Can we all stop pretending Phantom Thread is a masterpiece?

It's not even a particularly good movie

A scene from 'Phantom Thread.'
(Image credit: Courtesy Focus Features)

To detract from the widely accepted brilliance of Phantom Thread is to challenge gushing declarations that it is "one doozy of a love story" or maybe even "the most surprising love story of the year." It is to shrug at the union of director Paul Thomas Anderson and his leading man, Daniel Day-Lewis, and thus fail to pay proper respect to "the event." It is to scoff at the idea that Phantom Thread "make[s] breathing difficult," as one (concerning) review proclaimed. It is to roll your eyes at A.O. Scott's puzzling claim in The New York Times that he will "happily watch it another dozen times" just to try to find a flaw with this slow-moving film about a fussy couturier.

Well, allow me to detract, to shrug, to scoff, to roll my eyes. Because Phantom Thread is not a very good movie.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
Jeva Lange

Jeva Lange was the executive editor at TheWeek.com. She formerly served as The Week's deputy editor and culture critic. She is also a contributor to Screen Slate, and her writing has appeared in The New York Daily News, The Awl, Vice, and Gothamist, among other publications. Jeva lives in New York City. Follow her on Twitter.