It's been 22 years since the release of "Freaky Friday", said Tom Shone in The Sunday Times. In that film, Jamie Lee Curtis and Lindsay Lohan played a mother and her teenage daughter who – owing to supernatural intervention – accidentally swapped bodies for 24 hours.
This belated sequel, reuniting its original stars, picks things up in the present day: Tess (Curtis) is still working as a therapist; Anna (Lohan) is now grown up and the single mother of a teenage daughter of her own – rebellious surf-loving Harper (Julia Butters).
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On the contrary, said Dana Stevens on Slate – embodying a teenager allows Curtis to "bust out" that talent for physical comedy that is one of her hallmarks. She conveys both the freedom that youngsters on the cusp of adulthood feel and the horror any teenager would display if they looked in the mirror and saw reflected back at them the face of someone else's grandmother.
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6 sporty homes with tennis courtsFeature Featuring a clay tennis court in New York and a viewing deck in California
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Critics’ choice: Seafood in the spotlightFeature An experimental chef, a newspaper-worthy newcomer, and a dining titan’s fresh spin-off
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Taylor Swift’s Showgirl: Much glitter, little goldFeature Swift’s new album has broken records, but critics say she may have gotten herself creatively stuck
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6 sporty homes with tennis courts
Feature Featuring a clay tennis court in New York and a viewing deck in California
-
Critics’ choice: Seafood in the spotlight
Feature An experimental chef, a newspaper-worthy newcomer, and a dining titan’s fresh spin-off
-
Taylor Swift’s Showgirl: Much glitter, little gold
Feature Swift’s new album has broken records, but critics say she may have gotten herself creatively stuck
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Theater review: Masquerade218 W. 57th St., New York City 218 W. 57th St., New York City
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I Swear: a ‘warm-hearted’ comedy-dramaThe Week Recommends While ‘inescapably hilarious’, the drama also lifts the lid on John Davidson’s experiences with Tourette syndrome
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Victoria Beckham Netflix documentary feels like an ‘advert’Talking Point Carefully controlled three-part show fails to answer the interesting questions it raises
