only hairdressing, I knew I could change it,” he said.

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