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When Robin Wright comments on trends in the Muslim world, “she deserves to be listened to,” said Jordan Michael Smith in CSMonitor.com. The veteran journalist’s 2008 book, Dreams and Shadows, was “prescient in previewing the people and movements” that fomented this year’s Arab Spring uprisings. In Rock the Casbah, Wright returns to the region to explore what she calls the “counter-jihad”—a mass effort by Muslim youths to seize the levers of art and culture in order to turn back the rise of jihadist ideology. Though the democratic ideas that are fueling uprisings in Egypt, Tunisia, and Iran are still “far from dominant,” Wright believes that they’re gaining strength. It’s only a matter of time, she says, before reform-minded young Arabs successfully reshape their world.
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Wright does her best to reveal the depth of these changing attitudes, said Michiko Kakutani in The New York Times. Her “heavily anecdotal” approach, however, is a liability. Sure, it’s compelling to read about Hissa Hilal, who became a finalist on a Persian Gulf version of American Idol by reading an angry poem blasting entrenched clerics. Or about Naif al Mutawa, creator of a popular comic book featuring anti-jihadist superheroes. Still, “it can be difficult for the reader to tell just how widespread” any of these trends are. Wright’s optimism is both infectious and hard to square with reports of tanks rolling into Hama, Syria, or protesters feeling compelled to return to Tahrir Square. Here’s hoping that her predictions prove prescient again.