New Jerusalem
Stage West, Fort Worth, (817) 784-9378
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A Number
BackStage Theatre Co., Chicago, (312) 772-2782
Caryl Churchill’s play uses the possibility of human cloning as a “lens for viewing parent-child relations,” said Time Out Chicago. Tony Bozzuto excels at playing three different people with the same DNA, and Patrick Blashill “is nicely understated” as a failed dad who wants to “scrap it and start over again.”
Future Motive Power
Old Mint, San Francisco, (415) 967-1574
The Mugwumpin troupe has turned the life of Nikola Tesla into a “loopy, partly surreal” piece of experimental theater, said the San Francisco Examiner. As Tesla, Christopher W. White tinkers obsessively with alternating electric current while rival Thomas Edison explores a second path. White “ably projects” his character’s “messianic zeal.”
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Will Japan’s first female prime minister defy sumo’s ban on women?Under the Radar Sanae Takaichi must decide whether to break with centuries of tradition and step into the ring to present the trophy
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Political cartoons for November 16Cartoons Sunday's political cartoons include presidential pardons, the Lincoln penny, and more
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The vast horizons of the Puna de AtacamaThe Week Recommends The ‘dramatic and surreal’ landscape features volcanoes, fumaroles and salt flats
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If/Thenfeature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
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Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
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Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
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The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
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Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
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The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
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No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
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The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.