5th Avenue Theatre
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Kathie Lee Gifford’s musical needs “additional laying-on of hands before it’s ready to ascend,” said Variety. The show has two things right: Evangelist Aimee Semple McPherson was indeed “a fascinating jazz-age prototype of today’s tabloid celebrities,” and Carolee Carmello’s “inspired” performance turns everyone in the theater into a true believer. Unfortunately, Gifford still hasn’t found a focused story to tell.
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Quiz of The Week: 15 – 21 NovemberQuiz Have you been paying attention to The Week’s news?
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Can the UK do more on climate change?Today's Big Question Labour has shown leadership in the face of fraying international consensus, but must show the public their green mission is ‘a net benefit, not a net cost’
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The Week Unwrapped: Will US Catholics rebel against the Pope?Podcast Plus what are the ethics of freezing your late partner?
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If/Thenfeature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
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Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
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Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
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The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
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Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
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The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
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No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
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The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.