B.B. King’s racial odyssey
B.B. King, who was born in the segregated South 83 years ago and grew up on a cotton plantation in Mississippi, didn't perform before a white audience until 1967, when he was 41 years old.
B.B. King has seen changes he would never have dared imagine, says Mick Brown in the London Daily Telegraph. The last of the great bluesmen was born in the segregated South 83 years ago and grew up on a cotton plantation in Mississippi. Early in his career, he played in roadhouses and black theaters on what was known as the “chitlin’ circuit.” He didn’t perform before a white audience until 1967. But when he arrived at the Fillmore West in San Francisco that year, he knew the country’s racial divide was beginning to crumble. “When we pulled up, I saw all these long-haired kids outside. I thought, My agent’s made a mistake. So I sent my road manager to get the producer. And Bill Graham came out and said, ‘No, B, this is the right place.’ I was like a cat with seven dogs around him! I was nervous because I’d never played to people like this before.” King was so scared he fortified himself with a half-pint of liquor. “Then finally we get onstage and Bill said, ‘Ladies and gentlemen’—and it got so quiet you could hear a pin drop—‘I bring you the chairman of the board, B.B. King.’ They all stood up and yelled. I had a 45-minute set, and they must have stood up three or four times. That’s the night I saw the difference.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
-
Book reviews: ‘Red Scare: Blacklists, McCarthyism, and the Making of Modern America’ and ‘How to End a Story: Collected Diaries, 1978–1998’
Feature A political ‘witch hunt’ and Helen Garner’s journal entries
By The Week US Published
-
The backlash against ChatGPT's Studio Ghibli filter
The Explainer The studio's charming style has become part of a nebulous social media trend
By Theara Coleman, The Week US Published
-
Why are student loan borrowers falling behind on payments?
Today's Big Question Delinquencies surge as the Trump administration upends the program
By Joel Mathis, The Week US Published