The Columnist
Joseph Alsop not only spoke to power, he “whispered in its ear.”
Samuel J. Friedman Theatre New York
(212) 239-6200
Joseph Alsop not only spoke to power, he “whispered in its ear,” said Ben Brantley in The New York Times. The Cold War–era columnist wrote at a time when nationally syndicated pundits wielded enormous influence over both the public and the politicians they covered. To revive Alsop, the masterful John Lithgow gives this backroom sage “a bespectacled, patrician mask whose default expression is a sneer.” But Alsop was also a closeted homosexual, and Lithgow ably illuminates his contradictions. Playwright David Auburn sometimes lays out the character’s warring traits too conscientiously, as if he were writing “the opening paragraph of a solid-A term paper.” That “dry rustle of reference materials” distracts from what could have been a more gripping drama.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Yet Lithgow keeps the focus where it should be—on character, said Erik Haagensen in Backstage.com. The actor “can go from flashing rage through wounded pride to glittering charm without breaking a sweat.” From the opening scene depicting Alsop’s most vulnerable moment, when he’s photographed during a gay sexual encounter in a Moscow hotel room, Lithgow generates enough sympathy to “see us through a good deal of unpleasant behavior to come.” We’re shown how callously Alsop treated his socialite wife (Margaret Colin), how abusive he was to his brother Stewart, and how his strident support of the Vietnam War wrecked his career. By the final curtain, The Columnist becomes “both a complex character study” and “a surprisingly full portrait of an era of rapid change in American society.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Book reviews: 'The Thinking Machine: Jensen Huang, Nvidia, and the World’s Most Coveted Microchip' and 'Who Is Government? The Untold Story of Public Service'
Feature The tech titan behind Nvidia's success and the secret stories of government workers
By The Week US
-
Mario Vargas Llosa: The novelist who lectured Latin America
Feature The Peruvian novelist wove tales of political corruption and moral compromise
By The Week US
-
How to see the Lyrid meteor shower
The explainer A nice time to look to the skies
By Devika Rao, The Week US
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
By The Week Staff
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
By The Week Staff
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
By The Week Staff
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
By The Week Staff
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
By The Week Staff
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
By The Week Staff
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
By The Week Staff
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.
By The Week Staff