Robot Dreams: 'utterly charming' animated feature is 'laced with comedy'
The film follows the relationship between a lonely dog and the robot he builds for company
"Robot Dreams" is a largely silent cartoon from the Spanish director Pablo Berger, and though it doesn't have the production values of an animation by the likes of Pixar or Dreamworks, "it will capture your heart", said Deborah Ross in The Spectator.
Based on a graphic novel by Sara Varon, it is set in the 1980s in a New York populated by anthropomorphic animals. Our hero is a lonely dog called Dog, who spends his evenings in his apartment eating miserable microwaveable meals and watching TV. One night, he sees an advert for a "build-your-own-robot", and orders one. Once constructed, Robot proves "curious, kind, thrilled by everything", and "devoted to Dog".
The film is beautifully made – "every frame offers a detail that didn't have to be there but is, whether it's the cloud of red dust that rises every time anyone opens a bag of Cheetos, or the adverts on the subway". And though it could be shorter, it's utterly charming and so moving that I found myself welling up.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Delightfully animated, the film is "laced with comedy, tenderness" and "sweetness", said Cath Clarke in The Guardian. Arguably, it is a bit too "soft-hearted", but still, I defy anyone to watch its "final moments without a lump in the throat".
The film's evocation of "body-popping, boombox-blaring, graffiti-strewn New York" in the 1980s will surely give many adults "a Proustian rush", said Tom Shone in The Sunday Times. But I wonder if Robot Dreams will appeal to many children. Under-12s "are not much inclined to melancholy meditation on the transitoriness of human relationships"; certainly my ten-year-old was not impressed. "It's too everyday, too slice-of-life," was the verdict.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
What role will Trump play in the battle over Warner Bros. Discovery?Today’s Big Question Netflix, Paramount battle for the president’s approval
-
‘The menu’s other highlights smack of the surreal’Instant Opinion Opinion, comment and editorials of the day
-
Education: More Americans say college isn’t worth itfeature College is costly and job prospects are vanishing
-
It Was Just an Accident: a ‘striking’ attack on the Iranian regimeThe Week Recommends Jafar Panahi’s furious Palme d’Or-winning revenge thriller was made in secret
-
Singin’ in the Rain: fun Christmas show is ‘pure bottled sunshine’The Week Recommends Raz Shaw’s take on the classic musical is ‘gloriously cheering’
-
Holbein: ‘a superb and groundbreaking biography’The Week Recommends Elizabeth Goldring’s ‘definitive account’ brings the German artist ‘vividly to life’
-
The Sound of Music: a ‘richly entertaining’ festive treatThe Week Recommends Nikolai Foster’s captivating and beautifully designed revival ‘ripples with feeling’
-
‘Furious Minds: The Making of the MAGA New Right’ by Laura K. Field and ‘The Dream Factory: London’s First Playhouse and the Making of William Shakespeare’ by Daniel SwiftFeature An insider’s POV on the GOP and the untold story of Shakespeare’s first theater
-
Henri Rousseau: A Painter’s Secretsfeature Barnes Foundation, Philadelphia, through Feb. 22
-
Homes with great fireplacesFeature Featuring a suspended fireplace in Washington and two-sided Parisian fireplace in Florida
-
Film reviews: ‘The Secret Agent’ and ‘Zootopia 2’Feature A Brazilian man living in a brutal era seeks answers and survival and Judy and Nick fight again for animal justice