'Happy Gas': Sarah Lucas at Tate Britain
This 'vindaloo of sculpture, photography and text' makes for a 'grubbily fascinating' exhibition

Sarah Lucas, now 60, is "one of the most enduring of the Young British Artists" of the 1990s, said Ben Luke in the Evening Standard. Lucas was slower than many of her fellow YBAs to make her mark, but she has gone from strength to strength in the decades since. Her photographs and sculptures – uncanny, surreal, often made out of found objects – place her in a European absurdist tradition, but they also display a "cackling Britishness".
This "fantastic" new exhibition covers her career from 1991 to the present day with "typical" irreverence. Although nominally a retrospective, it omits many of her most famous works: for instance, there's no "Two Fried Eggs and Kebab" (1992), slapped on a table to form a "sardonic" nude. The exhibition's "guiding motif" is chairs, often sat upon by human-like figures made out of stuffed, bulging tights. It is "an intoxicated – and intoxicating – show" that proves Lucas is "an artist at the height of her powers".
There are "gigantic resin sandwiches, big as king-sized beds and with dubious Spam-like fillings", said Adrian Searle in The Guardian. There's a burnt-out Jaguar covered in cigarettes; "raw chicken underwear"; and "photos of the artist on the lavvy". "Happy Gas" is "a wonderfully theatrical and surprising" show. Lucas's "boozy, laddish" sense of humour is inescapable here, said En Liang Khong in The Daily Telegraph. In "The Old Couple" (1991), "false dentures and a wax dildo perch on a pair of rickety chairs". You can see plaster casts of the artist's close friends, complete with cigarettes "jammed up their orifices". Sometimes, her "scuzzy wit" translates into something "genuinely disturbing": for "Bunny" (1997), for instance, she packed a pair of pantyhose with stuffing until the "seams stretched" and the material took on "the texture of mottled flesh". Elsewhere, however, it just looks crass. At one point we see a huge photo of the artist holding "a raw plucked chicken" over her groin; another work involves a cigar and a pair of walnuts placed atop a "glowing" toilet bowl. "Geddit?" Frankly, many works here are "as funny as lead" and "about as rebellious as paper doilies".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
"It is what it is, and it isn't Frans Hals," said Laura Freeman in The Times. If you're "offended by boobs, gussets and wanking, don't go to 'Happy Gas'". But it's an evocative "slice of 1990s life". Lucas is entertainingly "puerile": "Five Lists" (1991), for example, is simply a taxonomically complete litany of insults. Yet she is capable of sophistication, too: her pantyhose sculptures, a dozen of which feature here, are "stirring, affecting, poignant even". They are unsettlingly lifelike – indeed, "it's as if Picasso's 'Demoiselles d'Avignon' had escaped the frame and gone on a Blackpool hen-do". Love Lucas or loathe her, the "vindaloo of sculpture, photography and text" on display here makes for a "grubbily fascinating" exhibition.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Trump allies reportedly poised to buy TikTok
Speed Read Under the deal, U.S. companies would own about 80% of the company
-
September 17 editorial cartoons
Cartoons Wednesday’s political cartoons include a diet of outrage, toxic rhetoric, and tank treads on states' rights
-
The 9 restaurants to eat at this very moment
The Week Recommends They’re award-winning. Isn’t that reason enough?
-
A tour of Sri Lanka’s beautiful north
The Week Recommends ‘Less frenetic’ than the south, this region is full of beautiful wildlife, historical sites and resorts
-
Giorgio Armani obituary: designer revolutionised the business of fashion
In the Spotlight ‘King Giorgio’ came from humble beginnings to become a titan of the fashion industry and redefine 20th century clothing
-
Downton Abbey: The Grand Finale – a ‘comfort’ watch for fans
The Week Recommends The final film of the franchise gives viewers a chance to say goodbye
-
The Paper: new show, same 'warmth and goofiness'
The Week Recommends This spin-off of the American version of The Office is ‘comfortingly and wearyingly familiar’
-
Rachel Jones: Gated Canyons – ‘riotously colourful’ works from an ‘exhilarating’ painter
The Week Recommends The 34-year-old is the first artist to take over Dulwich Picture Gallery’s main space
-
Born With Teeth: ‘mischievously provocative’ play starring Ncuti Gatwa
The Week Recommends ‘Sprightly’ production from Liz Duffy Adams imagines the relationship between Shakespeare and Christopher Marlowe
-
Art review: Lorna Simpson: Source Notes
Feature Metropolitan Museum of Art, New York City, through Nov. 2
-
Jessica Francis Kane's 6 favorite books that prove less is more
Feature The author recommends works by Penelope Fitzgerald, Marie-Helene Bertino, and more