Julia
In Vince Melocchi’s “gracefully melancholic” new drama, an old man looks up his teenage sweetheart and finds her in a local nursing home suffering from the effects of dementia.
Pacific Resident Theatre
Venice, Calif.
(310) 822-8392
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
***
The emotional power of Vince Melocchi’s “gracefully melancholic” new drama sneaks up on you, said Les Spindle in Backstage. Though it begins as a simple story about an old man returning to his small Pennsylvania hometown, it grows into a “telling and compassionate portrait” of aging, regret, and the devastating effects of Alzheimer’s disease. Lou, its frail protagonist, arrives in town seeking “a reunion with his teenage sweetheart.” She first appears in a flashback to 1951, when the two shared a sweet but “awkward rooftop encounter.” But when he eventually finds her in a local nursing home, she is a shadow of her former self, so ravaged by dementia that she cannot recognize members of her own family.
This “small, sweet play” could so easily have turned maudlin, said Charlotte Stoudt in the Los Angeles Times. Fortunately, director Guillermo Cienfuegos uses a dash of good humor to temper the play’s somber events, and the show “has the low-key feel of real life.” One of the strengths of the script is its wealth of conversations “that at first appear pointless” before revealing deep shadings of character, said Paul Birchall in LA Weekly. The players, led by Richard Fancy and Roses Pritchard, supply admirably nuanced performances. Their work helps endow this “unusually believable” tragedy with a “feeling of reality” that’s positively haunting.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Democrats: How to rebuild a damaged brand
Feature Trump's approval rating is sinking, but so is the Democratic brand
-
Unraveling autism
Feature RFK Jr. has vowed to find the root cause of the 'autism epidemic' in months. Scientists have doubts.
-
'Two dolls': Can Trump sell Americans on austerity?
Feature Trump's tariffs may be threatening holiday shelves but they've handed Democrats a 'huge gift'
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.