The Time Traveler’s Wife
Robert Schwentke's adaptation of Audrey Niffenegger’s hugely popular book is "kind of sweet," but it doesn't capture the novel’s symbolism and romantic splendor.
Directed by Robert Schwentke
(PG-13)
**
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A woman must deal with her husband’s time-traveling ways.
This adaptation of Audrey Niffenegger’s hugely popular book is less a film than a “high-school stage version,” said Tasha Robinson in The Onion. “Kind of sweet, but endlessly clumsy,” Robert Schwentke’s film never fully captures the novel’s symbolism and romantic splendor. As genetic anomaly Henry (Eric Bana) inadvertently slips through time, he and the love of his life (Rachel McAdams) spend their lives “struggling to bridge the emotional gaps” caused by his erratic comings and goings. Though The Time Traveler’s Wife is a love story, “there’s no daring in it, no go-for-broke passion,” said Stephanie Zacharek in Salon.com. Despite their best efforts, Bana and McAdams seem “not just lost in time but in space.” Part romance, part sci-fi, and all cliché, the film never establishes a distinctive tone and ends up as nothing more than a “particularly inept piece of slick hokum.” Actually, Schwentke does balance the sop with just enough “aching solidarity” with the characters to make you care, said Richard Corliss in Time. It’s all a bunch of hooey, but audiences presumably know that going in.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com